In Between by BCXSY for Inframince

Eindhoven design studio BCXSY used hand-blown glass in six grades of opacity, from transparent to white, to create a collection of glassware for Japanese design brand Inframince (+ slideshow).

In Between by BCXSY for Inframince

The In Between collection of glasses, bowls and plates was produced by BCXSY for Inframince as part of the tilde_objects 01 collection shown at the Design Tide Tokyo trade fair last weekend.

In Between by BCXSY for Inframince

“A closer look at pieces, which at first glance may appear identical, reveals the uniqueness of each piece through slight variations in shape, colour and dimensions,” according to the designers, Boaz Cohen and Sayaka Yamamoto, who founded their studio in 2007 shortly after graduating from Design Academy Eindhoven.

In Between by BCXSY for Inframince

Other glassware we’ve featured on Dezeen includes a series of engraved carafes accessorised with metal collars and a set of frosted glass decanters which echo the Istanbul skyline.

In Between by BCXSY for Inframince

In Milan this year, BCXSY presented stools, tables and bowls made in collaboration with traditional boat builders as well as a collection of rugs woven by Bedouin women.

In Between by BCXSY for Inframince

See all our stories about glass »
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In Between by BCXSY for Inframince

Photographs are by Kiyotoshi Takashima.

Here’s some more information from the designers:


Harmony and gradations in glass

One of the greatest appeals of hand-blown glass is the delicate balance between imperfection and near-perfection, reflecting both the nature of the material and the skills of the maker. A closer look at pieces, which at first glance may appear identical, reveals the uniqueness of each piece through slight variations in shape, colour and dimensions.

In Between by BCXSY for Inframince

In Between is a hand-blown glass tableware collection, consisting of drinking glasses, bowls, plates, and accessories of various types and sizes, which come in a six-step gradation – from transparent to white.

In Between by BCXSY for Inframince

The subtle successive changes are enhanced through the use of the pieces and the way they harmoniously combine. Besides emphasising the artistry required for reproducing such variations, this also encourages the exploration of different compositions and applications. More playfulness and awe are now introduced to the table.

In Between by BCXSY for Inframince

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Origin part III – Contrast by BCXSY

Origin part III Contrast by BCXSY

Eindhoven designers BCXSY worked with traditional Irish boat builders to develop this collection of stools, tables and bowls, which they’ll present at Spazio Rossana Orlandi in Milan next week.

Origin part III Contrast by BCXSY

Boaz Cohen and Sayaka Yamamoto were invited by the Sirius Arts Centre to undertake an artists’ residency at the Meitheal Mara boat-building culture and education centre in Cork.

Origin part III Contrast by BCXSY

Called Origin part III – Contrast, the pieces draw on steam-bending, joinery methods and clamps that the pair observed at the boat yard.

Origin part III Contrast by BCXSY

This is the third instalment in their Origin series of projects, working closely with skilled craftspeople to develop collections based on their techniques.

Origin part III Contrast by BCXSY

Last year they presented a collection of rugs woven by Bedouin women in Israel and in 2010 their first Origin project resulted in the acclaimed Join folding wooden screens made in collaboration with a Japanese joinery craftsman.

Origin part III Contrast by BCXSY

Read all our stories about BCXSY here.

Origin part III Contrast by BCXSY

The Salone Internazionale del Mobile takes place from 17 to 22 April. See all our stories about Milan 2012 here.

Origin part III Contrast by BCXSY

Here are some more details from BCXSY:


Origin part III Contrast by BCXSY

Origin part III: Contrast

Origin – our explorations into traditional crafts and techniques from a variety of backgrounds and disciplines.

Origin part III Contrast by BCXSY

Meitheal Mara – (translated from Irish roughly as, workers of the sea or sea community) is a charitable maritime cultural and educational centre based in Cork City in the south of Ireland, who’s main goal is to preserve the craftsmanship of traditional Irish boat building.

Origin part III Contrast by BCXSY

Contrast is the result of our collaboration with Meitheal Mara, and consists of a Side-Table, Stool, Fruit Bowl and Serving Tray.

Origin part III Contrast by BCXSY

The multidisciplinary arts organization, Sirius Art Centre, based in Cobh, County Cork, has commissioned us through their internationally recognized artist in residency program to collaborate with Meitheal Mara.

Origin part III Contrast by BCXSY

The boat-building techniques we have witnessed at Meitheal Mara were very different from the traditional artistry we have worked with in the past – they utilize rougher, unrefined and simple methods, while being strikingly efficient. Observing their work we were fascinated by how almost magically, in a matter of a few days, a vessel can be constructed which allows people to travel on the water.

Origin part III Contrast by BCXSY

Due to the fact that the work done by the participants at Meitheal Mara is specific and created to achieve a functional end-result, without involving much attention to cosmetic details, and that the artisans are comprised of people with a variety of backgrounds, skills levels and working schemes, the project has turned out to be particularly challenging.

Origin part III Contrast by BCXSY

Building or redesigning a boat was never our intention for this collaboration. Our goal was rather to employ the naturalness, efficiency and functionality of Meitheal Mara traditional working methods and distil various various elements involved in the boat-building process in order to create new objects that are aesthetically far away from what Meitheal Mara does in their day-to-day work, yet always remaining focused on maintaining the link to their inspirational-origin.

Origin part III Contrast by BCXSY

“Rule number one of a boatyard is that you never have enough clamps”. In times of need, improvised clamps are made of only two pieces plywood. These clever artefacts were our inspiration while developing the Side-Tables and Stools, by which the top plate is clamped between two vertical plates. The outer surfaces of the plywood are removed, revealing the less regularly placed wooden layers, making each and every piece unique.

Origin part III Contrast by BCXSY

Steaming and bending of long and narrow wooden planks are common during the boat-building process and mostly used for covering the outer surface or support the boat’s frame. For the Fruit Bowls we have used shorter and wider planks of freshly cut Ash. Two long cuts make it possible to bend and twist the surface until the final form is achieved and fixed by using copper nails and roves. The white painted parts are a reference to the water line painted on the boats.

Origin part III Contrast by BCXSY

A scarph joint is used for connecting two different pieces of timber and is commonly used when constructing a boat. A well-made joint gives the boat-builders a chance to demonstrate their skill.

Origin part III Contrast by BCXSY

The Serving Trays are constructed by two pieces of Sycamore. Once the joint is fixed, the top is painted, and then a part of the upper surface is routed, revealing the beauty of the light-coloured timber and the joint.

Origin part III Contrast by BCXSY

All timber used in the project is sourced from local, sustainable origins. All surface treatments are water-based and food safe.

Origin part III Contrast by BCXSY

Origin part II: Balance by BCXSY

Origin part II Balance by BCXSY

Milan 2011: Eindhoven designers BCXSY present a collection of rugs woven by Bedouin women in Israel at Spazio Rossana Orlandi in Milan this week.

Origin part II Balance by BCXSY

The rugs are woven by hand in four sizes on ground looms using wool from local desert sheep.

Origin part II Balance by BCXSY

The four pieces are then joined in different configurations to create rugs of the required size and shape.

Origin part II Balance by BCXSY

Colours are taken from the desert surroundings where the pieces are made and details from traditional rug making crop up like fringing on selected edges and a single green tassel on each piece.

Origin part II Balance by BCXSY

Called Balance, the project forms the second phase of their Origin series where the duo work closely with skilled craftspeople. See the first in the series in our earlier story.

Origin part II Balance by BCXSY

The project remains on show at Spazio Rossana Orlandi, Via Matteo Bandello 14/16, 20123 Milan until 17 April.

Origin part II Balance by BCXSY

See all our stories about Milan 2011 »

Origin part II Balance by BCXSY

See all our stories about BCXSY »

Origin part II Balance by BCXSY

The text below is from BCXSY:


Origin part II: Balance

Origin – our explorations into traditional crafts from a variety of backgrounds and disciplines. Lakiya Negev Weaving – an organization of Bedouin artisans, initiated by SIDREH, a non-profit organization focused on improving the socioeconomic situation of Bedouin women living in Israel’s Negev Desert.

Origin part II Balance by BCXSY

Balance – the results of our collaboration with SIDREH and the women weavers in Lakiya. Balance consists of a series of seven area rugs woven in the Bedouin tradition by the women in Lakiya, Israel. Each rug is hand woven on traditional ground looms using the wool of local desert sheep.

Origin part II Balance by BCXSY

From the dying of the yarn to the weaving and final construction, each rug is the result of the collaborative efforts of many of the women in Lakiya. Through a craft that is central to Bedouin social and cultural heritage, the weavers are able to produce an extremely high-quality, durable and beautiful material.

Origin part II Balance by BCXSY

By creating a culturally acceptable employment opportunity for women, Lakiya Weaving produces short-term and long-term benefits to the Arab Bedouin community. The project remains the only possible employment for many isolated women who have suffered from the impacts of social upheaval.

Origin part II Balance by BCXSY

SIDREH’s focus is to empower, represent, and improve the socioeconomic situation of these Bedouin women, women who exist in a constant state of inequality, of imbalance.

Origin part II Balance by BCXSY

During our second visit to Lakiya, we had the opportunity to visit some villages in the area that remain unrecognized by the authorities. Throughout our time in these villages, we were continually overwhelmed by the positive attitudes of the women we encountered.

Origin part II Balance by BCXSY

We became increasingly inspired by the choice they have made to focus on their optimistic progress, rather than their more obvious hardships.

Origin part II Balance by BCXSY

Balance is our response to this optimism, that in the midst of adversity and misfortune there is a lasting element of proportion and beauty.

Origin part II Balance by BCXSY

Drawing from the surrounding landscape of the Negev Desert in both color and texture, each piece in Balance pushes the perceived confines of traditional woven dimensions and expected application of decorative elements.

Origin part II Balance by BCXSY

The rugs are the result of working within the boundaries of the Bedouin weaving practice, where it is only possible to weave long, narrow strips of material. The strips are then cut and repositioned to create non-traditional and innovative silhouettes that generate new and exciting placement possibilities within the interior. Balance embodies the possibility of finding a modern context for an ancient craft.


See also:

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Change! by
BCXSY
Distilled Nature by
BCXSY
Join by
BCXSY

Origamaster Shades by BCXSY

Origamaster Shades by BCXSY

Here’s a pair of concertina-style sunglasses by Boaz Cohen and Sayaka Yamamoto of BCXSY.

Origamaster Shades by BCXSY

Inspired by origami, the Origamaster Shades are made of a thin sheet of transparent plastic that has been folded several times and pinched in three places to form glasses.

Origamaster Shades by BCXSY

The sunglasses are being shown as part of an exhibition in Tokyo called Shades Down in Tokyo Town, curated by Sofia Hedman and designer Karolina Kling of HEDMANKLING.

Origamaster Shades by BCXSY

The exhibition is at Calm & Punk Gallery in Tokyo and will run until 26 November.

Photographs are by Gavin Fernandes.

Origamaster Shades by BCXSY

Here’s some more information from the designers:


Origamaster Shades

Mastering the secrets of folding, long before the invention of paper and anything that is flat, the immortal Origamaster has been traveling through time and space since the dawn of mankind. The very few who had the chance for a quick glance could swear that he’s surrounded by a cloud of rapidly moving hands..
Being a very private person, the Origamaster has decided to create a piece which will help him to be less recognized while being among the living – folding a thin sheet of transparent plastic has been the perfect solution for that!

BCXSY was commissioned by HEDMANKLING to create a sunglasses concept for the project SHADES DOWN IN TOKYO TOWN – an exhibition that features the creatures and their spectacular spectacles.

The exhibition will take place at CALM & PUNK gallery, Tokyo, and in 2011 will tour to London, Gothenburg and Stockholm.

The participating artists are: Ann-Sofie Back, BCXSY, Bernhard Willhelm, BLESS, Charlie Le Mindu, Helle Mardahl, Henrik Vibskov, Iris Schieferstein, Josefin Arnell, Kling by Kling, Maiko Takeda, ManfreDu Schu, Mykita, Piers Atkinson, SWD/Skyward and Walter Van Beirendonck.


See also:

.

Change! by
BCXSY
Distilled Nature by
BCXSY
Join by
BCXSY

Coiled by BCXSY for Editions in Craft

Milan 2010: Eindhoven designers Boaz Cohen & Sayaka Yamamoto of BCXSY presented a collection of  vessels and a light made up of beaded coils at Spazio Rosana Orlandi in Milan earlier this month. (more…)