Secret House by AGi Architects

Secret House by AGi Architects

Mist cools the courtyard of this house in Kuwait City while also shielding it from prying neighbours (photos: Nelson Garrido).

Secret House by AGi Architects

Named Secret House, the detached residence by Kuwaiti firm AGi Architects is located in the densely developed Shuwaikh district.

Secret House by AGi Architects

The mist operates on a timer, surging up around the house both to keep it cool and to mask it from the street.

Secret House by AGi Architects

Living areas and bedrooms inside the house are distributed across the ground and first floors while a garage occupies the basement.

Secret House by AGi Architects

The body of the house circles the steaming garden while bridges and staircases cross it from the first floor.

Secret House by AGi Architects

A covered terrace on the second floor overlooks the Kuwait City skyline.

Secret House by AGi Architects

Architecture and mist have been popular partners lately on Dezeen – see our earlier story about a mist-releasing water feature by Tadao Ando.

Secret House by AGi Architects

More stories featuring Nelson Garrido’s photography on Dezeen »

The following information is provided by the architects:


Secret House

Kuwait’s urban fabric mostly consists of detached single-family homes highlighting a clear example of city-sprawl. To adapt to the desert climate, the distances between the built volumes are minimal, resulting in shaded spaces between houses. These spaces that work well as temperature regulators result in facades with little privacy and limited views. This creates an added challenge to create projects with personality that are not based purely on an exercise in façade design.

Given these circumstances, our focus was to design a home that expresses the clients’ needs, clearly marking the buffers and transitions that any guest could understand. There are guided routes, hidden areas, exposed areas that are all expressed through the architecture, rather than signage. We want the house from the street to be seen as a resounding permeable volume, that is not transparent, however friendly yet private.

Secret House by AGi Architects

Physical barriers can be seen in varying degrees impeding passage or vision to reach the large opening on the upper terrace that allows you to see through the house. From the inside, the barriers become the volumes that open onto the guests, the rooms that dominate the spaces on the upper levels, defining the spaces below them.

The search for an understanding of the nature of an Islamic family culture living with a Western lifestyle has shaped the overlap of concepts and is reflected in the relevance of the major pieces in the facade, privacy and sun protection.

Secret House by AGi Architects

This house was a very peculiar request. Typically the client has a specific program and an actual site, and our job is to make the two complement one another. In the case of the Secret House, the client was occupying the given site in a house that neither met their aesthetic desires, nor their programmatic needs. This design thus becomes a personal expression of their present conditions, and at the same time creates a space capable of holding their hopes for the future.

It is a place with great potential, with wonderful views of the city, and a family who wants privacy. We plan to design a system that would unify these requirements: a house that looks towards the inside and only at the top level opens up to views towards the skyline of the city.

Secret House by AGi Architects

In this case we had only one street-facing facade, and only from there could one look onto the horizon without being seen. We have placed more public activities on the ground floor, where as you enter, you find a guest living area that is away from the other rooms. On the other side, after a circulation buffer, you find access to a family living area that connects the backyard with the central garden.

On the upper floor, rooms are positioned according to privacy and importance, alternating with areas for daily family use. From this level, a staircase runs through the courtyard and leads up to a more private space with a large covered terrace that opens out on the main façade. This allows you to enjoy both the city skyline and the sea view at the horizon in a private, shaded and lush landscaped area.

Type: Housing | 2600 sqm
Location: Shuwaikh B, Kuwait
Date: 2010
Client: Private


See also:

.

Silence by Tadao Ando
and Blair Associates
Cloudscapes by Tetsuo Kondo
Architects and Transsolar
Emergency Exit by Kurant
and Wasilkowska

Vertical Strip by Stephen Sobl

Vertical Strip Hanging Tower by Stephan Sobl

Architecture graduate Stephan Sobl has designed an upside-down skyscraper to hang over the Colorado River in Nevada, right beside the Hoover Dam.

Vertical Strip by Stephen Sobl

Entitled Vertical Strip, the conceptual tower would provide a casino, a hotel, a boxing ring and a concert hall, like the nearby Las Vegas Strip.

Vertical Strip by Stephen Sobl

The lightweight carbon-fibre structure would be suspended from a concrete cantilever and supported by a spiralling metal shell.

Vertical Strip by Stephen Sobl

Located between the dam and the bypass bridge, the tower would be accessible to both cars and pedestrians from the adjoining road.

Vertical Strip by Stephen Sobl

Sobl developed the project whilst studying at the University of Applied Arts in Vienna.

Vertical Strip by Stephen Sobl

More recent graduate projects on Dezeen »

The following information is provided by the designer.


Vertical Strip – A Hanging Tower

My Diploma is about the interplay of opaque massive surfaces capable of incorporating poché and lightweight, fragile structure.

Vertical Strip by Stephen Sobl

The resulting environments developed by these distinct architectural languages are exploited and distributed vertically to create extreme spatial sequences.

Vertical Strip by Stephen Sobl

Click above for larger image

The project is a casino resort, a satellite alternative to Las Vegas, located on a dramatic site between the Hoover Dam and the Bypass Bridge. The resort caters to various 21st century vices including entertainment (concert venues, MMA Fighting), gambling and luxury living. The architectural challenges I dealt with were taking the convential vertical tower, including its plynth and orientation, and turning it upside down.

Vertical Strip by Stephen Sobl

Click above for larger image

Architectural elements: The massing layout is construed by the event space on top with a framed view of the Hoover Dam; the casino underneath leading to the hotel lobby and the hotel itself. At the bottom of the tower there is a dramatic area for happenings and ceremonial occasions. It also includes a breakfast room and high end dining with the elevator core floating above the space; a glass floor providing views to the ground; and terraced floor slabs.

Vertical Strip by Stephen Sobl

Click above for larger image

In terms of circulation, there are several ways leading into the plynth of the tower, including car circulation; and viewing platforms. The bridge circulation focuses on 3 elements:

  • structural details of the Bypass Bridge
  • openings to the Hoover Dam
  • breathtaking diagonal views of the hanging tower with a constant interplay of plunging and emerging.

Vertical Strip by Stephen Sobl

Click above for larger image

Once you arrive at the entrance of the tower, you enter the hanging structure through the supportive strings leading you down through the casino into the hotel lobby.

Vertical Strip by Stephen Sobl

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The structural system is divided into 3 tectonics: – a massive concrete structure building the cantelivar for the hanging tower – a lightweight hanging tower – a metal shell embracing the structure

The way I generated the tower is with a partical simulation based on gravity. In order to achieve structural logic the stings are rotated clockwise and counter clockwise.

The metal shell provides shading and natural wind cicrulation for the tower of which its panels are orientating themselves according to changing wind conditions.


See also:

.

Discovery Walkway by
Sturgess Architecture
Top of Tyrol by
Astearchitecture
Jebel al Jais Mountain
Resort by OMA

Growing Cities: Documentary on Urban Agriculture

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Filmmakers Dan Susman and Andrew Monbouquette set out this summer to learn about urban agriculture and how it is affecting the urban-rural divide in America. Urban agriculture is just what it sounds like: utilizing urban space in order to cultivate food. The movement has met with sporadic success, but has been picking up steam in the last few years. There are even some extremes, such as the urban forager, who uses existing urban plant life as sources for food.

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Here’s the trailer for the in-progress film (the duo is currently making their way out of Atlanta):

(more…)


Centre d’Examen du Permis by Samuel Delmas Architectes

Centre d'Examen du Permis by Samuel Delmas Architectes

These photographs by Julien Lanoo show a French driving-test centre by Samuel Delmas Architectes, which is camouflaged to look like a fence.

Centre d'Examen du Permis by Samuel Delmas Architectes

Weathered rods of Corten steel surround the exterior of the Centre d’Examen du Permis, interrupted by black-framed box windows.

Centre d'Examen du Permis by Samuel Delmas Architectes

This screen provides solar shading for the glazed, prefabricated building while fences in the same material extend to either side.

Centre d'Examen du Permis by Samuel Delmas Architectes

Framed porches project from two sides of the centre to provide separate entrances for staff and the public.

Centre d'Examen du Permis by Samuel Delmas Architectes

The architects raised the building off the ground since the site in Gennevilliers, a suburb to the north-west of Paris, is prone to flooding.

Centre d'Examen du Permis by Samuel Delmas Architectes

More photography by Julien Lanoo on Dezeen »

Centre d'Examen du Permis by Samuel Delmas Architectes

The following text is provided by the architects:


Ioclimatic approach

To build in an easily flooded zone, a friendly and a warm edifice in an HEQ way of thinking while assuring the safety of the site and the longevity of the project.

Centre d'Examen du Permis by Samuel Delmas Architectes

Site, brief and project

The project takes place along the boulevard. It is used as an acces filter for the tracks thanks to its openwork envelope.

Centre d'Examen du Permis by Samuel Delmas Architectes

The fence on the boulevard uses the facade system and improves its presence on the way while developping a kinetic effect when you are driving all along the building.

Centre d'Examen du Permis by Samuel Delmas Architectes

The building skin is constituted of vertical elements, made of strips of timber or metalic slats, regularly spaced according to their function.

Centre d'Examen du Permis by Samuel Delmas Architectes

The envelope was made in order to solve all the constraints depending of the brief and of the site: solar protection, intimity, modularity of the building, prefabrication, anti-intervention, anti-vandal, environmental approach…

Centre d'Examen du Permis by Samuel Delmas Architectes

Building & sustainable development

Simple and rigorous volumes allow the optimisation of the way of building, the rationalization of the structure, of the envelope and of the networks.

Centre d'Examen du Permis by Samuel Delmas Architectes

Implementation of windbreak hedges composed of local species with persistent foliage. Preservation of the existing vegetation. Development of a biodiversity in relation with the site (humid environment).

Centre d'Examen du Permis by Samuel Delmas Architectes

Centre d'Examen du Permis by Samuel Delmas Architectes

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Centre d'Examen du Permis by Samuel Delmas Architectes

The drainage ditches allow to rid the water of pollution thanks to a system using plants.

Centre d'Examen du Permis by Samuel Delmas Architectes

Brief examination center for driving licence + projection room + documentation + cafeteria + exhibition room + offices + tracks and parking

Centre d'Examen du Permis by Samuel Delmas Architectes

Click above for larger image

Site location Gennevilliers 92, France
Contracting authority Ministère de l’écologie, du développement durable, des transports et du logement – DDE 92
Av B. Frachon 92 000 Nanterre 01 56 38 29 80
Project manager a+ samueldelmas
Net floor area 580 m²+23 000 m² landscaping
Construction costs 2 250 000 euros excl tax
Calendar – delivered in April 2011
Prize-winner of the competition

Centre d'Examen du Permis by Samuel Delmas Architectes

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Outside spaces delivered in May 2009
Building delivered in April 2011

+ very high-performance Energy
+ puits canadien (earth cooling tubes)
+ solar filter

Centre d'Examen du Permis by Samuel Delmas Architectes

Click above for larger image


See also:

.

Versailles Pavilion by
Explorations Architecture
Kindergarten Kekec by
Arhitektura Jure Kotnik
Extension to Residence
Königswarte by Plasma Studio

Report Finds That Norman Foster’s Definitely Dead Harmon Hotel Now Definitely Dead

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Though it’s been well known that Norman Foster‘s Harmon Hotel, a large tower connected to the multi-billion, pedestrian-shooing CityCenter complex in Las Vegas, had seemingly long ago seen the nail driven deeply into its coffin, it appears that it’s been made official this week. You might recall that the troubles started back in 2009, partially due to the crumbling of the world’s finances, but also because it had been discovered that there were numerous construction errors (for example: 15 floors were found to have wrongly installed rebar). Still trying to finish the project, the hotel was cut from a planned 49 stories to just 28. That trimming, it turns out, would be just the start of the project’s collapse. From that point forward, the building’s owners, MGM, got into an all out war with the company it claims was responsible for all of the construction problems, Perini Building (who in turn were already suing MGM for not paying them). And that’s just a sliver of the issues that have plagued the project and MGM has stated that it’s ready to demolish the Harmon as early as next year. It seems as though that might now be a good option, as the Las Vegas Review-Journal writes that an engineering firm was hired by MGM to look at the structure of the building, to get a sense of just how bad things are. And bad they most certainly were. Apparently so bad are the problems that it seems demolition is really the only option. Here’s a bit:

“The construction defects in the tower observed to date are so pervasive and varied in character that it is not possible to quickly implement a temporary or permanent repair to remediate the defects, or even determine whether such repairs can be performed.”

In the letter, Ekwueme said that if a code-level earthquake were to take place, “it is likely that critical structural members in the tower will fail and become incapable of supporting gravity loads, leading to a partial or complete collapse of the tower.”

New Career Opportunities Daily: The best jobs in media.

NO99 Straw Theatre by Salto Architects

NO99 Straw Theatre by Salto Architects

Estonian studio Salto Architects have completed a temporary summer theatre in Tallinn made of black spray-painted straw bales.

NO99 Straw Theatre by Salto Architects

Visitors climb stairs inside a stepped tunnel to access the Straw Theatre’s rectangular hall.

NO99 Straw Theatre by Salto Architects

A system of trusses holds the stacked straw bales in place.

NO99 Straw Theatre by Salto Architects

Located on a fortified hilltop, the site used to host regular summer theatre for Soviet Troops but has been abandoned for over twenty years.

NO99 Straw Theatre by Salto Architects

The stage will be in place for six months to celebrate Tallinn’s status as a 2011 European Capital of Culture.

NO99 Straw Theatre by Salto Architects

Temporary theatres and cinemas have been popular on Dezeen lately – see our earlier stories about a timber theatre elsewhere in Estonia and an English cinema under a motorway flyover.

NO99 Straw Theatre by Salto Architects

Photography is by Martin Siplane and Karli Luik.

The following information is provided by the architects:


Location: Skoone Bastion, Tallinn, Estonia
Credits: Maarja Kask, Karli Luik, Ralf Lõoke, Pelle-Sten Viiburg
Project year: 2010-2011

NO99 Straw Theatre by Salto Architects

NO99 Straw Theatre is an object standing on the verge of being a pure functional container on one hand, and an art installation on the other.

NO99 Straw Theatre by Salto Architects

The Straw Theatre is built on the occasion of Tallinn being the European Capital of Culture, to house a special summer season programme of theatre NO99, lasting from May to October 2011. Thus it is a temporary building, operating for half a year, built for a specific purpose, programme and location.

NO99 Straw Theatre by Salto Architects

The Straw Theatre is built in central Tallinn, on top of the former Skoone bastion, one of the best preserved baroque fortifications of Tallinn. At the beginning of the 20th century, the bastion worked as a public garden, and during the Soviet era it was more or less restricted recreational area for the Soviet navy with a wooden summer theatre and a park on top.

NO99 Straw Theatre by Salto Architects

Click above for larger image

With the summer theatre having burnt down and the Soviet troops gone, for the last 20 years the bastion has remained a closed and neglected spot in the centre of town with real estate controversies and several failed large-scale development plans. In such a context, the Straw Theatre is an attempt to acknowledge and temporarily reactivate the location, test its potential and bring it back to use, doing all this with equally due respect to all historical layers of the site.

NO99 Straw Theatre by Salto Architects

Click above for larger image

The rectangular main volume of the theatre is situated exactly on the same spot as the navy summer theatre, and one descending flight of stairs of the latter is used as a covered walkway and entrance area to the Straw Theatre. The building is surrounded by various outdoor recreational functions including an oversized chess board, table tennis, swings, and a baking oven, all with a non-commercial and pleasantly low-key feel.

Straw Theatre by Salto Architects

Click above for larger image

The dramatic appeal of the building stems from its contextual setting on the site and its black, uncompromisingly mute main volume contrasting with a descending „tail“ with an articulate angular roof. And of course one cannot escape the effect of the material – uncovered straw bales, spraypainted black.

Straw Theatre by Salto Architects

Click above for larger image

The Straw Theatre is a unique occasion where straw has been used for a large public building and adjusted to a refined architectural form. For reinforcement purposes, the straw walls have been secured with trusses, which is a type of construction previously unused. As the building is temporary, it has not been insulated as normal straw construction would require but has been kept open to experience the raw tactile qualities of the material and accentuate the symbolic level of the life cycle of this sustainable material.

Straw Theatre by Salto Architects

Click above for larger image


See also:

.

Summer Theatre by
Kadarik Tüür
Folly for a Flyover
by Assemble
Mobile performance venue
by Various Architects

House on the outskirts of Brussels by Samyn and Partners

House on the outskirts of Brussels by Samyn and Partners

This house near Brussels by architects Samyn and Partners has a glass wall at the front and a plant-covered wall by French botanical artist Patrick Blanc at the back.

House in the outskirts of Brussels by Samyn and Partners

Blanc, who is widely regarded as the pioneer of the green wall, created the flourishing facade and roof from a selection of exotic plants.

House in the outskirts of Brussels by Samyn and Partners

Completed in 2007, the four-storey house is both a home and workplace for a cinematographer and his family.

House in the outskirts of Brussels by Samyn and Partners

A deep furrow circling the house provides a glimpse down to another row of windows, revealing the basement studios below.

House in the outskirts of Brussels by Samyn and Partners

The fully glazed west elevation exposes the interiors of the ground, first and second floors, but can be screened by a wall of translucent curtains.

House in the outskirts of Brussels by Samyn and Partners

On the ground floor, partitions that separate the kitchen, hallway and family room were once the exterior walls of a single-storey house incorporated into the design.

Photography is by Marie-Françoise Plissart.

More information is provided by the architect:


This house for an artist includes the street level of an existing small house. It now houses the entry hall, a family room and a kitchen; the living-room and the stairway are in the extension to the building.

House in the outskirts of Brussels by Samyn and Partners

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The second floor includes the master bedroom with its bathroom, as well as five children’s rooms and sanitary installations. They are equipped with a mezzanine protected by textile netting that will lead to the glassed-wall facade.

House in the outskirts of Brussels by Samyn and Partners

Click above for larger image

The house presents curved and vegetalised facades that are very private and closed to the neighbours to the north, the east and the south. In contrast, the west facade is entirely glass-walled as if it were one huge partitioned window.

House in the outskirts of Brussels by Samyn and Partners

Click above for larger image

It is planned that Immense translucid white polyester curtains in widths of 1.6 m suspended from the top of the structure to the ground floor would run along this great « window »  to ensure shade in the summer months.

House in the outskirts of Brussels by Samyn and Partners

Click above for larger image

Initially conceived as a wall of ivy with a patinated copper roof, the vegetalised facade is finally composed of a selection of exotic plants chosen by the botanical artist Patrick Blanc, and extends to cover the roof.

House in the outskirts of Brussels by Samyn and Partners

Click above for larger image

We had to design the structure, the insulation, and the water-tightness of the envelope and resolve the building physics issues in order to receive the necessary support systems, irrigation and fertilisation systems for the plants that are set into a felt support stapled to rigid PVC panels.

House in the outskirts of Brussels by Samyn and Partners

Click above for larger image

600 m², Nov. 1999 – June 2007; (01/390)

House in the outskirts of Brussels by Samyn and Partners

Services
Landscaping.
Architecture.
Interior architecture.
Structural engineering, in collaboration with Sagec.
Mechanical, Electrical, Plumbing Engineering, in collaboration with FTI.
Quantity surveying.
Project management.
Construction site management.


See also:

.

Vertical Living Gallery by
Sansiri and Shma
La Maison-vague by
Patrick Nadeau
Brooks Avenue House by
Bricault Design

Former UnBeige Editor Eva Hagberg Makes Good (Again), Publishes Nature Framed

It’s always great when one of our former colleagues goes on to greatness, if just in giving us hope that once our repayment plan to our mediabistro overlords is complete and we’re free to leave this airlocked chamber they keep us in, we too might go on to greatness. So it was stellar to this week receive the new book by UnBeige 2.0, Eva Hagberg, entitled Nature Framed: At Home in the Landscape. We sang the praises of Eva’s last book, Dark Nostalgia (also published by Monacelli Press), and this time is no different. Shortly arriving puns aside, it’s decidedly less dark than her previous book, as Nature is filled with the stories of and ideas behind architectural marvels that interact with their surroundings, very often lit by sunlight and built by some of the most internationally renowned and up-and-coming architects like MOS and Tod Williams Bille Tsien. However, we must warn you of one thing about Eva’s book: it is chock full of gorgeous photography of these stellar houses and therefore, you should not read the book in the grungy confines of your I’ll-get-to-cleaning-it-someday home office as we did, because you will then be consumed by a sever case of home envy, followed by home depression, and definitely not followed by cleaning up your desk because of the aforementioned mix of envy and depression. Anyway, in short: buy Eva’s book because we told you so and because she’s awesome. Here’s the official description:

Twenty-five recent residential projects from around the United States take the concept of “green living” to the next architectural level. Going beyond the simple use of sustainable materials, these houses are
designed to frame a very particular vision of nature for their owners that brings them as close as possible to nature while remaining indoors.

Featured are dynamic designs by today’s most energetic architectural firms including ARO, Tod Williams/Billie Tsien, Diller Scofidio + Renfro as well as up-and-coming smaller firms. Houses vary in scale, complexity, and site to give a broad survey of the potential of this cutting-edge approach.

New Career Opportunities Daily: The best jobs in media.

Mausoleo Fam .Sacchetti

After Fast Architecture “Ghigos Ideas” and “LOGh” are back to design an ecological and sustainable architecture, together wit..

Grifols Academy by TWO/BO Arquitectura and Luis Twose

Grifols Academy by TWO/BO Arquitectura and Luis Twose

TWO/BO Arquitectura and architect Luis Twose have converted a sixteenth-century Catalan house into a business academy for a pharmaceutical company.

A glass-fronted extension cantilevers out from the west face to shelter the main entrance of the Grifols Academy.

Grifols Academy by TWO/BO Arquitectura and Luis Twose

A new spiral staircase joins up with its sixteenth-century counterpart inside the restored stone tower, leading to a rooftop terrace.

The academy provides training facilities, conference rooms and a terraced ground-floor bar.

Grifols Academy by TWO/BO Arquitectura and Luis Twose

More stories about projects in Spain on Dezeen »
More stories about renovations on Dezeen »

Grifols Academy by TWO/BO Arquitectura and Luis Twose

Here are some more details from TWO/BO Arquitectura:


Grifols Academy by TWO/BO Architecture and Luis Twose Architect

Grifols Academy by TWO/BO Arquitectura and Luis Twose

The aim of the Project was to convert a sixteenth-century house into a new academy centre.

Grifols Academy by TWO/BO Arquitectura and Luis Twose

The site is located in Parets del Vallès and is surrounded by a group of new factories.

Grifols Academy by TWO/BO Arquitectura and Luis Twose

The house was one of the few vestiges of the rural past of the town.

Grifols Academy by TWO/BO Arquitectura and Luis Twose

Before our intervention, the house was abandoned and it was in danger of collapsing.

Grifols Academy by TWO/BO Arquitectura and Luis Twose

It had suffered a lot of renovations and extensions which had obscured the original shape of the building and were now in a state of disrepair.

Grifols Academy by TWO/BO Arquitectura and Luis Twose

This project led to requalification of the existing building, on one hand enhancing and recovering the most historic values, and on the other, clarifying its spaces, which were dark and chaotic, by a new layout with two visual axes and through the introduction of natural light which now reaches every space of the house.

Grifols Academy by TWO/BO Arquitectura and Luis Twose

We focused our intervention on two points, the west façade and the interior of the tower.

Grifols Academy by TWO/BO Arquitectura and Luis Twose

On the west façade, we designed a new access path ending in a plaza which leads to the entrance of the academy.

Grifols Academy by TWO/BO Arquitectura and Luis Twose

This entrance is framed by a new “loggia” (an open-air gallery) which was designed to be a neutral but modern element of iron and glass whose shape connects old parts of the west façade.

Grifols Academy by TWO/BO Arquitectura and Luis Twose

The defensive tower, which had been the old symbol of the house, has been restored.

Grifols Academy by TWO/BO Arquitectura and Luis Twose

The floors were removed to create a dramatic vertical space that leads to the old wooden staircase at the top of the tower.

Grifols Academy by TWO/BO Arquitectura and Luis Twose

With all the plaster removed, the underlying stone structure is now visible.

Grifols Academy by TWO/BO Arquitectura and Luis Twose

The project also involved the landscaping of the grounds.

Grifols Academy by TWO/BO Arquitectura and Luis Twose

Taking into account the industrial surroundings, and we have tried to create a quiet oasis by making the most of the existing topography, and by planting local vegetation.

Grifols Academy by TWO/BO Arquitectura and Luis Twose


See also:

.

Messner Mountain
Museum by EM2
Shop in a church
by Merkx+Girod
Museum Extension
by Nieto Sobejano