Parc des Expositions by OMA

Parc des Expositions by OMA

OMA have won a competition to design a gateway building for Toulouse, France, with a 40,000 square metre column-free exhibition hall.

Parc des Expositions by OMA

The 660 metre-long Parc des Expositions (PEX) will host exhibitions, conferences and concerts.

Parc des Expositions by OMA

Located in a new innovation district in Toulouse, the centre will occupy part of a 2.8 kilometre-long development site.

Parc des Expositions by OMA

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Parc des Expositions by OMA

Images are by OMA.

Here are some more details from the architects:


OMA to build major convention centre in Toulouse, France

OMA has won the competition to design the new Parc des Expositions (PEX) in the innovation zone of Toulouse, southern France. PEX is conceived as a new gateway to the city and will host exhibitions, conferences, and concerts. The 338,000m2 project is designed to be a compact mini-city – an antidote to the sprawl of a standard exposition park, and a means to preserve the surrounding French countryside.

Surpassing three submissions by internationally-renowned competitors, the project, led by OMA’s director of French projects Clément Blanchet, will be completed by 2016. Blanchet commented: “This project is not only about architecture, but rather infrastructure. It’s a condenser for diversity, a machine that can promote an infinite amount of possibilities.”

Rather than spreading across the entire available site – a patchwork of open fields and sporadic developments – OMA chose to designate a strip of 2.8 kilometers long and 320 metre wide, crossed by the RD902 highway. The strip will act as a zone for future developments and link the river Garonne at one extreme and the Airbus A380 factory on the other. In this strip, PEX is a 660 metre long, 24 metre high structure, both monumental in its horizontal scale and subtle in its overall impact.

PEX consists of three parallel bands: the multi-function Event Hall, with a massive doorway allowing performances to spread outdoors; a 40,000m2 column-free Exhibition Hall; and, in the middle band, a 160,000m2 parking silo. Instead of banishing parking underground or pushing it to the periphery of the site, parking ramps are visible through glass partitions from inside the halls. The massive structure of PEX is a simple and flexible three-dimensional grid, providing a plug-in system for exhibitors and facilities.

In 2010 OMA also won the competition for a major new library, the Bibliothèque Multimédia à Vocation Régionale (BMVR), in Caen, France. The project will be OMA’s first public building in France.


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Musée national des
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Campus by OMA
De Rotterdam
by OMA

Barbican announce major OMA exhibition


Dezeenwire:
a major exhibition on the work of Dutch firm Office for Metropolitan Architecture is to open at the Barbican art gallery in London this October.

Entitled Progress, the exhibition will be curated by Belgian collective Rotor and will run 6 October 2011 to 22 January 2012.

See all our stories about OMA »

Here are some more details from the Barbican:


OMA / Progress

6 October 2011 – 22 January 2012, Barbican Art Gallery, London

This autumn Barbican Art Gallery will be transformed by a major exhibition on the architectural – and non-architectural – work of OMA and its research unit, AMO. Led by seven partners – Rem Koolhaas, Reinier de Graaf, Ellen van Loon, Shohei Shigematsu, Iyad Alsaka, David Gianotten and Managing Partner Victor van der Chijs – OMA is widely held to be one of the most influential practices working today.

PROGRESS will explore the radical conceptual, formal and material qualities in the built work of OMA – the result of an unpredictable combination of rigorous research and pure intuition. Acclaimed OMA buildings like the Seattle Central Library (2004) and Casa da Música, Porto (2005) will be examined in new ways together with the office’s current projects, which include the headquarters of China Central Television (CCTV), Beijing, and the Shenzhen Stock Exchange (both of which are nearing completion). Recent AMO projects to be interrogated include a blueprint for a Europe-wide renewable energy grid, a curatorial masterplan for the Hermitage Museum in St. Petersburg, and Strelka, a new postgraduate school which the office helped to set up in Moscow. These various projects and preoccupations reveal OMA’s complex attitude towards the idea of progress.

Jane Alison, Acting Head of Art Galleries, Barbican Centre, says: Planned to coincide with the opening of OMA’s first two buildings in the UK, the HQ of Rothschild Bank here in the City of London and the latest Maggie’s Centre, in Gartnavel, Glasgow, Barbican is delighted to announce our collaboration with OMA to realise the first major exhibition since 2003 devoted to their work. Designed to reflect the breadth of OMA’s practice across the globe, the exhibition will highlight the richness of ideas and formal experiment that has set OMA apart from their contemporaries over the last forty years.

The exhibition will be guest curated by Rotor – a collective based in Brussels, known for their recent exhibition in the Belgian Pavilion at the 2010 Venice Architecture Biennale. Working with material processes and their use and re-use in architecture, Rotor’s approach will yield fresh insight into both the built projects and conceptual work of OMA and AMO.

Rem Koolhaas, founding partner of OMA, says: This exhibition will be the first time OMA’s work has been shown in depth in the UK. We have chosen to surrender to the forensic abilities of Rotor in order to produce a new translation and consideration of what we (try to) do in architecture and beyond it. We are excited to use the unique spaces of Barbican Art Gallery to reflect the extreme diversity of OMA’s work – in building, researching, writing, and a host of other pursuits that are at the same time intricately connected and apparently random…

The work of OMA’s partners and Rem Koolhaas has received several awards, including the Pritzker Prize for architecture in 2000 and the Golden Lion for Lifetime Achievement at the 12th Venice Architecture Biennale in 2010. As much as OMA’s buildings, Koolhaas’s provocative ideas – from ‘the culture of congestion’ in his seminal book Delirious New York (1978) to Generic City (1995), and Junkspace (2004) – have consistently pushed architectural thinking in new directions. Always innovative and pioneering, OMA is deeply engaged in the changing social and political contexts of our time.

OMA is a leading international partnership practicing architecture, urbanism, and cultural analysis. Its buildings and masterplans around the world insist on intelligent forms while inventing new possibilities for content and everyday use. Through AMO, its research and design studio, the practice works in areas beyond architecture that today have an increasing influence on architecture itself: media, politics, renewable energy, technology, publishing, fashion. OMA is led by seven partners – Rem Koolhaas, Ellen van Loon, Reinier de Graaf, Shohei Shigematsu, Iyad Alsaka, David Gianotten and Managing Partner, Victor van der Chijs – and sustains an international practice with offices in Rotterdam, New York, Beijing and Hong Kong.

Curators of the acclaimed Belgian Pavilion at the 2010 Venice Architecture Biennale, Rotor is a collective based in Brussels. Founded in 2005, Rotor is a group of people sharing a common interest in the material flows in industry and construction. On a practical level, Rotor handles the conception and realisation of design and architectural projects. On a theoretical level, Rotor develops critical positions on material resources and usages through research, publications, writings and conferences.

One of the leading art spaces in the UK, Barbican Art Gallery presents the best of international visual art with a dynamic mix of art, architecture, design, fashion and photography. From acclaimed architects to Turner prize-winning artists,the Gallery exhibits innovators of the 20th and 21st centuries: key players who have shaped developments and stimulated change. Previous architectural exhibitions include Future City: Experiment and Utopia in Architecture 1956 – 2006 (2006); Alvar Aalto: Through the Eyes of Shigeru Ban, (2007) and Le Corbusier – The Art of Architecture (2009).

Maggie’s Centre Gartnavel by OMA

OMA Maggie's Centre Gartnavel

Work starts today on Maggie’s Centre Gartnavel, a cancer-care facility in Glasgow, Scotland, designed by Office for Metropolitan Architecture.

OMA Maggie's Centre Gartnavel

The single-story building consists of a ring of interlocking spaces.

OMA Maggie's Centre Gartnavel

The facility is the latest in an ongoing series of Maggie’s Centres designed by leading architects. See our earlier story about the centre designed by Rogers Stirk Harbour + Partners.

OMA Maggie's Centre Gartnavel

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Maggie's Centre Gartnavel

Here’s some more info from OMA:


Construction begins on Maggie’s Centre Gartnavel designed by OMA

Rotterdam, 9 November 2010 – Ground will be broken today for Maggie’s Centre Gartnavel, a facility in Glasgow providing emotional and practical support for people living with cancer, their families and friends. Designed by OMA, the building, which is located on the grounds of Gartnavel hospital and close to the Beatson West of Scotland Cancer Centre, is one of several Maggie’s Centres in the UK and part of a pioneering project using thoughtful architecture and innovative spaces as tools for solace and healing.

OMA’s single-level, 534m2 building is a ring of interlocking, carefully composed spaces that provide moments of comfort and relief. With a flat roof and floor levels that respond to the natural topography, the rooms vary in height, with the more intimate areas programmed for personal uses such as counseling, and more open and spacious zones providing areas to gather and creating a sense of community.

Located in a natural setting, like a pavilion in the woods, the building is both introverted and extroverted: each space has a relationship either to the internal, landscaped courtyard or to the surrounding woodland and greenery, while certain moments provide views of Glasgow beyond.

The project, led by partners-in-charge Rem Koolhaas and Ellen van Loon, and associate-in-charge Richard Hollington, will be completed in summer 2011. The Maggie’s Cancer Caring Centres foundation, founded by Maggie Keswick Jencks and Charles Jencks, opened the first Maggie’s Centre in Edinburgh in 1996, and has since commissioned a series of innovative buildings designed by world class architects. The foundation approached OMA to design the Glasgow site in 2007.

On OMA
OMA is a leading international partnership practicing architecture, urbanism, and cultural analysis. The office is led by five partners – Rem Koolhaas, Ellen van Loon, Reinier de Graaf, Shohei Shigematsu and Managing Partner, Victor van der Chijs – and employs a staff of around 220 of more than 35 nationalities. To accommodate a range of projects worldwide, OMA maintains offices in Rotterdam, New York, Beijing, and Hong Kong.

Current projects under construction include the new headquarters for Rothschild bank in London, a major extension to the College of Architecture, Art and Planning at Cornell University, the headquarters for China Central Television in Beijing, and the Shenzhen Stock Exchange in southern China


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