A-Art House and C-Art House by Kazuyo Sejima

A-Art House and C-Art House by Kazuyo Sejima

Japanese architect Kazuyo Sejima has added a circular courtyard and a renovated timber shed to her series of galleries on Inujima island, Japan.

A-Art House and C-Art House by Kazuyo Sejima
A-Art House

Sejima, the female partner of architecture studio SANAA, has been working on the Inujima Art House Project since 2010, when she and art director Yuko Hasegawa opened three galleries and a small pavilion in the island’s village.

A-Art House and C-Art House by Kazuyo Sejima
A-Art House

The two new buildings, entitled A-Art House and C-Art House, will join F-Art House, S-Art House and I-Art House to create a series of spaces that can host coinciding exhibitions.

A-Art House and C-Art House by Kazuyo Sejima
A-Art House

Clusters of artificial flower petals decorate the acrylic walls of A-Art House, giving a colourful backdrop with shades of pink, orange and yellow to the open-air courtyard that makes up the space.

A-Art House and C-Art House by Kazuyo Sejima
A-Art House

Instead of a precise circle, the structure has gently fluted walls that bulge outwards, creating an outline reminiscent of a flower shape. A rectangular opening forms an entrance through one of the walls, while silver stools offer a pair of seats for visitors.

A-Art House and C-Art House by Kazuyo Sejima
C-Art House

C-Art House, the second of the two galleries, occupies a renovated nineteenth-century timber shed near the coastline.

A-Art House and C-Art House by Kazuyo Sejima
C-Art House

The structure of this building is revealed inside, where ageing wooden trusses are supported by modern timber columns. Timber panels line the walls, while a panoramic screen provides a surface for film screenings.

A-Art House and C-Art House by Kazuyo Sejima
C-Art House

To tie in with the opening of the new galleries, all five spaces are presenting a combined exhibition where each space is dedicated to the work of a different artist.

A-Art House and C-Art House by Kazuyo Sejima
C-Art House

Kazuyo Sejima is best-known as one of the two founding partners of SANAA, alongside architect Ryue Nishizawa. The pair were awarded the Pritzker Architecture Prize in 2010 and past projects include the Rolex Learning Centre in Switzerland and the Louvre Lens gallery in France.

See more architecture by SANAA »
See more architecture in Japan »

Photography is by Iwan Baan.

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New Apple Campus in Cupertino

D’ici 2016, la marque Apple va s’offrir un énorme campus à Cupertino en Californie. Projet déjà défendu par Steve Jobs en 2011, cet ensemble pourra accueillir 12 000 salariés, sera autonome en énergies et disposera en prime d’un amphithéâtre. Une maquette du chantier fini est à découvrir dans la suite.

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“We wanted to make a building that is embedded in New Zealand culture”

Movie: in this exclusive interview Australian architect Richard Francis-Jones explains the importance of local materials at Auckland Art Gallery, which was crowned World Building of the Year at World Architecture Festival in Singapore earlier this month.

"We wanted to make a building that is embedded in New Zealand culture"

Auckland Art Gallery Toi o Tamaki in New Zealand, which was designed by Australian architecture studio Frances-Jones Morehen Thorp together with New Zealand studio Archimedia, is an extension and refurbishment of an existing gallery.

"We wanted to make a building that is embedded in New Zealand culture"

“It’s a turn-of-the-century building, it kind of embodies a colonial attitude to a European settlement,” says Francis-Jones of the original gallery.

“This new project gave us an opportunity to rethink that, to recast it in current values, to create a bi-cultural gallery that can have a much more holistic relationship to New Zealand society.”

"We wanted to make a building that is embedded in New Zealand culture"

The extension provides the gallery with a new entrance, atrium and gallery space, areas that are covered by large wooden canopies made from the indigenous kauri tree.

Francis-Jones says that it was very important for the design team to create a building that related to its local surroundings.

“One of the great challenges we face as architects in this age is that our materials and our systems are sourced from all over the world,” he says. “But we were seeking to make a building that was really embedded in this place, in this culture.”

"We wanted to make a building that is embedded in New Zealand culture"
Photograph by Luke Hayes

He continues: “To create these canopies we wanted to use a material that was very precious and meaningful to New Zealand, so we used natural kauri. It’s got to be one of the most beautiful timbers you’ve ever seen in your life and it’s a timber of great significance and meaning to Maori culture.”

“But, of course, it’s a protected species, so we had to source it from fallen kauri or recycled kauri. We had to use it very sparingly.”

"We wanted to make a building that is embedded in New Zealand culture"
Photograph by Luke Hayes

The large glass walls of the building are designed to allow clear views outside to the surrounding landscape.

“The building, in a sense, creates a connection between the natural landscape and the city,” says Francis-Jones.

“Our effort was to strive to make a building that was transparent in a way, to create a building that was more open, inclusive and connected with the landscape. It is a more open interpretation of New Zealand’s future.”

"We wanted to make a building that is embedded in New Zealand culture"
Photograph by Luke Hayes

World Architecture Festival 2013 took place at Marina Bay Sands in Singapore from 2-4 October. Next year’s World Architecture Festival will take place at the same venue from 1-3 October 2014. Award entries are open from February to June 2014.

See our earlier story about Auckland Art Gallery »
See all our coverage of World Architecture 2013 »

"We wanted to make a building that is embedded in New Zealand culture"
Richard Francis-Jones of Australian architecture studio Frances-Jones Morehen Thorp

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Car Park House by Anonymous Architects

A combined car park and terrace covers the roof of this hillside house in Los Angeles by Californian studio Anonymous Architects (+ slideshow).

Car Park House by Anonymous Architects

Anonymous Architects designed the single-storey home for an actor. It is situated on the edge of a steep slope, so the floors are arranged from top to bottom, with an entrance on the roof and rooms on the level below.

Car Park House by Anonymous Architects

“The added benefit of providing the parking and the house as the same structure is to eliminate the need for additional foundations and walls for a garage,” said architect Simon Storey.

Car Park House by Anonymous Architects

“The inversion moves the typical ground floor of the house up on the roof, and makes the simple act of arriving home and driving onto the roof of the house a surprise every time,” he added.

Car Park House by Anonymous Architects

Supported by chunky concrete columns, the house appears to be thrusting away from the edge of the slope. A recessed balcony offers views of the San Gabriel Mountains to the north east of the city.

Car Park House by Anonymous Architects

A kitchen sits at the centre of the plan and forms the corner of an open-plan living room, while three bedrooms and two bathrooms are positioned around the other side of the house.

Car Park House by Anonymous Architects

A bridge connects the roof with the street, providing an entrance for both cars and pedestrians.

Car Park House by Anonymous Architects

Other projects by Anonymous Architects include a tiny house with only three rooms lifted off the hillside by a set of concrete pilotis and a 4.5 metre-wide house inspired by narrow homes in Japan.

Car Park House by Anonymous Architects

See more projects by Anonymous Architects »
See more concrete architecture and design »

Car Park House by Anonymous Architects

Photography is by Steve King.

Here’s a project description from the architects:


Car Park House

Starting with a vacant lot with a very steep down-slope from the street, the design of the house places the carport on the roof with the residence below. In addition to being a dramatic shift of expectations, it is also a logical response to the building code which requires parking for two vehicles.

Car Park House by Anonymous Architects
Site plan – click for larger image

This inversion moves the typical ground floor of the house up on the roof and makes the simple act of arriving home – and driving onto the roof of the house – a surprise every time. The roof is also usable as deck space and has unobstructed views of the San Gabriel Mountains, which are to the Northeast of Los Angeles.

Car Park House by Anonymous Architects
Floor plan – click for larger image

Because of the steep terrain the house is designed to float over the hillside. This reduces the amount of foundation required and also means that the only way to access the house is over the bridge – so it is truly a floating structure.

Car Park House by Anonymous Architects
Roof plan – click for larger image

The added benefit of providing the parking and the house as the same structure is to eliminate the need for additional foundations and walls for a garage.

Car Park House by Anonymous Architects
Sections – click for larger image

Date of completion: August 2013
Location: Echo Park, Los Angeles, California
Clients: Hal Ozsan/ Judson Williams
Architect: Simon Storey/ Anonymous Architects, Los Angeles
Lot Area: 8,477 sq.ft
Building Area: 1,405 sq.ft
Building footprint: 1,405 sq.ft – single level dwelling with roof deck/ parking. 3 bedroom & 2 bathrooms.
Method of construction: Concrete pile foundation with concrete pilasters above grade; steel (primary floor structure – cantilevers); wood floor, walls and roof

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Wall House by And’rol

Precast concrete lintels with oozing courses of grout create a distinct facade on this house near Brussels by Belgian studio And’rol (+ slideshow).

Wall House by and'rol

Named Wall House, the three-story family home is located near to a former stronghold, so And’rol designed a grey-brick facade with concrete lintels to reference the crumbling stone walls of the old fortress.

Wall House by and'rol

“The relief of the bulging grout reinforces its rough character,” said the architects.

Wall House by and'rol

A low wall surrounding the plot is constructed from the same materials, while the three remaining elevations of the house are clad with dark grey fibre-cement panels.

Wall House by and'rol

Square windows are scattered across all four elevations. Some are recessed, while others sit flush with the walls and some are screened behind horizontal concrete bars.

Wall House by and'rol

The house is located on the top of a steep hill and contains a split-level interior that negotiates a change in level across the site.

Wall House by and'rol

An asymmetric roof creates the necessary head height for the uppermost floor, which features a deep-set window facing out to the south.

Wall House by and'rol

The kitchen worktop is constructed from a stack of concrete slabs, referencing the building’s exterior. Other interior details include a wooden staircase with integrated seating, low-hanging pendant lights and a selection of brightly coloured furniture.

Wall House by and'rol

Other houses we’ve featured from Belgium include a residence broken down into cubic volumes and a glass house with a sunken swimming poolSee more Belgian architecture »

Wall House by and'rol

Photography is by Georg Schmidthals.

Wall House by and'rol

Here’s a project description from the architects:


Wall House

The plot’s particularities are on the one hand its perturbing position close to a steep rock slope, and on the other hand its small depth and its unusual longitudinal orientation parallel to the street.

Wall House by and'rol

Starting point for the young Belgian architects were traces of a nearby former stronghold. The main design element consists of an enclosing wall with a recessed rising part, to which the modest and sober main house nestles and adapts.

Wall House by and'rol

A second shallow volume that houses a large number of storage spaces is also located behind the wall.

Wall House by and'rol

The architects chose precast concrete lintels as a reinterpretation of the old fortress walls of rubble stone. The relief of the bulging grout reinforces its rough character.

Wall House by and'rol

Inside, a split-level organisation responds to the plot’s sloping ground, intensifies the open space concept and gives the compact building a generous and spacious character.

Wall House by and'rol

The used materials are deliberately kept simple and easy; the bare prestressed concrete slabs, the polished concrete flooring and the concrete bar refer to the enclosing wall.

Wall House by and'rol
Floor plan – click for larger image

Type: Single family
Location: Near Brussels, Belgium
Client: Private
Architect: AND’ROL

Wall House by and'rol
Section – click for larger image

Habitable surface:
Completion: July 2013
Construction: Hollow bricks, precast concrete slabs
Energy: Low energy standard

Wall House by and'rol
Elevation – click for larger image

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The Teatrino of Palazzo Grassi by Tadao Ando

Japanese architect Tadao Ando has added an auditorium with a curving concrete interior to the Palazzo Grassi – a contemporary arts centre inside an eighteenth-century palace in Venice (+ slideshow).

The Teatrino of Palazzo Grassi by Tadao Ando

The Teatrino is the third phase of Tadao Ando’s renovation of the Palazzo Grassi, which is now owned by luxury goods tycoon François Pinault. After converting both the main building and the accompanying Punta della Dogana into contemporary art galleries, Ando added this extra building as a venue for conferences and performances.

The Teatrino of Palazzo Grassi by Tadao Ando

Curving concrete walls separate the 220-seat auditorium from reception areas, dressing rooms and storage areas, providing a blank canvas for hanging artwork or film projection.

The Teatrino of Palazzo Grassi by Tadao Ando

Lighting fixtures are tucked around the edges of a suspended ceiling in the main lobby, while triangular skylights offer a source of daylight.

The Teatrino of Palazzo Grassi by Tadao Ando

The Teatrino occupies a space that once served as the palace’s garden. More recently it had functioned as a theatre, but has been closed to the public since 1983.

The Teatrino of Palazzo Grassi by Tadao Ando

Only the facade of the original building remains, with the new structure erected behind.

The Teatrino of Palazzo Grassi by Tadao Ando

Another designer to have worked on spaces at the Palazzo Grassi is Philippe Starck, who completed the adjacent Palazzina Grassi hotel in 2010. See more stories about Venice »

The Teatrino of Palazzo Grassi by Tadao Ando

Other recent projects by Tadao Ando include a school of art, design and architecture at the University of Monterrey in Mexico. See more architecture by Tadao Ando »

The Teatrino of Palazzo Grassi by Tadao Ando

Photography is by Orsenigo Chemollo.

Here’s a project description from the design team:


The Teatrino of Palazzo Grassi

The François Pinault Foundation is strengthening its implementation within the artistic and cultural life of Venice. A new site, created for conferences, meetings, projections, concerts, etc., will be added to the ensemble of Palazzo Grassi-Punta della Dogana-François Pinault Foundation: the Teatrino, which will open its doors to the public in June 2013.

The Teatrino of Palazzo Grassi by Tadao Ando

After the restoration of Palazzo Grassi in 2006, followed by that of Punta della Dogana, inaugurated in 2009, the rehabilitation of the Teatrino in 2013 constitutes the third step of François Pinault’s broad cultural project for Venice. Conceived and conducted by Tadao Ando in close collaboration with the Municipality of Venice and the competent authorities and services (including the Superintendent of Architectural Assets and Landscapes of Venice), this restoration will maintain the spirit of architectural continuity of the preceding renovations. Work will begin in summer 2012 and last ten months.

The Teatrino of Palazzo Grassi by Tadao Ando

Spread over a surface of 1,000 square meters, the Teatrino will be equipped with an auditorium of 220 seats, completed by reception areas and spaces for technical equipment (boxes, equipment for stage management and simultaneous translation, etc.). Thus, it will provide Palazzo Grassi-Punta della Dogana-François Pinault Foundation with optimal technical conditions (including acoustics) in a comfortable setting, in order to develop more fully the cultural dimension of its activities: meetings, conferences, workshops, lectures, concerts, performances, research, … with an emphasis on the moving image (cinema, artist, films, video, video installations, …). It will also reinforce the Foundation’s role as a forum of exchange, meeting, and openness towards the city.

The Teatrino of Palazzo Grassi by Tadao Ando
Construction photography

Located on the Calle delle Carrozze, alongside Palazzo Grassi, the Teatrino was conceived in 1857 to serve as the palace’s garden. A century later, it was transformed into an open-air theatre, which was renovated and covered in 1961. It was abandoned in 1983 and has been closed to the public ever since.

The Teatrino of Palazzo Grassi by Tadao Ando
Construction photography

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Apple Shows Off Wicked Scale Model of Their Proposed ‘Spaceship’ HQ & Campus

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Tomorrow, the Cupertino City Council will cast their final votes on Apple’s dream headquarters design, giving a thumbs-up or thumbs-down to the project. Which is why just a few days ago, Apple opened their doors to the Bay Area News Group for a rare glimpse at their in-house scale model for Apple Campus 2.

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A foamcore hack job this ain’t. The “top-secret, living-room sized model” depicts the much-ballyhooed circular main building and the sprawling green campus in detailed glory, and we viewers are now able to get a sense of scale that was absent in the 2D renderings. Whether you call it the Spaceship or the Apple Ring, the four-story round building is nearly one mile in circumference and close to a third of a mile in diameter.

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The circular shape isn’t a product of whimsy, by the way. “The concept of the building is collaboration and fluidity,” Apple CFO Peter Oppenheimer told the San Jose Mercury News. “We found that rectangles or squares or long buildings or buildings with more than four stories would inhibit collaboration. We wanted this to be a walkable building, and that’s why we eventually settled on a circle.”

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(more…)

The Interlace by OMA and Ole Scheeren nears completion

An OMA-designed housing complex comprising 31 apartment blocks stacked diagonally across one another is nearing completion in Singapore (+ slideshow).

The Interlace by OMA and Ole Scheeren

The Interlace was designed by former OMA partner Ole Scheeren, who has since moved on to set up his own studio. It is made up of a series of near-identical six-storey blocks, which have been arranged in a honeycomb pattern around six hexagonal courtyards.

The Interlace by OMA and Ole Scheeren

Set to complete in 2014, the 170,000 square-metre complex will offer 1040 apartments and is located at the intersection of Ayer Rajah Expressway and Alexandra Road in the south west of the city.

The Interlace by OMA and Ole Scheeren

The stacked arrangement of the structure creates numerous cantilevers and bridges around the exterior spaces. Gardens are located over the rooftops, while staircases are positioned at the overlaps between blocks.

The Interlace by OMA and Ole Scheeren

Other communal features include a lotus pond, a waterfall, an open-air theatre and a rock garden.

The Interlace by OMA and Ole Scheeren

Dezeen visited the building last week during a visit to Singapore, as part of the Dezeen and Mini World Tour. The trip included a tour of the city with Colin Seah of local architecture studio Ministry of Design, who also took us to his studio’s New Majestic Hotel.

The Interlace by OMA and Ole Scheeren

OMA unveiled its design for The Interlace in 2009, but the delivery has been carried out under the direction of property developer CapitaLand Residential.

The Interlace by OMA and Ole Scheeren

OMA has also recently completed the Shenzhen Stock Exchange in China and renovated the North Delegates’ Lounge at the United Nations buildings in New York in collaboration with Hella Jongerius. See more architecture by OMA »

The Interlace by OMA
Site plan

Other new buildings from Singapore include a hotel featuring balconies covered in tropical plants and contoured surfaces based on rock formations. See more architecture in Singapore »

The Interlace by OMA
Massing diagram

Photos are copyright Dezeen.

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Compact Portable House

Le cabinet d’architecture Abaton a développé cette maison « Compact Portable House », un lieu de résidence parfait pour un couple. Cette construction APH80 propose une structure simple, avec des matériaux choisis avec intelligence. Plus d’images de ce joli concept dans la suite de l’article.

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Cap House by MMX Studio

This house near Mexico City by local office MMX Studio comprises an assortment of exposed concrete buildings arranged around small gardens and courtyards (+ slideshow).

Cap House by MMX

Located west of the city in an area known as La Herradura, Cap House was designed by MMX Studio as an ensemble of one-, two- and three-storey blocks, which open out to gardens on two different levels.

Cap House by MMX

“The dwelling should not be the result of fragmenting a larger envelope, on the contrary, it should be the outcome of adding multiple rooms, each one with its own scale, proportions and identity,” said architect Emmanuel Ramirez.

Cap House by MMX

An entrance punctures the perimeter wall of the front courtyard, leading through to spacious living and dining areas on the ground floor, as well as a single-car garage.

Cap House by MMX

The first floor contains additional living rooms, which open out to a plant-covered roof terrace, while the uppermost floor accommodates a bedroom and adjoining bathroom.

Cap House by MMX

The concrete walls remain exposed inside the house as well as outside, contrasting with wooden doors and window frames.

Cap House by MMX

Alongside the traditional architectural photography, photographer Yoshihiro Koitani composed one image showing the same woman in eight different positions.

Cap House by MMX

“We have always been interested in exploring all the ways in which the spaces can be used,” Ramirez told Dezeen. “We gave the photographer total freedom to decide how the space can be inhabited beyond the obvious, and it is through this image that we can understand a sense of scale and flexibility.”

Cap House by MMX

Other houses we’ve featured from Mexico City includes a house with a slate facade and a three-storey wall of plants, a black house with a high-walled courtyard and a house with overlapping rectilinear blocks of glass and concreteSee more architecture in Mexico City »

Here’s a project description from the architects:


CAP House

Located in a residential neighbourhood at the west of Mexico City, the house responds to a fragmented urban environment where the volumetric configuration of the buildings creates an uneven landscape of colours and volumes.

Cap House by MMX

The proposal adopts the logic of its context, and applies it within the plot by subdividing the program into its diverse parts.

Cap House by MMX

Each space takes shape as a response to the specific needs of the program and gets added onto a larger cluster of articulated volumes.

Cap House by MMX

Thus, the formal manifestation of the idea gets away from the more traditional operation of subdividing a larger envelope and instead, works with a logic of adding units of varying characteristics to create an ensemble rather than a standalone piece.

Cap House by MMX

This project explores the idea of the room as the basic unit of the house. The dwelling should not be the result of fragmenting a larger envelope, on the contrary, it should be the outcome of adding multiple rooms, each one with its own scale, proportions and identity.

Cap House by MMX

The scale of each room and the openings of the volumes are determined by the needs of the interior spaces, thus they manifest through the façade as a relaxed and non-committed gesture.

Cap House by MMX
3D design concept

Nodes of vertical movement, courtyards and gardens create a balance within the sequential progression of rooms across the site.

Cap House by MMX
Ground floor plan – click for larger image

The geometric outcome of this operation creates an articulated pattern of interlocked volumes and voids that complement one another within the scheme.

Cap House by MMX
First floor plan – click for larger image

Location: Mexico City, Mexico
Client: JAR & MCSV
Date: 2013

Cap House by MMX
Second floor plan – click for larger image

Status: Built
Type: Residental
Credits: Jorge Arvizu, Ignacio Del Rio, Emmanuel Ramirez, Diego Ricalde Team: Javier Moctezuma, Erendira Tranquilino

Cap House by MMX
Cross sections
Cap House by MMX
Long section one
Cap House by MMX
Long section two

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