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Dezeen Wire: Portuguese architect Álvaro Siza Vieira is to be awarded the Golden Lion for Lifetime Achievement at the opening of the 13th International Architecture Biennale in Venice on 29 August.

Dutch architect Rem Koolhaas received the award two years ago – see our earlier story.

See all our stories about Álvaro Siza »

Here’s the full press release:

Álvaro Siza Vieira has been chosen to be the recipient of the Golden Lion for Lifetime Achievement of the 13th International Architecture Exhibition – Common Ground (Venice, Giardini and Arsenale, August 29th – November 25th, 2012).

The decision is made by the Board of la Biennale di Venezia, chaired by Paolo Baratta, under Director David Chipperfield’s proposal, with the following motivation:

“I am equal in size to whatever I see, not hemmed in by the size I am” (Fernando Pessoa, The Book of Disquiet)

“It is difficult to think of a contemporary architect who has maintained such a consistent presence within the profession as Álvaro Siza. That this presence is maintained by an architect that lives and works at the extreme Atlantic margin of Europe only serves to emphasise his authority and his status.”

“Since the early appreciation of the Boa Nova restaurant and the swimming pools at Leca de Palmeira and a reputation confirmed by the early houses, Siza has maintained a unique position in the architectural galaxy. This position is full of paradox. Siza has upheld a consistent production of works at the highest level, yet without the slightest hint of the overt professionalism and promotion that has become part of the contemporary architect’s machinery. Apparently running in the opposite direction to the rest of the profession he always seems to be out in front, seemingly untainted and undaunted by the practical and intellectual challenges he sets himself.”

“Secured by his isolated location, he exudes worldly wisdom. Experimenting with forms of extreme geometry he manages to produce buildings of great rigor. Developing an architectural language that is uniquely his, he seems to speak to all of us. While his work exudes the security of judgment, it is clearly intensified through cautious reflection. While we are dazzled by the lightness of his buildings, we feel the seriousness of their substance.

Those of us fortunate enough to have heard him speak about architecture, using words as sparingly and as precise as the fine lines of his drawings, know that these works are not the product of a conventional talent but of a mind sophisticatedly exercised by the confidence of knowledge and the wisdom of doubt.”

The Golden Lion will be officially awarded to Álvaro Siza Vieira on Wednesday August 29th, 2012 – 11am at the Giardini of la Biennale, during the opening and award ceremony of the 13th International Architecture Exhibition.

French architect Jacques Rougerie has designed a cross between a skyscraper and a boat for exploring the unchartered territories of the earth’s oceans.

Named SeaOrbiter, the vessel is meant to accommodate a team of 18-22 researchers, who will be able to spend 24 hours a day underwater.

Marine scientists will use the facilities to study relationships between the seas and the earth’s climate, while archaeologists will be able to further explore ancient shipwrecks and astronauts will be able to use the pressurised environments to simulate the experience of being in space.

With construction apparently set to begin next year, the 58-metre-high boat will be assembled from recycled aluminium and will weigh approximately 500 tonnes.

It will travel with the ocean’s currents, but will also harvest energy from the sun, wind and waves to propel itself when necessary.

The concept has been developed following over 30 years of research into marine architecture and is currently being exhibited at the 2012 World Expo in Korea, which is dedicated to oceans and coasts.

We recently filmed an interview with designer Thomas Heatherwick about his futuristic design for a riverboat – watch it here.

See more stories about boats »

Here’s some more information from the SeaOrbiter team:

A Human Adventure Dedicated to Men and the Planet

Imagine a silvery ship, drifting with the currents at the very heart of the oceans.

The ocean, 3⁄4 of our planet’s surface, cradle of all living things, also embodies our future. At the dawn of the third millennium, SeaOrbiter announces a new generation of exploration vessels

Its Role:

To encourage dream and give rise to vocations for the new generations in order for them to create their own tools in favor of awakening, sensitization and action of all for the integration of the ocean in our attitudes and behaviors to come.

Its Mission:

To explore the ocean still widely unknown in order to refine knowledge about marine ecosystems, to better understand the influence of oceans on climate notably in the current context of global warming.

Tomorrow, for the new meriens civilization, it will allow long term stays for a large family of explorers, continuous day and night observation of the seemingly endless wealth of marine life forms, permanent and easy access to the undersea world, allowing perfect symbiosis with the aquatic universe…

Educational and Publicity Range

By the nature of its design and the objective of its mission, SeaOrbiter is also an excellent academic tool about the marine environment, its environmental and climatological components address all generations.

Thanks to collected images that accompany the comments of observer- aquanauts, SeaOrbiter will contribute to the awakening of minds to what is at stake in the conservation and the responsible use of the marine environment. Indeed, thanks to the technologies of numerical imaging it will furnish a resource that will favour a sensitive, even coalescing relationship, for the public with the marine environment. This is by no means a small stake for the latter.

Ecological and Planetary Range

Drifting according to the great marine currents, SeaOrbiter has its place in all the great oceans and in all the most important interior seas.

Being linked with an observation satellite network, the SeaOrbiters of tomorrow will permit the continuous observation of the biggest climatic phenomena and the setting up of a preventive system reducing the risks run by the populations living on the coast (i.e. 70% of the world populations).

The Exploratory Missions

The SeaOrbiter project has brought together men and women who share a common dream in terms of the progress of mankind and his environment: the quest for knowledge and experimentation that has always helped humanity to develop from its origins, to extend its horizons and push its limits ever further.

Just as space exploration undeniably transformed mankind’s perspective of planet Earth, it is certain that a better understanding of our planet’s oceans through the study of the undersea depths of the marine world represents one of the major challenges of the 21st century.

Despite the fact that the world’s oceans cover no less than 70% of the surface of our planet, we know very little about these vast expanses of water. However we do know that they play a crucial role in our everyday lives and in our future: the major currents regulate our climate, they provide us with an ever greater source of food thanks to the development of aquaculture, the molecules that we continue to discover in the oceans contribute to healing our illnesses and will most likely continue to do so far into the future, and what’s more important the new life forms that we discover in the depths call into question our pre-established ideas…

The SeaOrbiter project is based on an innovative technological approach that has resulted in a new generation of ocean exploration vessels, a human adventure in the spirit of the great multidisciplinary explorations of past centuries. It will allow its crew members to benefit from an overall vision of the underwater world and will allow them to actually observe, listen and live 24h a day and during long terms periods, under the sea.

SeaOrbiter is a unique vessel whose technology allows mankind to live at the heart of the world’s oceans, to drift within the major oceanic currents, to carry out observational studies and enjoy a direct and permanent access to the marine environment. In that sense, SeaOrbiter is truly a unique mean of communication, of sensitization and of education upon the theme of the oceans.

Seaorbiter is an Inhabited and Robotic Drifting Oceanic Vessel

The 51 m-tall semi-submersible vertical structure includes a submersible section of 31m. The vessel is kitted out with oceanographic observational and sonic equipment coupled with satellite facilities. It can house an international team of 18 people among those 6 scientists who will benefit from the platform to proceed into various research programs with regards to SeaOrbiter’s observation and analysis abilities.

Life Undersea at the Heart of the Ocean: A World Premiere Thanks to a Unique Pressurised Module

SeaOrbiter has a multi-level atmospheric pressure module and a pressurised module. The latter is open undersea, allowing the 6 to 8 aquanauts to live permanently at the heart of the ocean and to have immediate access to the marine world. The lock chamber connects with the atmospheric pressure upper decks housing the crewmembers in charge of logistics and responsible for preparing supplies for the aquanauts. This integrated undersea habitat is also a real space analog, favouring the organisation, over long periods, of experiments, model testing and analysis in terms of confinement and in terms of the crew’s reactions to life in this extreme environment. That is why the international space agencies are likely willing to participate to some unique undersea living world records. In fact the astronauts involved in the NASA’s NEEMO programme are already preparing long distance crewed journeys from their fixed undersea habitat.

Observation: Large Panoramic Windows and Acoustic Sensors

SeaOrbiter is an exploration vessel designed to allow observation both above and below the surface of the ocean. The section that remains above the surface houses the navigation and communication equipment. It has an open-air deck for observing cetaceans and documenting migrating species. The submerged section can be considered as a mobile observatory. In addition to its large portholes, this observation post has vast panoramic windows that give the crew a superb and constant view of the surrounding marine life.

Furthermore the vessel’s general acoustic pollution is minimal and creates the ideal conditions for observation of undersea sound activity.

The automated measuring equipment allows the scientists to obtain in situ analysis of the water samples taken. Deep underwater exploration tools such as remote cable-operated, robotic video cameras, manned pocket submarine or AUV’s will extend SeaOrbiter’s investigation possibilities up to 6000 metres.

Programmes and Missions

SeaOrbiter reveals oceans to a new generation of residents, otherwise known as aquanauts: i.e. scientists, explorers or simply visitors to the undersea world. With a key task : to inform and educate public at large about the ocean and its role into the planetary system.
The main scientific missions revolve around:
» Mankind living under the sea: studies led in parallel with space agencies on the physiology and the psychology of a crew living in a confined environment for long periods of time.
» Exploration of seamounts and deep seas
» Studies of marine biodiversity: the oasis of life in the ocean environment as a result of the phenomenon of aggregation linked to drifting structures, resource management, exploration of seamounts
» Sampling of biodiversity and marine molecules for tomorrow’s food or pharmacopeia
» Climate studies via observation of currents: temperature, CO2 impact, ocean/atmosphere gas exchanges, calibration of satellite measuring equipment
The communication and educational approach focuses on:
» Raising awareness amongst younger generations regarding the importance of scientific knowledge of the world’s oceans and the human adventure and technological challenge that it represents
» A record-breaking journey: the first round-the-world trip ‘drifting’ with the oceans’ currents, the record of the longest period spent by man ‘under the sea’
» News releases about the expedition via media, films, press, and Internet coverage
» Exhibitions in museums, aquariums, Oceanographic Institutes and Marine life centers.

We hope that the SeaOrbiter’s missions will be regarded as universal and international, both in terms of their management and in terms of the release of the information about the discoveries that are made. The missions represent an experimental platform for French research bodies (Ifremer, Comex, the Institute of Research and Development, CNES, etc.), European bodies (European Space Agency) and International bodies (National Oceanographic and Atmospheric Administration, NASA, Woods Hole Oceanographic Institution, Scripps, University of Hawaii, Kordi, etc.), all of which have already expressed their interest in the project.

All these features make SeaOrbiter the first nomadic home wandering amidst the mightiest of gardens: the ocean.

A true sentinel arising above the main oceanic streams, it will host an amazing human adventure where science, education and communication will play a key part just as they did in the great maritime explorations of the past centuries.

Onboard this ship, and for the very first time in the world, a crew of 18 to 22 will be able, and over very long periods, to live under the sea, 24 hours a day, and continuously observe the underwater world.

With one vessel drifting in each main ocean and major seas, SeaOrbiter will set up a new standard of communication through a true network of sentinels where scientists will, in real time, be able to enhance their monitoring throughout the blue planet.

Towering at 58 meters in height, this true polyvalent experimental laboratory, exemplary in terms of sustainability, will allow testing of many innovative technologies, notably those linked to the use of renewable marine energies and will allow the opening of new area of application in the field of the marine molecules, whether for human sustenance or the pharmacopeia of tomorrow.

Equipped with multiple sensors and linked with satellites and automatic buoys networks, it will allow reinforcement of scientific knowledge about oceanic impact on the atmosphere and the planet’s climate changes.

Amidst its many applications, SeaOrbiter embodies a revolutionary yet logical osmosis: the union of the abyss and the cosmos.

Fitted with a pressurized module serving as a true space simulator, SeaOrbiter will enable astronauts to test their ability to live in an extreme environment and carry out experiments and tasks just as they would do in space.

It will also allow underwater archaeologists to spend more time over remains of ancient times and wrecks of the past centuries.

All tests carried out at Marintek, Europe’s largest simulation laboratory located in Norway, proved successful. The greatest storms could not affect SeaOrbiter’s stability nor hinder its operations.
Bearing the spirit of adventure which lives on in humanity, SeaOrbiter has been conceived to give a basis to a large educational plan concerning the oceans.

SeaOrbiter, a multidisciplinary scientific vessel and a tremendous teaching and educational tool for sustainable development will contribute, thanks to renowned scientific bodies, the World Ocean Network and their many international research programs, to set up and develop a new relationship between men and the ocean.

Allowing reinforcement of marine values and better commitment from the younger generations with regard to the planetary challenges of tomorrow, this vessel will also enrich our knowledge and enlighten our hopes with the promise of new horizons.

The Project’s Concept

SeaOrbiter is an exploration vessel and a drifting sub-marine as well as marine observation platform permitting the in-situ and a continuous observation of the marine ecosystem, the monitoring of the physical and chemical parameters of the ocean /atmosphere interface and the development of research on human behaviour in extreme situations.

Originality

The original idea and design of the vessel created by Jacques Rougerie goes back to Jules Verne on the one hand, and inscribes itself on the other hand in the coherence of French expertise in this type of activity. Expertise recognized in the entire world for almost 100 years.

It was all of his experience that permitted him to conceive of this vessel that drifts without perturbing the environment and where the adventure is lived on the inside as well as on the outside of a platform giving unrestrained access to the underwater world.

In addition, the SeaOrbiter concept is characterized by an assembly of innovating new technologies and of the creative genius of its designer, allowing the combination of tools and of observation spaces often unique in the world and authorizing at times an unheard of boldness with regard to the observation of the live marine environment.

It follows the line of Bathyscaphe, the first observation submarine in waters of great depth, of the Cousteau adventure and its induced developed technologies, of the groups of solitary or team navigators that cross the seas in search of a better understanding of their reality in order to master it – in extreme conditions at times – thanks to highly innovative and performing boats.
This is the case with SeaOrbiter today.

Added Value

SeaOrbiter, by its conception, authorizes a continuous observation of the ocean and of the sub-marine world and over long periods that could be extended to an entire year. Today, no other technological observation platform for the ocean or oceanographic ship follows the same standard of coherence of observation of marine and sub-marine phenomena.

Thus, there is a complementary nature between SeaOrbiter and the tools furnished by organizations such as Marine Nationale or the IFREMER in France (for example: “Pourquoi pas?”, recently built) or other reputed organizations in the world, as in Japan with the laboratory ship “Chikyu”, in the United States with the programs “Scripps”, “Wood’s Hole” and the NEEMO installations and others still in Scotland.

Function

This observation and exploration vessel will permit the welcoming of multidisciplinary teams coming from multiple domains of scientific research, helping in this way to develop the necessary transverseness of scientific disciplines for understanding the complexity of climatic, biological, atmospheric and natural marine phenomena.

Many great European and international institutions of national research have already shown their interest in using this platform. Programs of research are currently being defined with many Universities and research centers.

The walls of this house in Sydney by Australian studio Chris Elliott Architects feature curved openings that look like gills.

The folds create additional windows on the first floor of the three-storey concrete house, where bedrooms and bathrooms are located.

Situated in the seaside suburb of Bronte, Seacliff House overlooks the ocean and has pools on two floors.

The house is partly dug into the limestone, which has been left exposed on the cave-like basement walls.

A study room is located on the roof and opens out onto a terrace, while the remaining rooftops are covered with plants and photovoltaic panels.

Other Australian houses we’ve featured recently include a residence with built-in graffiti and a weekend house with rusted walls.

See more stories about houses in Australia »

Photography is by Richard Glover, apart from where otherwise stated.

Above: photograph is by Chris Elliott

Here’s a more detailed explanation from Chris Elliott:

Design Concept

A house for a family of four.

Everyday life occurs on a platform overlooking the sea. Beneath this the rock is carved out to form a grotto. Above the platform is a protective cocoon for sleeping.

Astride all this at roof level sits a belvedere accessible only via a narrow curved stair, as in a Martello tower.

Site

The site for this house is long and very narrow – a anomaly, a thin sliver of land that was left over from the original subdivision when the famous “Bronte Cutting” was created over a century ago. The rock of the headland was excavated in a large curved groove to allow for trams to climb to the top of the hill on a slight gradient.

The site enjoys spectacular views over the ocean, the adjacent park and the sandstone cliffs and headland to the south. However, it is frequently buffeted by strong winds and violent storms.

The property was occupied by a single story suburban house and overlooked by a number of neighbouring houses. Consequently, there were a number of difficult natural and planning issues and constraints to contend with.

Description

After numerous explorations and sketches it was decided to go with the peculiarities of the site rather than struggle against them. So, a long linear element sits above a row of columns, providing privacy and protection and the upper level whilst allowing the ground level to be open and very transparent.

Above: photograph is by Vladimir Sitta

Cantilevers at each end of the linear element allow for the requisite space at bedroom level while simultaneously freeing up space and providing cover for outdoor areas below.

Above: photograph is by Vladimir Sitta

Structurally, a long concrete box (the bedroom level) sits atop a series of concrete columns that run from the basement up through the living level. The walls at ground level are mainly glass – influenced but not controlled by the rigour of the structural system, rather, they are allowed to curve and weave in and out to respond to site constraints and opportunities at various points around the perimeter. A compact solid core provides stability and contains a stair, bathroom, fridge, cupboards and pantry whilst creating only a minimal visual obstruction.

Above: photograph is by Vladimir Sitta

The ground floor is conceptually a transparent platform. Nature is welcomed in and not excluded. It is ordered by a series of columns and defined by solid walls only where necessary. Glass runs along, around and above the solid elements while large sliding and pivoting glass doors open to outside.

The basement level is conceived as a grotto combining water, rock and light. The solid sandstone foundation stone is carved away to create space. Rather than remove all material as is often done, in various places it is left to invade the space thus connecting in an intimate way the house to the very essence of Sydney – its sandstone base. Water occurs at various levels – a pool, a shallow reflecting pool with bridge and an outdoor bath. At times strong shafts of light penetrate the spaces, as through rock fissures in a cave. At other times when light levels are low strong colours help to create warmth and atmosphere.

The bedroom level, a long linear box is conceptually a protective cocoon, providing comfort and privacy with glimpses out through a variety of openings, with the option of one or two layers of curtains-the first opaque, and the second a translucent veil. On the outside the surface of the box is enlivened with series of curvilinear light scoops. These allow light in and offer selective views out, such as a view of the sky when lying in the bath.

At the roof level, conceived as a belvedere or lookout, a study opens onto a small deck. Here your journey ends with a panoramic outlook over the ocean. A private sundeck with built in timber seating and a fireplace provides a comfortable place to contemplate the ocean and the stars at night.

ESD

Most of the roof is green planted with “pig-face”. The remainder is covered with solar PV panels. All the roof water is collected in a tank below the garage floor. There is no air-conditioning; rather the house takes advantage of good sea breezes, thermal mass and the combination of a double layer of curtains to keep the house cool in summer and warm in winter. Wherever possible recycled timber has been used.

Materials

Australian timbers – recycled spotted gum, and golden sassafras are used for flooring, stairs and joinery. Heavy recycled ironbark planks are used to span the ramp up from the garage and an underground courtyard on the eastern side, obviating the need for midspan support. Brass is used extensively and allowed to tarnish naturally. Some of the brass hardware was custom designed and made on site.

Dezeen Wire: the final steel beam has been put in place at Four World Trade Center, the first rebuilt tower on the site of the September 11 attacks in New York City. The 298-metre, 72-storey tower was designed by Japanese architect Fumihiko Maki and has been under construction since 2008.

Ground Zero is also home to two fountains sunk into the site of the former Twin Towers, designed by architect Michael Arad and landscape architect Peter Walker. Watch an animation of the the fountains here.

The unfinished Freedom Tower nearby is already the tallest building in the city, set to reach 1,776 feet on completion.

See more stories about New York »

On Valentine’s Day, Architecture for Humanity co-founder Cameron Sinclair kicked off the organization’s latest fundraising initiative with an appropriately amorous declaration: “My name is Cameron and I love architecture.” The campaign’s big finish is the “I Love Architecture” auction, an eBay-hosted bonanza of one-of-a kind sketches, renderings, prints, paintings, and more by fifty top architects and designers. Here’s your chance to be charitable and acquire a Frank Gehry sketch (an ink on napkin original). Among the 73 other works up for bid through Friday are a stunning photo of Biloxi, Mississippi by Robert Leslie, Richard Rogers’ no-nonsense diagram of the Pompidou Center, a whimsical self-portrait of an “emerging” Daniel Libeskind, and a Pac-Man-esque print by Kevin Roche. If you’re looking for something three-dimensional, we suggest putting your money on the “giant origami tiger” whipped up by Chris Bosse of LAVA. Or pop for the auction’s lone pigskin: an “I Love Architecture” football autographed by Indianapolis Colts quarterback Andrew Luck, who graduated from Stanford last week with a degree in architectural design. Every last cent of proceeds from the auction will support Architecture for Humanity’s humanitarian projects in more than 20 countries, so bid your heart out.

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