Cool Hunting Video: David Adjaye for Knoll: The renowned furniture brand recruits a brilliant young architect to create a fantastically structural chair

Cool Hunting Video: David Adjaye for Knoll


Recently, CH spoke to architect and designer David Adjaye, a rising star whose award-winning firm is working on the National Museum of African American History and Culture for the Smithsonian in Washington, DC. A thoughtful…

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King and Queen Chair by Jeong Yong

Industrial design student Jeong Yong has created a pair of chairs with grid-like frames based on traditional Korean furniture.

King and Queen Chair by Jeong Yong
King Chair

“I was inspired by the patterns which are normally used for Korean traditional house and furniture,” Jeong Yong told Dezeen.

King and Queen Chair by Jeong Yong
Queen Chair

“I believe that Korean traditional houses and furniture are practical, and the balance between straight lines and curves of the pattern makes it more beautiful.”

King and Queen Chair by Jeong Yong
King Chair

One chair is lower and wider than the other, and Jeong Yong has personified the set by naming it King and Queen Chair.

King and Queen Chair by Jeong Yong
King Chair

“The King is not too fancy but has strong facial impression. However, the Queen is more fancy and at the same time she lowers her position to warm a embrace,” the designer said.

dezeen_King and Queen Chair by Jeong Yong 6
King Chair

The chair is made from sepetir wood and will come in black or white.

King and Queen Chair by Jeong Yong
Queen Chair

Jeong Yong is due to graduate next year from Konkuk University Glocal Campus in Seoul.

King and Queen Chair by Jeong Yong
Queen Chair

Other chairs we’ve published recently include one with a backrest and seat wrapped in thick lengths of cord and another with bird-shaped armrests.

dezeen_King and Queen Chair by Jeong Yong 11
Queen Chair

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Kirk chair by Patrick Frey for Vial

Product news: Hannover designer Patrick Frey curved and folded a sheet of thin aluminium to create the seat of these chairs for outdoor accessories brand Vial.

Kirk chair by Patrick Frey for Vial

To create the Kirk chair, Patrick Frey precisely cut a special aluminium alloy so it bent into the desired shape.

Kirk chair by Patrick Frey for Vial

He used clamps to sculpt the seat shell over a frame formed by the tubular aluminium legs and back, then folded the edges to increase stability.

Kirk chair by Patrick Frey for Vial

The seat curves up at both sides to meet the lower bar of each armrest and swoops right to the top of the back, leaving large gaps in the corners.

Kirk chair by Patrick Frey for Vial

Designed for Vial to be used both outdoors and in, the chairs are stackable for easy storage and transportation.

Kirk chair by Patrick Frey for Vial

Matte surfaces are powder coated in black, white, red, blue and green.

Kirk chair by Patrick Frey for Vial

Frey has also designed a collection of stools and benches each made of a single piece of folded plastic and a range of wall-mounted boxes where extended joints form hooks.

Kirk chair by Patrick Frey for Vial

We’ve also featured a chair with a backrest and seat wrapped in thick lengths of cord, plus another with a seat and back moulded from lightweight 3D plywood.

Kirk chair by Patrick Frey for Vial

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“I felt we should change the way Emeco makes chairs” – Konstantin Grcic

Movie: Designer Konstantin Grcic tells Dezeen that American furniture company Emeco had to industrialise its production methods to produce his new Parrish chair in this video interview filmed in Milan. 

"I felt we should change the way Emeco make chairs" - Konstantin Grcic
Konstantin Grcic

Grcic originally designed the Parrish chair as part of a range of furniture for Herzog & de Meuron’s barn-like Parrish Art Museum on Long Island, completed in 2012.

The chair was launched by American furniture company Emeco as a commercial product at Milan earlier this year.

"I felt we should change the way Emeco make chairs" - Konstantin Grcic
Parrish chairs and tables at the Parrish Art Museum

In the movie, Grcic explains that he approached Emeco to produce the chair because of its experience of working in aluminium, most famously with the iconic Navy Chair, which Emeco has produced since 1944.

"I felt we should change the way Emeco make chairs" - Konstantin Grcic
Emeco’s Navy Chair

“I felt we needed a company to support the development of the project,” says Grcic.

“Emeco stands for chairs in aluminium and aluminium was the perfect material for the chair that we had in mind because the [Parrish Art Museum] is very open [to the elements].”

"I felt we should change the way Emeco make chairs" - Konstantin Grcic
Parrish chairs at the Parrish Art Museum

Unlike the Navy Chair, in which each piece is welded together by hand, the legs, armrests and backrest of the Parrish chair are all locked together by a single joint under the seat.

"I felt we should change the way Emeco make chairs" - Konstantin Grcic

“Everything is mechanically joined to a central core, a piece of die-cast aluminium, which is really the heart of the chair,” Grcic explains.

“So we have one moulded piece that solves all of the structure of the chair and the seat is exchangeable. You can have an upholstered seat, a plastic seat or a wooden seat.”

"I felt we should change the way Emeco make chairs" - Konstantin Grcic

Grcic says that he deliberately wanted to move Emeco away from the time-intensive production methods involved in producing the Navy Chair.

“I felt we should actually change the way [Emeco] makes chairs,” he says. “Industrialise it, simplify it, eliminate all the dirty work, all the hand labour. That’s what really informed the concept of the chair.”

"I felt we should change the way Emeco make chairs" - Konstantin Grcic

He concludes: “Emeco will always produce the Navy Chair in the way they produce it, but I think now we’ve established another form of production inside their company.”

See all our stories about Konstantin Grcic »
See all our stories about Emeco »

See all our Milan 2013 coverage »
Watch our Dezeen and MINI World Tour video reports from Milan »

"I felt we should change the way Emeco make chairs" - Konstantin Grcic

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Docks for Ophelis by Grosch + Meier

Product news: German designers Till Grosch and Björn Meier have created a modular office furniture system that can be arranged in a variety of groups and islands (+ slideshow).

Docks by Grosch and Meier

Interior designers Ophelis asked Till Grosch and Björn Meier to develop pieces of furniture to occupy areas between workstations in an office.

Docks by Grosch and Meier

The Docks collection includes chairs, tables, shelves and cabinets that can fit together to form open-plan meeting spaces, small pods for individual work and areas for rest and relaxation.

Docks by Grosch and Meier

The pieces are made from aluminium with an oak veneer and high-pressure laminate, while seating is upholstered in a range of pastel-coloured fabrics.

Docks by Grosch and Meier

The Berlin-based designers said with an unlimited amount of possible combinations, they focused on designing the individual parts so that each configuration is perceived as self contained furniture.

Docks by Grosch and Meier

“We see Docks as a flexible ingredient in the constantly changing world of work and due to its modular nature it is designed to continuously keep evolving in line with the needs of a transforming work culture,” they said.

Docks by Grosch and Meier

“Lamps and side tables can also be docked by slotted panels and by simple indentation they become an integral part of the furniture islands,” they added.

Docks by Grosch and Meier

Other modular furniture collections on Dezeen include a series of angular lounge chairs and ottomans and a range of office furniture with tall backrests.

Docks by Grosch and Meier

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Docks by Grosch and Meier

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Haptic Chair by Trine Kjaer Design Studio

Danish designer Trine Kjaer has created a chair with a backrest and seat wrapped in thick lengths of cord intertwined with thin strands of copper.

Haptic Chair by Trine Kjaer Design Studio

Trine Kjaer upholstered the Haptic chair with foam under the threads on the seat and backrest. The oak arms and legs resembe slender tree branches.

Kjaer is based in Værløse north of Copenhagen and said the project is the result of an extensive process of analysing, experimenting and interpreting tactile surfaces in nature. “The project focuses on the haptic processes of the sense of touch as well as how we are drawn towards the object wanting to explore it by hand, activating the sense of touch and feeling the tactile differences of the chair,” said the designer.

Haptic Chair by Trine Kjaer Design Studio

“The chair is designed to stimulate the hands with fine and detailed craftsmanship, while the areas touching the back and the seat have a rougher and more tactile character,” she said.

Haptic Chair by Trine Kjaer Design Studio

Other seating on Dezeen includes a group with seats and backs moulded from lightweight 3D plywood, a chair designed in the shape of a tongue and brightly coloured angular lounges and ottomans.

Haptic Chair by Trine Kjaer Design Studio

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Charles Pollock 1930-2013

Charles Pollock dies aged 83

News: furniture designer Charles Pollock has died in a house fire in New York, aged 83.

A fire ripped through the house on Tuesday morning and Pollock died at the scene, according to reports from NY Daily NewsABC News visited the house and spoke to friends of the designer about his life and work.

Executive Office Chair by Charles Pollock for Knoll
Executive Chair by Charles Pollock for Knoll

Pollock’s Executive Chair, which he designed for Knoll in 1963, has become an iconic symbol of mid-20th century workplaces. The swivel chair, set on a five-star base with rolling wheels, features buttoned upholstery and “rim technology” – the use of a single aluminium band around the edge of the seat.

Fifty years after its original design, Pollock’s chair is still in production and has been exhibited around the world, including at Metropolitan Museum of Art in New York and the Louvre in Paris.

CP Lounge Chairs by Charles Pollock for Benhardt
CP Lounge Chairs by Charles Pollock for Benhardt

Pollock, who studied design at New York’s Pratt Institute, went on to work with designers such as George Nelson at Herman Miller.

Charles Pollock was born in Philadelphia, Pennsylvania, in 1930. He moved to Toledo, Ohio, before settling in Detroit, Michigan. Pratt Institute in New York, where the designer studied, awarded Pollock with its 1991 Excellence by Design Award.

In 2012, Bernhardt Design commissioned Pollock to design a new collection of lounge chairs, which he sits on in the main image.

Photographs from Knoll and Bernhardt design.

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1930-2013
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Boss Chair byTobias Nitsche

German design graduate Tobias Nitsche has developed a chair with a seat and back moulded from lightweight 3D plywood.

Boss Chair by Tobias Nitsche

The moulded parts are made from thin plywood veneer that can be shaped when heated into tight curves to stiffen the material so additional bracing is not required.

Boss Chair by Tobias Nitsche

“More deformation means more stability in a chair with less material,” explains Tobias Nitsche, who designed the chair during his studies at ECAL in Lausanne.

Boss Chair by Tobias Nitsche

Working with veneer specialists at German company, Danzer, he was able to explore forms that achieve the necessary rigidity without cracking the wood.

Boss Chair by Tobias Nitsche

Four CNC-milled wooden blocks join the legs to the seat and the back is attached using wooden dowels so only one material is required to produce the chair.

Boss Chair by Tobias Nitsche

“For me the challange was to find a language that translates the characteristics of the material into an object that is light, stable and visualises comfort,” says Nietsche.

Boss Chair by Tobias Nitsche

The result is a chair suited to use in bars, restaurants or other venues where furniture is frequently moved around and stacked.

Boss Chair by Tobias Nitsche

Earlier this week we featured the rerelease of Arne Jacobsen’s classic plywood Tongue chair, while Berlin’s Eric and Johnny Design Studio showed a plywood chair with a structure inspired by I-beams at this year’s imm Cologne.

Boss Chair by Tobias Nitsche

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Here’s a short description from the designer:


Boss is a plywood chair that combines traditional woodworking techniques with the use of 3d plywood.

I worked in cooperation with the German company Danzer who is producing the material. Using their technology gives the chance to construct a plywood chair with a more radical curvature.

Boss Chair by Tobias Nitsche

The thin plywood parts are stiffened by their three dimensional moulding. Four rods complete the construction.

Like that I designed a chair that is made only from wood and is at the same time light and stable. It’s visual language has never been seen in wood before.

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Taylor Forrest Furniture: A fashion designer’s primitive twist on ’70s glam in a collection of leather chairs

Taylor Forrest Furniture


After graduating from Parsons with a BFA in Fashion Design in 2010, designer Taylor Forrest saw furniture as sort of experiment. Come November 2013, she will have been experimenting with designing chairs for a solid year,…

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Tongue chair by Arne Jacobsen relaunched by Howe

Product news: Danish furniture brand Howe has relaunched Arne Jacobsen’s classic Tongue chair, which was designed in 1955.

Tongue chair by Arne Jacobsen relaunched by Howe

Howe has replicated the exact appearance of the original design and reproduced it using contemporary manufacturing techniques to address stability and durability concerns.

Tongue chair by Arne Jacobsen relaunched by Howe

Jacobsen designed the chair for the Munkegård School in his native Denmark, but it was not produced commercially until the late 1980s and was withdrawn after just a few years.

Tongue chair by Arne Jacobsen relaunched by Howe

Tongue was the second chair designed by Jacobsen, shortly after his famous Ant chair, but it never achieved the same widespread distribution as many of his other furniture designs.

Tongue chair by Arne Jacobsen relaunched by Howe

It was used in the rooms of Jacobsen’s famous SAS Royal Hotel in Copenhagen, for which a modified bar stool version was also produced.

Tongue chair by Arne Jacobsen relaunched by Howe

The relaunched Tongue chair is available in several veneers or with fabric or leather upholstery. Legs are chrome or powder-coated steel.

Tongue chair by Arne Jacobsen relaunched by Howe

Last summer, Arne Jacobsen’s iconic Ant chair was reinterpreted by designers and artists including Paul Smith, Quentin Blake, Sarah Burton for Alexander McQueen and Tracey Emin and the results auctioned to raise money for Jamie Oliver’s Better Food Foundation. Paul Smith has also reworked Jacobsen’s Cylinda Line coffee pots, adding signature brightly-coloured handles.

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Here’s some more information from Howe:


We fell truly, madly in love with the Tongue chair

The company struck by love is HOWE a/s, who relaunched the cutely named chair at this year’s fair in Milan. The Tongue was designed in 1955 by the renowned Arne Jacobsen, but it has not been in production for several years. Now HOWE a/s can proudly say that a Danish design classic has returned.

Tongue chair by Arne Jacobsen relaunched by Howe

Arne Jacobsen is one of the most famous and most loveable Danish architects and designers. Known for marvellous architectural works, legendary furniture designs, and versatile industrial designs, Arne Jacobsen has truly left his mark on the international world of design and architecture.

Tongue chair by Arne Jacobsen relaunched by Howe

The Tongue chair is a classic Arne Jacobsen design. It has the immediately recognisable characteristics of the organic wave-form in the seat; complemented with highly sculptural, splayed legs. And with the addition of modern construction techniques for additional strength, HOWE has ensured that the chair keeps its lovely curved, sculptural form perfectly in place.

Tongue chair by Arne Jacobsen relaunched by Howe

The Tongue chair is available in beech, oak and walnut veneers as well as in stained veneer in black, white and teak. The Tongue is also available in full upholstery in both fabrics and leather – the colour palette ranges from light pink to cognac. The legs come in chrome or in black or white powder coating. The price begins at €486.

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relaunched by Howe
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