House in Possanco by ARX Portugal Arquitectos with Stefano Riva

House in Possanco by ARX Portugal Arquitectos

Four courtyards are cut into the asymmetrical white roof of this Portuguese house by ARX Portugal Arquitectos and Portuguese architect Stefano Riva.

House in Possanco by ARX Portugal Arquitectos

The two-storey House in Possanco has a completely white exterior with concealed guttering and window frames.

House in Possanco by ARX Portugal Arquitectos

The largest of the four courtyards breaks through the rear facade to allow residents a view across the plains.

House in Possanco by ARX Portugal Arquitectos

More stories about projects in Portugal on Dezeen »

House in Possanco by ARX Portugal Arquitectos

Photography is by Fernando Guerra.

House in Possanco by ARX Portugal Arquitectos

Here is some text from ARX Portugal:


House in Possanco

The cultural meeting point joining the house owners and the architects was based on their common interest: an undoubtedly contemporary architecture, but one whose nature and final expression would also be the outcome of a research of the paradigms figuring in the traditional architecture of the region, the Alentejo.

House in Possanco by ARX Portugal Arquitectos

The implantation terrain of this small house, located in the village of Possanco, sets the transition area between the new urban strip and the protected agriculture zone.

House in Possanco by ARX Portugal Arquitectos

An extensive northbound plain ends far away at the splendid Arrabida mountain ridge. Sparse water spots of the river Sado spreading, and the Atlantic Ocean defining the horizon complete this scenario of a bold pictorial expression.

House in Possanco by ARX Portugal Arquitectos

The owners wanted a small vacation house that allowed a casual and relaxed enjoyment of their weekend when escaping the urban everyday stress. Our minds were for so long populated by images of the so-called popular architecture, produced before the technological era.

House in Possanco by ARX Portugal Arquitectos

They are small houses with sometimes asymmetric roofs, with one of the two garrets longer, almost disproportionate, reinforcing the compact aspect of volumes very much committed to the land where they are built.

House in Possanco by ARX Portugal Arquitectos

These long roofs make the houses cosy during the extremely hot summers and yet sober in the winter.

House in Possanco by ARX Portugal Arquitectos

The presence of these houses on the Alentejo plains, allied to the whiteness of their lime painting bringing out an almost abstract figure, compose portraits of a singular and surprising beauty.

House in Possanco by ARX Portugal Arquitectos

The first relevant constraint is the triangular shape of the small lot which, when applying the legal distance measures, almost does not allow any formal alternatives.

House in Possanco by ARX Portugal Arquitectos

Conceiving the house had still to face a paradox: the most interesting views stand to the north and not south, where the windows should be placed in their quest for light.

House in Possanco by ARX Portugal Arquitectos

At south there is the street, traffic and passers-by whose look inside the house owners wanted to avoid.

House in Possanco by ARX Portugal Arquitectos

These two aspects ended up being the key-features of the project and the solution would end being the introduction of yet another paradigm in traditional architecture: the patio.

House in Possanco by ARX Portugal Arquitectos

The volume is determined in blueprint by the regulated distances. In profile, the maximum height permitted is reached by the back wall (2 floors) and the front wall, facing the street, stays with the minimum height possible (1 floor). To the passer-by, the result is a house of deformed perspective, in axonometric projection.

House in Possanco by ARX Portugal Arquitectos

In order to receive natural light to the south, we introduced in that long plan 4 patios: a central one, one in the living-room, one in the social toilets and a final one near the children’s room.

House in Possanco by ARX Portugal Arquitectos

Almost all situated north, the windows guide the views to the amazing landscape.

House in Possanco by ARX Portugal Arquitectos

We explored the expressiveness of the white block and its abstract personality. The totality of the volume would be white, roofs included, where the patios resemble bluish excavations, enhancing delicately the strong character of the house.

House in Possanco by ARX Portugal Arquitectos

In fact, the building is done almost exclusively with the Alentejo repertoire:  white matter, light-shade, thickness/mass, texture.

House in Possanco by ARX Portugal Arquitectos

Indoors, rooms occur in between “suggestions” of the traditional two-garret volume, and variations in scale and depth transform in each chamber the atmosphere of that inner world intentionally sober.

House in Possanco by ARX Portugal Arquitectos

In the middle of the living-room, the kitchen-island takes on the ancient role of the fire as a centre-piece of the home, around which everything comes to place.

House in Possanco by ARX Portugal Arquitectos

Address: Herdade da Comporta, Possanco, Alcácer do Sal, Portugal
Project: 2006 – 07
Construction: 2008 – 09 (estimated)
Gross Construction Surface: 250 sq m

Architecture: ARX Portugal Arquitectos – José Mateus, Nuno Mateus, with Stefano Riva
Project Team: Stefano Riva, Paulo Rocha
Structural Engineering: SAFRE, Projectos e Estudos de Engenharia Lda.


See also:

.

House in Paço de Arcos by
Jorge Mealha Arquitecto
House in Tróia by Jorge
Mealha Arquitecto
House SGLight
by Grau.Zero

Warehouse 8B by Arturo Franco Office for Architecture

Warehouse 8B by Arturo Franco Office for Architecture

Stacks of reclaimed roof tiles form walls inside this former slaughterhouse in Madrid by Spanish architect Arturo Franco.

Warehouse 8B by Arturo Franco Office for Architecture

Refurbished in 2009 for administrative use, Warehouse 8B contains an office, a stockroom and an event space.

Warehouse 8B by Arturo Franco Office for Architecture

The recycled clay tiles were reclaimed from the warehouse roof when it was replaced.

Warehouse 8B by Arturo Franco Office for Architecture

Lines of missing tiles create narrow apertures in the partition walls.

Warehouse 8B by Arturo Franco Office for Architecture

More projects in Spain on Dezeen »

Warehouse 8B by Arturo Franco Office for Architecture

Photography is by Carlos Fernandez Piñar.

The following information was provided by the architects:


In a small warehouse of the old slaughterhouse of Madrid, warehouse 8B, the tiles in bad condition have been removed from the roof, been stacked and been put inside to solve a problem. This could be the summary of the intervention.

Warehouse 8B by Arturo Franco Office for Architecture

The slaughterhouse of Madrid was projected around 1907 and built during the second decade of the 20th century by Luis Bellido, municipal architect. For almost sixty years it served as a great pantry for the centre area. During this time it demonstrated its functional virtues and its special characteristics only too well. With the passing of time, the style applied to its façades, has become a more questionable matter, as it is far from the first approximations to the Modern Movement that was already being explored in this sort of industrial building in Germany, Holland or France. During the eighties, the slaughterhouse was moved to the outskirts of the city. The small “industrial city” projected by Bellido fell into neglect and oblivion. For the past few years, the town council of Madrid has been trying to convert this deteriorated complex into an avant-garde cultural engine for the city.

Warehouse 8B by Arturo Franco Office for Architecture

Warehouse 8B will be the space destined for administrative management. It will be composed of a small working area, a stockroom and a multi-purpose space for talks or presentations. Originally they were back-up rooms for the storage of waste produced in warehouse no.8, where skins and salted meat were dried. A minor warehouse but of great spatial interest.

Warehouse 8B by Arturo Franco Office for Architecture

The priority of the intervention was to replace a roof of flat shingle tiles over boards and successively patched thin, hollow bricks, to carry out a structural reinforcement of the whole set, and to fit out the indoors, thermally and acoustically, so as to provide service to the new uses. This process had been followed before in some other warehouses of the slaughterhouse and, as a result, mountains of tile, timber, cladding and granite slab rubble piled up waiting to be taken to the dump.

Warehouse 8B by Arturo Franco Office for Architecture

I prefer to think that this project emerged from opportunity, from discovering an opportunity in that rubble. In the path of exploring all the reasonable possibilities, the construction system turns into a project generator, in the place where a certain ethic view on rehabilitation rests, before architecture.

Warehouse 8B by Arturo Franco Office for Architecture

How does that found object work? How does the flat shingle tile work? How is it stacked? How is it bonded? What are its organoleptic characteristics, its weight? How do they join? These are some of the questions that arise during the process. The absence of some bonding elements produce lattices, the passing of light. Sometimes a whole piece for the walls, others, half a piece for the claddings. The problem of the corners, the lintels. The universal problems that architecture faces arise. At the same time and with the same intensity the workforce and imperfection appear. The imperfection of man and the old, the recovered. I recall a naïve order given on the building site: “Twist yourself José, it doesn’t matter” and an answer, a lecture from the site manager: “I won’t twist! There will always be time for that!” A job of many, full of vibrations. The vibrations of the collective craftsmen, the craftsman that Richard Sennett claims.

Warehouse 8B by Arturo Franco Office for Architecture

Like that cottage in the woods by the Swedish architect Ralph Erskine, where he piled trunks to protect himself from the harshness of winter, this project is also bioclimatic. It is bioclimatic because the tile contributes to the thermal and acoustic comfort and it’s sustainable because it reinvents itself with what it has within range. It is bioclimatic like architecture of a small country village, like those hearth-chimneys lined with clay that can be found in the province of Soria.

Warehouse 8B by Arturo Franco Office for Architecture

It’s an intervention that intends to respect a valid spatial configuration, without adulterating it. It is proof of the power of architecture as a qualified container, independent from its uses, of the circumstantial uses. It’s a classic concept, everlasting in space, which has nothing to do with classicism, nor necessarily with Italy. Against the intended traditional “national” style that Luis Bellido applied to façades, in this case, on the inside, the style is diluted, it ceases to be heir of the old Madrid School. Order, opportunity, engagement, contention or clarity without any previous formal will. An unknown field to me, beyond the project, beyond any intention. The architect’s prominence takes a step back, it abandons architecture in time. History is pendular and helical, if we assume it has three dimensions.

Warehouse 8B by Arturo Franco Office for Architecture

This project undoes some paths already travelled, it intends to reach meeting points. It advances by retreating, like rowers, that are looking backwards, like Oteiza explained. From the Spanish tile, which was designed using a woman’s thigh as a mould, and from its manual laying, take over came about by industrialized application and its flat (tile) version. Now, the industrialized elements, lifeless, are understood in another way, de-contextualized and laid from the predictability of manual labour. This project tries to understand architecture as an intellectual, cultural and ethical experience. Not to be mistaken with a social or political stance.

Warehouse 8B by Arturo Franco Office for Architecture

Click above for larger image

Location: C/ PASEO DE LA CHOPERA, 14. NAVE 8B. ANTIGUO MATADERO LEGAZPI. 28045 MADRID.
Preparation of the project and completion of construction schedule: January 2009-December 2009.

Warehouse 8B by Arturo Franco Office for Architecture

Click above for larger image

Project’s authorship: Arturo Franco. (architect)
Project’s collaborators: Diego Castellanos. (interior architect), Yolanda Ferrero. (architect)
Site Supervisor and Quantity Surveyor: Jose H. Largo Díaz. DITE SL.
Developer/Owner: Arts Council of Madrid City Council
Construction Company: PECSA.s.a.

Warehouse 8B by Arturo Franco Office for Architecture

Click above for larger image

Period for completion: 8 months
Work budget: 500.000 €.
Intervention area: 1.000 sq m


See also:

.

Casa Paz by Arturo
Franco Office
Pallet House
by I-Beam
Slowpoke Cafe
by Sasufi

Serpentine Gallery Pavilion 2011 by Peter Zumthor photographed by Julien Lanoo

Serpentine Gallery Pavilion 2011 by Peter Zumthor photographed by Julien Lanoo

Here’s another set of photographs of this year’s Serpentine Gallery Pavilion by Peter Zumthor, this time by photographer Julien Lanoo.

Serpentine Gallery Pavilion 2011 by Peter Zumthor photographed by Julien Lanoo

Read about the pavilion in our earlier story and watch an interview we filmed with Zumthor at the private view on Dezeen Screen.

Serpentine Gallery Pavilion 2011 by Peter Zumthor photographed by Julien Lanoo

See the pavilion photographed by by UK photographers Hufton + Crow here, including glowing evening shots.

Serpentine Gallery Pavilion 2011 by Peter Zumthor photographed by Julien Lanoo

The pavilion is open to the public in Kensington Gardens, London, until 16 October.

Serpentine Gallery Pavilion 2011 by Peter Zumthor photographed by Julien Lanoo

See all our stories about Peter Zumthor »

Serpentine Gallery Pavilion 2011 by Peter Zumthor photographed by Julien Lanoo

See all our stories about the Serpentine Gallery Pavilions »

Serpentine Gallery Pavilion 2011 by Peter Zumthor photographed by Julien Lanoo

More pavilions on Dezeen »

Serpentine Gallery Pavilion 2011 by Peter Zumthor photographed by Julien Lanoo

Dezeen’s top ten: parks and gardens »

Serpentine Gallery Pavilion 2011 by Peter Zumthor photographed by Julien Lanoo

Serpentine Gallery Pavilion 2011 by Peter Zumthor photographed by Julien Lanoo

Serpentine Gallery Pavilion 2011 by Peter Zumthor photographed by Julien Lanoo

Serpentine Gallery Pavilion 2011 by Peter Zumthor photographed by Julien Lanoo

Serpentine Gallery Pavilion 2011 by Peter Zumthor photographed by Julien Lanoo

Serpentine Gallery Pavilion 2011 by Peter Zumthor photographed by Julien Lanoo

Serpentine Gallery Pavilion 2011 by Peter Zumthor photographed by Julien Lanoo

Serpentine Gallery Pavilion 2011 by Peter Zumthor photographed by Julien Lanoo

Serpentine Gallery Pavilion 2011 by Peter Zumthor photographed by Julien Lanoo


Dezeen Screen: interview
with Peter Zumthor

.

Watch this movie on Dezeen Screen »


See also:

.

Serpentine pavilion
evening shots
Dezeen Screen: interview
with Peter Zumthor
Serpentine Gallery
Pavilions archive

House in Kitakami by Nadamoto Yukiko Architects

House in Kitakami by Nadamoto Yukiko Architects

You can walk up one curved staircase and down another in this family home in Kitakami by Japanese architect Yukiko Nadamoto.

House in Kitakami by Nadamoto Yukiko Architects

Both stairways ascend from the double-height living area, leading to first-floor bedrooms that are linked by a stepped bridge.

House in Kitakami by Nadamoto Yukiko Architects

The wood-framed home is rectangular in plan but the living area resembles a jigsaw-puzzle piece thanks to the curved internal walls.

House in Kitakami by Nadamoto Yukiko Architects

More Japanese houses on Dezeen »

House in Kitakami by Nadamoto Yukiko Architects

Photography is by Seiya Miyamoto.

House in Kitakami by Nadamoto Yukiko Architects

Here are some more details from the architects:


House in Kitakami

This house, located in a quiet residential neighbourhood in Kitakami City, Iwate Prefecture, was built for a family of four.

House in Kitakami by Nadamoto Yukiko Architects

The client wanted a home that consisted of “a single, unified space that would accommodate the separate, individual activities and pursuits of each family member, rather than an open, continuous space that integrates the living room, dining room, kitchen and terrace into a single room.”

House in Kitakami by Nadamoto Yukiko Architects

These requests played a major role in our design process.

House in Kitakami by Nadamoto Yukiko Architects

Architects: Nadamoto Yukiko Architects
Location: Kitakami, Iwate, Japan

House in Kitakami by Nadamoto Yukiko Architects

Project architect: Yukiko Nadamoto
Structural engineer: Umezawa Structural Engineers

House in Kitakami by Nadamoto Yukiko Architects

Structure: Wooden Structure

House in Kitakami by Nadamoto Yukiko Architects

Project Year: 2010 – 2011
Floor area: 141sqm

House in Kitakami by Nadamoto Yukiko Architects

Click above for larger image

Click above for larger image

House in Kitakami by Nadamoto Yukiko Architects


See also:

.

Usuki House
by Tonoma
Cube House by
Shinichi Ogawa
House in Hieidaira
by Tato Architects

Milson Island Sports Hall by Allen Jack+Cottier

Milson Island Sports Hall by Allen Jack+Cottier

A steel shell curls over the arched frame of this sports hall near Sydney by Australian architects Allen Jack+Cottier.

Milson Island Sports Hall by Allen Jack+Cottier

Glazed end walls in the Milson Island Sports Hall allow views right through the building.

Milson Island Sports Hall by Allen Jack and Cottier

The inside is clad in curved, slotted plywood to absorb noise and withstand the impact of stray balls.

Milson Island Sports Hall by Allen Jack+Cottier

Strips of glazing run along both sides of the building below head height.

Milson Island Sports Hall by Allen Jack+Cottier

More stories about sport on Dezeen »

Milson Island Sports Hall by Allen Jack+Cottier

Photography is by Nic Bailey of Allen Jack+Cottier.

The following information is from the architects:


Milson Island Sports Hall

The most recent addition to Allen Jack + Cottier’s suite of award-winning sports and recreation centres for the NSW Department of Sport & Recreation is located just north of Sydney on Milson Island, in the Hawkesbury River.

The shape of the building emerged by morphing the ideal shapes resulting from the thermodynamic analysis, the side wind forces, the need to shed leaves and branches and yet collect water and the enclosure requirements. All building elements had to be sized to be barged across the river to the site.

Milson Island Sports Hall by Allen Jack and Cottier

The design celebrates this integrated thinking by not allowing any visible ridge, eaves gutters, downpipes or skylights on the exterior. The natural thermal ventilation aided by the suction caused by the wing shape demanded a clean crisp interior skin with no visible fixings bracing, wiring or lighting.

The acoustic slotted ply ceiling is integrated to the structural bracing, so that the walls and ceiling carry all the wind loads of 38 m of building to the ground. The shape of the building reduced wind load by 30%, thus reducing structural sizes and saving money.

Milson Island Sports Hall by Allen Jack+Cottier

At night, the curved wing shape of the new building acts as a proscenium arch to define the place for the campfire, an important part of each camp at the site. It works both for the audience inside looking out to the gathering space, and for the audience around the fireplace looking back into the hall.

When the campfire is lit at night, and the hall interior is illuminated only by a strip of lights, the building seems to magically float off the ground, into the surrounding bushland.

Natural light from the roof windows ground level slot windows and end walls create an even, almost art gallery like, light on the playing surface of the hall.

Milson Island Sports Hall by Allen Jack+Cottier

A combination of twelve wind turbines and a series of floor mounted louvres ensure the building remains cool in Sydney’s fierce summer heat.  In winter with the turbines and louvres closed a heat plume forms to act like an insulation blanket. Attached amenities and storage modules service the fireplace, the bushwalking activities and the oval so have to be accessed from outside, forming a strong entry and destination point.

Roof water, free from the blockage of leaves and branches, falls clear of the sloping glass slots into an oversized roof garden for natural filtering and collection to water tanks for future use.

This is a powerful building which in its frugality demonstrates the essence of shelter.

Milson Island Sports Hall by Allen Jack+Cottier

Completed: 2010
Cost: A$ 2.7 m
GFA: 670 m2
Client: Sport and Recreation, Community’s NSW


See also:

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ANZAS Dance Studio by Tsutsumi and AssociatesFootball Training Centre
by RUFproject
Parc de la Ciutadella by
Batlle i Roig Arquitectes

Messner Mountain Museum by EM2

Messner Mountain Museum by EM2 Architects

Italian architects EM2 have converted a castle into a mountain museum.

Messner Mountain Museum by EM2 Architects

The architects left the exterior untouched but constructed several new rooms in unfinished timber, added wooden staircases inside and opened up the basement.

Messner Mountain Museum by EM2 Architects

Located in the Alps, the Messner Mountain Museum houses a permanent exhibition about people who live in mountainous regions around the world.

Messner Mountain Museum by EM2 Architects

More stories about museums on Dezeen »

Messner Mountain Museum by EM2 Architects

Photography is by Harald Wisthaler.

Messner Mountain Museum by EM2 Architects

The following information is from EM2:


Renovation and adaptation of Castle Bruneck to MMM Messner Mountain Museum by EM2 Architects. Castle Bruneck, which has been reorganised and extended for several times, has been redeveloped and adapted during the years 2008 – 2011 by EM2 Architects from Bruneck.

Messner Mountain Museum by EM2 Architects

The architects (Gerhard Mahlknecht, Heinrich Mutschlechner, Kurt Egger) aim consists on one hand in the cultural inheritance saving and restoring and on the other hand in accommodating the exhibition of “mountain people in the world”.

Messner Mountain Museum by EM2 Architects

Telling his own and the history of mountain people at the same time, was the order and cultural responsibility towards the history, the present and the future of the castle.

Messner Mountain Museum by EM2 Architects

The difficulty lay in integrating an museum concept for the exhibition “mountain people” in already built historical structures.

Messner Mountain Museum by EM2 Architects

The needed extending buildings should be clearly readable, reserved and are established in a contemporary architectural language

Messner Mountain Museum by EM2 Architects

The extending buildings in the access area are consciously made of wood.

Messner Mountain Museum by EM2 Architects

Wood is a material with a restricted life span, it’s aging and will once be gone like the MMM on castle Bruneck.

Messner Mountain Museum by EM2 Architects

The extension of the subterranean part “Zwinger” is hardly discernible and covered with a passable greenery free surface between castle and castle wall.

Messner Mountain Museum by EM2 Architects

About the subterranean extension, cellar rooms are opened in which, darkness and medieval walls are very perceptible.

Messner Mountain Museum by EM2 Architects

A modern, his technology showing elevator integrated in an late-Gothical part of the building, is part of the museum concept and opens the building for handicapped people.

Messner Mountain Museum by EM2 Architects

A massive wooden stair has been integrated to the round about the year 1282 built tower (Bergfried).

Messner Mountain Museum by EM2 Architects

While going up to the roof top of the tower, the museums visitor is able to watch the exhibition about “tourism in mountain regions.”

Messner Mountain Museum by EM2 Architects

The top of the tower offers a beautiful view over Bruneck up to the snowy summits of the Zillertaler Aplen in the Ahrntal valley.

Messner Mountain Museum by EM2 Architects

Click above for larger image

Messner Mountain Museum by EM2 Architects

Click above for larger image

Messner Mountain Museum by EM2 Architects

Click above for larger image

Messner Mountain Museum by EM2 Architects

Click above for larger image

Messner Mountain Museum by EM2 Architects

Click above for larger image

Messner Mountain Museum by EM2 Architects

Click above for larger image


See also:

.

Museum Extension by Nieto Sobejano Castelo Novo by Comoco ArchitectsMuseum Extension by Nieto Sobejano

Rogers Marvel Architects Wins Commission to Redesign President’s Park South Outside the White House

We told you the National Capital Planning Commission was quick, and not that we needed it, but now we have the proof to back that up. Just two short weeks ago, the NCPC announced its finalists to redesign the President’s Park South, the open area directly south of the White House. The competition aimed to make the area, now a bit bland, more warm and inviting, even if it did include “beautify[ing] the security components,” which is short for “where the heavily armed guards stationed there hang out.” Unlike many design competitions where the wait between shortlist and winner can take eons, just a few short days later and the NCPC has announced that New York-based Rogers Marvel Architects has landed the commission (pdf). You can see their submission on this page and here’s a description from the announcement of Marvel’s plans for the space:

Rogers Marvel’s design defines the edge of the Ellipse by adding a seating wall with integrated pedestrian lighting, while subtly raising the grade of the Ellipse. This establishes a security feature, reinforces the Ellipse as an event space, and minimizes the visual appearance of adjacent parking. This bold, elegant move allows for a larger, unobstructed interior public area. The design culminates in a new E Street terrace that joins the enhanced space of the Ellipse with the White House South Lawn. The terrace provides another prominent space for public gathering. Should threat conditions change in the future, this design could also accommodate re-opening E Street, NW without requiring significant changes.

New Career Opportunities Daily: The best jobs in media.

American Institute of Architects Assembling Database of Stalled Projects

With the numbers reported in the American Institute of Architects’ Architecture Billings Index having returned to a monthly signal of gloom and despair, you’d think the AIA wouldn’t want to compound the collective depression with more knowledge of how rough things are right now in the business of building. Unfortunately, if you happened to miss it, last week the AIA announced that it is in the middle of assembling a database of stalled projects across the country, sharing that “almost two-thirds of architects responding to a recent AIA survey reported at least one project that is stalled due to lack of financing, despite record low interest rates.” But before you start crying into your beer (also: the larger problem could be that you’re drinking at 7am), you might perk up to learn that such a database might turn out to be a really good thing, and not some sort of sadistic torture perpetrated by the AIA. Instead, the goal of the database, which is set to be released “in the coming months,” will be made available to potential investors, to perk their interest in “stalled building projects nationwide that make economic sense but which lack the financing to be completed.” So instead of relying on investors to hunt around for new ways to make more money or fuel growth, the AIA’s database will hopefully handle some of that leg work for them. Our fingers are crossed.

New Career Opportunities Daily: The best jobs in media.

Office Building and Logistic Centre by Modostudio

Office Building and Logistic Centre by Modostudio

The top floor of this office block in Italy by architects Modostudio is screened by faceted concrete panels that resemble Inca stonework.

Office Building and Logistic Centre by Modostudio

Accomodating the headquarters for fashion retailer Giorgia & Johns, the two-storey building provides clothing storage, a showroom and offices.

Office Building and Logistic Centre by Modostudio

The ground floor has a glazed curtain wall, in contrast to the heavy precast cladding on the upper floor.

Office Building and Logistic Centre by Modostudio

Glass partitions across the interior of the building allow natural light to filter through every office.

Office Building and Logistic Centre by Modostudio

Photography is by Julien Lanoo.

Office Building and Logistic Centre by Modostudio

See all of our stories featuring Julien Lanoo’s photographs »

Office Building and Logistic Centre by Modostudio

Here are some more details from Modostudio:


Office building and logistic center

The project is located in a strategic industrial area, well connected with the main highway which bring traffic from the north to the south part of Italy. The site area is highly visible from the highway, and the client requests were to create a very strong and recognazible facade. The project, even in its extreme simplicity composition, aims to transmit the values of innovation, comfort, technology, relax and brand representation. Due to that, the facade represents the image of the building. It covers over 2000 sqm of company offices on two storeys.

The offices are located in the south part of the building along the short side of the building. All the offices are faced towards the Vesuvio Vulcan and they are on two storeys. The first storey hosts the main entrance hall which is located in a baricentric area. The main hall brings employees and clients to the other departments of the office: marketing, administration, design, product, retail, direction and the showroom.

Office Building and Logistic Centre by Modostudio

The offices are designed in order to guarantee the best flexibility. Floating floors and modular lights are able to give the possibility to modify the interior layout of the work places and of the vertical partitions. Most of the vertical partitions will be made of structural glass with the aim to improve the natural light inside the building. The neutral and light colors of the interior materials will give a very relaxing atmosphere. From the office windows employees will be able to experience a beautiful view of the Vesuvio vulcain, thanks to the visual study during the design phase.

The offices will be directly connected through doors with the logistic area of 11.500 sqm. The logistics area will be able to store all the products (clothes and accessories) of the company which ownes more than 100 showrooms in Italy and Europe. The logistic area is divided in nine different areas, each of one will host particular products. These areas have got loading and unloading gates on both sides. All around the building the parking areas allow to host more than 70 cars and trucks.

Office Building and Logistic Centre by Modostudio

Regarding the materials, due to the fact that the structure and the main envelope was made of precast concrete, we designed the main façade with the idea of push at the extreme value the use of the concrete. Reinforced concrete panels with a rhomboidal pattern in different sizes characterizes the main facade. These concrete panels are fixed to the main structural façade through a steel frame system. The panels are of 4 different sizes. The position and the rotation of the panels give to the facade a various image. The windows are realized opening a side of the panels which are connected with the main structural envelope through metal sheet plates.

The main façade, will be realized with these particular panels on the first floor, and on the ground floor the façade will be realized in a continuous glass curtain wall. The glass will have a strong low emission value able to give the best comfort inside the office. The facade will be visible during the day and during the night with appropriate light effects.

Office Building and Logistic Centre by Modostudio

All the other side of the building will be made by a precast concrete panel with a vertical texture. The loading and unloading gates will be covered with a metal roof totally integrated in the precast concrete structure. The roof will host a photovoltaic plant of 550Kw powered.

Location: Nola, Italy

Client: Giorgia & Johns Spa
Type: Private commission – Preliminary, final design, tender drawings, site supervision | under construction
Building area: 13.760 sqm – offices 2.260 sqm – logistics and laboratories 11.500 sqm

Site area: 20.235 sqm

Building cost: € 5.500.000,00

Year: 2008-2011
Consultants: engineering and coordination; Studio Visone & associati
Contractor: Edilizia Cinquestelle + Canova Prefabbricati
Lighting Systems: iGuzzini Spa.


See also:

.

Elisabeth and Helmuth Uhl
Foundation by Modostudio
Office Building by Personeni
Raffaele Schärer Architects
Office building by
Takeshi Hosaka

Parc des Expositions by OMA

Parc des Expositions by OMA

OMA have won a competition to design a gateway building for Toulouse, France, with a 40,000 square metre column-free exhibition hall.

Parc des Expositions by OMA

The 660 metre-long Parc des Expositions (PEX) will host exhibitions, conferences and concerts.

Parc des Expositions by OMA

Located in a new innovation district in Toulouse, the centre will occupy part of a 2.8 kilometre-long development site.

Parc des Expositions by OMA

More stories about OMA on Dezeen »

Parc des Expositions by OMA

Images are by OMA.

Here are some more details from the architects:


OMA to build major convention centre in Toulouse, France

OMA has won the competition to design the new Parc des Expositions (PEX) in the innovation zone of Toulouse, southern France. PEX is conceived as a new gateway to the city and will host exhibitions, conferences, and concerts. The 338,000m2 project is designed to be a compact mini-city – an antidote to the sprawl of a standard exposition park, and a means to preserve the surrounding French countryside.

Surpassing three submissions by internationally-renowned competitors, the project, led by OMA’s director of French projects Clément Blanchet, will be completed by 2016. Blanchet commented: “This project is not only about architecture, but rather infrastructure. It’s a condenser for diversity, a machine that can promote an infinite amount of possibilities.”

Rather than spreading across the entire available site – a patchwork of open fields and sporadic developments – OMA chose to designate a strip of 2.8 kilometers long and 320 metre wide, crossed by the RD902 highway. The strip will act as a zone for future developments and link the river Garonne at one extreme and the Airbus A380 factory on the other. In this strip, PEX is a 660 metre long, 24 metre high structure, both monumental in its horizontal scale and subtle in its overall impact.

PEX consists of three parallel bands: the multi-function Event Hall, with a massive doorway allowing performances to spread outdoors; a 40,000m2 column-free Exhibition Hall; and, in the middle band, a 160,000m2 parking silo. Instead of banishing parking underground or pushing it to the periphery of the site, parking ramps are visible through glass partitions from inside the halls. The massive structure of PEX is a simple and flexible three-dimensional grid, providing a plug-in system for exhibitors and facilities.

In 2010 OMA also won the competition for a major new library, the Bibliothèque Multimédia à Vocation Régionale (BMVR), in Caen, France. The project will be OMA’s first public building in France.


See also:

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Musée national des
beaux-arts by OMA
Chu Hai College
Campus by OMA
De Rotterdam
by OMA