Eva Franco

Last summer I had the pleasure of visiting Eva Franco in her amazing studio in Los Angeles. Eva has been an UPPERCASE subscriber for quite a while and she came to visit our booth at the Renegade Craft Fair in Los Angeles. Eva and her studio will be featured in the spring issue of UPPERCASE that is currently in progress. (A primary themes I’m exploring in the next issue is indie fashion as well as luck/superstition and how weather influences creativity). 

Eva’s just posted this video on her blog. It offers a glimpse at her creative process and will whet your appetite for more!

 

 

 

A selection of Eva’s clothes are available through ModCloth. More of my favourites on Pinterest.

Ok, nobody sneeze…

(Want to read more about paper cutting? We have a feature about the art of paper cutting and other labour-intensive artmaking in issue #11.)

A heart a day by Thomas Fuchs

animation by Thomas Fuchs

 

Every day offers Thomas Fuchs the potential explore the heart as a visual and creative motif… {discovered via Type Theory}

my brother ROCKS!

My brother Marc is an amazing musician and guitar/amp genius. Yamaha has recognized his talents by asking him to demo their cool new amp, the THR10.

From the Yahama website

“The go-to guy for anything guitar-related in LA, Marc’s credits include Daughtry (Marc’s THR5 made it on to the latest record!), Kelly Clarkson, Black Stone Cherry, Theory of a Deadman, Creed, Adam Lambert, Papa Roach and 3 Doors Down and he’s as likely to be found modding an amp or building a pedalboard as he is tracking an amazing guitar part or finding the perfect guitar sound for a hit record with his awesome collection of amps (a small part of which can be seen in the background of the video). Suffice to say, what he doesn’t now about tone isn’t really worth knowing…

And don’t be fooled by the collection of incredible amps and outboard in the control room at Bay 7 Studios, everything you can hear was done using only what comes in the THR box (apart from the laptop and guitars).”

You can download the track that Marc recorded here. The product design is cool, too.

Creative Adventure, destination: Morocco

How would you like to sojourn in an exotic land while nurturing your creative spirit? April Meeker (Suaviloquy, Second Sister) and Mindy Gledhill are hosting a creative retreat at the Peacock Pavilions in Marrakesh this October. There are just 10 spots available, so sign up soon!

Musée des possibles

photos by Melissa Mongiat“A giant aquarium were you could swim and also see the swimmers from outside.”“A forest of multicoloured balloons all year round, winter and summer.”

Montréal, 30 May 2010: On a Sunday morning, the Museum of Possibilities (Musée des possibles) was created as an invitation for the public to take ownership of a new public space in the city’s Quartier des spectacles. People were asked to share what they would like to see, do, or who they would like to meet in this space—and together explore all possibilities. 

Read more incredibly interesting projects by the project conceptualizers and collaborators “Living in Our Time” here.

{discovered via Happiness Is…} (thanks, Erin, for the link that got me there)

Textiles: Clara Vuletich at Harvest

images from the Harvest blog
There’s an intriguing collaboration going on down under: Clara Vuletich (profiled on one of the early issues of the magazine) has spending time at Harvest Textiles this month.

The residency will explore the concept of ‘local textiles’. Clara hopes to combine her knowledge of sustainable textile print and dye processes with her interest in new forms of design and community activity that promote ‘home-grown’ knowledge/skills and encourage well-being.

“We live in a globalised world where most of our clothing, textiles and objects are made abroad and we are disconnected to the making of most of the products in our lives,” says Clara. “How can we re-connect? The idea of ‘local’ has gained prominence in most urban cities with slow food, farmers markets, the sprouting of an urban agriculture movement and the re-emergence of independent retailers and companies, who offer us trust, loyalty and a sense of community. But what does this mean for textiles?”

(I’m excited to receive a package from Harvest to feature in issue #13.)

Float On

Purveyors of a Portland float center turn us on to salt water meditation

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Ever since seeing “Altered States” back in the day, we’ve held off on trying sensory deprivation tanks. Watching Willam Hurt’s character devolve into a primitive man through repeated psychedelic experiments seemed like a red flag for curious newcomers. A recent trip to Portland’s Float On has changed all that. The supremely chilled-out center invites visitors to come and enjoy the health benefits of a good float, which run from dopamine rushes to skin rejuvenation.

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With four tanks, Float On holds the distinction of being the largest tank center on the West Coast. We opted to try one of the two “ocean” tanks, which are built with six feet of head room for anyone with claustrophobic tendencies. The team behind the center, Quinn Zepeda, Graham Talley and Christopher Messer have created a haven of calm with an inclusive ethos—cash-strapped customers may work shifts to earn float time, and artists are allowed to float free of charge.

After stripping down and showering, you enter the tank, where the water is warmed to match the ambient air at 93.5 degrees Fahrenheit. The 40% salt content makes the water extremely buoyant, keeping you afloat in a mere 14 inches of water. The environment is pitch black and silent, thanks to wax over-ear earplugs. You are encouraged to lay in whatever position feels most comfortable for the 90-minute sessions and, if the tank isn’t booked, they’ll let you stay in for as long as you please.

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After a little more than an hour in suspended gravity—which they claim releases enough pressure on your spine to lengthen your body by an inch—the mind gives over to theta brainwaves, oscillating between consciousness and unconsciousness. It is in this state that practitioners report mental breakthroughs of a creative and psychedelic nature due to decreased level of cortisol, the chemical in the brain that causes stress. Once the initial “What the hell am I doing?” feeling passes, all sense of time and environment gives over to pleasant calm as the loss of sensation shuts down most survival-related brain functions. Sensory deprivation makes the body lose track of time, too, so the float seems to last just a few minutes.

The session ends when music pipes into the tank to wake you if you’ve fallen asleep (I didn’t), although you are encouraged to take your time when re-entering reality. While I didn’t have what I would call a mental breakthrough during the float, it seemed to clear the way for my creativity to take a jump in the days to follow.

Float On

4530 Hawthorne Boulevard

Portland, OR 97215


Desktops

Virtual versus physical: Our conversation with six creative professionals about their workspaces

Our environment influences our behavior both physically and mentally, guiding our personal evolution to determine, among other things, our quality of life. Nowhere does this ring truer than in the workplace. The surroundings, comforts, decorations and distractions that exist in the work environment can have a huge influence on creativity and productivity. For most, the workday revolves around the desk, and how individuals interact with that space can give some insight into the way they operate in the workplace. For the contemporary professional there now exist two desktops, the virtual and the physical, which raises some interesting questions about the relationship between these two spaces in our lives. We asked six creative professionals from the art, web and design worlds to show us their virtual and physical spaces, and found out what makes the modern desktop.

Monica Khemsurov, Co-Founder, Sight Unseen

Do you think of your desktops differently?

Yes. My virtual desktop gets far more use than my physical one, and it can accompany me into bed at night when I’m being a workaholic (which is always). I work from home, and my physical desk mostly just exists to keep me off the couch and save my back.

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Favorite desktop accessory or decoration on both virtual and physical?

Virtual: My desktop image is the cover of a 1969 issue of the German advertising-art magazine Gebrauchsgraphik. Search its name on Flickr — amazing. Physical: Hard to pick a favorite, but I guess I’d go with the little metal bust on an acrylic stand, which I got this summer at a San Francisco antique store. I’m obsessed with things on stands; I also have a set of old geodes mounted on little metal tripods.

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Where/when did you learn to organize or form a system of organization for them?

I don’t have much to organize on my physical desktop — I keep my mess on my kitchen table. But I will say that on my virtual one, I’ve always religiously kept things in aliased folders because a long, long time ago I was told that storing a lot of stuff on your desktop slows down your computer, which I think is actually no longer the case. Ah, modern technology.

What do you look for in a work space? What are the key elements to keep you productive?

Quiet, comfort, and good food at arm’s reach. I work really well at home actually — I can focus here far better than I can in an office. Offices make me tired and shifty. Especially when I’m not near a window, which has been the case for half of my working life. Once I was shut away in my own office with no window at all, so I hung a huge photograph of a forest on the wall, but it didn’t help the feeling that my soul was slowly dying.

Dennis Crowley, Co-Founder, Foursquare

Do you think of your desktops differently?

Yes, my physical desk is just a seat. As much a place to sit and get work done as it’s a place to store all the stuff I accumulate. The foursquare office is pretty open with lots of common space to work. There are some days I’m only at my desk for a few minutes (meetings, etc) and I’m totally fine with that. My virtual desktop is pretty bare—I’ve got a portal to Dropbox which mimics everything onto my Mac at home, iPad and iPhone. I guess the Dropbox cloud is the virtual equivalent of my messy physical desktop.

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What are you embarrassed about on your desktop?

Physical: It’s a mess. I just tend to accumulate stuff—stickers, papers, postcards, photos, books, baseball cards, trinkets, USB cables. Virtual: Nothing! Since I got this new Mac I’ve bee keeping it real organized!

Favorite desktop accessory or decoration on both virtual and physical?

Physical: Penguins that sing and dance to House of Pain’s “Jump Around” (my Mom sent it to me for Christmas). Virtual: I’ve been using this app called F.lux that subtly changes the color of your screen as you get further from dawn and closer to dusk. Took me a few days to adjust but it’s pretty nice.

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Where/when did you learn to organize or form a system of organization for them?

Virtual: My desktop hasn’t always been so tidy – the desktop my old MacBook was littered with old files. My physical desk has always been kind of an “organized mess”. Luckily, foursquare is moving offices next week which will force me to get rid of most of it.

What do you look for in a work space? What are the key elements to keep you productive?

Being in a crowded room. I’m more productive when everyone around me is buzzing. Most of the early foursquare prototype got built in East Village coffee shops since the atmosphere was much more motivating than working alone at my kitchen table.

John Maeda, President, Rhode Island School Of Design

Do you think of your desktops differently?

I don’t see them as connected in any way. I do regret that I don’t connect them more thoughtfully.

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Favorite desktop accessory or decoration on both virtual and physical?

On my physical desktop, Kinesis keyboard is a necessity. On my virtual desktop, I guess it would be my Sparrow Mail window.

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Where/when did you learn to organize or form a system of organization for them?

In 2005 I wrote a book called The Laws of Simplicity that espoused principles of organization that I use in my daily life.

What do you look for in a work space? What are the key elements to keep you productive?I look for a large enough table with a power outlet nearby. The key elements are industrial ear plugs, my computer, and my in/out box.

Jon Burgerman, Artist and Illustrator

Do you think of your desktops differently?

Yes, one collects dust and the other, images dragged off the Internet.

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What are you embarrassed about on your desktop?

Nothing really, I have no shame, not anymore.

Favorite desktop accessory or decoration on both virtual and physical?

I have a small collection of cute/ugly animals stuck to the wall of my office. I haven’t really added to the collection for a long time now but I still like them. I try and keep both desktops clutter-free. I don’t like clutter. I don’t like unnecessary things. Almost everything is unnecessary…apart from wet wipes, of course.

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Where/when did you learn to organize or form a system of organization for them?

I am feral. I learned and adapted by need and circumstance.

What do you look for in a work space? What are the key elements to keep you productive?

Nothing. I like space and the suggestion of a never-ending afternoon. To keep productive I need no restrictions or distractions. I’m distracted so easily.

Kelsey Keith, Senior Editor, Dwell

What are you embarrassed about on your desktop?

It’s a cubicle with gray walls and very little flair.

Favorite desktop accessory or decoration on both virtual and physical?

I moved into this office two weeks ago, so I don’t have much in the way of decoration. Several must-haves are red pens, a stack of clean notebooks, and a drawer to stash all the extras: snacks, stain remover, passport, calculator, hand cream. I would equate that drawer to the folder of photos on my virtual desktop.

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Where/when did you learn to organize or form a system of organization for them?

I tend to remember things as soon as I write them down, so I wasn’t forced to get organized until I started managing people in an editorial role. Now I stay on track by adding appointments, even tentative ones, to my calendar as soon as they crop up and keeping a running tally of high-priority tasks on Mac Stickies. Funny enough, I loathe physical Post-It Notes.

What do you look for in a work space? What are the key elements to keep you productive?

No clutter. Bright but warm light. Seltzer. Noise-canceling headphones. A land line.

Kiel Mead, Designer

Do you think of your desktops differently?

My desktops are the same, there is never enough space!

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What are you embarrassed about on your desktop?

My wood shop is sort of next door to my office so there is usually a fine layer of dust on everything. I am kind of self-conscious of that when clients are visiting.

Favorite desktop accessory or decoration on both virtual and physical?

My dog, George, She is currently on my computer desktop and strangely, sometimes we catch her on the actual desktop! She is a 40-pound Basset hound, explorer.

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Where/when did you learn to organize or form a system of organization for them?

On my computer desktop I like all my icons very small. For some reason I feel like it is more organized when it is small. I wish I had a shelving system, floor to ceiling. I think that will be my next investment.

What do you look for in a work space? What are the key elements to keep you productive?

I am always looking for pens in my work space—they keep disappearing. My wireless printer is a task-killer, easy as pie, I can print from my phone! The main things that keep me productive are the endless threads of emails I tend to find myself on.


Creative Future

The new print project from a promising Danish art student

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At just 18 years old, Danish art student Christian Andersen is already striking out on his own with a highly detailed and imaginative publication called Creative Future. Working out of his room in his parents’ basement, Andersen spends “hours upon hours” creating what he thinks of more as an art project than a magazine, with a goal to “inspire and lift the creative spirits within.” Having just released the second edition, Andersen is very much the major operating act behind each issue, but says that, overall, “Creative Future is really a collaborative project, because it’s formed by everyone who’s been a part of the creative process since the first pencil line was drawn.”

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In addition to the print project, Andersen updates his website with a host of other thoughtful works, using a laptop covered in Supreme stickers to bring his colorful style to videos (be sure to check out “The Street Aesthetic of New York City“), paintings, photography and even furniture. With clearly a bright future ahead of him, we recently asked Anderson to tell us more about the making of Issue #2, what inspires him and how he manages to be so productive. Read the interview below, and pick up the latest edition of Creative Future online, which includes a hand-painted puzzle by San Francisco-based cover artist Aaron De La Cruz.

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In what ways is the publication itself a work of art?

Looking away from the content, I really think it is the way the publication is presented. When we create Creative Future we go through a long process, choosing the right materials for the issue. Every magazine we’ve put out so far has literally been put together by hand. And that’s one of the major reasons why we think each magazine is an artwork in itself. None of them are exactly the same. Besides that, the main feature of each issue gets the chance to design the cover and an exclusive item for the project. In this issue Aaron De La Cruz did an amazing job hand-painting 50 limited puzzles to include in Issue #2, all hand-numbered and signed in his studio in San Francisco. I think it is those kinds of things that makes Creative Future special.

It’s not just another magazine featuring a couple of articles and interviews. We put hours upon hours into the small details of each the issue, by experimenting with different design techniques, types of paper and packaging. That is also why we don’t set a specific release date for our publications before we are 100% satisfied with the content and look. We don’t want to compromise if it affects the quality of the publication.

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You chose the work of Aaron De La Cruz for the cover, what strikes you most about his style?

Aaron is a really talented artist who has an incredible story to tell. I think the thing that strikes me most about his style is how he manages to stay consistent, yet innovative about his work. The very minimalistic look in his artworks sets some special parameters and limitations where he can express himself freely and creatively. This is also one of the reasons why his art is recognizable. When you first look at his artworks they may see simple at first, but it is sometimes important to understand the higher meanings in the broad range of mediums Aaron uses. As he says, “Just because you don’t literally see it doesn’t mean that its not there.” So I really think the ideas and visions behind his style are what strike me the most.

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Is street art the medium you find most inspirational?

I think street art and the whole culture surrounding it are very inspirational and motivating. The thing that strikes me most about street art is the fact that the world of street art is constantly evolving and reinventing itself. The great thing about street art is that it refuses rules of categorization, but at the same time connects with the traditional art world. It might be illegal, but I wouldn’t consider it pure vandalism. I do find a lot of inspiration in street art and art done in the streets, but as far as my favorite medium goes, I think it’s a mix of more than just one medium.

So even though I’m not a hardcore street artist, I still think street art and graffiti are very interesting, especially because they’re part of this generation’s modern society. All over the world, there are magazines, art galleries and websites dedicated to street art and graffiti. That kind of thing wasn’t around just two decades ago, so I definitely think that we’ll see more street art and urban art forms in the future. The attitude towards street art is constantly changing.

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How would you describe your own style? Would you say the magazine reflects that?

I think the Creative Future Project is a great reflection of my own style and I somehow think there is a connection between Creative Future and the career I am trying to establish in art. I think my own style is very energetic, colorful and quite contemporary. I find a lot of inspiration in urban art forms, as I mentioned, so without knowing it, I think there’s a connection between my art and the Creative Future Project. With the Creative Future Project I have the chance to speak with some of the artists I’m inspired by. I think my own style is still progressing and developing, so by being able to speak with other artists in industry, I somehow learn new things. So while I’m not locked onto one particular way of doing things, I think the Creative Future Project somehow helps me to explore and learn. I’m still experimenting with different mediums and techniques in art myself, so with only one year behind me as an artist I find it hard to describe and define my style.

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What is one of your favorite aspects of this issue?

I really like the fact that we have been able to go beyond what we have done previously. We have been able to experiment a bit more in this issue compared to Issue #1, so I really think we’ve set the bar a little higher in this issue. We have not only reinforced the look, layout and quality, but also managed to include some very interesting features and interviews. So by attacking the unfamiliar and unknown with new creative approaches, I feel we’ve been able to take the Creative Future Project to the next level. In terms of my favorite aspects of the issue, I really like what Aaron has contributed. He has just done an incredible job on the puzzles. Besides that, I’m really satisfied with the look and quality of this issue. When comparing this issue with our first publication, I really see a positive transition.

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How do you manage so many successful projects?

Even though it’s sometimes hard to manage it all at the same time, especially with school running on the side, I think you will be able to make things work if you’re dedicated and hard-working. You only live once. Do the things you love, and enjoy the people around you. In order to make a change you need to stay curious and believe in what you do. If you want things bad enough, they will happen.

What makes you most excited about the future?

I’m really exited to see how my art and Creative Future will develop in the next couple of years. My future is quite uncertain because I’m still in school. I’ll be done in a year and a half and I have absolutely no clue of where I am headed, so I really think it is quite exiting to see where I’ll be in just two years. I feel like my art projects are starting to look very promising and the uncertainty just makes me hungry for more. I feel like I have a lot more to accomplish and achieve in the future and my mind is currently filled with ideas and visions for future projects.

I really find the uncertainty very motivating and exciting. I guess I’ll just continue working towards an imaginary goal. I don’t know what it is yet.