De Stijl Got It: President Obama Visits Mondrian Works in The Hague

Gemeentemuseum Den Haag
Smile and say “neo-plasticism”! President Obama, Gemeentemuseum director Benno Tempel, Mayor of The Hague Jozias van Aartsen, and Dutch Prime Minister Mark Rutte with Mondrian’s Victory Boogie Woogie. (Photo courtesy Gemeentemuseum Den Haag)

As the HQ of the International Court of Justice and the International Criminal Court (among other globe-spanning, peace-making organizations), The Hague is known more for tribunals and arbitration than as a hotbed of art and design, but the Dutch city—the third largest in the Netherlands—is quite the trove of masterpieces and exquisite museums, and boasts a city hall designed by Richard Meier (and don’t even get us started on Scheveningen!). Those visiting this week for the 2014 Nuclear Security Summit got a taste of the North Sea city’s charms. President Obama found time between defcon-themed discussions to pop into the Art Deco-style home of Gemeentemuseum Den Haag, which owns the largest collection of work by Dutch artist Piet Mondrian, and took in the museum’s “Mondrian & De Stijl” exhibition. Joined by Dutch Prime Minister Mark Rutte, Gemeentemuseum director Benno Tempel, and mayor of The Hague Jozias van Aartsen, Obama admired Mondrian’s final painting, Victory Boogie Woogie (1944), and, according to the museum, declared it “fabulous.”

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The ghosts in the photographs

Cake

US artist Angela Deane’s paintings on found photographs make for an intriguing series of portraits of ghostly figures – at home, at the game, even in the pool…

Snuggle

Noted via @alixmcalpine, Ghost Photographs is a series which explores, says Deane, “the beautiful, painful, and ultimately puzzling human condition of having memories. What are they? Can we retain them as experience?”

In each photograph the subjects are painted white, ‘sheet ghost’ style, with two black holes for eyes. Depending on the scene, and the postures of the people in the picture, the results can be oddly touching (haunting if you will) or just downright funny (see ghosts enjoying some biscuits, below).

Taking in the Game

Close-up of parade spectators in Untitled (Ghost Photograph no. 203) 2013, 6’x 9”

Untitled (Ghost Photograph no. 198), 2013, 4”x 6”

Untitled (Ghost Photograph no. 193), 2013, 6″x 8″

Untitled (Ghost Photograph no. 156), 2013, 4” x 6”

See the ongoing project at Deane’s Tumblr, ghostphotographs.tumblr.com, or on her website here. Check out more of Deane’s work at angeladeane.com.

Cool Hunting Video: Fire Island Opera: Reviving the classic artform in a provocative and accessible manner with open air contemporary peformance

Cool Hunting Video: Fire Island Opera


After ferrying over to the beach community of Fire Island last summer, we attended the inaugural Fire Island Opera Festival. With the image of the grandeur of traditional opera burned into our minds, we were…

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Photo Film Screenprint Series: Jerome Daksiewicz pays tribute to analog photography with a series of film package-inspired posters

Photo Film Screenprint Series


These days, shooting film photography is about much more than just taking an analog approach to the activity of capturing images. Every aspect can be savored—from the smell of fresh film to the acute understanding that each frame is precious. And, for Chicago-based…

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Studio Visit: Ai Weiwei: A conversation with the multi-talented man about the internet, activism and art

Studio Visit: Ai Weiwei


The upcoming exhibition (opening 3 April 2014 at Berlin’s Martin-Gropius-Bau) by the multi-talented and outspoken Ai Weiwei promises to be his biggest solo show yet. Spanning over 3,000 square meters in…

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DIY lightbox for easy, clutter-free artwork photos

Photographing the kids’ artwork is a great way to keep from having to save everything junior creates in a physical form. Photographs save the memories without sacrificing storage space. Digital images are easy to organize, but getting decent shots of the kids’ work can be difficult. Creating a DIY lightbox can be a cheap, inexpensive solution for getting great, memorable shots.

A couple of years ago, I suggested a few strategies for organizing your kids’ artwork. Once you’ve picked out your favorites, it’s nice to frame them for a home gallery or to create an album, like those from Shutterfly or Apple.

But like I mentioned earlier, taking a good photo of Jr.’s art project isn’t always easy. Lighting and a “noisy” background can be troublesome. Fortunately, the solution is simple, effective, and inexpensive. The following instructions are how I made a simple light box out of materials I (mostly) already had at home.

What is a light box?

A light box, as I’m describing it, is a box that’s open on one end and has light-diffusing material on the sides and top, that lets you take nearly shadow-free photographs of objects. Professional photographers use them to get gorgeous product shots. You can use them for a variety of items. Here’s what you’ll need:

  1. A large-ish cardboard box
  2. White tissue paper
  3. Tape
  4. A box cutter
  5. At least two light sources
  6. White poster board
  7. A ruler

Building your light box

To get started, cut the flaps off of the box’s top and then place it on its side. Next, use a ruler to mark one inch from the edge on the side of the box. Then use a strait edge to mark off lines one inch away from the edge. Use the box cutter to cut out that inner square section of cardboard. (You’re making the sides look like three cardboard picture frames attached to the bottom and one side of the box. See the image above.) Repeat that process on two other sides, leaving the bottom intact.

Next, add your light-diffusing material: tissue paper. Cut a sheet of plain white tissue paper so that it’ll cover the three sides of the box that you cut. Tape it into place. Now for the poster board.

This part is a little bit tricky. Cut a piece of poster board that’s as wide as the opening to your box but twice as long. Slide it into the box and up the back so that it’s touching the top. Make sure not to crease the poster board. If you do, that crease will really show up in your photos. The idea is to make an “infinite” background of white.

Test it out

That’s it! The box has been constructed. Now you need two light sources. I’m using two tabletop gooseneck lamps. Position one on each side, aimed directly at the tissue paper. Finally, put your camera on a tripod, stack of books, table, or whatever will keep it still. Finally, position your subject and shoot.

You’ll have to play around a bit to see if you need more tissue paper, to re-position the camera and so on. But really, you’ll see great results right away. When you’re done, upload the photos to your favorite service, do what you want with the digital image, and enjoy your great-looking archive of the kids’ beautiful art.

Additional tips: Above, I photographed a little clay sculpture. If you’re doing something flat like a painting, carefully remove the top piece of tissue paper and shoot down. Also, you can add more light buy putting another source pointing into the box from the top.

This whole project cost me less than twenty dollars (I bought two lamps) and I’m thrilled with the results. Also, if you’re not the DIY type, you can buy a premade lightbox for around $40.

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New site to give students a Hand

A group of Kingston students led by Joshua Lake are launching an online exhibition space to bring together work from degree shows across the creative disciplines

 

With so many degree shows taking place each year, not all of them get the attention those participating might like. Lake’s idea is to create an online exhibition space to aggregate work from degree shows in one place.

Hand launches in May and is “an online art and design gallery catering for students, individuals and groups across all art disciplines, creating space for inspiration, collaboration and discovery,” the organisers say.

At present, the site is displaying a ‘trailer’ version but this does give some sense of how the fully-functional site will work. It will focus initially on degree shows but “in addition to student exhibitions, non-student shows will be featured on the site throughout the year,” the organisers say.

 

Graduating students will be allowed to create an account and upload work from their exhibition to the site. More details on how to get involved at hand.gallery

 

Concept: Joshua Lake
Art direction: Oliver Long, Frederik Mahler-Anderson and FRancis North
Built by Frederik Mahler-Anderson
Copy: Jodie Edwards

Lu Yang’s Uterus Man: The Shanghai-born artist’s superhero rides a chariot made of human pelvic bone, and questions the laws of nature

Lu Yang’s Uterus Man


Listed among the most influential young Chinese artists, Shanghai-born Lu Yang (who graduated from the prestigious China Academy of Art’s New Media Department) creates work that explores themes of death, disease, genetics and biomechanics. Behind her daring…

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Michael Leavitt’s Cardboard Kicks: The Seattle-based artist replicates an ordinary item with an everyday material, with fantastic results

Michael Leavitt's Cardboard Kicks


by Eva Glettner Seattle-based Michael Leavitt might be a college dropout (he quit Brooklyn’s Pratt Institute of Art as a freshman, despite his a 4.0 GPA) but that, by no means, has meant he’s a failed artist….

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Different Strokes: Lichtenstein Sculptures Bound for Parrish Art Museum

roy parrish

It was during a break in a college art history course discussion of Saussurean signifiers that we got to chatting up the dashing head teaching fellow, then in lukewarm pursuit of his Ph.D. After some good-natured banter about the arbitrariness of the sign, we ventured into more rational territory: “So, what are you writing your thesis about?” The color swiftly drained from his face and he stared at the ground before mumbling words that were only later discernible as “the sculptures of Roy Lichtenstein.” Everything turned out for the best, and the TF in question is now an associate professor at a leading research university, but to this day we can’t pass one of the Pop artist’s fiberglass houses or aluminum brushstrokes without feeling slightly queasy.

If anything can undo that association it’s the Parrish Art Museum. Next week the museum’s stunning new(ish) Herzog & de Meuron-designed home in Water Mill, New York will get its first long-term, outdoor installation in Lichtenstein’s Tokyo Brushtroke I & II (1994), part of a series of sculptures constructed mainly in the 1990s. The soaring, two-piece sculpture, made of painted and fabricated aluminum, tops out at 33 feet, taller than the museum itself: a monolevel extruded barn-as-studio made both rugged and stealth by cloudy concrete walls and a white corrugated metal roof. A temporary loan from collectors Glenn and Amanda Fuhrman, Tokyo Brushtroke I & II will sit (in a cement brace) near Montauk Highway, acting as a colorful signpost of sorts for the Parrish.

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