Alemanys 5 by Anna Noguera

Alemanys 5 by Anna Noguera SQ

Barcelona architect Anna Noguera has converted a sixteenth-century house in Girona into two contemporary holiday apartments.

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The conversion employs a palette of steel, concrete and oak.

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The house retains its traditional “badiu” or covered balcony and a pool has been added in the walled garden.

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Alemanys 5, which overlooks Plaça de Sant Domènec in the Catalan city’s medieval quarter, can be rented through Welcome Beyond.

Alemanys 5 by Anna Noguera 5

Here’s some info from Welcome Beyond plus text from the architect:


Architect: Anna Noguera (www.annanoguera.com)

Location: Carrer Alemanys, 5 17004 Girona Spain

Alemanys 5 by Anna Noguera 6

Description

Located in the core part of Girona’s medieval quarter, within the scope of the first wall and overlooking the Plaça de Sant Domènec, is the property Alemanys 5, whose original building dates from the Sixteenth Century.

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Its recent restoration integrates old and new, where sober and clean lines look for the enjoyment of essential elements such as space, light, shadow, fire, stone, water or silence.

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Apartments

“El Badiu” (The Veranda) is a 180 m2 duplex in the upper two floors equipped with a master suite and two children suites, kitchen-dining room, great living room with fireplace and a spectacular veranda terrace facing south with exclusive views over the old quarter. It sleeps up to 5 – 6 people.

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“El Jardí” (The Garden) is a 100 m2 apartment equipped with two double bedrooms, a spacious bathroom, a large living room with kitchenette and a nice private garden with solarium and swimming pool. It sleeps 4 – 5 people. The house can also be rented as a whole unit, with 5 bedrooms sleeping 10 – 12 people.

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Amenities

Car park, elevator, fireplace, staellite TV, DVD, stereo and Internet access. Daily cooking and cleaning service is available upon request.

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Interior

Furniture: www.pabordia.com

Lightning: www.susaeta.net

Kitchen: www.albertaubach.com

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Anna Noguera, architect of Alemanys 5:

”The reform has been approached as a search for the most intrinsic characteristics of the actual construction, while the building is freed of additions, surface elements and recent reforms, interpreting the old elements not so much through an historical optic as through their architectural qualities.

Alemanys 5 by Anna Noguera Plans 1

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Alemanys 5 is situated in the oldest part of Girona’s Barri Vell (Old District) inside the area of the first ramparts. Its location on calle Alemanys is special as it stands in front of one of the old fates of the wall, the Rufina gate, which provides views from the house to the convent of Sant Domènec and from there to the house, with the vision of the Cathedral as a backdrop. Although it is difficult to determine the antiquity of the built bodies, the most important reform dates from the sixteenth century. It later underwent many other reforms and additions that disfigured the original volumetry.

Alemanys 5 by Anna Noguera Plans 1

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The site consists of a built body and a lateral garden with the façade giving on to the street. Two centrelines structure the building, one giving on to the street and another one to the interior part of the plot, with crossed facades giving on to the courtyard and garden. A large covered porch, or “badiu”, crowns the street façade and is one of the most characteristic elements of the house. In the courtyard, an old cistern collects rainwater from the roof.

Alemanys 5 by Anna Noguera Plans 3

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The new layout respects the logic of the structure to adapt it to the new functional requirements. On the ground floor, from the main door, the vestibule and small premises are accessed, on the first floor are a dwelling with an exit to courtyard and garden, and the second and third floors accommodate a duplex dwelling, with the night zone in the lower floor and the living room and kitchen in the upper floor to provide vistas and a roofed terrace.

The project is organised around the two centrelines that structure the floor plan. The staircase has been shifted to place it next to the lift, in the interstitial space between the two directional lines of the centrelines. This space is configured as the hinge that generates the entire layout.

The refurbishment has been undertaken with very few materials: iron, concrete and oak wood. The forgings are exposed. They are in concrete with wooden shuttering, or wooden beams and beam fillings for the roof. Lintels and crowning of the stone walls are executed in steel sheeting one centimetre thick.

The staircase and lift space is lined in Corten steel panels to differentiate it as a hinge space. The floors of the staircase and front centreline are covered in wooden floorboards and those of the back centreline in polished concrete. The stone walls are exposed both in the exterior and in the interior, with special attention paid to the texture, colour and execution of the joins. The facing stones of the demolished constructions are recovered for cladding the cistern courtyard. It was sought to preserve the natural colour and texture of the materials in order to better integrate them with the colour and texture of the stones.

The garden, framed by tall stone walls, is formalised into three consecutive planes that go from hardest to softest: concrete, turf and water. The paved zone contiguous to the house is in planed concrete and is covered by a set of cables on to which the wisteria can climb. The plane of turf, finished off with a steel profile, floats above the water of the pool. It is like a dark, long reservoir that overflows and disappears, reflecting the neighbouring wall.”

Prices

‘El Jardí‘ from € 120 per night for 2 people € 20 per extra person per night

‘El Badiu‘ from € 140 per night for 2 people € 20 per extra person per night

Whole house from € 260 per night for 4 people € 20 per extra person per night

Bookings through www.welcomebeyond.com


See also:

.

Belle Iloise House by
Opus 5
Ty Hedfan by Featherstone
Young
23.2 by Omer
Arbel

Interno Giorno by Teka Studio

Interno Giorno by Teka Studio

Architects Teka Studio have converted an old tannery store house in Bergamo, Italy into a family home.

Interno Giorno by Teka Studio

The three-storey building now features a free-standing wine cellar on the ground floor (above) and an indoor swimming pool on the top floor (below).

The bathroom is located on the ground floor and looks out, through a glazed wall, onto a little courtyard.

Interno Giorno by Teka Studio

The living spaces are on the first floor.

Interno Giorno by Teka Studio

A corten steel staircase links the ground and first floors.

Teka Studio corten stairs

Photographs are by Luca Santiago Mora.

Teka Studio corten stairs

Here’s some more information about the project:


“Interior Day” renovation of a productive area

Space
Simple volumes of different shapes placed on top of one another and linked in such a way as to create a subtle effect of interconnections, amid itineraries of light, recurrent geometries and points of emphasis.

Interno Giorno by Teka Studio

This interior design was conceived for a three-storey building, formerly the storerooms of an old tannery in the north-east of Bergamo, to be converted into a home, characterized by the presence of industrial activity which has now been completely abandoned.

Interno Giorno by Teka Studio

On the ground floor, the square floor plan was divided by concrete pillars into three bays of different widths. The service rooms are located here and defined by elements of a lower height with respect to the area accommodating them, to reveal the industrial character of the pre-existing space.

Interno Giorno by Teka Studio

The cellar is exemplary and visually the strongest element, a real “container”: its iron cage supports two horizontal wooden surfaces and takes on the shape of inner shelves, closed off by ruby red panes of glass. The wooden latticework, which screens the panes of glass to avoid the effect of the light on the bottles, reinforces the alien character of this pulsating structure, parked at the bottom of the house.

Interno Giorno by Teka Studio

A long cor-ten staircase leads from here to the first floor, to be used as the living area and connected by another staircase to the second floor where there are the bedrooms and the swimming pool. Both floors are defined by an L-shaped floor plan: in the long arm (40m x 10m) there is a simple row of pillars , the short one (14m x 3m) forms a single bay.

Interno Giorno by Teka Studio

To underline the unbalanced ratio between length and width characterizing these spaces, a narrow opening has been made – corresponding both to the roof and the inter-floor gap. This aperture conveys light to the first floor, where the relationship of light with the exterior is also marked by a long (35 metres) cor-ten window.

Interno Giorno by Teka Studio

Thanks to the presence of slits, holes and long perspectives, these spaces can be perceived in a continuous succession, connected in a narrative route with a good rhythm. This aspect is particularly evident in the shorter arm of the L, where the spaces, on both the first and second floors, are to be mono-functional. The ceiling of the formal dining room is also the bottom of the swimming pool: its portholes look on to the long highly polished black table, plunging the dining room into the atmosphere of the upper floor and anticipating it in a suspended discourse of reflections and light.

Interno Giorno by Teka Studio

Light
The theme-issue of light is a separate chapter in the development of this project: solutions that are never predictable were used to get round substantial obstacles: the building overlooks, unfortunately, the roofs of the surrounding buildings or the back of the nearby apartment blocks, which are all very high and completely blind.

Interno Giorno by Teka Studio

Exploiting light from above to the full by creating original paths to take it through the whole architecture is the central passage in an operation which guaranteed different luminous effects, giving the home a real variety of atmospheres, dimensions and suspensions. In two cases, the light comes from above into the glass parallelepipeds of the skylight wells, pierces the house through its floors and enters it together with a portion of the external space, with its plants and its seasons.

Interno Giorno by Teka Studio

In another case, “informed” by portholes and coloured by metres of water, the swimming pool expands softly and densely into the dining-room below. Lastly, again from above, it works itself into the narrow slit corresponding to the roof and the inter-floor gap, slides along the walls and is released to be diffused on the first floor.

Interno Giorno by Teka Studio

Regarding the access of the light from the side walls as well, despite the difficult position of the building, in some cases the indoor/outdoor relation has been designed with effective and specific solutions. On the first floor, for example, a long cor-ten window allows selecting the views and evokes the delightful image of landscapes impressed upon old photographic. On the bottom wall of the swimming pool, a large cone is directed outwards, defining with its black and enclosing frame, a portion of greenery and the blurred and iridescent light that can come from it.

Interno Giorno by Teka Studio

Matter

On the second floor, in the bedroom area, three large cubes mark the space of the long corridor which leads to the bedrooms. Two are made of leather, one covered with the shiny side and the other with the darker and iridescent “back” of the leather, almost as though it were pigment.

Interno Giorno by Teka studio

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These are the most obvious signs of a discourse on matter which runs through the whole house, in a continuous reference to the once active and bustling world of work – craft and industrial production – in the area where the building stands.

Interno Giorno by Teka studio

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If leather is a clear reference to what the building, a former tannery, was first used for, the interior is characterized throughout by an eclectic and honest unadorned use of matter. Stone, iron, concrete, wood, glass, felt and leather are used in such a way to make their natural essence felt amidst the things of the house and to highlight that they are raw materials, in reference to the world of work.

Interno Giorno by Teka studio

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Sometimes this is done through successful contrasts, in lively dialogues between the materials and in unusual pairings. The best example is the formal dining room, which brings together very different surfaces and colours: the floor of Taxos, a Greek marble of a miraculous white, faces the exposed concrete that dominates it from the ceiling, whilst a lacquered table captures their interaction perfectly, reflecting it. The yellow, studded with travertine on the threshold of this scene, and the green of the soft light from the ceiling with the portholes, complete it, effectively highlighting the essence of every material.

Interno Giorno by Teka studio


See also:

.

House by
BeL Associates
Apprentice Store by
Threefold Architects
More interiors
on Dezeen

Apprentice Store by Threefold Architects

Apprentice Store by Threefold Architects

Threefold Architects of London have converted a set of Grade II-listed warehouses into a family home just outside Bath, England.

Apprentice Store by Threefold Architects

Over the years, the former Apprentice Store has had four more buildings added to it and this new conversion connects them all by a series of stairs and walkways, which undulate around a central wall, creating a circulation route through the house.

Apprentice Store by Threefold Architects

Original features of the buildings have been restored, with the modern interventions separated from the existing structure.

Apprentice Store by Threefold Architects

Exposed wooden beams and trusses feature throughout the space.

Apprentice Store by Threefold Architects

A glazed wall on the south side of the house bathes the open plan living space in natural light and provides panoramic views out to the valley beyond.

Apprentice Store by Threefold Architects

The bedroom and bathroom are arranged across two floors by the entrance.

Apprentice Store by Threefold Architects

Photographs are by Charles Hosea.

Apprentice Store by Threefold Architects

Here’s some more information from the architects:


The former Apprentice Store – Threefold Architects of London have completed the restoration of a Grade II listed former store just outside Bath.

Apprentice Store by Threefold Architects

The Apprentice Store was an ancillary building to the adjacent DeMontalt Mill having been added to over 200 years evolving into 4 conjoined buildings.

Apprentice Store by Threefold Architects

It was on the English Heritage Buildings at Risk register and gradually slipping down the valley due to the unstable geology beneath.

Apprentice Store by Threefold Architects

The scheme strives to be true to the evolving history of the site, by restoring the historical and inserting an obvious new layer of contemporary occupancy.

Apprentice Store by Threefold Architects

A paired down palette of simple robust materials have been used to compliment the original fabric and industrial heritage of the building.

Apprentice Store by Threefold Architects

The design sought to knit together the 4 adjoined but unconnected buildings with a ribbon like circulation route, which undulates around the dominant central bath stone wall.

Apprentice Store by Threefold Architects

The circulation, aims to convey a sense that you are moving through the different buildings, establishing a series of visual connections across them.

Apprentice Store by Threefold Architects

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The house is entered from the north courtyard into a stone double height space, crossed by a bridge at first floor.

Apprentice Store by Threefold Architects

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Through a tight slot in the main spine wall, stepping onto the raised circulation ribbon you enter an open plan living space bathed in natural light, where you are confronted with the view of the valley dropping away below you.

Apprentice Store by Threefold Architects

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The private bedroom and bathroom spaces are arranged across two floors on the north side, divided by the double height entrance hall bridged by the ribbon.

Apprentice Store by Threefold Architects

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The new roof structure of the lean to connect sat high level to the bathstone spine wall.

Apprentice Store by Threefold Architects

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At the junction between the lean to and wall is a continuous rooflight, drawing sunlight down the wall the full length of the space.

Apprentice Store by Threefold Architects

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See also:

.

Tuscany Barn House by
Julian King Architect
Double Family Home by
Chris Lim
Haus + by Anne Menke and Winkens Architekten

The Sackler Building by Haworth Tompkins

London architects Haworth Tompkins have completed a building to house the painting department of the Royal College of Art in London. (more…)