The Sion District, Belo Horizonte

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The focus on Brazil’s tourist meccas of Rio de Janeiro, São Paulo and Salvador makes Belo Horizonte—the country’s third largest city and where I stayed on my recent visit to art park Inhotim—all the more appealing. Full of hidden gems, the city’s a worthy stopover when traveling to Brazil, exemplifying another angle of the famous Brazilian hospitality.

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The Sion neighborhood stands out as one of my favorite under-the-radar stops. Although located next to the boutique-heavy district of Savassi, its residential, hilly streets give it a quiet, almost pensive side. Architect Patricia Naves, owner of design-objects shop Grampo (whose passion for design is a combination of her Brazilian background and schooling in Europe) introduced me to it.

Featuring Brazil’s best industrial product designers from Estudio Manus and the Campana Brosthers to locals like Anna Cunha (stationery) and Lucia Lou (jewelry), Naves—whose own inventive line Oiti combines elements of design with architecture; Karim Rashid brought home the Toast It cork trivets (pictured) on a visit—makes it a point to also incorporate tees and other assorted items within a wide price range so that everyone can leave with something. To inquire about their collection, part of which can be viewed online, call Grampo at +55 (31) 3327-4674 or email (info [at] grampodesign [dot] com [dot] br).

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A few doors down is the ateliê of Rogerio Fernandes, a blazingly prolific artist who specializes in lithography. His pure pop illustrations burst with color and have a consistently upbeat nature about them. He likes to explore themes of love, which explains why so many of his pieces show people locking lips. Fernandes’ prints and other merchandise sells from his site.

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A charming upstairs chocolatier producing artisan-quality Belgian chocolates, Ernestina Degryse and her Belgian husband Bertrand run Degryse, opening the shop after living in Brussels, where Ernestina learned to make candies like locals.

What most impressed me was not only the quality and taste of the chocolates (most Brazilian-made chocolate tend to load on fillers and fat), but also the incredible variation of shapes. Horse and pharaoh heads, pianos and grapes filled with gooey caramel or mint are all molded from the pre-formed trays the Degryses brought back from Belgium.

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In a Brazilian twist, Degryse stocks bonbons filled with cachaca and caipirinha, which I’ve never encountered in Brazil before. The store takes international orders via e-mail—chocolates [dot] degryse [at] bol [dot] com [dot] br—and phone—+55 (31) 3227-4202.

Belo Horizonte, in the mining state of Minas Gerais, is a few hours by plane and eight hours by bus from Sao Paulo and Rio de Janeiro.


U.S. National Soccer Jersey

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As the world gears up to watch the exciting quadrennial battle between soccer’s finest, every detail plays an important role—all the way down to the uniforms. Made from eight recycled plastic bottles, the United States Men’s National Soccer Team home jersey incorporates sustainability with the best in technology and design to ensure the players are in top form and inspire fan pride during the World Cup 2010 games.

Outside of the obvious concerns such as breathability and aesthetics, this year’s competition presents another set of challenges with the games taking place in nine cities throughout South Africa with three different types of climates (hot, cold and wet). Nike improved their already innovative Dri-Fit fabric by making it 10% more flexible, 7% more ventilated and 15% lighter overall to keep players drier and more comfortable.

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Designed by creative director Phil Dickenson, the jersey is the upshot of immense research and a glimpse at the past, referencing the red stripe of the 1950 U.S. National team uniform with a gray sash across the front. Meant to read as a shadow of the original, the inspiration comes from the team’s historic upset against England 1-0 in Brazil’s 1950 World Cup. Also incorporated on the inside of the jersey, the “Don’t Tread On Me” motto serves both to inspire players and as a rallying battle cry for fans.

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The kit sells in Nike’s online store for $70 or at Niketown stores, where it can be customized.


Live from Project: 7 for All Mankind

Never having really thought of this brand paying that much attention to men, I was kind of surprised to find out today that 7 Denim makes more clothing for men than for women. Anyone else have this impression, or am I the only one? I was also pleased to find out the the brand is set to launch its first shirt collection, with a variety of button-ups that look really good, suitable both for slacks or rumpled with jeans. Maybe it’s time to take a second look at this brand. That’s exactly the type of thing I come to these trade shows for; getting a fresh perspective never hurts. Look for the collection in stores early next year.

Live from Project: Adidas Originals

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Live from Project: Jhung Yuro

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Live from Project: Loomstate

Loomstate continues to slowly but steadily expand its collection beyond its signature denim, with nearly a dozen tops that we saw on the way for next Spring. Like the denim, all Loomstate pieces are made with 100% organic cotton, and the brand now offers a few responsibly-made pants and shorts to go alongside the jeans. I particularly like these boardshorts, detailed ever so slightly with the brand’s flying seagull imagery. The element is visually similar to what we saw earlier in the memorable Vans collaboration. Look for these shorts right about the time you start thinking about warm weather again next year.

Live from Project: Android

We saw some really cool wristwatch designs from Android this morning, including these two pieces in which the face appears to float in space. The watch center, including the face and hands on the front and the mechanism in back, is held in place by an acrylic layer that you can see right through. It looks great when there is no background behind it, but even on your wrist it looks like it hovers just above your arm. It’s a cool effect. This brand offers such an easy mix of futuristic styling and geek-friendly details, and this piece is sure to offer the perfect party trick, sure to impress the young and old.

Live from Project: Ambiguous

I like seeing Ambiguous at a show like project, mixing it up with fashion brands as opposed to the action sports brands you see at Magic and Pool. It suggests that the label is taking aim at a goal beyond mere surf/skate lifestyle apparel. Not there’s anything wrong with surf/skate lifestyle, but it works less and less the older you get; and Ambiguous seems to be taking that issue into account more and more these days. The forthcoming collection we saw is inspired by Japanese design themes, and it all has a natural, casual feel that doesn’t stray too far from the brand’s identity.

Live from Project: Cockpit

We saw the debut of the Cockpit menswear label at Project last February, and the brand seems to be smoothly nurturing a rugged, classic aesthetic. The concept central to the line is an adventurism that plays heavily on aircraft imagery, incorporating images that originally appeared on the sides of fighter planes. Many of the pieces are inspired by vintage aircraft and motorcycles that come from founder Jeff Clyman’s personal collection, now part of The American Airpower Museum in New York. Retail options are a bit slim, but you can now buy a variety of pieces directly from the Cockpit site.

Sur la Plage

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Eschewing traditional tailoring techniques and materials, Bea Szenfeld’s creates the layered paillettes and sharply-creased geometric forms of her remarkable garments out of paper. In the Poland-born artist’s latest collection, “Sur la Plage,” currently on view at Stockholm’s Design Galleriet, Szenfeld mixes a range of inspirations. Fusing silhouettes from ’50s burlesque, her high-waisted, structured shapes enhance the feminine form with a vision of the future referencing tribalism, architecture and religious iconography.

The perfect foil for her fantastical compositions, stiff cardboard provides Szenfeld with incredible options for creating structure. “In the exhibition,” the press release reads, “one will see creations that resemble the oceanic demons of Jules Verne and mythical folklore of the sea.”

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Known for her savvy eye and keen ability to blend commercial with personal projects, over the past ten years Szenfeld has built a client list as extensive as it is diverse, having worked with Hello Kitty, Swarovski Crystal, Tommy Hilfiger and Stella McCartney, in addition to frequently lecturing around the globe.

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Sur la Plage, a lesson in modern thinking and material reinvention, underlines not only a highly creative mind but also the importance of balancing artistic integrity with that all important bottom-line. See more images in the slide show below and catch the exhibition on view through 30 April 2010 at Design Galleriet.