Scoop chair by KiBiSi for Globe Zero 4

Milan 2013: this office chair by Copenhagen design firm KiBiSi is mounted on a Y-shaped stem, allowing the seat of the chair to rock back and forth as well as rotating left and right.

Scoop chair by KiBiSi for Globe Zero 4

The Scoop Chair has a gyroscope-like suspension system intended to create the feeling of moving freely in the air.

Scoop chair by KiBiSi for Globe Zero 4

The chairs have upholstered cast-foam seats in a range of different fabrics and will be available in a colour scheme inspired by ice cream shades. Frames will be polished aluminium or powder-coated in black and white.

Scoop chair by KiBiSi for Globe Zero 4

“We wanted to stay clear of a home decorative cutesy product and contract business polish. We needed to establish a new middle ground that would bridge private and public spaces,” said KiBiSi partner and creative director Jens Martin Skibsted. See all our stories about projects by KiBiSi.

Scoop chair by KiBiSi for Globe Zero 4

The chair forms part of a series of furniture KiBiSi has designed for Danish furniture brand Globe Zero 4 and will be presented at the Salone Internazionale del Mobile in Milan from 9 to 14 April.

Scoop chair by KiBiSi for Globe Zero 4

KiBiSi is an industrial design firm founded by Lars Larsen, Bjarke Ingels Group and Jens Martin Skibsted.

Scoop chair by KiBiSi for Globe Zero 4

See more news and products from Milan 2013.

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Theca and Steelwood Galva by Ronan and Erwan Bouroullec for Magis

Milan 2013: French brothers Ronan and Erwan Bouroullec will present an aluminium sideboard for Italian furniture brand Magis plus an update to their Steelwood chair in Milan next week.

Theca and Steelwood Galva by Ronan and Erwan Bouroullec for Magis

The Theca sideboard by the Bouroullecs for Magis combines an aluminium body and sliding doors with wooden shelves that bolt to the punched aluminium sides.

Theca and Steelwood Galva by Ronan and Erwan Bouroullec for Magis

The aluminium comes in a black or natural finish and the shelves come in cherry or ash. The sideboard is available in four sizes.

Theca and Steelwood Galva by Ronan and Erwan Bouroullec for Magis

Steelwood Galva updates the brothers’ famous Steelwood chair – launched in Milan in 2007 – and matching bar stool (not pictured) with a galvanised steel finish and beech-wood option.

Theca and Steelwood Galva by Ronan and Erwan Bouroullec for Magis

Both products will be shown at the Magis showroom at Corso Garibaldi 77, Milan, between 9 and 14 April.

Theca and Steelwood Galva by Ronan and Erwan Bouroullec for Magis

The Bouroullecs recently launched a DIY curtain kit based around a hanging cord that winds up like a guitar string and last year they designed a set of furniture for Copenhagen University – see all design by Ronan and Erwan Bouroullec.

Other products launching in Milan this year include a wooden chair with legs like ice skates and modular furniture made from Meccano-like perforated steel plates – see all products and news from Milan 2013.

Here’s some more information from the designers:


Theca constitutes a logical continuation of our work with Magis and the manufacturing process of metal stamping – a language we had already explored with the Steelwood project. We find fascination in turning a thin sheet of metal into a rigid structural piece with a single considerable punch – but even more are we fascinated by the challenge of creating domestic pleasant objects with a technology usually used for industrial parts.

The very basic typology of the Theca sideboard can be found in all forms, from different eras dating back to the 18th century and with a great appearance in mid century’s Scandinavian design – we tried to find a contemporary yet simple and unobtrusive language.

Theca and Steelwood Galva by Ronan and Erwan Bouroullec for Magis

The body (frame) of the sideboard is composed of stamped aluminium sides and solid wooden shelves, the back and the sliding doors are made of (cut and bent) aluminium. The construction is simple – bolts fix the solid wooden boards to the punched aluminium sides. Two tones are available for the anodized finish of the aluminium parts – black or natural. The shelves come in European cherry tree or black stained ash. Theca exists in four sizes, two different heights (55cm and 78cm) and two different widths (90cm et 120cm). The higher version comes with an additional shelf.

Steelwood Galva is a new version of the Steelwood chair and bar stool in galvanised steel and beech wood.

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and Erwan Bouroullec for Magis
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Mafalda by Patricia Urquiola for Moroso

Milan 2013: Spanish designer Patricia Urquiola will present a collection of armchairs with wavy backs and seats made from rigid felt for Italian brand Moroso in Milan next week.

Mafalda by Patricia Urquiola

Patricia Urquiola’s Mafalda collection for Moroso comprises two sizes of beech-framed armchairs with deeply curved backs moulded from recycled polyester fibres.

The chairs will be presented at Salone Internazionale del Mobile in Milan from 9 to 14 April – see all news and products from Milan.

Mafalda by Patricia Urquiola

Urquiola has collaborated with Moroso several times before, creating designs such as a sofa inspired by traditional patterns from Uzbekistan and a woven chair on a tubular steel frame – see all Moroso design.

Mafalda by Patricia Urquiola

We recently featured Urquiola’s collection of ice cream coloured poufs and rugs as well as a movie filmed by Dezeen in which she explains why most kitchen design is “too masculine” – see all design by Patricia Urquiola.

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3+ collection by Oskar Zieta

Product news: Polish designer Oskar Zieta will launch a collection of modular furniture made from Meccano-like perforated steel plates at MOST in Milan next month (+ slideshow).

3+ collection by Oskar Zieta

Each piece of furniture in Oskar Zieta’s 3+ collection is constructed from hollow plates of white, black or grey powder-coated steel or raw galvanised steel, which is suitable for outdoor use.

3+ collection by Oskar Zieta

As well as enabling users to combine elements in many different configurations, the holes across the metal surfaces help to keep laptops cool and cables neatly organised.

3+ collection by Oskar Zieta

The plates can be used horizontally as office, workshop or dining tables, or vertically for displays and shelving systems or as magnetic boards.

3+ collection by Oskar Zieta

They come in four thicknesses, with the thickest having three rows of holes on its edges and the thinnest having none.

3+ collection by Oskar Zieta

Other elements include wooden and metal legs to build tables and shelves and an L-shaped sheet that can be mounted on a table as a space divider.

3+ collection by Oskar Zieta

The furniture can be built with the connectors designed by Zieta or with standard screws, so users can take the pieces apart and make their own combinations.

3+ collection by Oskar Zieta

The furniture is already in production and will be presented next month in Milan at the MOST exhibition and at EDIT by designjunction from 9 to 14 April – see all news and products from Milan this year.

3+ collection by Oskar Zieta

Zieta’s previous work includes a bulging metal stool formed by inflating its legs with fluid – see all projects by Oskar Zieta.

3+ collection by Oskar Zieta

Other metal furniture we’ve published includes Thomas Heatherwick’s aluminium furniture made by the world’s largest extrusion machine and a series of tables and shelves on 3D-printed metal legs – see all design in metal.

3+ collection by Oskar Zieta

Photographs are by Jedrzej Stelmaszek, Paulina Sikorska and Zieta Prozessdesign.

Here’s some more information from the designer:


3+ Collection

The office, workshop, kitchen, lounge room and retail are all stationary, yet characterised by mobile function. They tend to follow the contemporary user.

3+ technology reinvents its function every day with every interaction. It becomes an ultra-light construction for the every day, thanks to its strong, innovative and minimalistic features, which you create. In our collection we offer chairs, tables, shelving, but we don’t want to categorise them as office or dining chairs, workshop or kitchen tables, because it is you, that creates their function. Thanks to a simple system of connectors and versatile elements you are able to give each product a new context, function or even create new ones from scratch. Each perforation is a starting point to satisfy your personal needs, accommodating products to new situations and tasks.

3+ is work, hobby and leisure. It is customisation, lifestyle, space – it’s always current, and ready to answer the requirements of change.

Dynamic businesses in which teams outgrow space and new tasks require constant adaptation of office arrangements require flexible and modular solutions. 3+ offers the stability of steel construction required by warehouse or workshop context, as well as the aesthetic appeal essential in a modern office or retail space. While creating the ultra-light, flexible, modular and mobile 3+ system we considered studies about the nomadic lifestyle of the modern human. In the more intimate personal sphere we continue to further exploit our access to mobility, we expand our professional skills allowing us to take on new more challenges. This entails moving from place to place as well as changing our immediate personal space.

Milan 2013 – Salone Internazionale del Mobile

During the Salone Internazionale del Mobile this year Zieta Prozessdesign, design and engineering studio established by Oskar Zieta, will be launching in the exhibition space at the MOST museum at Olona in Milan a new system of modular furniture 3+. This is not only name of collection, but especialy a new innovative technology of stabilisation of thin metal sheets 3+. At the stand also will be present ultralight and bionic furniture made in FiDU technology invented by Oskar Zieta too. You will can take a part in production process and make your own product!

We will exhibit our products at designlink.pl as part of EDIT at designjunction too.

Exhibition and Guide on Polish Design, Milan Salone 2013 at Edit by designjunction is organized by the Creative Project Foundation in partnership with Adam Mickiewicz Institute, Ministry of Foreign Affairs and Ministry of Economy of the Republic of Poland.

Zieta exhibition at MOST is Powered by Adam Mickiewicz Institute/www.culture.pl

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Oskar Zieta
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Superbambi by Scoope Design

This piece of furniture by Scoope Design can switch between a chair, table or step ladder depending on how it’s slotted together.

Superbambi by Scoope Design

Superbambi comprises two interlocking wooden sections that fit together in two ways or can be used separately.

Superbambi by Scoope Design

Scoope Design created an orange chair back with two long prongs that fit through angled channels in the back legs of the white base to form a seat.

Superbambi by Scoope Design

Deer-like ears protrude from the backrest to act as armrests or coat hooks.

Superbambi by Scoope Design

Steps are created if the prongs are slotted through holes lower down the legs so the ears sit on the floor.

Superbambi by Scoope Design

The base can also be used on its own as a small table or children’s desk, with a top that slides off to reveal a turquoise surface.

Superbambi by Scoope Design

More multifunctional furniture on Dezeen includes chairs and tables that clip together to create shelves and a flexible workspace that changes function by swivelling its chair.

Superbambi by Scoope Design

See all our stories about furniture design »

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Scoope Design
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Haze Series by Wonmin Park Studio

South Korean designer Wonmin Park constructed these chairs and tables from slabs of coloured resin (+ slideshow).

Haze Series by Wonmin Park

The Haze series by Wonmin Park Studio includes a chair, a high round table, two low round tables and a low oblong table.

Haze Series by Wonmin Park

The resin was coloured with pigment and cast in separate moulds before being joined together. The translucent nature of the resin allows the colour of each element to show through along the joins.

Haze Series by Wonmin Park

The pieces will be shown at Design Days Dubai next week and at the Salone del Mobile in Milan next month.

Haze Series by Wonmin Park

Although currently only available as one-offs, Park plans to expand the series with a cabinet and more chairs and tables.

Haze Series by Wonmin Park

Park graduated from the Design Academy Eindhoven before setting up his studio in the Netherlands.

Haze Series by Wonmin Park

Other resin furniture we’ve featured includes a series of wooden tables with fluorescent resin encasing their gouged-out tops and a cardboard and resin table by El Ultimo Grito – see all furniture.

Haze Series by Wonmin Park

Here’s some more information from the designer:


Haze series

Basic geometric shapes seem to define Wonmin Park’s Haze Series. The entire object gives the impression that it unveils itself in front of us through the opaqueness of its parts. But our perception deceives us when we think it begins and ends there. Each Haze object carries within it a dissymmetry of form hidden from sight. A dissymmetry of form that is balanced out by the colours created in the unique casting process that gives birth to these objects.

Haze Series by Wonmin Park

With its combination of form, colour, opaqueness and texture the Haze series is a balance of rationality and the self in a life where the former often dominates to the detriment of the latter. Wonmin Park’s Haze series perfectly positions itself between the substantiality and insubstantiality of life.

Haze Series by Wonmin Park

Material: Lightly coloured resin

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Tram Chair by Thomas Feichtner for TON

Tram Chair by Thomas Feichtner for TON

Product news: Austrian designer Thomas Feichtner has steam-bent and laminated wood to create a chair for Czech furniture brand TON.

The legs and back rest are steam-bent into shape by clamping cylindrical wooden poles in metal moulds at the same factory that Thonet‘s iconic bent-wood chairs were made.

Tram Chair by Thomas Feichtner for TON

The laminated-wood seat shells are supported underneath by two braces, which also connect the legs.

Tram Chair by Thomas Feichtner for TON

Three bent poles form the legs and back support for the seat, with the option of adding a fourth rod with six kinks that wraps round the chair to form armrests.

Tram Chair by Thomas Feichtner for TON

Feichtner‘s chairs were named for their likeness to the plastic seats on the trams in Prague.

Tram Chair by Thomas Feichtner for TON

Colours available include dark, natural or white in a range of woods, with potential to add cloth or leather upholstery.

Tram Chair by Thomas Feichtner for TON

TON will present the chairs in Milan this April, where Zaha Hadid will debut auditorium seats and Werner Aisslinger’s gradated chairs will also be on show.

Tram Chair by Thomas Feichtner for TON

Thomas Feichtner has also designed a chair with the seat suspended in a cubic oak frame and a chandelier with a single crystal, which he describes in this movie we filmed.

Tram Chair by Thomas Feichtner for TON

See all our stories about chair design »
See all our stories about designs by Thomas Feichtner »

Thomas Feichtner sent us the following information:


Tram Chair

Furniture producer TON is a piece of Czech-Austrian industrial and design history—as well as one of the world’s oldest furniture producers. It was back in 1861 that the Viennese entrepreneur Michael Thonet established a factory to produce his synonymous bentwood furniture in Bistritz am Hostein (today’s Bystřice pod Hostýnem), in what is now the Czech Republic. This was to be Thonet’s largest furniture production site. The company was nationalized one year after the conclusion of the Second World War. During the socialist era that ensued, it was called “Továrna ohýbaného nábytku.” The initials of this name, which translates as “Factory for Bentwood Furniture,” still appear today in the brand’s logo. TON was established as a design brand as part of the company’s restructuring after the fall of the Iron Curtain. Despite having numerous political upheavals and changing ownership structures, bentwood furniture production has continued right up to the present day—without interruption and even still using some of the original machines and molds. Except for felling the trees, the entire production process—from raw timber to finished product—takes place in-house.

TON today is producing contemporary (and frequently award-winning) furniture in collaboration with established Czech and foreign designers. This way TON is giving the place of 150 years of bentwood production its honour back.

The Tram Chair arose from the TON’s most recent collaboration with the established Vienna-based product designer Prof. Thomas Feichtner. Feichtner’s concept is strongly inspired by the company’s time-honored production processes: first by the company’s own plant for the production of seat shells from moulded wood, and second by its longstanding factory for the production of classic bentwood. The intention was to unite the methods used to produce bentwood and moulded wood for the first time in a single product, thus building a bridge between traditional and contemporary furniture design. Even just the way in which the bentwood braces are connected indicates the finished product’s origin. On the other hand, the Tram Chair also features a few constructional innovations. The support for the seat shell, for instance, does double-duty as a connection between the legs. The chair thus needs no further bracing, in contrast to classic bentwood models. Though this chair’s design is quite deliberate, its name came about as more of an accident. Employees of TON were quick to jokingly dub this model the “tram chair” due to its similarity to the plastic seats on the trams in Prague. Feichtner then decided to keep this charming working title as the product’s name.

The Tram Chair will see its first public presentation at the 2013 Milan Furniture Fair. It will be offered for sale with and without armrests, with cloth or leather upholstery, and in various colors and types of wood.

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Bikini Island collection by Werner Aisslinger for Moroso

Product news: Berlin-based designer Werner Aisslinger will unveil brightly coloured chairs and a set of modular furniture for Italian brand Moroso in Milan next month (+ slideshow).

Bikini Wood by Werner Aisslinger for Moroso

Werner Aisslinger’s Bikini Wood dining chair and swivel chair for Moroso come in a variety of bold colour gradients. The backs of the wooden chairs are covered by a slim piece of leather or fabric.

Bikini Wood by Werner Aisslinger for Moroso

The Bikini Island collection comprises a range of modular units, including tables, poufs, cabinets and sofas in various fabrics.

Bikini Wood by Werner Aisslinger for Moroso

The angular sofas can also be matched with round tables, bookshelves, clothes rails and plant pots.

Bikini Island by Werner Aisslinger for Moroso

The furniture will be presented at Salone Internazionale del Mobile in Milan between from 9 to 14 April.

Bikini Island by Werner Aisslinger for Moroso

Aisslinger recently presented a storage system for German brand Flötotto that’s held together by plastic clips as well as a swinging sofa for the office – see all design by Werner Aisslinger.

Bikini Island by Werner Aisslinger for Moroso

Other products created for the brand include a Le Corbusier-inspired armchair and sofa by London designers Doshi Levien and Tord Boontje’s plywood furniture held together by thread – see all design from Moroso.

Bikini Island by Werner Aisslinger for Moroso

See all chairs »
See all furniture »

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November chair by Veryday

Product news: Swedish design consultancy Veryday picked up a Gold Award at the iF Design Awards last week for this wooden chair created for an art and design centre in Stockholm.

November by Veryday

Veryday designed the November chair to reflect the surroundings of the Artipelag centre, which opened last June and is situated on an island in the Stockholm Archipelago, enveloped by woodland.

The chair comes in ash or walnut and is available to buy at Artipelag.

November by Veryday

The designers picked up their prize at the iF Design Awards in Munich on 22 February.

Other wooden chairs we’ve featured lately include a bent wood design that looks like it’s wearing a cape and a plywood design inspired by beams used in the construction industry – see all stories about chair design.

November by Veryday

Here’s some more information from the designers:


This year Veryday (previously known as Ergonomidesign) has been credited with four iF Design Awards and are happy to announce that despite over 4500 entries, the jury honored the chair November with a Gold Award, which signifies the very best designs and is a confirmation of Veryday’s position internationally as one of the world’s leading design consultancies.

The chair November, designed for Artipelag, the highly acclaimed new art and design center in Stockholm’s Archipelago, is a beautifully crafted chair made entirely out of wood. Björn Jakobson, the founder of BabyBjörn and the man behind Artipelag approached Veryday designers Peter Ejvinsson and Emmy Larsson only eight months prior to the opening of the center. The request was to design a chair specifically for the Artipelag with the potential of becoming a furniture classic. The requirements were that the chair should be comfortable, beautiful and durable. The architecture and interior design of the Artipelag is all about the interplay between art and nature; this as well as the muted light and long shadows of the low November sun inspired the design team in their design work. The soft shapes and surfaces creates lines that builds the character.

Most of the design work was done using scale models, carefully sculpturing each part of the chair by hand. This allowed the designers to dictate the smooth transition between the shapes and angles of the chair with full control, making sure the chair was beautiful from every angle. Not the least the back, which actually is the front when placed at a table.

“We wanted to create an extremely rigid and durable design, with a soft touch and feel and therefore I am so glad to hear that many visitors stop and want to touch the chair and sit in it,” says Peter Ejvinson, industrial designer at Veryday.

Apart from the aesthetically pleasing and sophisticated form, the design team has also considered the ergonomic aspects. In short November is ergonomically designed for comfort. Of interest is also that this wooden artefact is manufactured at a carpentry with almost 100 years of experience of chair production, whilst using the latest technology to guarantee superb quality and longevity.

“This chair has a great ergonomic shape while still retaining all of its sculptural look and feel. It perfectly sums up excellent Scandinavian design and the Nordic tradition of handmade chairs, yet November is a dining room chair made by a machine. A round of applause and an iF gold award!” – the official Gold Statement from the iF jury.

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SixE stacking chairs by PearsonLloyd for HOWE

Product news: London studio PearsonLloyd has designed a range of plastic stacking chairs with colourful metal legs for Danish brand HOWE.

SixE by PearsonLloyd for HOWE

The SixE chairs stack neatly on top of one-another and have thin legs that can be coordinated with the colour of the seat shell or ordered in contrasting shades. Other options include armrests that extend up from the back legs and padded seats are also available in a range of colours.

SixE by PearsonLloyd for HOWE

The chairs were first launched at Orgatec trade fair in Cologne last year and began production with HOWE earlier this year. They will also be exhibited in Milan this April, where Zaha Hadid will launch a system of twisting auditorium chairs for Poltrona Frau Contract and OMA will release a furniture collection for Knoll.

SixE by PearsonLloyd for HOWE

Based in Hackney, PearsonLloyd has also designed workstations for office brand Bene and a collection of rocking toys that we’ve featured previously.

SixE by PearsonLloyd for HOWE

See all our stories about designs by PearsonLloyd »
See all our stories about chair design »

Here is some more information from HOWE:


SixE by PearsonLloyd – Manufactured by HOWE

PearsonLloyd has designed a new stacking chair that is uniquely suited to our contemporary society. A thorough market analysis led PearsonLloyd to identify new areas of unfilled need which resulted in the SixE chair. A two year long process led to a design that is as beautifully expressive as it is practical. It’s name SixE represents its credentials: Elegant, Ergonomic, Environmental, Efficient, Easy to handle, and Economic.

SixE by PearsonLloyd for HOWE

SixE is available in many guises – as a side chair, an armchair and with or without an upholstered seat pad. In addition, the SixE family will grow steadily introducing new versions in the near future.

The SixE chair was firstly introduced at the Orgatec fair in Cologne. It will also have a leading role in HOWE’s exhibition “Breathing diversity” at the Milan fair in April.

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for HOWE
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