Silence by Tadao Ando and Blair Associates

Silence by Tadao Ando

Clouds of mist erupt from the base of two trees in this London water feature designed by Japanese architect Tadao Ando.

Silence by Tadao Ando

The trees sit in a raised granite-edged pool in front of the Connaught Hotel in Mayfair.

Silence by Tadao Ando

Atomisers hidden at the base of the trees create clouds of water vapour for fifteen seconds every fifteen minutes.

Silence by Tadao Ando

Glass lenses below the surface of the water contain fibre optics that illuminate the basin by night.

Silence by Tadao Ando and Blair Associates

The feature, which forms part of a wider project to upgrade the surrounding streets, was delivered in collaboration with UK architects Blair Associates.

Silence by Tadao Ando

More stories about landscape architecture on Dezeen »

Silence by Tadao Ando

Photography is by Adrian Brookes.

Silence by Tadao Ando

Here are some more details from developer Grosvenor:


Mount Street unveiling marks completion of first phase of street improvement

Grosvenor is celebrating the end of the first phase of the property company’s £10million programme to improve key streets across its London estate in Mayfair and Belgravia. The ambitious project is being undertaken in partnership with Westminster City Council.

Silence by Tadao Ando and Blair Associates

‘Silence’, a new water feature designed by the Japanese architect philosopher Tadao Ando, will be unveiled at the event. The feature was jointly commissioned by Grosvenor and the Connaught hotel. The street improvements are based on the understanding that the space between buildings is as important as the buildings themselves. Ever-increasing traffic volume, and a mass of unnecessary signage and other ‘clutter’, have diminished the quality of London’s streets. The works aim to enhance the experience for all those who live, work and visit, particularly pedestrians. Unnecessary signage has been removed and pavements upgraded and extended, with two new pedestrian areas introduced to the street. The completion of the works on Mount Street follows a similar scheme on Elizabeth Street in Belgravia.

Silence by Tadao Ando

Commenting ahead of the Mount Street event Peter Vernon, Chief Executive, Grosvenor Britain & Ireland, said: “With over 300 years experience of managing and developing property in Mayfair and Belgravia we recognise that places are about more than buildings. The appearance of streets, and the public space around buildings, is fundamental to the long-term success of the London neighbourhoods we manage. “Large-scale works like these require a long-term outlook but we can already see the results. This is only the first phase of our programme, plans for the next wave of projects are already well underway.”

Silence by Tadao Ando

The improvements to Mount Street and Elizabeth Street were delivered through an innovative funding arrangement. Westminster City Council invested the funds need to pay for the work with Grosvenor, a long-standing property owner in the area, delivering the improvements. After five years from completion of the works Grosvenor will make a refund to Westminster equivalent to the project cost.

Silence by Tadao Ando

Cllr Colin Barrow, Leader of Westminster City Council, said: “We are delighted with the works which will bring huge improvements to this historic part of the capital. Our innovative finance agreement means significant enhancements to local streets, roads and open spaces, with the council’s initial investment being reimbursed by the land owners, who will also benefit from a boost in the value of the area in the long term. It is particularly poignant that the fountain outside the Connaught Hotel bears a memorial to Sir Simon Milton, who as Leader of the council did so much to pioneer the joint working between the private and public sector that has brought such improvements to the city.”


See also:

.

Tsunami Memorial by
Carmody Groarke
Chimecco by
Mark Nixon
Spontaneous City by
London Fieldworks

Museo ABC by Aranguren + Gallegos

Museo ABC by Aranguren and Gallegos

Spanish architects Arranguren & Gallegos have converted a brewery in Madrid into a museum with an underground gallery and triangular windows.

Museo ABC by Aranguren and Gallegos

Access to the six-storey Museo ABC is through a courtyard paved with tessellated triangular glass and steel tiles that also cover one side of the building.

Museo ABC by Aranguren and Gallegos

The museum houses a collection of drawings and illustrations.

Museo ABC by Aranguren and Gallegos

The glazed triangles on the courtyard surface provide skylights to the basement exhibition hall below, where collections of illustrations are presented.

Museo ABC by Aranguren and Gallegos

Above ground, the former brewery contains a second exhibition hall, workshops, offices and a reception.

Museo ABC by Aranguren and Gallegos

The building was first designed by Spanish architect José López Salaberry, who was also responsible for street-planning in Madrid at the start of the twentieth century.

Museo ABC by Aranguren and Gallegos

The street-facing facades retain the original brick exterior and are abutted by a single-storey glass cafe that screens the entrance courtyard.

Museo ABC by Aranguren and Gallegos

More stories about museums on Dezeen »

Museo ABC by Aranguren and Gallegos

More stories about projects in Madrid on Dezeen »

Museo ABC by Aranguren and Gallegos

Photographs are copyright Museo ABC.

The following information is provided by the museum.


A new museum for Madrid. A reference for Europe.

The Museo ABC de Dibujo e Ilustración located in a modern and surprising building of 3,000 square metres which host the Colección ABC with a holding of 200,000 artworks signed by 1,500 artists. A centre dedicated to drawings and illustrations where there is also room for contemporary authors. A unique proposal both in Spain and in the Continent. Among its objectives: preserving, studying and disseminating the Colección ABC, as well as designing and developing activities related to drawings and illustrations to become and international reference.

Museo ABC by Aranguren and Gallegos

The Museo ABC has been conceived as an open and plural centre, both for the mainstream and for the specialized public. Its aims are clear: presenting and preserving the Colección ABC, as well as developing a wide cultural program. The celebration of temporary exhibitions, workshops, conferences, debates; the announcement of prices or internships; the edition of publications… will turn the new museum into a creative, live and very dynamic space.

Museo ABC by Aranguren and Gallegos

The centre expects focusing its view on the most current tendencies and on the most interesting creative proposals, starting mechanisms which will enable the production and promotion of contemporary drawings and illustrations, so that a large number of artists have access to the public dissemination of their work.

Museo ABC by Aranguren and Gallegos

This project, guaranteed by the Diario ABC and the Vocento group, is driven by Fundación Colección ABC, a non-profit organization which aim is to custody, disseminate and investigate the valuable legacy of the Colección ABC. Since its birth, it is supported by the Town Council and Government of Madrid.

Museo ABC by Aranguren and Gallegos

The Museo ABC is a private initiative to support, at present, cultural and artistic expressions. It is a self- managed entity which is sponsored by companies of all fields with a common initiative and interest on the artistic world. Currently, it counts with the collaboration of Fundación Santander, Fundación Mutua Madrileña, Caser, Prosegur and Schindler.

Museo ABC by Aranguren and Gallegos

The Museo ABC is a private initiative to support, at present, cultural and artistic expressions. It is a self- managed entity which is sponsored by companies of all fields with a common initiative and interest on the artistic world. Currently, it counts with the collaboration of Fundación Santander, Fundación Mutua Madrileña, Caser, Prosegur and Schindler.

Museo ABC by Aranguren and Gallegos

The editorial group with the longest history of the country has narrated current affairs since 1891, making an effort to promote on its pages the art and the culture through drawings and illustrations, first on the pagesof the weekly newspaper Blanco y Negro and then on Diario ABC.

The Colección ABC gathers the works of more than 1,500 artists of all styles, techniques and tendencies, with nearly 200,000 pieces. Following the collection’s development throughout its history will enable substantiating the consolidation of the most important illustrators, the role played by certain artists of the highest relevance, the diverse changes of taste and the different historical and social events narrated through these media.

Museo ABC by Aranguren and Gallegos

It is a historical but decidedly contemporary collection. Thus, this exceptional material becomes a decisive contribution to our artistic heritage. It is a unique collection, unequalled in Europe. Additionally, it has an up-to-the-minute feature in so far as it interacts with other areas, such as graphic design, comic strips, animation or digital creation.

Museo ABC by Aranguren and Gallegos

Click above for larger image

The venue of the new Museo ABC de Dibujo e Ilustración is located in Madrid, at calle Amaniel, a few metres away from the Conde Duque Cultural Centre, on a brick building which, at the beginning of the last Century, hosted one of the first beer factories of the Spanish capital.

Its designer was José López Salaberry, an architect closely related to the development of the new Madrid urbanism at the beginning of the 20th Century. He is responsible for the transfer of La Cibeles to its current location, as well as one of the creators of the Gran Vía street plans and the architect of the building of the Casino of Madrid and of the facade of the building used by ABC and Blanco y Negro for many decades on calle Serrano.

Museo ABC by Aranguren and Gallegos

Click above for larger image

In order to adapt this singular space to the needs of the new artistic centre, the Museo ABC has relied on the
architect studio Aranguren & Gallegos, which has conceived its rehabilitation with a two-fold objective: remodelling the space for its new use and enriching the urban environment by contributing to the city with a respectful but innovative architectonic proposal.

Museo ABC by Aranguren and Gallegos

Click above for larger image

The new Museum counts with a surface of over 3,000 m2 to develop its activities, distributed into six floors, two of which are underground. There are two spacious exhibition rooms, multifunctional spaces, a floor used for management duties, a deposit for the artworks, a restoration laboratory, warehouses, cafeteria and store. In short, it is the best scenario possible for the visitor to access and enjoy the centre’s wide program.

Museo ABC by Aranguren and Gallegos

Click above for larger image

A large and surprising double-high-ceiling room under a new pedestrian square is the main exhibition space. The natural light penetrates through a system of skylights perforated on the floor of this square which, in turn, serve as entry vestibule for the Museum. This is the area which shows modern elements integrating with the historical building. Its floor is covered by blued steel on grey and crystal tones. These materials – with the same triangular exploded view – rise to cover the interior facade of the former factory. The setting is closed by a large glass and metal beam which functions as a lintel and houses the cafeteria.

The ground entry floor, conceived a welcoming space, lodges the store-library and a flexible space prepared
to host a small auditorium or projection room…There is a second room for exhibitions on the first floor. This large and open space recalls a loft, evidencing and respecting its industrial past.

Museo ABC by Aranguren and Gallegos

Click above for larger image

The second floor is dedicated to the Museum’s management, administration and works. On the third floor, a large multipurpose space, roofed, will be dedicated to cultural and social activities. This space will also lodge didactic, training and creation activities. The building is topped by a cubic space, identical to the one which hosts the cafeteria, and raised over the roof as a large torch.

The deposit and warehouse are located on the basement, designed for the art pieces’ best security, optimal preservation and manipulation.


See also:

.

Messner Mountain
Museum by EM2
Moritzburg Museum
by Nieto Sobejano
Lille Métropole Musée
by Manuelle Gautrand

Vertical Living Gallery by Sansiri and Shma

Vertical Living Gallery by Sansiri and Shma

The chequered facade of this Bangkok showroom by architects Sansiri and landscape architects Shma is half glass and half living plants.

Vertical Living Gallery by Sansiri and Shma

The bushy native plants sprout from hollow trapezium-shaped panels on two faces of the building.

Vertical Living Gallery by Sansiri and Shma

Named the Vertical Living Gallery, the showroom houses a gallery and offices for the sale of apartments.

Vertical Living Gallery by Sansiri and Shma

Vertical louvres shade the windows between the green panels.

Vertical Living Gallery by Sansiri and Shma

This showroom is the second green-walled building featured on Dezeen this week – see our earlier story about a plant-covered tower by Eduoard François.

Vertical Living Gallery by Sansiri and Shma

More stories about green walls on Dezeen »

Vertical Living Gallery by Sansiri and Shma

Click above for larger image

Photography is by Wison Tungthunya.

Here are some more details from the landscape architects:


Vertical Living Gallery

Bring nature along as you move upwards.

While Bangkok living ground has been rising up, little does the green area rise. This green envelope is designed for condominium sale office gallery, a place where a new urban living definition is displayed.

The module green wall crate is made from stainless steel for easy construction. Hanging plant pots and drip irrigation are installed behind the felt. This system is inexpensive and convenient to construct. Considering the locality, we selected local plant, Tokyo Dwarf which is normally found on ground. It can stand very well under Bangkok’s extreme environment. The texture of plant also softens the rigidity and stand out among Bangkok complex structure. While thin member and angled one, once lightened, express another dimension of the surface, contrasting to the flat surface of high-rise.

Location: Sukhumvit Road. Between soi 34 and 36, Bangkok Thailand
Project Year: 2010-2011
Project Area: 430 sqm
Cost: 4 million baht (33,000 USD)
Architects: Sansiri PCL
Landscape Architect: Shma Company Limited
Interior Designer: DWP co.
Lighting Consultant: APLD co.


See also:

.

Home 06
by i29
Brooks Avenue House
by Bricault Design
Ann Demeulemeester Shop
by Mass Studies

The Golden Age: the Simulation by Paul Nicholls

The Golden Age: the Simulation by Paul Nicholls

This film by Paul Nicholls of architectural imagery studio Factory Fifteen was awarded best film at the CG Architectural 3D Awards 2011 in the architectural film/animation category.

Called The Simulation, it’s the first movie in a two-part series called The Golden Age. Nicholls made the series while studying at the Bartlett School of Architecture alongside his colleague Kibwe Tavares, author of the Robots of Brixton movie we published earlier this weekWatch the movie »

International School of the Sacred Heart by Atelier SNS

International School of the Sacred Heart by Atelier SNS

Overlapping arches divide classrooms in this temporary school in Tokyo by Japanese architects Atelier SNS.

International School of the Sacred Heart by Atelier SNS

The International School of the Sacred Heart provides a kindergarten on the ground floor and a separate junior school above.

International School of the Sacred Heart by Atelier SNS

Classrooms, cloakrooms and the staff room are accessed from a central hall on each floor and there are no corridors inside the building.

International School of the Sacred Heart by Atelier SNS

The curved walls integrate bookshelves, white-boards and furniture for each of the nine classrooms.

International School of the Sacred Heart by Atelier SNS

The temporary building will be used until a permanent school is constructed in ten years time.

International School of the Sacred Heart by Atelier SNS

More stories about education on Dezeen »

International School of the Sacred Heart by Atelier SNS

Photography is by Hiroshi Ueda and Seiichi Oosawa.

International School of the Sacred Heart by Atelier SNS

The following information is from Atelier SNS:


International School of the Sacred Heart Temporary Building

∞ shaped walls to symbolise children’s infinite potential that make up the building

International School of the Sacred Heart by Atelier SNS

The Kindergarten and Junior School (1st & 2nd grade) temporary building project has been built on a very limited school field. This field had to be used as part of the temporary building and school playground. We were working with limited space.

International School of the Sacred Heart by Atelier SNS

We had to build a temporary building that is compact and efficient therefore we planned a circular design. As a result, we planned a cluster from where we have a center hall with 7 branches all leading to each individual open classroom.

International School of the Sacred Heart by Atelier SNS

The walls are designed to be reusable shelves. The shelves are mounted with desks, chairs and storage. This can be transferred to the new completed building in the future.

International School of the Sacred Heart by Atelier SNS

Classrooms are divided by ∞ shaped walls to symbolise children’s infinite potential.

International School of the Sacred Heart by Atelier SNS

The entangled arches represent children all over the world holding hands. The meaning of having no walls where the arches cross is to let children know that the world is without borders.

International School of the Sacred Heart by Atelier SNS

The ∞ shaped walls are used as bookshelves. The walls are well used and the storage is made on the walls which are closed on one side.

International School of the Sacred Heart by Atelier SNS

There are no hallways and students access to classrooms from the center. Each classroom is color coordinated, so students easily find their classrooms.

International School of the Sacred Heart by Atelier SNS

The round-shaped hanging ceiling is the air conditioning system covered by wooden louvers.

International School of the Sacred Heart by Atelier SNS

The entrance to the school curves to welcome the children with open arms.

International School of the Sacred Heart by Atelier SNS

The approach to the Kindergarten and Junior school is separated by an approach ramp, upper (JS) and the lower level staircase (Kindergarten).

International School of the Sacred Heart by Atelier SNS

The Kindergarten may also be entered through the ground level.

International School of the Sacred Heart by Atelier SNS

The extended cantilever flat roof protects the building from the sunlight and rain. Just like the Japanese ‘Engawa’, the mid-term area helps with conserving energy and running cost.

International School of the Sacred Heart by Atelier SNS

Since this will be used as a temporary building I have designed many parts of the class room to be detached and reusable.The floor consists of one room which is divided by removable walls to separate each class room. The walls are also reusable because they are used as back shelves and storage.

International School of the Sacred Heart by Atelier SNS

The entangled arches looks as though you are going through a though you are going through a tunnel.

International School of the Sacred Heart by Atelier SNS

Click above for larger image

At one end of the tunnel, you reach the mirror wall where you can constantly reflect on. An area of reflection.

International School of the Sacred Heart by Atelier SNS

Click above for larger image

At the other end of the tunnel, you see the future light / sunlight which guides you into the bright future.

International School of the Sacred Heart by Atelier SNS

Click above for larger image

The desk and chairs are mounted into the wall. This enables the children to use any area along the wall to do their work.

International School of the Sacred Heart by Atelier SNS

Click above for larger image

Location: Shibuya Ward, Tokyo
Client: International School of the Sacred Heart
Years: 2010
Plot area: 57.212.46 m2
Height: 7.53 m
Floors: 2 above ground
Covered area: 518.28 m2
Total floor area: 759.58m2

International School of the Sacred Heart by Atelier SNS

Click above for larger image

Architects: Tsuneyuki Okamoto – AteleirSNS
Structures: Span Sekkei
Facilities: SP Sekkei
Contractors: Nakano Corporation

International School of the Sacred Heart by Atelier SNS

Click above for larger image


See also:

.

Kindergarten Terenten
by Feld72
Kindergarten Kekec by
Arhitektura Jure Kotnik
Tellus Nursery School by
Tham & Videgård Arkitekter

Tour Végétale de Nantes by Edouard François

Tour Végétale de Nantes by Edouard François

Plants adapted to thrive in rocky crevices will take over the facade of this tower for Nantes by French architect Edouard François.

Tour Végétale de Nantes by Edouard François

Plants will grow inside stainless steel tubes on the Tour Végétale de Nantes.

Tour Végétale de Nantes by Edouard François

The tubes will take up little space on each host balcony but will provide leafy surroundings for inhabitants while showcasing species collected by the local botanical gardens.

Tour Végétale de Nantes by Edouard François

The building will comprise a plinth containing retail and parking, offices enclosed in a black rubber cube and the residential tower with shifting, elliptical balconies.

Tour Végétale de Nantes by Edouard François

François is renowned for architecture that incorporates plants, including the Parisian Eden Bio social housing development completed in 2009. More details in our earlier story.

Tour Végétale de Nantes by Edouard François

More stories about plants on Dezeen »

The information below is from Edouard François:


This operation situated in the future eco-neighborhoods, Prairie-au-Duc, in Nantes, is unique in particular because of its height. Its main challenge is to (re) create the desire to live in tall buildings, in a remarkable setting in the heart of the town.

This mixed project consists of a base of shops and parking, on which is placed in a black rubber cube of offices and a housing tower of 17 storey (60m).

The tower consists of a main body ringed by elliptic balconies. The balconies vary from floor to floor to form a giant organic silhouette.

The tower is the support for a collection of chasmophites plants coming from the collections of the botanical gardens of Nantes. These plants have been collected by scientists from the whole world and frozen. The building will show the plant collection of the city.

The originality of the plantation is to grow in long stainless steel tubes (diameter: 12cm/length: 4meters ). These tubes recreate the natural conditions of the chasmpophite plants that grow in rocky mountain flaws. A scientific experiment is currently underway for over a year in the botanical gardens of Nantes, to test the viability of the plantation process. The result of this experimentation shows that the growth of plants is exceptional for a very low water consumption.

The impact of the tubes on the balconies is minimal. On the other hand on the facades, they form vertical dynamic lines.

Tour végétale de Nantes
Architect : Edouard François – int. FRIBA
Botanist : Claude Figureau
BET : AIA-SERA
Client : Groupe Giboire
Ilot A2 – Prairie aux Ducs – Ile de Nantes – Nantes
Planning : Concours Déc. 2009 – Livraison 2012
Program 9150 m² :
7500 m2 – appartments 6 240 m² (85 à 90 units)
2000 m2 – office,
350 m² – activity
91 parking places
Phase PC


See also:

.

Urban Forest
by MAD
Beirut Terraces by Herzog
& de Meuron
Gwanggyo Power Centre
by MVRDV

With Green Building Certification, LEED Is No Longer the Only Game in Town

Just when everyone was starting to finally become so used to the U.S. Green Building Council‘s LEED certification that it’s nearly reached the point of ubiquity, up pops a new system that is going to try and provide an alternative. Launched this past fall and starting to make waves is the Society of Environmentally Responsible Facilities, or SERF certification for sure. Crain’s Detroit reports that the program was founded as an alternative to LEED, which founder Joe Maguire says has grown too expensive and time-consuming (you’ll recall that there have been questions about the program’s real world benefits as well). How much quicker and less expensive is SERF? Here’s a bit:

“Our timeline is four to six weeks,” he said. “They take two years. We’re approaching this from the perspective of the property owner and investor. How can the process be more efficient, more accessible?”

Among the differences, he said, is that the application can be filled out by the architect who designed the building rather than LEED’s requirement of hiring another architect to fill out the paperwork. A streamlined application process cuts down on the time it takes consultants — paid by the hour — to complete the work.

So far, the USGBC seems okay with the competition, telling Crain’s that they are okay with other certifications popping up, as anything to promote green building is a positive. Also, it’s fairly easy to say you aren’t too concerned when you have more than a billion square feet under your belt and a certification like SERF has 32 buildings in total to their name.

Update: The USGBC dropped us a line, letting us know about an error: “The quote from Joe Maguire says that LEED Certification takes two years, however, the timeline actually only ranges from 5-15 weeks but depends on the project and their submittals, as well as if the project has make any appeals on LEED credits.”

New Career Opportunities Daily: The best jobs in media.

Hamburger Hof by NPS Tchoban Voss

Hamburger Hof by NPS Tchoban Voss

These photographs by Roland Halbe show a mixed-use building by German architects NPS Tchoban Voss, which cantilevers over a neighbouring rooftop in Berlin.

Hamburger Hof by NPS Tchoban Voss

The five-storey building is clad in metal panels and contains a ground-floor gallery, two floors of offices and a split-level apartment.

Hamburger Hof by NPS Tchoban Voss

The new block completes the Hamburger Hof complex, for which the architects also renovated and extended surrounding buildings.

Hamburger Hof by NPS Tchoban Voss

Extensions to existing buildings are also finished in metal panels.

Hamburger Hof by NPS Tchoban Voss

The group of buildings surround a courtyard that previously housed a carpenter’s workshop.

Hamburger Hof by NPS Tchoban Voss

More stories about cantilevering buildings on Dezeen »

Hamburger Hof by NPS Tchoban Voss

Here is some more information from the architects:


Große Hamburger Street
addition for a court as listed monument

The Hamburger Hof complex presents itself today as a terrain genuinely grown and constantly re-combined by means of residential and commercial buildings over the last 200 year.

Hamburger Hof by NPS Tchoban Voss

Click above for larger image

First documented in 1828, the front building was complemented over and over by additions on the courtyard side, establishing both small trade businesses as well as places of entertainment such as a bowling house.

Hamburger Hof by NPS Tchoban Voss

Click above for larger image

A bronze casting house, a coffee roastery, a brewery, locksmith and carpentry workshops, and various restaurants and bars were located here during the last two centuries, an addition to residential and small office units.

Hamburger Hof by NPS Tchoban Voss

Click above for larger image

The client was fond of the idea to continue this mix of crafts, culture and housing when he acquired the property with the heterogeneous existing development in 2006. In close collaboration with the alert preservation authorities a renovation and expansion concept was developed solely removing two small sheds from the 1960′s.

Hamburger Hof by NPS Tchoban Voss

Click above for larger image

Generously glazed attics were sensibly added, partly resuming again the droop volume of the roofs that had been destroyed during World War II.

Hamburger Hof by NPS Tchoban Voss

Click above for larger image

The only completely new building within the ensemble is a five-story construction abutting an existing fire wall.  On the top floor it protrudes widely into the retral adjacent park, while at the corner of the neighboring brick house shifting onto the old coffee roastery in respectful distance.

Hamburger Hof by NPS Tchoban Voss

Click above for larger image

New fenestrations on the upper floors of the complex offer spectacular views onto this “pocket park” and the surrounding houses, while the historic courtyard is recast by the new layout explicitly implementing modern materials and shapes and yet retaining its vintage character as a semi-private space.

Hamburger Hof by NPS Tchoban Voss

Location: Berlin
Builder: Schauder & Shani GmbH
Completion year: 2010

Hamburger Hof by NPS Tchoban Voss


See also:

.

Casa Paz by Arturo
Franco Office
Torreagüera Vivienda
Atresada by Xpiral
Balancing Barn by
MVRDV and Mole

Robots of Brixton by Kibwe Tavares

Dezeen - Robots of Brixton by Kibwe Tavares

Dezeen Screen: Robots of Brixton is a sci-fi animation by Bartlett School of Architecture graduate Kibwe Tavares in which a downtrodden robot workforce battles with police against a backdrop of dystopian architecture in scenes reminiscent of the 1981 Brixton riots in London.

Tavares, who has now set up animation and architectural imagery studio www.factoryfifteen.com, made the film as his final design project for his masters degree. Watch the movie »

Twisted Corner by Sophie Valla Architects and Marc Koehler Architects

Twisted Corner by Sophie Valla Architects

This corner house by Sophie Valla Architects and Marc Koehler Architects is the latest of 670 architect-designed homes to be completed at a new development masterplanned by architects MVRDV in Leiden, the Netherlands.

Twisted Corner by Sophie Valla Architects

Called Twisted Corner, the home is part of the Nieuw Leyden district, located on the site of a former slaughterhouse. See more Dezeen stories about houses in Nieuw Leyden.

Twisted Corner by Sophie Valla Architects

The house comprises three floors that differ in plan to create the irregular angles of the facade.

Twisted Corner by Sophie Valla Architects

Grey panels in graduating shades give the false impression of a shadow on the house exterior.

Twisted Corner by Sophie Valla Architects

More stories about Dutch houses on Dezeen »

Photography is by Luuk Kramer.

Here are some more details from Sophie Valla:


Twisted Corner

In Leiden (Netherlands), private commissioning was chosen for the development of the residential area Nieuw Leyden on the former slaughterhouse site. For the house in the corner plot that the studio Sophie Valla Architects was asked to design, the corner was chosen as starting point and inspiration. The end result offers the inhabitants an unexpected sense of space and changing views.

Twisted Corner by Sophie Valla Architects

For this high density area bordering the city centre, MVRDV in Rotterdam conceived a master plan based on a double ground level: closed building blocks on half sunken parking-lots. This allowed for a densely built neighbourhood, but green and with little traffic. A common coordinator, contractor and advisors worked on each building block. Then each plot owner was able to design his house according to his own needs and wishes.

Twisted Corner by Sophie Valla Architects

The house was built for a young family. From the beginning, the value of the corner position of the plot was fully exploited. The clients were extensively involved in the conception and building process, watching over and nourishing the tectonic quality of the design.

Twisted Corner by Sophie Valla Architects

The lateral façade of the house ending the block presents an intriguing and dynamic play of lines and volume. This is brought about by shifts in the orientation of the façade at each of the three floors. A ‘transformation’ of the geometry of the front and back façades over the length of this side is thereby created. Four supporting columns in the house are freeing the lateral façade from its load bearing function, enabling this free play.

Twisted Corner by Sophie Valla Architects

Click above for larger image

The horizontal transformation is accompanied over the whole façade by a vertical articulation of the surface panelling and of the window frames. The high and narrow windows on this wall not only emphasise the vertical articulation; from the inside they also give clearly framed views while their form limits the possibility of looking in.

Twisted Corner by Sophie Valla Architects

On the ground floor, bordered by a pedestrian street and the park, is a playroom for the children. The living space is on the first floor. The large window at the front looks into the park, creating a spacious quality inside and offering interesting perspectives to the park.

Twisted Corner by Sophie Valla Architects

Materials

The façades were executed with prefabricated wooden frame panels.
Panels of Eternit in different shades of grey were used to cover the façades. The distribution of the greys accentuates the flowing transformation on the lateral façade and reduces the cutting loss of the Eternit to a minimum. The extra thick seams between the panels, as well as the heavily profiled wooden window frames, accentuate the vertical articulation of this façade.

Twisted Corner by Sophie Valla Architects

Private house in Nieuw Leyden, Leiden

Address: Alexander Gogelstraat 6, 2316 DV Leiden
Client: Floor en Barry Pepers
Design: Sophie Valla architects in collaboration with Marc Koehler architects
Project architect and realisation: Sophie Valla architects
Team: Wouter Hendrikson, Petr Ulrich
Construction advisor: Buro Broersma
Installations advisor: S&W, van Leeuwen
Contractor: KbK Bouw
Bruto surface: 233 m2
Netto surface: 122 m2
Completion: February 2011


See also:

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V-House by
GAAGA
V35K18 by Pasel
Kuenzel Architects
V21K07 by Pasel
Kuenzel Architects