Jianamani Visitor Centre by Atelier TeamMinus

Beijing studio Atelier TeamMinus has completed a visitor centre for an ancient Buddhist memorial in Tibet, which features stone walls, a central courtyard and 11 rooftop observation decks (+ slideshow).

Jianamani Visitor Centre by Atelier TeamMinus

Located in the Chinese province of Yushu, the Jianamani Visitor Centre accompanies the Jianamani cairn – a historic mound of inscribed stones amassed by pilgrims over the last three centuries.

Jianamani Visitor Centre by Atelier TeamMinus

Atelier TeamMinus was commissioned to design the building in 2010, shortly after an earthquake hit the region. As well as providing an information source for tourists, it functions as a community centre for the local residents who worked hard to repair the damage caused by the natural disaster.

Jianamani Visitor Centre by Atelier TeamMinus

The architects used traditional Tibetan architecture as a guide when generating the plan of the building. They created a square building with a central courtyard, then surrounded it with observation towers that offer views of various historical landmarks nearby.

Jianamani Visitor Centre by Atelier TeamMinus

Stone was used for the walls, resonating with the inscribed stones that make up the Jianamani memorial.

Jianamani Visitor Centre by Atelier TeamMinus

“The stone masonry is done by local masons, using the same kind of local rock from which Mani stones are carved,” explained the architects.

Jianamani Visitor Centre by Atelier TeamMinus

The rooftop decks were constructed from timber, some of which was sourced from earthquake debris.

Jianamani Visitor Centre by Atelier TeamMinus

Inside, the building is laid out over two floors and accommodates a post office, a clinic, public toilets and a small research archive.

Jianamani Visitor Centre by Atelier TeamMinus

The project was presented at the World Architecture Festival in Singapore earlier this month. It was shortlisted for an award in the display category but lost out to a whirlpool-shaped museum in Copenhagen.

Jianamani Visitor Centre by Atelier TeamMinus

Read on for a project description from Atelier TeamMinus:


Jianamani Visitor Centre

Yushu is a highly regarded religious centre to Tibetans. Its significance comes mainly from Jianamani, the world’s largest Tibetan Buddhist cairn. With a history of over 3 centuries, Jianamani currently bears over 250 million pieces of Mani stones, and is still growing with new pieces added daily by pilgrims.

Jianamani Visitor Centre by Atelier TeamMinus

In Yushu, more than 40% of the populations live on the carving of Mani stones. To the Yushu community, nothing compares to Jianamani. After the 2010 earthquake, Yushu-ers immediately set off to repair Jianamani, long before they started repairing their own houses.

Jianamani Visitor Centre by Atelier TeamMinus

The Jianamani Visitor Centre serves both visitors and the local community. To visitors and pilgrims, it provides information about Jianamani and its history complemented by viewing the surrounding historical sites. To local Yushu-ers, it provides a post office, a clinic, public toilets and a small research archive.

Jianamani Visitor Centre by Atelier TeamMinus

The Jianamani Visitor Centre consists of a square building with a courtyard in the centre, and 11 observation decks surrounding it. The central square volume features the typical Tibetan layout. Of the 11 observation decks, 2 point to Jianamani, 9 point to historic/religious sites related to Jianamani, including: Leciga, Genixibawangxiou, Cuochike, Dongna Zhunatalang Taiqinleng, Zhaqu River Valley, Lazanglongba, Rusongongbu, Naigu River Beach, and Kuanyin Rebirth Site.

Jianamani Visitor Centre by Atelier TeamMinus

The Jianamani Visitor Centre is mainly built with the local construction techniques. The stone masonry is done by local masons, using the same kind of local rock from which Mani stones are carved. The railings around the roof terrace and the observation decks are made of wood, with some parts recycled from earthquake debris.

Jianamani Visitor Centre by Atelier TeamMinus plan
Ground floor plan – click for larger image
Jianamani Visitor Centre by Atelier TeamMinus plan
First floor plan – click for larger image
Jianamani Visitor Centre by Atelier TeamMinus plan
Roof plan – click for larger image
Jianamani Visitor Centre by Atelier TeamMinus section
Section – click for larger image

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“There isn’t much understanding of China’s maritime past”

Movie: in our final exclusive interview with the winners at this year’s World Architecture Festival in Singapore, architect Michael Rayner discusses the National Maritime Museum of China, which was crowned World Future Project of the Year 2013.

National Maritime Museum of China by Cox Rayner Architects

Set to be completed in 2015, the National Maritime Museum of China by Australian studio Cox Rayner Architects will be a 80,000 square metre museum located in Tianjin, China.

National Maritime Museum of China by Cox Rayner Architects

“China has been built on water,” says Rayner. “Not only has it been very much related to the sea, but it was built on canals and that’s how it evolved.”

“There’s a feeling that there isn’t much understanding of China’s maritime past. [The Chinese government] wanted the world and also their own people to understand more about how the country evolved from a water perspective.”

National Maritime Museum of China by Cox Rayner Architects

The design of the museum features five separate halls that spread out like a fan, each of which will be dedicated to a different aspect of China’s marine heritage.

“We wanted to segment it, to stop it from becoming one very large object,” explains Rayner.

National Maritime Museum of China by Cox Rayner Architects

“The brief consisted of a series of different themes, so we felt there was a good reason to give each of those an identity. So the form you see in the plan was in part about giving them a distinction and then converging to show how each of those things might relate to each other.”

National Maritime Museum of China by Cox Rayner Architects

However, Rayner reveals that the exact form of the building is still evolving, as his team are having to redesign parts of the museum as they go to accommodate the different artefacts the Chinese government is acquiring to fill it.

National-Maritime-Museum-of-China-by-Cox-Rayner-Architects_dezeen_06

“Museums at that scale need about a million artefacts to occupy them, so the government has been very rapidly trying to collect elements to work in it,” he says.

“So the design has had to adapt post competition to fit some of the things that are going to be in there. It has been an evolving process.”

National Maritime Museum of China by Cox Rayner Architects

The design team are also up against a very strict timescale to finish the project, he says.

“The government announced that, no matter what, they wanted the project completed at the end of 2015, which in our terms is a record time to do a project,” Rayner explains.

National Maritime Museum of China by Cox Rayner Architects

“They’re about to start putting the piling in at the end of this month, so it’s a very immediate kind of start but we’ve designed it in such a way that the piling and the main floor can be put in and we’ve still got plenty of flexibility to develop the curatorial brief as we go on.”

“We’re trying to dovetail the rapidity [that the client requires] with the quality that we want to get out of the project.”

Michael Rayner of Cox Rayner Architects
Michael Rayner of Cox Rayner Architects

World Architecture Festival 2013 took place at Marina Bay Sands in Singapore from 2 to 4 October. Next year’s World Architecture Festival will take place at the same venue from 1 to 3 October 2014. Award entries are open from February to June 2014.

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HENN to build 280-metre Chinese skyscraper

News: German studio HENN has won a competition to design a 280-metre skyscraper in Taiyuan, China (+ slideshow).

Cenke Tower by HENN

HENN designed the office and hotel building, named Cenke Tower, for a site in the centre of the Chinese city, which is located in Shanxi Province.

Cenke Tower by HENN

The front and rear facades will feature smooth profiles that curve gently outwards, while the narrow sides are designed with convex curvatures. Each of these elevations will be glazed, exposing the aluminium cross-bracing supporting the structure.

Cenke Tower by HENN

The majority of the building will accommodate offices, while the hotel will be located on the uppermost floors and a shopping centre will be housed in the basement.

Cenke Tower by HENN

An entrance on the western side of the tower will provide access from the adjacent boulevard, plus a sunken courtyard on the opposite side of the building will lead visitors through to the shops inside.

HENN has previously designed several skyscrapers for China, including a 450-metre tower for Haikou and five towers for the business district of Wenzhou.

Here’s a project description from the architects:


Cenke Tower

The new tower for the Cenke Group is located on the north-south axis in the centre of the Chinese metropolis of Taiyuan. As well as office space, the building also contains a hotel on its upper floors and a retail area at the basement level. The longer sides of the 280 metre-high building take the form of convex shells with vertically accented facades constructed from opaque aluminium elements and glass of various degrees of transparency.

Cenke Tower by HENN
Site plan – click for larger image

The trapezoid-like shape reduces successively with the building height in the upper levels and determines the amount of direct sunlight admitted to suit the planned use of the space within. While the offices receive optimum solar shading and maximum interior daylight, the hotel guests can enjoy the widest possible views over the city.

The narrower sides of the tower with their concave curvatures and smooth transparent glass facades strike a counterpoint to the solid, powerful overall appearance of the building. They allow views into the building’s interior and show off the elegant, diagonally braced structure.

Cenke Tower by HENN
Elevation one – click for larger image

The entrance area is located on the western side of the building along the lively boulevard. A planted sunken courtyard south of the building merges seamlessly into the basement.

Cenke Tower by HENN
Elevation two – click for larger image

Location: Taiyuan, China
Client: Cenke Groupe
Start of planning: 2014 – 2015

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Roosegaarde’s “electronic vacuum cleaner” could solve smog problem

News: Dutch designer Daan Roosegaarde has developed an “electronic vacuum cleaner” that can remove smog from urban skies and is working with the mayor of Beijing to use the technology in a new park in the city (+ interview + movie).

Smog by Studio Roosegaarde

The concept uses buried coils of copper to create an electrostatic field that attracts smog particles, creating a void of clean air above it.

“You can purify the air so you can breathe again,” Roosegaarde told Dezeen in an exclusive interview during Dutch Design Week in Eindhoven. “It creates these holes of 50-60 metres of clean air so you can see the sun again.”

Smog by Studio Roosegaarde

Roosegaarde’s company Studio Roosegaarde has signed a memorandum of understanding with the mayor of Beijing to create a public park to showcase the technology.

Smog by Studio Roosegaarde

The authorities in Beijing are finally admitting the huge problems caused by smog. This weekend the Beijing Environmental Monitoring Center warned children, the elderly and those with heart and breathing problems to stay indoors due to extreme levels of pollutants in the air.

Working with scientists at the University of Delft, Roosegaarde created a working prototype of the project last week. “We have a 5×5 metre room full of smog where we created a smog-free hole of one cubic metre,” he said. “And now the question is to apply it in public spaces.”

The buried copper coils produce a weak electrostatic field that extends into the sky above. Smog particles are drawn down towards the ground, punching a clean hole in the air and allowing the particles to be collected. The coils can be buried beneath the grass of a park and are completely safe.

“It’s a similar principle to if you have a statically charged balloon that attracts your hair,” Roosegaarde explained. “If you apply that to smog, to create fields of static electricity of ions, which literally attract or magnetise the smog so it drops down so you can clean it, like an electronic vacuum cleaner.”

Smog by Studio Roosegaarde

Roosegaarde had the idea for the project while staying at a hotel in Beijing and looking at OMA’s CCTV building from his window. “I saw the CCTV building,” he said. “I had a good day when I could see it and I had a bad day when I could not see it. On a bad day the smog is completely like a veil. You don’t see anything. I thought, that’s interesting, that’s a design problem.”

Smog by Daan Roosegaarde

Roosegaarde’s team will now spend up to 18 months developing the technology before starting work on the ground in Beijing.

Here’s the text of the interview between Dezeen editor-in-chief Marcus Fairs and Daan Roosegaarde:


Marcus Fairs: Tell us about the smog project.

Daan Roosegaarde: As you may know I hop from obsession to obsession, from fashion to highways to a problem we have right now which is smog. So it’s weird, because in a way we as human beings have always developed tools to enable ourselves. Wheels are an extension of our legs; glasses are an extension of our eyes; we developed cars to travel around.

But the weird thing in China, where growth is going so fast, is that these machines are striking back. They create side effects that we never thought about, which is pollution, which is smog. And Beijing is getting so incredibly worse that the American Embassy had to buy a new meter, because it was hitting the top all the time.

Marcus Fairs: How did the project come about?

Daan Roosegaarde: I was in a hotel in Beijing where I saw the CCTV building. I had a good day when I could see it and I had a bad day when I could not see it. On a bad day the smog is completely like a veil. You don’t see anything. I thought, that’s interesting, that’s a design problem. We could use smog as a material to design with, to draw.

Marcus Fairs: How does it work?

Daan Roosegaarde: We learned a lot from the Crystal project we’ve done in Eindhoven, which uses static electro-magnetic fields of ions. It’s a similar principle to if you have a statically charged balloon that attracts your hair.

Smog by Daan Roosegaarde

If you apply that to smog, to create fields of static electricity of ions, which literally attract or magnetise the smog so it drops down so you can clean it, like an electronic vacuum cleaner. You can purify the air so you can breathe again. And it creates these holes of 50-60 metres of clean air so you can see the sun again.

Smog by Daan Roosegaarde

So we teamed up with the Technical University of Delft, with a smog expert, and he said the technology is possible, so we have a big indoor prototype working. And I spoke to the mayor of Beijing who, when the microphone is turned off, admits they have a big problem, and so they are investing in making it happen.

Smog by Daan Roosegaarde

The idea is to make a park in Beijing where you will see the old world and the new world. We’ll drag nature in. It’s Dutch landscape design in a most radical way.

Smog by Daan Roosegaarde

It’s similar to how static electricity works, where you create a field. By electrifying particles they gravitate and fall down. It’s similar to how they spray-paint metal onto surface [by a process known as vacuum metallisation, in which electrostatically charged metal particles are attracted to the surface of an object, creating a metallic surface on it].

Marcus Fairs: Could this be a solution to smog in future?

Daan Roosegaarde: It could be a first step in creating awareness of how bad it really is. Because you see the difference really clearly. Of course the real solution lies in dealing with reality in a different way; it’s a human problem not a technological problem. But for sure my goal would be to apply it to parks, to public spaces which are for everyone, where people can meet and enjoy life again.

Marcus Fairs: What does the device look like?

Daan Roosegaarde: It’s copper coils that we put in the ground and put grass over them so you don’t see it. It sounds a bit dangerous but it’s pacemaker-safe, you can walk through it, the electric field is quite low. It’s an induction thing similar to how your toothbrush gets charged.

Marcus Fairs: How high can it reach?

Daan Roosegaarde: That’s what we’re testing now. The smog is quite low, which is good, especially in Beijing. Basically the more energy you put in it, the higher you can get. It’s high voltage, low ampere, and the more power you put in the more smog you can attract.

Marcus Fairs: If you switch it on would you see the smog suddenly disappear into the ground?

Daan Roosegaarde: Yes. You would literally see it on the ground. What I would like to do is capture all that smog and then compress it. So for example you could make a smog ring of all the smog in a cubic kilometre. It would show the reality and question why we accept it.

Marcus Fairs: Have you tested it?

Daan Roosegaarde: Yes. We have a 5×5 metre room full of smog where we created a smog-free hole of one cubic metre. And that happened this week. And now the question is to apply it in public spaces.

Marcus Fairs: Is the Beijing project going to happen?

Daan Roosegaarde: Yes. We signed a memorandum of understanding to do it. They just launched [another] project, a €2.3 million project to purify air, to reduce cars, more cycling. But it’s peanuts. It’s not going to work.

Marcus Fairs: How much does your concept cost?

Daan Roosegaarde: The research and development is the biggest hurdle as always. It will take another 12-15 months with a good team of people to make it work, to make it safe. But we know it’s possible and you know me by now: I have a scientist who says it’s possible, you have me, a designer who creates the imagination and you have a client who is desperate. And now all we have to do is find the “merge” button. It’s a new challenge.

Here’s some text from Studio Daan Roosegaarde:


SMOG – BY DUTCH DESIGNER DAAN ROOSEGAARDE

Holes of clean air in Beijing

We have created machines to enhance ourselves. We invented the wheel and cars to liberate ourselves and travel. But now these machines are striking back, making air polluted in high-density cities like Beijing.

Dutch designer Daan Roosegaarde believes we should do more, not less and make modern cities more livable again. As a young design firm based in the Netherlands and Shanghai, he has been working on intricate designs like a sustainable dance floor which generates electricity when you dance, and smart highways which produce their own light.

Now he and his team of engineers are creating a technology to clean the air of Asian cities. By making a weak electromagnetic field (similar like static electricity that attracts your hair) the smog components in the air are pulled down to the ground where they can be easily cleaned. This creates gigantic holes of clean air in the sky. Here people can breath, and see the sun again.

This combination of high-tech and imagination is what Roosegaarde calls ‘techno-poetry’. It is time to upgrade reality.

www.studioroosegaarde.net

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Paizi 38 installation by reMIX Studio

Beijing designers reMIX Studio created a string installation that guided visitors through a derelict building to a pop-up restaurant at Beijing Design Week 2013 (+ slideshow).

The Orchid installation by reMIX Studio

Entitled Paizi 38, reMIX Studio created the intervention as part of the urban regeneration of the historic Dashilar hutong in Beijing.

The Orchid installation by reMIX Studio

Lengths of string and a wooden path created a journey through three traditional courtyards, leading visitors over rubble and through holes in the walls.

The Orchid installation by reMIX Studio

Threaded through the doorways, the strings spanned room lengths in grouped arrangements.

The Orchid installation by reMIX Studio

In the final courtyard space, lightbulbs hung from the ends of the strings over dining tables at a temporary restaurant.

The Orchid installation by reMIX Studio

“The city builds millions of square metres every year at an uncontrollable speed whilst instead this project forces the investors, the designers, the city to a new slowed-down development,” said the practice.

The Orchid installation by reMIX Studio

Following the temporary intervention for this year’s Beijing Design Week, the space is to be turned into a boutique hotel.

The Orchid installation by reMIX Studio

At last year’s event a constellation of illuminated ceramic yoghurt pots were hung in the stairwell of a former bicycle factory and Nike shoe material was used to create a colourful web in a rusting gas tower.

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Here’s some more information from the designers:


This space will become after the Beijing Design Week a new boutique hotel that will be grafted into the existing building through precise insertions and punctual modifications.

The Orchid installation by reMIX Studio

These considerations are the premises and the constrictions of the temporary installation we are exhibiting today. Starting from the structural survey and the analysis of the actual spaces that in succession form an extended horizontal layered system – an unique feature for a building typology such as this one especially in this area of Beijing.

The Orchid installation by reMIX Studio

We propose a new connective path that reveals the existing building secrets and tunnelling throughout the architectural body it highlights in few observations points the quality and characteristics of the future intervention.

The Orchid installation by reMIX Studio

The system of new portals is a succession of points of view that, passing in the position where the new hotel circulation will be placed, forces the visitors into an unexpected journey; challenging his imagination and forcing him to redefine the meaning of “exploration”.

The Orchid installation by reMIX Studio
Diagram showing before installation and after hotel is built

The path ends in the main room where a series of photographs taken from the Orchid hotel construction will show the quality of the future refurbishment.

The Orchid installation by reMIX Studio
Plan and elevation

The tunnel, branching in a three lines lighting feature marks visually the areas of the main space where the opening dinner of the Beijing Design Week will take place.

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Wuzhen Theatre by Artech Architects

Ornate wooden screens shroud one side of this theatre in Wuzhen, China, while the other side is shielded behind angular brickwork fins (+ slideshow).

Wuzhen Theatre by Artech Architects

Designed by Taiwanese architect Kris Yao of Artech Architects, the shape of the building was modelled on the rare twin lotus flower – an anomaly where two flower heads sprout from a single stalk – to create a pair of oval-shaped auditoriums that share a single stage area.

Wuzhen Theatre by Artech Architects

“The greatest challenge was to design a large building containing two theatres in this small village,” said the architects, explaining their decision to overlap the 600- and 1200-seat auditoriums.

Wuzhen Theatre by Artech Architects

Wuzhou, nicknamed Venice of the East, is a village where canals take the place of streets. Visitors can either arrive at the building by boat, or approach on foot across a bridge.

Wuzhen Theatre by Artech Architects

Zig-zagging wooden screens fold around the glazed exterior of the largest auditorium, allowing light to permeate the building. At night, this facade glows to create a bright beacon reflected in the surrounding waters.

Wuzhen Theatre by Artech Architects

The smaller auditorium is surrounded by overlapping fin-like walls, which were built from a traditional grey-blue brick and have slivers of glazing tucked between them.

Wuzhen Theatre by Artech Architects

The Wuzhen Theatre is intended as the venue for an international theatre festival, but could also be used for fashion shows, music performances or as a wedding centre.

Wuzhen Theatre by Artech Architects

The building was one of over 280 projects shortlisted for awards at this year’s World Architecture Festival in Singapore, which took place last week. See all our coverage of WAF 2013 »

Wuzhen Theatre by Artech Architects

Other theatres we’ve featured from China include a Shanghai building resembling a cluster of duck feet and the Guangzhou Opera House by Zaha Hadid.

Wuzhen Theatre by Artech Architects

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Wuzhen Theatre by Artech Architects

Here’s a project description from Artech Architects:


Like a twin lotus, the theatres rise from the water in this dream-like town…

In this romantic and surreal water village in China, the owner of the development decided that Wuzhen would be an important name in the global atlas of theatre where an International Theatre Festival would be located. In order to complete his vision, Kris Yao and his team was asked to design the Wuzhen Grand Theatre.

Wuzhen Theatre by Artech Architects

The greatest challenge was to design a large building containing two theatres with 1200 and 600 seats back to back, with modern theatre functions in this small, traditional water village in southern China. Using the culturally auspicious “twin lotus” as its metaphor, which functions perfectly with two theatres sharing one stage area, the design is composed of two oval shapes interlocking one another, one of them transparent and the opaque in form.

Wuzhen Theatre by Artech Architects

Due to its dual purposes of the theatre festival and tourism, the functions of the theatres are multifold. Possibilities include formal stage performances, avant-garde creations, fashion shows, conventions and wedding ceremonies.

Wuzhen Theatre by Artech Architects

Visitors arrive at the theatres by wooden boats or on foot from an island across the bridge. The smaller theatre to the right is located within the ‘solid’ volume, where pedal-like segments of thick reclining walls, clad in ancient super-sized brick, wrap around the foyer. The grand theatre to the left, enclosed in the zigzag fan-shaped glass front with a Chinese window motif, glows in the evenings and reflects on the water, adding charm to the already misty and surreal atmosphere of this otherworldly water village.

Wuzhen Theatre by Artech Architects
Floor plan – click for larger image

Project: Wuzhen Theatre
Location: Zhejiang, China
Clients: Wuzhen Tourism Development Co., Ltd
Design Architect: Kris Yao, Artech Architects
Design Team – Taipei: Kuo-Chien Shen, Winnie Wang, Wen-Li Liu, Jake Sun, Andy Chang, Kevin Lin
Design Team – Shanghai: Wen-Hong Chu, Fei-Chun Ying, Nai-Wen Cheng, Chu-Yi Hsu, Qi-Shen Wu, Jane jiang,
Collaborative design institute: Shanghai Institute of Architectural Design & Research Co. Ltd

Wuzhen Theatre by Artech Architects
Section – click for larger image

Theatre consultants: Theatre Projects Consultants Ltd
Façade consultants: maRco Skin Studio
Acoustic consultants: Shen Milsom &Wilke Ltd
Contractor: Jujiang Construction Group

Building structure: reinforced concrete, steel framing
Materials: blue bricks, glass curtain wall, wood grilles
Floor Levels: 2 floors above ground, 1 floor below ground
Building Use: theatre
Site Area: 54,980 sqm
Lot Coverage Area: 6,920 sqm
Total Floor Area: 21,750 sqm

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10 Corso Como, Shanghai: The Milan concept store’s vibrant shopping experience on luxury-focused Nanjing West Road

10 Corso Como, Shanghai


Shanghai already counts one millionaire in every 175 people, and a new plan to expand the city’s free-trade zone will boost investment and reinforce its identity as one of the biggest trade hubs in China. Thanks to…

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Sheraton Huzhou Hot Spring Resort by MAD – more photos

Beijing studio MAD has revealed new photographs of its hotel shaped like a giant horseshoe at the edge of Taihu Lake in Huzhou, China (+ slideshow).

Sheraton Huzhou Hot Spring Resort by MAD

The Sheraton Huzhou Hot Spring Resort comprises a pair of matching 27-storey towers that are connected on the upper levels to form a smoothly curving arch across the water.

Sheraton Huzhou Hot Spring Resort by MAD

Ma Yansong of MAD designed the building for the Sheraton hotels chain, which was responsible for the interior fit out. A total of 282 guest rooms are contained inside, while additional villas and guest facilities are housed within several accompanying buildings.

Sheraton Huzhou Hot Spring Resort by MAD

Some rooms are already available, but the building will officially open in December – read more about the project in our earlier story.

Sheraton Huzhou Hot Spring Resort by MAD

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Sheraton Huzhou Hot Spring Resort by MAD

Photography is by Xia Zhi.

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Sheraton Huzhou Hot Spring Resort by MAD

A hotel shaped like a giant horseshoe by Ma Yansong of Beijing studio MAD is set to open later this year on the edge of a lake in Huzhou, China.

Sheraton Huzhou Hot Spring Resort by MAD

The Sheraton Huzhou Hot Spring Resort was designed by MAD as a pair of curvaceous towers that connect on the upper levels to create an arched profile. Located on the edge of Taihu Lake, the building’s iconic shape is reflected in the still waters.

Sheraton Huzhou Hot Spring Resort by MAD

Architect Ma Yansong says the form was inspired by the traditional bridges depicted in old Chinese paintings.

Sheraton Huzhou Hot Spring Resort by MAD

“Throughout China’s history, people have always pursued a harmonious relationship with nature and this has become a major part of Chinese culture and tradition,” he said. “Huzhou itself is a place famous for traditional ink paintings and splendid water views, and the arch bridge is one of the key elements of traditional architecture.”

Sheraton Huzhou Hot Spring Resort by MAD

He added: “By incorporating this iconic ring-shape, my goal was to design a contemporary resort that seamlessly integrates with the surrounding environment while evoking the beautiful arch bridge over Taihu Lake.”

Sheraton Huzhou Hot Spring Resort by MAD

The 27-storey building contains a total of 282 guest rooms, but also encompasses 39 villas with access to hot springs. Additional facilities are contained within separate buildings and offer a variety of restaurants, a ballroom, conference suites and a wedding centre.

Sheraton Huzhou Hot Spring Resort by MAD

Although some rooms are already available, the building will officially open in December.

Sheraton Huzhou Hot Spring Resort by MAD

Other projects completed by MAD in the last year include an icicle-shaped museum for wooden sculptures in northeast China and a pair of curvaceous twisted skyscrapers in Canada.

Sheraton Huzhou Hot Spring Resort by MAD

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Sheraton Huzhou Hot Spring Resort by MAD

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OMA completes Shenzhen Stock Exchange

News: OMA has completed the Shenzhen Stock Exchange – a skyscraper with a skirt at the heart of the city’s Central Business District (+ slideshow).

Shenzhen Stock Exchange by OMA

As one of OMA‘s best-known designs, the 250-metre skyscraper nicknamed “the miniskirt” features a three-storey podium that has been elevated 36 metres above the ground to sit around the body of the tower, creating a sheltered public plaza below and a roof garden on top.

Shenzhen Stock Exchange by OMA

This suspended structure provides the large trading rooms of the stock exchange, which are framed behind a sequence of zigzagging trusses that contrast with the grid of square windows on the building’s main facades.

Shenzhen Stock Exchange by OMA

“The Shenzhen Stock Exchange embodies the Pearl River Delta’s phenomenal transformation over the past thirty years,” commented Rem Koolhaas, whose firm won a competition to design the building back in 2006.

Shenzhen Stock Exchange by OMA

He said: “We are greatly excited about the building from an architectural standpoint, but I believe its true significance emerges when viewed in an economic, political, and ultimately social context. We are immensely honoured to contribute to Shenzhen’s twenty-first century landscape.”

Shenzhen Stock Exchange by OMA

“It is exciting to see OMA’s extensive research on Shenzhen materialise as a building in the city,” added OMA partner David Gianotten. “The experience of building in Shenzhen further informs our vision for the future of the city. SZSE has a simple and powerful concept – it transcends a generic form into an innovative prospect through the simple gesture of lifting the podium.”

Shenzhen Stock Exchange by OMA

The Shenzhen Stock Exchange is OMA’s second major project to complete in China, following the CCTV Headquarters in Beijing.

Shenzhen Stock Exchange by OMA

The firm is also now working on a second Shenzhen tower – the 180-metre Essence Financial Building.

Shenzhen Stock Exchange by OMA

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Shenzhen Stock Exchange by OMA

Photography is by Philippe Ruault.

Here are some extra details from OMA:


OMA completes the Shenzhen Stock Exchange HQ in China

The new headquarters for the Shenzhen Stock Exchange (SZSE) has been completed in Shenzhen’s Central Business District. The 180,000 m2 building is OMA’s next completed building in China after the CCTV Headquarters in Beijing.

Shenzhen Stock Exchange by OMA

Defying the conventional building typology of tower-on-podium, SZSE’s three-storey base is cantilevered 36m above the ground, allowing for a generous public space below and a lush roof garden on top. The raised podium contains the listing hall and offices of the Stock Exchange; in its elevated position, it can “broadcast” the activities of the stock market to the entire city.

Shenzhen Stock Exchange by OMA

While the generic square form of the tower blends in with the surrounding homogenous buildings, the façade of SZSE is differentiated through its materiality: a translucent layer of patterned glass wraps the tower grid and raised podium, rendering the façade mysterious and enigmatic, while revealing the construction behind. The façade changes continually with the weather, becoming a reflection of its environment.

Shenzhen Stock Exchange by OMA

The SZSE project was led by OMA partners Rem Koolhaas and David Gianotten, and associate Michael Kokora, in collaboration with partners Ellen van Loon and Shohei Shigematsu.

Shenzhen Stock Exchange by OMA

Construction was overseen by OMA Asia’s Hong Kong office and OMA’s on-site office in Shenzhen, working day-to-day with the client and contractors throughout the construction process. OMA’s team consisted of over 75 architects at various points in the design and construction phases.

Shenzhen Stock Exchange by OMA

SZSE was developed in collaboration with the local design institute SADI, and consultants DHV, Inside Outside, L&B and Arup. OMA won the competition for SZSE in 2006 and construction began in October 2008. OMA is currently designing a number of other buildings in China, including the Tencent Headquarters in Beijing and the Prince Bay Masterplan in Shenzhen.

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Shenzhen Stock Exchange
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