Dartmoor Treehouse by Jerry Tate Architects

A weaver bird’s nest was the inspiration for this wooden treehouse in Devon by London-based Jerry Tate Architects.

Dartmoor Treehouse by Jerry Tate Architects

The architects worked with students to design and build the temporary structure on a farm as part of this year’s Dartmoor Arts Project.

Dartmoor Treehouse by Jerry Tate Architects

Making use of the oak tree’s position on a steep hill, a walkway was built to slope gently up to the treehouse.

Dartmoor Treehouse by Jerry Tate Architects

At the end of the walkway is a small pod with circular seating. Jerry Tate said: “The form was inspired by a weaver bird’s nest, which looks dramatic but is safe and secure.”

Dartmoor Treehouse by Jerry Tate Architects

The timber was milled on site from locally felled spruce, larch and western red cedar.

Dartmoor Treehouse by Jerry Tate Architects

We’ve featured lots of treehouses on Dezeen, including a pod that hangs between trees in Dorset, UK. Have a look at our treehouses archive for more.

Dartmoor Treehouse by Jerry Tate Architects

Photographs are by Michael Smallcombe.

Here’s more information from the architects:


Jerry Tate Architects worked alongside students at this summer’s Dartmoor Arts Week to design and construct a striking temporary treehouse. A central part of the ‘Spatial Structures’ course, the treehouse was completed in only five days as a collaborative exercise between students, Jerry Tate Architects and carpenter Henry Russell. The robust 10sqm structure includes an accessible walkway and a 1.8m diameter ‘pod’ which provides a circular seating element.

The brief for the treehouse came from the owners of a local farm who wanted a safe play-space for their grandchildren. The first stage of the project involved surveying the farm in order to identify the most appropriate tree in terms of setting and structural capacity. Jerry Tate said: “The form was inspired by a weaver bird’s nest which looks dramatic but is safe and secure. Nature is a sublime designer.”

Dartmoor Treehouse by Jerry Tate Architects

The treehouse was constructed around an existing mature oak tree on the local farm. The materials were milled on site from locally felled spruce, larch and western red cedar and the structure required only two mechanical fixtures to the tree itself, with the majority of structural stability maintained by the shape and positioning of the structure.

Much of the treehouse was constructed from thin ‘lathes’ of spruce, some of which were made into glue-laminated ribs to give structural form, and some of which were ‘woven’ into the structure to provide enclosure and further structural capacity.

Dartmoor Treehouse by Jerry Tate Architects

The oak tree is situated on a steep slope, which allows easy access to a high level and good views over the farm which features other temporary timber structures on the site, from previous Dartmoor Arts Week events. This is the second year that Jerry Tate Architects has been commissioned by the Dartmoor Arts Project and last year the practice worked with students to create a freestanding raised storytelling platform in an adjacent field. The project cost £600 and will stay on the site for two years.

Project team
Architects: Jerry Tate Architects
Carpenter: Henry Russell
Teaching Assistant: Hugo McCloud
Technician: Paul Dove
Students: Una Haran, Rachel Slater, Dil Phagami Magar, Rory Keenan, Robert Turner, Mima Kearns, Yasmin Eva, Katcha Bilek, Jacob Long, Owen Lewis, Tim Pointer and Emma Tatham


Movie: Dartmoor Treehouse by Jerry Tate Architects
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Ginan House by Keitaro Muto Architects

Ginan House by Keitaro Muto Architects

Gravel coats the exterior of this house in Japan by Keitaro Muto Architects, including a wedge-shaped block with outward sloping walls.

Ginan House by Keitaro Muto Architects

Named Ginan House, the two-storey residence is located at the back of a long and narrow site, behind a gravel garden that separates it from the street.

Ginan House by Keitaro Muto Architects

A small swimming pool is tucked into a recess in the facade, marking the divide between the two overlapping blocks that comprise the building.

Ginan House by Keitaro Muto Architects

Sloping walls continue inside the house and separate the two bedrooms and staircase in one block from a third bedroom and a living and dining room in the other.

Ginan House by Keitaro Muto Architects

A walk-in-closet and small toilet are also located on the first floor and can only be accessed by crossing a metal bridge.

Ginan House by Keitaro Muto Architects

We’ve also just featured another Japanese house, which is shaped like an arrow.

Ginan House by Keitaro Muto Architects

See more Japanese houses on Dezeen »

Ginan House by Keitaro Muto Architects

Photography is by Apertozero.

Ginan House by Keitaro Muto Architects

Here’s the architect’s project description:


“GINAN “, whole site including a building is like a Japanese garden.

Ginan House by Keitaro Muto Architects

A client requested me to relocate a garden stones and trees from a garden of the house which he used to live.

Ginan House by Keitaro Muto Architects

This site is long and narrow. I left half site on the road as a “garden” for future for their children.

Ginan House by Keitaro Muto Architects

The whole site is as a “garden”, spread gravel all over the site and placed some big garden rocks and trees.

Ginan House by Keitaro Muto Architects

The building stands as if it was a part of this garden.

Ginan House by Keitaro Muto Architects

This diagonal wall which is made with gravel makes the ground look as if it were standing up, making it a magnificent scene.

Ginan House by Keitaro Muto Architects

Inside this architecturally designed building(mass), you will find the bedroom, bathroom and other rooms where you will be able to have your own space for comfort and privacy.

Ginan House by Keitaro Muto Architects

The spaces left by the volumes are open spaces where the family can get together.

Ginan House by Keitaro Muto Architects

Both the inside and outside of this house were dynamically designed to give the owner an open and clear feeling as if they were in a garden.

Ginan House by Keitaro Muto Architects

Architects: Keitaro Muto Architects
Collaborators: Atushi Fujio
Location: Hashima-gun, Gifu, Japan
Use: Residential
Structure: Timber frame construction
Completion: 2012
Project Area: 147.86 sq m

Ginan House by Keitaro Muto Architects

Site plan – click above for larger image

Ginan House by Keitaro Muto Architects

Ground floor plan – click above for larger image

Ginan House by Keitaro Muto Architects

First floor plan – click above for larger image

Ginan House by Keitaro Muto Architects

Section – click above for larger image

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Porsche Pavilion by HENN

German architects HENN have created a streamlined pavilion with a curled-over steel roof for car brand Porsche at the Autostadt theme park in Wolfsburg.

Porsche Pavillon by HENN

The structure is located in the south-eastern corner of the park, which is dedicated to the exhibition of cars and is located beside the Volkswagen factory in the north of the city.

Porsche Pavillon by HENN

The curved roof of the pavilion shelters two doorways and cantilevers out towards a pool of water that winds around the park.

Porsche Pavillon by HENN

Inside the pavilion, a ramp linking the upper and lower doors spirals round an exhibition hall where some of Porsche’s cars are on show beside 25 silver miniatures.

Porsche Pavillon by HENN

A Porsche museum was also completed a few years ago in Stuttgart-Zuffenhausen – see it here – and read more about a permanent exhibition on sustainability designed by J. Mayer H. for the Autostadt park here.

Porsche Pavillon by HENN

See all our stories about Porsche »

Porsche Pavillon by HENN

Photography is by HG Esch.

Here’s some text from HENN:


Porsche Pavilion at the Autostadt in Wolfsburg

Architecture, landscape design and exhibition concept

A few weeks ago the Dr .Ing. h. c. F. Porsche AG celebrated the opening of their Porsche Pavilion at the Autostadt in Wolfsburg in the presence of 200 guests of honor.

Porsche Pavillon by HENN

For the first time since its opening in 2000, the theme park receives another building structure in the form of the new Porsche Pavilion, which expresses the importance of Porsche within the Volkswagen Group family.

Porsche Pavillon by HENN

‘The building is unique and its construction is extraordinary. This pavilion also has a symbolic and historical dimension, as it hints at the common roots through which Porsche and Volkswagen have been connected from the very beginning and will continue to be connected also in future’, says Matthias Müller, CEO of Porsche AG. ‘As a worldwide leading automobile destination and communication platform for Volkswagen, we provide insights into our brands, values and philosophy for our guests. With the Porsche Pavilion we start a new chapter in the history of the Autostadt’, adds Otto F. Wachs, Director of the Autostadt.

Porsche Pavillon by HENN

The organically shaped building is sitting – in mirrored location to the Volkswagen Pavilion- at the central axis of the theme park and offers 400 m2 of space for exhibitions and presentations. Its characteristic silhouette will become a distinctive icon amid the lagoon landscape of the Autostadt.

Porsche Pavillon by HENN

Curving lines and exciting bends make the Pavilion a dynamic yet reduced sculpture with its characteristics derived from the Porsche brand image. As designed by HENN, the structure captures the dynamic flow of driving with a seamless building skin. Its lines pick up speed and slow down just to plunge forward in large curves with ever-changing radii.

Porsche Pavillon by HENN

A matte-finished stainless steel cladding forms the flush envelope of this vibrant structure, creating the impression of a homogeneous unity, whilst creating a continuously changing appearance depending on light and weather conditions. At the entrance the pavilion cantilevers 25m over the lagoon’s water surface in front.

Porsche Pavillon by HENN

Below the cantilever of the large asymmetrical roof, a sheltered external space opens up. This space is visually connected to the surrounding landscape, but forms its own acoustic enclosure, providing seating for a few hundred guests.

Porsche Pavillon by HENN

Architecture and landscape, interior and exterior as well as roof and facade are brought together by HENN in their architectural concept of a coherent, flowing continuum. The external area around the pavilion was designed by landscape architects WES and integrated into the overall concept of the theme park.

Porsche Pavillon by HENN

This is how the new piazzetta creates a connection between the Porsche Pavilion and the adjacent Volkswagen Commercial Vehicles Pavilion by means of water features and trees. By walking around the sculptural Porsche Pavilion, further highlights of the Autostadt can be discovered.

Porsche Pavillon by HENN

Similar to the monocoque construction technology used for lightweight structures in the automotive and aerospace industries, the building envelope forms a spatial enclosure whilst at the same time acting as load-bearing structure. A total of 620 sheets of stainless steel cladding with welded ribs were prefabricated in a ship-yard in Stralsund and assembled on site.

Porsche Pavillon by HENN

Inside the pavilion a concentrated space opens up, allowing visitors to experience the sports car brand Porsche and its history, yet, casting aside the conventional limits and restraints to perception. The elliptically curved ramp embraces the dynamic principle of the architecture and leads the visitor to the lower exhibition stage areas. The exhibition and staging concept created by hg merz architekten museumsgestalter and jangled nerves combines evolution, engineering and the fascination of Porsche into an impressive image of future-oriented tradition. The Original Porsche – a 356 No.1 built in 1948 – is the starting point for a swarm of 25 silver coloured vehicle models at the scale of 1:3, on show in the main exhibition area.

Porsche Pavillon by HENN

Tradition and innovation, performance and day-to-day-practicality, design and functionality, exclusiveness and social acceptance: These four antagonistic terms characterise Porsche’s values and philosophy. They are also picked up as themes in short films. A film about the company history, sound stories about selected Porsche models as well as tablet PCs with further information about the exhibited vehicles make this visit’s experience perfect.

Porsche Pavillon by HENN

Site plan – click above for larger image

CLIENT: Dr. Ing. h.c. F. Porsche AG / Autostadt GmbH

ARCHITECTS AND LEAD CONSULTANT: HENN
Principal: Prof. Dr. Gunter Henn
Programming: Andreas Fuchs, Martin Rath
Design: Martin Henn, Klaus Ransmayr Paul Langley
Planning: Georg Pichler, Hans Funk, Florian Goscheff, Katrin Lind, Birgit Schönbrodt, Yves Six, Wolfram Schneider, Sebastian Schuttwolf, Maximilian Thumfart
Quantity Surveying: Paul Lawrence, Lars Becker, Wolfgang Malisius
Construction Management: Wolfgang Wrba, Siegfried Kruse, Hendrik Noack, Karl Rosebrock

Porsche Pavillon by HENN

Lower floor exhibition level – click above for larger image

STRUCTURAL ENGINEERS: Schlaich Bergermann und Partner, Prof. Dr. Mike Schlaich, Achim Bleicher, Thomas Schoknecht, Sebastian Linden

TECHNICAL BUILDING SERVICES: ZWP Ingenieur-AG

LIGHTING: Kardorff Ingenieure Lichtplanung GmbH

INFRASTRUCTURE DESIGN: Niermann Consult

Porsche Pavillon by HENN

Upper floor entrance level – click above for larger image

LANDSCAPE DESIGN: WES Landschaftsarchitekten, Prof. Hinnerk Wehberg, Michael Kaschke, Maxie Strauch
Coordination/Costing: Claus Rödding
Project Team: Thomas Bohr, Frank Fischer, Rainer König, Axel Koch, Yushu Liu, Walter Maas, Barbara Tieke
Tendering, construction management: Klaus Werner Rose, Frank Bolle, Werner Hüsing, Thorsten Heitmann, Robert Holldorf

Porsche Pavillon by HENN

Click above for larger image

STAGE DESIGN AND MEDIA: hg merz architekten museumsgestalter and jangled nerves
Principals: Prof. HG Merz, Ingo Zirngibl
Project management: Markus Betz, Jochen Zink
Team: Johannes Brommer, Alexander Franzem, Heiko Geiger, Stefanie Heinecke, Bjørn Kantereit, Fabiola Maldonado, Marcel Michalski, Marc Schleiss, Jörg Stierle, Christian Stindl, Sylvia Stoll, Patrick Wais
Acoustic space design: Klangerfinder

Porsche Pavillon by HENN

Click above for larger image

DESIGN PERIOD: March 2011 to February 2012
CONSTRUCTION PERIOD: August 2011 to May 2012
Gross floor area: 1,400 m2
Net floor area: 1,045 m2
Roofed, paved outdoor area: 290 m2
Exhibition area: 400 m2
Monocoque: 2,550 m2
Weight: 425 t
Material: Stainless steel plate 10-30 mm
Envelope Contractor: Centraalstaal B.V., Groningen

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UNESCO warns against further high-rise developments on London’s South Bank

South Bank by khrawlings

Dezeen Wire: world heritage body UNESCO has called for a crackdown on high-rise development around London’s South Bank, reports the Evening Standard.

The organisation has asked the British government to include it in the decision-making process on any major schemes proposed for the area in order to protect views from the Tower of London and the Palace of Westminster.

While UNESCO has no direct power over planning decisions, it can ultimately remove World Heritage status from sites if they are significantly altered by new building developments.

Deputy mayor for planning Sir Edward Lister said the Greater London Authority would “fight” for growth. “We understand their concerns but have to balance them with the demands of an expanding city,” he said. “It’s all about moderation from both sides.”

The South Bank is home to a number of London’s most recognisable landmarks, including the Royal Festival Hall, the London Eye and Renzo Piano’s Shard skyscraper.

See all our stories about London »

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ISM house by International Royal Architecture

Tokyo studio International Royal Architecture designed this seaside house with the “form of a pure white arrow”.

ISM house by International Royal Architecture

The exterior of ISM house is completely wrapped in waterproof fiberglass-reinforced polymer.

ISM house by International Royal Architecture

Large double doors in both sides open a tunnel through the middle of the building with rooms either side screened by sliding glass doors.

ISM house by International Royal Architecture

A mezzanine bridges the gap and creates an airy upper level under the roof, uninterrupted by columns.

ISM house by International Royal Architecture

Glazing under the eaves bounces daylight around the upper level and spills light onto the porch and yard on each side at night.

ISM house by International Royal Architecture

See more stories about Japanese houses on Dezeen »

ISM house by International Royal Architecture

See more holiday homes on Dezeen »

ISM house by International Royal Architecture

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S Cube Chalet by AGi Architects

Spain and Kuwait-based AGi Architects have designed three seafront houses in Kuwait for three siblings and their families (photos by Nelson Garrido).

S Cube Chalet by AGI

The S Cube Chalet comprises three small houses connected by walkways and a central staircase, each with private terraces overlooking the sea.

S Cube Chalet by AGI

Two of the houses are mirror images of each other and are separated by the staircase, which leads up to the third house on the upper level.

S Cube Chalet by AGI

The buildings have been situated to limit their exposure to the sun on the south facade and increase shaded space on the north side which looks out to sea.

S Cube Chalet by AGI

The floors, stairs and a dividing wall between two of the houses are clad with Indian sandstone.

S Cube Chalet by AGI

Photographs are by Nelson Garrido.

S Cube Chalet by AGI

Here’s some more information from the architects:


S Cube family chalet is made up of three intertwined beach houses. The owners – two brothers and their sister each with their own families – want to continue enjoying the same exceptional environment in which they grew up, but with complete independency and privacy from each other.

For these reasons, the design of these three small houses calls for a duplicated programme that maintains privacy while benefiting from outdoor areas and sea views by the use of several terraces.

S Cube Chalet by AGI

Click above for larger image

Architectural solutions proposed by AGi
In order to create private and independent houses for each family – comprising three young couples with two small children each – AGi architects have divided the plot into two units composed of two houses that are mirror images of each other, named S2 and S3. These units are separated by a staircase leading towards the third house, located at the higher level. The third house is positioned on top and across from the two residences, enjoying a large roof terrace with direct views towards the sea. Each of the three houses enjoys an individual outdoor area that is open to the sky, privacy from its neighbor, and extended sea views.

The highly dense programme in the intertwined houses is manipulated to create outdoor spaces which harvest the prevailing winds and enhance their circulation within the courtyards, allowing people to comfortably reside in them. The building is carefully situated to protect its exposure to the sun on the southern façade, whilst increasing shaded space on the northern side to frame views out to the sea as well as create a pleasant outdoor environment.

The outdoor spaces on the ground floor and the roof terrace of the third house on the upper level are the main distinguishing elements and spaces of this project; from which the three houses are organized around them. They are beach houses designed to optimize and enhance the outdoor experience.

S Cube Chalet by AGI

Click above for larger image

Programme
S Cube chalet is developed into three levels:
S2 and S3 houses comprise mirrored programmes, occupying two levels:
Ground floor: Main bedroom, bathroom, kitchen, living room and a large courtyard open to the sea.
First floor: Two bedrooms, bathroom and a terrace with side views to the sea, designed as a playing area for children.
The terraces of both houses are visually separated by a grid.
S1 house is developed in two separate levels:
First floor: Main bedroom, bathroom, kitchen, living room, and a terrace connected to the S3 terrace.
Second floor: Two bedrooms, bathroom and a large terrace facing the sea.

S Cube Chalet by AGI

Click above for larger image

Materials
The flooring, stairs and dividing wall between S1 and S2 are all are clad using Indian sandstone. Interior walls and ceilings are finished using plaster and paint, while handrails are cladded with wood.
The interiors have been designed by AGi architects. All materials used in the S Cube project are locally manufactured. The loose furniture produced by Spanish brands, supplied by Gunni & Trentino.

Design Team: Joaquin Pérez-Goicoechea, Nasser B. Abulhasan, Salvador Cejudo
Architectural team: Robert A. Varghese, Abdul Hafiz, Mohammed Mónica Marqués, José Á ngel del Campo

Project Name: S Cube Chalet
Type: Residential 750 m2
Location: Kuwait
Date: 2007-2011

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The Orangery by Liddicoat & Goldhill

London architects Liddicoat & Goldhill added an extension to a south London home with an oak-screened staircase and double-height windows.

The Orangery by Liddicoat & Goldhill

The 1930s house was originally built on sloping ground, which left the living spaces at the back hanging one storey over the garden.

The Orangery by Liddicoat & Goldhill

The architects came up with an extension in the style of an orangery, with double-height windows to draw light into the lower levels.

The Orangery by Liddicoat & Goldhill

An oak staircase is bordered by a screen of vertical strips of oak which mirror the steel frames of the glazing.

The Orangery by Liddicoat & Goldhill

A glass balustrade has been positioned on the other side of the stairs, allowing light to reach into the rooms behind.

The Orangery by Liddicoat & Goldhill

An unusual double-height white door leads out to the back garden.

The Orangery by Liddicoat & Goldhill

Projects by Liddicoat & Goldhill we’ve previously featured include another glazed extension to a period house in London as well as the architects’ own home which makes use of black bricks and white marble.

The Orangery by Liddicoat & Goldhill

See all our stories about residential extensions »

The Orangery by Liddicoat & Goldhill

Photographs are by Keith Collie.

The Orangery by Liddicoat & Goldhill

Here’s some more information from the architects:


The family moved to their 1930s house in Southfields in 1989. Since then, they has gradually outgrown the house: in 2011 they asked Liddicoat & Goldhill to adapt it to theirs and their four teenage sons’ ever-evolving needs.

The Orangery by Liddicoat & Goldhill

The original house, one of a collection built on a hill overlooking south London, apparently ignored the sloping ground on which it was built. Viewed from the street, it sits comfortably on the site. But at the rear, the living spaces hang one storey above the mature garden – they are left aloof and separate.

The Orangery by Liddicoat & Goldhill

This disconnection was also felt inside: the large basement spaces were dimly lit and truncated from the upper parts of the house.

The Orangery by Liddicoat & Goldhill

Liddicoat & Goldhill’s solution is conceived as an Orangery. By stripping away the lower part of the rear facade, the Architects created space for this new double-height extension, floating half-way between the ground floor and basement.

The Orangery by Liddicoat & Goldhill

The Orangery acts as a lantern, gathering sunlight into the living spaces deep within the house.

The Orangery by Liddicoat & Goldhill

The kitchen is afforded wide views over the verdant rear gardens, while the split levels allow for separate and private operation of each of the living spaces.

The Orangery by Liddicoat & Goldhill

Slender steel-framed glazing gives the new structure a sense of fine fragility, while the handmade oak furniture, staircase and kitchen – designed specifically for the project by the architects – creates a continuity between the new spaces and the old.

The Orangery by Liddicoat & Goldhill

Project Particulars:
Site: London, SW18
Architect: Liddicoat & Goldhill LLP
Main Contractor: Considerate Building
Structural Engineers: Fluid Structures
Completion date: March 2012
Extension floor area: 56m2
About Liddicoat & Goldhill

The Orangery by Liddicoat & Goldhill

Architects David Liddicoat & Sophie Goldhill are focused on making. Their interest lies in the haptic and the imagined, the poetry of practical things. They work with humble materials in contested environments to create the unexpected.

The Orangery by Liddicoat & Goldhill

Their work has been critically acclaimed and published and exhibited worldwide. Named as one of Wallpaper* Magazine’s ‘Future 30’ in 2009, they were longlisted for Young Architect of the Year Award in 2011.

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Saint Kjeld’s Kvarter by Tredje Natur

Architecture studio Tredje Natur is redesigning a Copenhagen neighbourhood to better handle the floods expected as climate change leads to fewer but heavier rain storms.

Saint Kjeld’s Kvarter by Tredje Natur

When heavy rainfall strikes Saint Kjeld’s Kvarter, the water will be collected above ground in parks and squares to simultaneously relieve the sewer systems and create new recreational areas around the pools.

Saint Kjeld’s Kvarter by Tredje Natur

A giant ring in the main square will spray out a cooling mist on hot days, while excess water will be channelled along new cycle lanes that will double as storm drains, leading to canals and out to the harbour rather than into people’s basements.

Saint Kjeld’s Kvarter by Tredje Natur

The architects and local government hope the scheme will become a model for green urban planning and a showcase for climate adaptation technology.

Saint Kjeld’s Kvarter by Tredje Natur

“Only last year, three cloud bursts cost the society over 5 billion DKK in damage to the buildings and infrastructure,” says Flemming Rafn Thomsen, partner at Tredje Natur. “The climate adaptive plans in Copenhagen, and whole of Denmark really, are humongous and will probably have a time frame longer than 20 years, but the political will to get something done soon is pretty strong.”

Saint Kjeld’s Kvarter by Tredje Natur

Flemming Rafn Thomsen and Ole Schrøder won the competition to re-design the site as part of the Europan architecture competition in 2011, after which the city of Copenhagen signed them up to advise on the strategic development of the area.

Saint Kjeld’s Kvarter by Tredje Natur

The detailed plans will be unveiled to Copenhagen residents tonight and construction is due to begin in 2013, with completion scheduled for 2015/16.

Saint Kjeld’s Kvarter by Tredje Natur

Click above for larger image

Here’s some more information from Tredje Natur:


Copenhagen based architecture firm TREDJE NATUR develops Denmark’s first climate adapted neighborhood.

On the 18th of August 2012 the plans for Copenhagen’s first climate adapted neighborhood is presented to the public. The project’s visions to transform Saint Kjeld’s Quarter into Copenhagen’s greenest neighborhood are presented at a grand opening by Danish Environmental Minister, Ida Auken,

Saint Kjeld’s Kvarter by Tredje Natur

Click above for larger image

The climate is changing behavior. The Copenhageners can look forward to fewer but heavier rain showers, as the city has already been experiencing over the last two summers. In Saint Kjeld’s Neighborhood a comprehensive urban development project seeks to demonstrate how the city can be arranged so rainwater can be managed in the streets in a more natural and effective way. The project was designed by the newly established architectural firm TREDJE NATUR, and promotes new solutions for how we adapt to the climate changes and develop our cities.

Saint Kjeld’s Kvarter by Tredje Natur

Click above for larger image

“The increase in rainfall is a major challenge for our city. But by tackling the challenge the right way, we can secure the city from cloudbursts while also bringing the city new recreational values. The ideas in Saint Kjeld’s Neighborhood are a really good example of this,” says Technical and Environmental Mayor of Copenhagen, Ayfer Baykal (SF).

Saint Kjeld’s Kvarter by Tredje Natur

Click above for larger image

Pragmatic and Innovative Urban Development
TREDJE NATUR’s project offers a wide range of pragmatic strategies to meet the many expectations in the area. As a key principle the architects reclaim 20% of the street area by optimizing the infrastructure and parking lots according to current standard. The obtained area counts potentially 50,000 square meters and is to be used for new urban space development. It is also an important parameter not to compromise the city’s existing functions.

Saint Kjeld’s Kvarter by Tredje Natur

Click above for larger image

In the large urban spaces, such as Saint Kjeld’s Square and Tåsinge Square the office has put a great effort into creating new kinds of urban experiences founded in the city’s and nature’s changeability. A gigantic floating ring sprays a cooling rain mist out on the hot summer days, hundreds of plant species secures an attractive nature all year round and a hilly terrain invites you to play and stay.

Saint Kjeld’s Kvarter by Tredje Natur

Click above for larger image

“At Saint Kjeld’s Square and Tåsinge Square we optimize the terrain effectively doubling the urban space’s surface area. This provides new space for a comprehensive volume of natural value, a better micro-climate and hence more urban life and better rain water management. The large spaces will be both striking and natural hot spots in the district. It is also possible to integrate new cafes and playgrounds in the optimized terrain,” says Partner in TREDJE NATUR, Flemming Rafn Thomsen.

Saint Kjeld’s Kvarter by Tredje Natur

Click above for larger image

Naturally the water plays a particularly important role in the project. A key concept is the idea that the urban spaces are flooded when it rains and that the water remains in the urban spaces a little longer than usual. This relieves the sewer systems, and also helps to transform the experience and the use of the urban spaces.

Saint Kjeld’s Kvarter by Tredje Natur

Click above for larger image

Copenhagen’s Greenest Neighborhood

The project introduces bicycle paths that act as storm water channels, water towers, green roofs, urban gardens, green houses and canals that carry water out from the neighborhood to the harbor. And simultaneously give rise to greater biological diversity in the city. These are just some of the ideas for new ways to adapt to the climate change that will emerge over the coming years. The City of Copenhagen plans to transform the densely populated neighborhood into a showcase area for climate adaptation technology. It is hoped to become a place that exhibits how we at one hand ensure our cities to future climate challenges, and moreover upgrade our urban spaces and streets significantly.

Saint Kjeld’s Kvarter by Tredje Natur

Click above for larger image

“By far the greatest challenges our society face lies in the existing city. The goal is to upgrade the city to residents’ expectations as to how the city must perform in terms of sustainable, social and health related issues. Our key concepts are driven by the notion that a coherent and natural design creates the most powerful strategy and solution for the neighborhood as a whole, but also comprise a sensitivity to individual spaces, places and the people in the area,” says partner in TREDJE NATUR, Ole Schrøder.

Saint Kjeld’s Kvarter by Tredje Natur

Click above for larger image

Adaptation to the climate changes should not only deal with larger sewers or rising taxes. Therefore, the project will instead operate with the city’s visible surface and make the city greener, so that water is both delayed and the urban spaces are simultaneously transformed into wondrous places for the city’s residents to hang out or exercise.

Saint Kjeld’s Kvarter by Tredje Natur

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“In Copenhagen we must secure the city against the heavy rains we expect in the future,” says City Architect Tina Saaby. “The projects in this neighborhood show how we at once can create beautiful, green streets and spaces and at the same time establish an effective technical solution that leads the rainwater in our streets to the harbor – instead of into our basements. It is architecture that integrates art and aesthetics in a new and very exciting way, “says Tina Saaby, City Architect of Copenhagen.

About TREDJE NATUR

In the latest edition of A10, the prestigious international architecture magazine, TREDJE NATUR is singled out as Shooting Stars together with 10 other young leading architectural practices in Denmark. The newly established office, based in Copenhagen, has experienced an impressive debut on to the Danish architectural scene. With a three-year scholarship awarded by The Danish Arts Council in 2011 Ole Schrøder and Flemming Rafn Thomsen realized the vision of a new architectural practice where the distinction between nature and architecture are revoked. TREDJE NATUR recently entered successfully into the final stage of the largest Danish planning competition in the City of Aalborg and is also shortlisted for the international competition on new major campus buildings in Kongsberg, Norway.

About Saint Kjeld’s Neighborhood

The architectural office TREDJE NATUR got the assignment in December 2011 by winning the European competition coalition EUROPAN11. The competition proposal comprised a visionary plan for how the district’s streets and open spaces can become more diverse by letting the rain and natural phenomena merge with the urban life. In few years the neighborhood will be able to showcase the new solutions in real life and the ambition is to create a model area, which both nationally and internationally will inspire broadly and strengthen Denmark’s position in urban water management and urban design.

The Opening Party is held at Tåsingegade in Copenhagen on Saturday the 18th August at 11 a.m. to 3 p.m. See The City of Copenhagen’s own website for more info.

Responsible Partners: Flemming Rafn Thomsen and Ole Schrøder
Design Team: Monica Galiana, Anna Sissela Michalsdottir, Joan Melgaard Rasmussen, Lotte Randeris Kristensen, Louise Fiil Hansen and Hans H. Bærholm
Location: Saint Kjeld’s Kvarter, Copenhagen.
Client: The City of Copenhagen
Size: 105 Ha
Project period: 2011-16

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Arum by Zaha Hadid Architects at Venice Architecture Biennale 2012

Zaha Hadid will present a pleated metal funnel at the Venice Architecture Biennale 2012 later this month (+ movie).

Arum by Zaha Hadid Architects at Venice Architecture Biennale 2012

Called Arum, the structure is derived from research into combining lightweight shells and tensile structures.

Arum by Zaha Hadid Architects at Venice Architecture Biennale 2012

It will be surrounded by documentation of the firm’s research and work on similar themes by others, including German architect Frei Otto, in order to place Hadid’s work as part of a clear lineage of investigation.

Arum by Zaha Hadid Architects at Venice Architecture Biennale 2012

The installation will be on show as part of the Common Ground exhibition in the Arsenale from 28 August to 25 November. Watch director of the biennale David Chipperfield talk to Dezeen editor-in-chief Marcus Fairs about his theme and the current architecture scene in our movie interview.

See all our stories about Zaha hadid »

Here’s some more information from the architects:


This year’s Biennale theme ‘Common Ground’ shows how the work of the major protagonists of contemporary architecture – often regarded as independent individual creations – is in fact based on historical lineages of collective research. This is also true of the work of Zaha Hadid Architects. It is well known that the early work was initially inspired by Russian Suprematism.

In our installation and exhibition at the Biennale we want to show that – apart from the dialogue with the work of contemporary competitors that existed all along – our recent work connects to a rather different historical strand of research. The more our design research and work evolved on the basis of algorithmic form generation, the more we learned to appreciate the work of pioneers like Frei Otto who had achieved the most elegant designs on the basis of material-structural form-finding processes. From Frei Otto we learned how the richness, organic coherence and fluidity of the forms and spaces we desire could emerge rationally from an intricate balance of forces. We expanded Frei Otto’s method to include environmental as well as structural logics, and we moved from material to computational simulations.

One particular area of research we would like to explore with our installation is the domain of lightweight shells in combination with tensile structures. We have already designed a number of complex shells as well as some tensile structures. Here, for the first time, we would like to integrate these two worlds. The Arum shell is an installation made from pleated metal. We will surround the installation with the documentation of our research, including key reference projects of the pre-eminent precursors in this line of research.

We will show the work Frei Otto, Felix Candela, Heinz Isler among others and include work by Philippe Block, a young, contemporary researcher of stone compression shells.

Venice Architecture Biennale 2012 Room 1.9, Corderie dell’ Arsenale 29th August – 25th November 2012

With the support of Permasteelisa Spa and ARTE & Partners

Design: Zaha Hadid with Patrik Schumacher
Exhibition Design: Woody Yao, Margarita Valova
Installation Design and Presentation: Shajay Bhooshan, Saman Saffarian, Suryansh Chandra, Mostafa El Sayed
Structural Engineering: Rasti Bartek, Buro Happold, UK
Material & Fabrication Technology: Gregory Epps, RoboFOLD
Coordinator: Manon Janssens
In collaboration with:
» Studio Hadid, Universität für angewandte Kunst, Vienna – Johann Traupmann, Christian Kronaus, Mascha Veech, Robert Neumayr, Mario Gasser, Susanne John
» The BLOCK Research Group, Institute of Technology in Architecture, ETH, Zurich – Philippe Block, Matthias Rippmann
» Faculty of Architecture, ETH, Zurich – Toni Kotnik
» Centro de Investigaciones y Estudios de Posgrado, Faculty of Architecture, UNAM, Mexico – Juan Ignacio del Cueto Ruiz-Funes

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Military zones re-imagined by finalists of Open Architecture Challenge

Open Architecture Challenge 2012 finalists

Dezeen Wire: the winners have been announced for this year’s Open Architecture Challenge, hosted by non-profit organisation Architecture for Humanity, with the top award going to a Ugandan proposal to build community hubs in a former refugee camp.

Open Architecture Challenge 2012 finalists

The Founders’ Award went to Paicho Huts (above), a proposal to transform a former IDP (internally displaced people’s) camp in Gulu, Uganda into community hubs for local people. The Challenge Winner was an Ocean & Coastline Observatory (below) on the site of the Trafaria defence batteries outside Lisbon in Portugal.

Open Architecture Challenge 2012 finalists

Other proposals include a food co-operative for a former air raid shelter in Berlin and a brass foundry to recycle spent ammunition shells in Pretoria, South Africa. See all of the winning projects on the Open Architecture Challenge website.

Open Architecture Challenge 2012 finalists

Over 500 teams submitted work to be judged on five criteria: community impact, contextual appropriateness, ecological footprint, economic viability and design quality.

T. Luke Young, who coordinated the competition at Architecture for Humanity, said the turnout had been “incredible”, adding: “This is the most geographically diverse response we’ve had to an Open Architecture Challenge, a fact made more interesting considering the complexity of the project.”

See all our stories about Architecture for Humanity »

Here’s the press release from Architecture for Humanity:


August 1, 2012: [UN]RESTRICTED Winners

Winners have been announced for the Open Architecture Challenge: [UN]RESTRICTED ACCESS hosted by Architecture for Humanity. The Founders’ Award goes to Paicho Huts, a Ugandan proposal to transform a former IDP camp to benefit rural countrymen. The Winner of the Challenge, OCO – Ocean & Coastline Observatory, is a Portuguese proposal to reassign the Trafaria defense batteries outside Lisbon.

Challenge Winner – Ocean & Coastline Observatory, near Lisbon, Portugal

Founders’ Award – Paicho Huts, near Gulu, Uganda

Finalists arranged by jury-determined categories:

Environmental Impact
First Place: Humboldthain Food Cooperative, Berlin, Germany
Second Place: Ecological Processing Zone (EPZ), Oakland, United States
Third Place: REGENERATE FT. CARROLL: a gateway ecological park, Baltimore, United States

Political Response
First Place: ALTER YOUR NATIVE BELFAST//ALTERNATIVE BELFAST, Belfast, United Kingdom
Second Place: Kikotemal’ Rik K’aslem Memorial, Guatemala City, Guatemala
Third Place: Healing a Nation: Healing the Wounded, Tripoli, Libya

Economic Development
First Place: Magazine Hill: a weathered continuum, Pretoria, South Africa
Second Place: [ARCH]itecture for Comm[UNITY], Anniston, Alabama, United States
Third Place: The Store – Pillbox Conversion, Napier, New Zealand

Small-scale Intervention
First Place: PLUG-In HEBRON – People Liberated Urban Gaps In Hebron, Old City Hebron, Israeli Occupied Palestinian West Bank
Second Place: B-Tower (TM), various sites, Netherlands
Third Place: Paicho Huts, outside Gulu, Uganda (recipient: Founders’ Award)

By the Numbers:
510 teams registered for the challenge
74 countries responsed to the Challenge
174 entries qualified for Round 1 jury
24 semifinalists qualified for Round 2 jury
13 finalists received awards and a feature at the 2012 Venice Biennale
10 countries on 6 continents contain award-winning design proposals

These proposals highlight the results of a Challenge that had engaged 510 teams from 71 countries in re-imagining former military spaces. The nature of the resulting standings reflect the extreme difficulty with which the interdisciplinary jury of 33 professionals evaluated the entries.

From five judging criteria – community impact, contextual appropriateness, ecological footprint, economic viability, and design quality – four further projects showing incredible strength were named equal First Place winners, behind the First Place and Founder’s Award, and seven additional teams identified as Runners-Up. Back-to-back rounds of judging narrowed nearly 200 qualifying proposals to 24 semifinalists, and then the winners.

“The turnout and production for this Challenge were incredible,” remarks T. Luke Young, who coordinated the competition at Architecture for Humanity. “This is the most geographically diverse response we’ve had to an Open Architecture Challenge, a fact made more interesting considering the complexity of the project.” Young recognised the effort made by the jury to provide each entrant with a thorough evaluation.

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