American dream “breaking down” as young reject home ownership

American dream "breaking down"

News: flexible high-tech rental apartments with moving “robo-walls” should replace speculative developments as young people increasingly view homes as services rather than possessions, according to Kent Larson, director of the Changing Places Group at MIT Media Lab (+ movie).

“People of the millennial generation are rejecting private cars, private homes, brands, owning a lot of stuff,” Larson said, speaking at the Urban Age Electric City conference in London last week. “They think of all these things as services rather than possessions and I think that will powerfully impact cities of the future.”

The cheapest generation

Larson said young people don’t want the type of micro-apartments being proposed by mayors of major US cities. “Mayor Bloomberg of New York is saying in order for New York City to remain globally competitive, they have to make housing affordable for young people, so the idea is to just build tiny little apartments,” Larson said. “Mayor Thomas M Menino in Boston says the same thing. The problem is young people don’t really like these tiny little apartments with a pull-out sofa.”

City chiefs in San Francisco this month voted to allow apartments as small as 20 square metres to help alleviate the housing shortage while New York floated a similar idea this summer. Boston and Vancouver are among other cities exploring the idea.

“The American dream of owning your house and owning your car and freedom and status and all of that, I think that’s breaking down,” Larson said.

Changing Places Group transformable CityHome

Instead of micro-apartments, Larson believes the future lies with flexible, high-tech interior spaces that allow residents to customise them over time to suit their changing needs [above]. MIT Media Lab’s Changing Places Group, set up to explore new strategies for living and working spaces, has proposed a system of moving “robo-walls” and foldaway furniture that could fit within a standard loft-type space but provide greater flexibility than today’s apartments.

The CityHome proposal [above] also allows residents to generate their optimum dwelling configuration using software that analyses their lifestyle and living preferences.

“For the city I’m particularly interested in transformable houses; tiny little homes that function as if they were many times larger,” Larson said.

He added: “I don’t believe in smart homes, I think that’s a totally bogus concept. I  think builders only know how to build dumb things, so you want to bring smart things into the home.”

Generic high-rise residential blocks

Larson said the construction of vast, generic high-rise apartment blocks [above] to house newly urbanised populations was leading to “dreary, single-purpose residential ghettos that are almost totally dependent on the private automobile.”

Taipei. Photograph by Kent Larson

Residents in such developments often strive to personalise their homes, he said, showing a photograph of a high-rise development in Taipei where occupants had added balconies, awnings, glazing and other ad-hoc additions. “If you go to Taipei where I took this photograph [above], you see these generic commodity housing projects bursting with this expression of personalisation, you know kind of ad-hoc customisation,” Larson said. “They’re illegal and often they are death traps, but it’s a powerful sort of visual acknowledgement of that desire.”

He added: “I’m an architect, but it doesn’t scale to have an architect work on homes for 300 million rural Chinese who are moving to the city over the next fifteen years. So we’re looking at design algorithms where you match a personal profile to a solution profile, you assemble a completely configured apartment and then you give people the tools to go into that space and refine it using these kind of advanced computational tools.”

In future, it will become normal for people to share, rather than buy, the amenities they need, Larson argued. “We’re moving towards shared resources in the office, shared desks, shared shops, shared fab-labs, shared electronics labs, shared recreational spaces.”

More videos from the Changing Places Group can be seen here. Images are courtesy of Kent Larson.

The post American dream “breaking down”
as young reject home ownership
appeared first on Dezeen.

OMA, Hassell and Populous to redevelop Sydney’s Darling Harbour

News: a team made up of architecture firms OMA, Hassell and Populous has been selected to redevelop Sydney’s convention, exhibition and entertainment precinct at Darling Harbour (+ slideshow).

Darling Harbour, Sydney, by OMA, Populous and Hassell

Above: International Convention Centre

The Destination Sydney team, lead by developers Lend Lease, were today announced as the winning bidders with their plans to create a 40,000-square-metre exhibition centre, a red-carpet entertainment venue, a 900-room hotel and a new residential neighbourhood.

Dutch architects OMA will work alongside Hassell of Sydney and international firm Populous to deliver the 20-hectare masterplan, adding the new leisure complex to the north of Pier Street and new residential neighbourhood The Haymarket on the site of the existing Sydney Entertainment Centre and car park.

Darling Harbour, Sydney, by OMA, Populous and Hassell

Above: the theatre

“This project will redefine Sydney as a global city and create one of the world’s great meeting and entertainment destinations,” commented Destination Sydney’s chief executive Malcolm Macintyre. “Not only will it become a beacon for international visitors for conventions and events but will also build on the appeal of the Darling Harbour area for Sydney-siders creating an entertainment hub that promises to reconnect and re-energise the city.”

A phased redevelopment will see the existing Sydney Convention & Exhibition Centre close in December 2013, while the current Sydney Entertainment Centre will remain open until December 2015. Construction is set to complete in late 2016.

Darling Harbour, Sydney, by OMA, Populous and Hassell

Above: The Haymarket neighbourhood

Darling Harbour sit adjacent to Sydney’s city centre and has established itself as a centre for entertainment on the western edge of the central business district. Other recent developments in the area include an office complex that was awarded at the World Architecture Festival.

OMA have completed a number of projects over the last year, including the China Central Television Headquarters in Beijing and the headquarters of the Rothschild Bank in London.

See all our stories about OMA »

The post OMA, Hassell and Populous to redevelop
Sydney’s Darling Harbour
appeared first on Dezeen.

Longaberger Bag Building

Situé à Dresden dans l’Ohio aux USA, ce panier géant est en réalité un building appartenant à la société Longaberger. Spécialisée dans la vente de sacs et d’accessoires de décoration, cette chaîne américaine en a profité pour proposer par cette architecture le plus grand panier au monde. Plus d’images dans la suite.

Longaberger Bag Building5
Longaberger Bag Building4
Longaberger Bag Building3
Longaberger Bag Building1
Longaberger Bag Building6
Longaberger Bag Building7

Villa Solaire by JKA and FUGA

French architects JKA and design studio FUGA have converted a nineteenth century Alpine farmhouse in France into a holiday villa with chunky wooden cladding and cut-outs based on the shadows of other buildings (+ slideshow).

Villa Solaire by JKA and FUGA

To recreate the rhythms and patterns of the traditional local buildings, JKA and FUGA used one-inch-thick roughly sawn spruce planks, which they had to source over a year in advance. ”Only a few trunks presented enough nodes and few clapboards big enough were able to be pulled from each trunk,” architect Jérôme Aich told Dezeen.

Villa Solaire by JKA and FUGA

In typical Alpine barns the gaps between disjointed wooden planks would allow air to circulate round drying hay, but at Villa Solaire the gaps between each panel simply let extra light into the rooms inside.

Villa Solaire by JKA and FUGA

The architects studied the shadows cast onto the villa by neighbouring buildings to determine the positions of the cut-out patterns. “The pattern within the cladding is designed to respond to the path described by these shadows. The areas receiving a greater amount of sun are all the more open,” Aich said.

Villa Solaire by JKA and FUGA

Originally they planned to cut the wood digitally before installation, but instead found it easier and more economical to attach the boards to the building frame first, then stencil on the patterns and employ a local carpenter to cut them by hand. “The construction marks slowly disappear but the cladding keeps the valor and traces of the handmade work,” Aich explained.

Villa Solaire by JKA and FUGA

The framework of the original farmhouse was restored, which the architects describe as an unusual practice. “A lot of operations on old farmhouses used to cut out the wood structure of the first level and replace it with concrete structures. In our case, the existing skeleton was integrally conserved,” added Aich.

Villa Solaire by JKA and FUGA

Inside the two-story house, a ground floor wading pool is surrounded with recycled slate tiles that were originally used to cover the roof.

Villa Solaire by JKA and FUGA

Bedroom suites and a kitchen are located on the first floor and are positioned at each of the corners, leaving a cross-shaped living room between with windows on all four walls.

Villa Solaire by JKA and FUGA

The different areas of this room are separated by level changes, which the architects describe as a reference to the topography of the of the Rhône-Alpes region.

Villa Solaire by JKA and FUGA

“The house is conceived as an imprint of its surroundings,” concluded Aich. “Imprint in terms of landscape and geography, in terms of sunlight, as well as in terms of history.”

Villa Solaire by JKA and FUGA

See more stories about villas on Dezeen »

Villa Solaire by JKA and FUGA

See more stories about French architecture »

Villa Solaire by JKA and FUGA

Photography is by Julien Lanoo

Here’s a few words from the architects


Villa Solaire
JKA and FUGA

The project consists in a conversion of an ancient farmhouse into a luxury rental villa, revisiting traditional techniques. This former farmhouse is located in the historic district of Pied de La Plagne, in Morzine. Built in 1826, it was singled out by the municipality as a landmark for traditional architecture.

Villa Solaire by JKA and FUGA

Drawing on the context: inside/outside fitting

A uniform cladding wraps the whole farm. One of the challenges of the project was to preserve its appearance, while filtering light into the heart of the building.

Villa Solaire by JKA and FUGA

The traditional technique of decorative cut-outs within the wood strips was used to perform specific perforations within the planks. The design of this simple and contemporary pattern is consistent with the equipment and techniques used by the local carpenter for cutting spruce slats. These cut-outs recall the disjointed battens of the traditional barn, used for drying hay.

Villa Solaire by JKA and FUGA

Today, these slits bring light inside the building. The glazed elements of the project, which are flush with the inside of the façade, are partially hidden by the cover strips. As they are not visible from outside they do not interfere with the uniformity of the cladding.

Villa Solaire by JKA and FUGA

Throughout the year, the surrounding roofs and buildings cast their shadows on the façades. The pattern within the cladding is designed to respond to the path described by these shadows: the areas receiving a greater amount of sun are all the more open and provide a certain legibility of the continuity between the common spaces of the house.

Villa Solaire by JKA and FUGA

This concept of interlocking inside/outside, evokes a lifestyle in harmony with its surroundings and leads to the project being named the “solar house”: a house exposed on its four façades to the path of the sun, perceived as a sundial.

Villa Solaire by JKA and FUGA

Above: site plan – click above to see a larger image

Finding one’s bearings: a living geography.

The idea is to move through this house between four “blocks” steady as rocks, located at each corner of the building. Each independent unit forms a suite with sleeping area and amenities. Between these four blocks, the remaining space is occupied by a succession of stacked floors at different levels in the framework. This continuum of generous space welcomes the activities shared by the inhabitants: cooking, dining, watching a film, conversing in the living room, warming up around the fire…

Villa Solaire by JKA and FUGA

Above: ground floor plan – click above to see a larger image

These four blocks mark the house as the summits punctuate the valley. In Haute Savoie, one instinctively relates the farms to the mountains. Again, this symbolic association is translated in each block as it is identified in its facing mountainous terrain, just as the framework can be interpreted as a forest, whose various topographical lines are recalled within the different floor levels.

Villa Solaire by JKA and FUGA

Above: first floor plan – click above to see a larger image

Revealing the structure: nested scales or “the complex of the snail”.

The charm of the original farm resides in the existing structure. Conserving its overall appearance was of one of the project’s key challenges, which motivated its restoration: It was fully recovered and the original plastering preserved after brushing and trimming.

Villa Solaire by JKA and FUGA

Above: section – click above to see a larger image

Compressed spaces, expanded spaces. Nesting areas.

In order to clear the room of the nave while meeting the rental house needs, utility functions were closely integrated. A strong contrast results from the scales of the cosy bedrooms, bathrooms and sleeping alcoves, next to the open central meeting space. The complexity of these nested spaces is combined with a similar research in terms of details and materials.

Villa Solaire by JKA and FUGA

Above: section – click above to see a larger image

Client: Private
Cost: 1.100.000 € excl. tax
Area: 620 m² gross floor area
Beginning of studies: October 2009
Construction completion: January 2012
Program: Rental house – capacity 16 persons
Design Team: JKA – Jérémie Koempgen Architecture, FUGA – J.Aich & M.Recordon designers, J.Koempgen and J.Aich are members of the collective Ferpect
Contractors: SARL Laperrousaz (carpenter) / SARL Yves Gourvest Construction (masonry) / SARL Fourcade Herve (interior design) / Etablissements Guy Perracino (joinery) / Labevière (Electrician) / Marcellin (heating) / SARL CQFD Drouet (shutters) / Florinda Donga (curtains)

The post Villa Solaire by JKA
and FUGA
appeared first on Dezeen.

Dezeen’s A-Zdvent calendar: House K by Hiroyuki Shinozaki Architects

House K by Hiroyuki Shinozaki Architects

This house in Tokyo with one tall skinny wing and one short fat one is at number eleven in our A-Zdvent calendar. Read more about House K »

The post Dezeen’s A-Zdvent calendar: House K
by Hiroyuki Shinozaki Architects
appeared first on Dezeen.

San Francisco city chiefs vote to allow 20-square-metre “micro apartments”

San Francisco plans micro apartments

News: San Francisco city chiefs have voted to allow the development of “micro apartments” as small as 20 square metres in an attempt to alleviate the housing shortage in the US city.

Each of the proposed micro apartments will be required to have a minimum of 150 square feet of living space not including the kitchen, bathroom or built-in storage – but the kitchen could be included in the living space, say city supervisors.

That means the properties, which are expected to rent for between $1,300 and $1,500 per month, would be five square metres smaller than the micro-units recently proposed for New York by mayor Michael Bloomberg, and 50 square centimetres smaller than Vancouver’s new micro-loft conversions, the smallest rental units in Canada.

San Francisco plans micro apartments

Above and top: images are from developers Panoramic Interests

City supervisor Scott Wiener has backed the reduced minimum size in the hope of lowering rents in the city, which currently average around $2,000 a month for a studio.

Mayor Edwin Lee is expected to make a decision on the legislation this month before the proposals can become law.

We’ve previously reported on New York’s competition to design micro-units as well as plans to turn disused garages in east London into pop-up homes.

Other tiny properties we’ve featured include a 2.6-metre-wide guest house helicoptered onto a hillside in Switzerland and a quilted mobile home on the back of a tricycle.

See all our stories from San Francisco »
See all our stories about apartments »

The post San Francisco city chiefs vote to allow
20-square-metre “micro apartments”
appeared first on Dezeen.

Two Takes on the Transforming Micro-Apartment, One Polished, One Raw: The LifeEdited Apartment and the Barcode Room

lifeedited-apartment.jpg

barcode-room-01.jpg

GrahamHill-170x185.jpg

The motto of LifeEdited, an experiment in compact living started by Treehugger founder Graham Hill, is an alluring one: “Design your life to include more money, health and happiness with less stuff, space and energy.” The design of the prototype LifeEdited apartment (actually Hill’s residence) fulfills the motto neatly, incorporating furniture you’ll recognize from our Resource Furniture videos (here and here), an intelligently-designed moving wall, and lots of nice little touches that reveal some serious depth of thought:

Crazy seeing what an absolute craphole the apartment was before Hill’s insane reno. I also admire how he’s extended his philosophy of editing things down even to the kitchen implements and his clothing.

(more…)

Shortlisted architects announced for M+ museum in Hong Kong

Xiqu Centre by Bing Thom and Ronald Lu

News: six international teams, including Herzog & de Meuron, SANAA and Renzo Piano, have been shortlisted to design a new visual culture museum in Hong Kong’s new West Kowloon Cultural District, while two Hong Kong-born architects have been chosen to design a centre for Chinese opera (above) in the same area.

The shortlisted teams for the M+ museum are: Herzog & de Meuron and TFP Farrells; Kazuyo Sejima and Ryue Nishizawa/SANAA; Renzo Piano Building Workshop; Shigeru Ban Architects and Thomas Chow Architects; Snøhetta; and Toyo Ito & Associates, Architects and Benoy Ltd.

The teams have now been invited by West Kowloon Cultural District Authority to submit proposals for the museum, which is scheduled for completion in 2017.

While in Hong Kong last week Dezeen interviewed Aric Chen, curator of design and architecture for M+, who said the museum will help to “place Asia at the centre” of design history rather than on the periphery as western curators have done.

West Kowloon Cultural District by Foster + Partners

Above: Foster + Partners’ masterplan for West Kowloon Cultural District

Additionally, Vancouver-based architect Bing Thom and Hong Kong-based architect Ronald Lu have formed a joint venture partnership to design and deliver the Xiqu Centre, a facility for the preservation and promotion of Chinese opera in Hong Kong.

Last year UK architect Foster + Partners was selected to design the masterplan for the West Kowloon Cultural District, with a proposal for 17 cultural venues – including the Xiqu Centre – and 30,000 square metres of arts education facilities over the 40 hectare site.

See all our stories about the West Kowloon Cultural District »
See all our stories about Hong Kong »
See all our stories about museums »

Here’s the full press release from the West Kowloon Cultural District Authority:


Shortlisted design teams announced for M+, Hong Kong’s future museum for 20th and 21st visual culture

The West Kowloon Cultural District Authority (WKCDA) announced today a shortlist of six design teams that have been invited to submit proposals for the architectural design of M+, Hong Kong’s future museum for 20th and 21st century visual culture at the West Kowloon Culture District.

The six shortlisted teams are:

» Herzog & de Meuron + TFP Farrells
» Kazuyo Sejima+ Ryue Nishizawa / SANAA
» Renzo Piano Building Workshop
» Shigeru Ban Architects + Thomas Chow Architects
» SNOHETTA
» Toyo Ito & Associates, Architects + Benoy Ltd

M+, scheduled for completion in 2017, is an ambitious project. The scale of the museum building alone, at around 60,000 square metres, will be on par with the Museum of Modern Art in New York. Situated on the waterfront of the Victoria Harbour at the edge of a 14-hectare park, it will be one of 17 core arts and cultural venues in the West Kowloon Cultural District. M+ will be the flagship hub for visual culture from the 20th and 21st century, alongside major performance spaces, creating interdisciplinary exchange between the visual arts and the performing arts in the city.

The physical design of M+ will be shaped around the museum’s core values. Principally it will be a museum for the Hong Kong people, firmly rooted in the location and its unique culture, providing a Hong Kong perspective, with a global vision, expanding to other regions of China, Asia and the rest of the world. It will provide space for artists to meet, exhibit and experiment. It will house a world-class permanent collection of visual culture from Hong Kong, across Asian and beyond, in all its forms, providing and presenting multiple flexible platforms for multidisciplinary programming, exploring art, design, architecture and the moving image, celebrating the fluidity between the art forms that is characteristic of Asia’s cultural ecology. M+ also aims to complement the ‘white cubes’ and ‘black boxes’ of the contemporary art museum with ‘third spaces’ – new formats of interactive space and new interfaces between public space and back-of-house where learning is prioritised.

Facilities will include over 15,000 square metres of exhibition space and 14,000 square metres for conservation and storage, an education centre, an archive library and bookstore, theatres and screen facilities, artist-in-residence studios and outdoor green spaces, subject to the future detailed design.

Mr Michael Lynch, Chief Executive Officer of WKCDA said, “Major architects from Hong Kong and across the world are vying to collaborate for the opportunity to work on the design of M+ and this is a fantastic line up of talented architects. We have a unique architectural brief for M+ as it will be a very special institution, a leader in its field in Asia and globally and a world class museum for the city providing essential space for Hong Kong’s artists and arts community. Hong Kong will have a new museum that it can be proud of.”

Dr Lars Nittve, Executive Director of M+ said, “We are thrilled with this phenomenal shortlist. Our concept for M+ is a museum built from the inside out around its content and core values. I am really looking forward to seeing designs that reflect this, that respond to the unique needs of a museum for visual culture here and beyond, and a design worthy of Hong Kong’s fast growing cultural scene.”

West Kowloon Cultural District Authority

The teams were shortlisted by the West Kowloon Cultural Authority Board following the recommendation of the world-class Jury Panel, chaired by Rafael Moneo, the Pritzker prize winning Spanish architect. Other members are (in alphabetical order): Eve Blau, Adjunct Professor, Graduate School of Design, Harvard University; Kathy Halbreich, Associate Director, Museum of Modern Art, New York; William Lim, leading Hong Kong architect; Victor Lo, Chairman of Board of Directors, Hong Kong Design Centre; Leslie Lu, leading Hong Kong architect; Lars Nittve, Executive Director, M+; and Uli Sigg, world’s leading collector of Chinese contemporary art.

The shortlisted design teams are invited to submit concept designs of their concepts next year. Entries from the shortlisted design teams will be examined by the Jury Panel together with assessment through interviews. The Authority will be looking for a concept design that is original, sustainable, cost effective, and aligns with the ambitions of M+ and the overall planning intention of the WKCD. Once appointed in June 2013, the design team will work closely with the M+ team and WKCDA to develop the detailed design for the building.

The post Shortlisted architects announced
for M+ museum in Hong Kong
appeared first on Dezeen.

Maison 2G by Avenier & Cornejo Architectes

French studio Avenier & Cornejo Architectes has used strips of cedar cladding to wrap every surface of this house in Orsay, France (+ slideshow).

Maison 2G by Avenier and Cornejo Architectes

Above: photograph is by Cristobal Palma

The architects wrapped the cedar strips over each wall and and around the gabled roof of the two-storey Maison 2G. “To have a fully wooden exterior was a logical reaction to the environment,” said Avenier & Cornejo‘s Miguel Cornejo. “The house is at the end of a road by the forest, so it fulfilled a transition between urban and natural environments.”

Maison 2G by Avenier and Cornejo Architectes

Large windows and openings let light penetrate the wooden walls, plus rooms inside are organised to receive daylight at the times of day when they will be most used. “The kitchen was orientated east to have breakfast with morning light and the living room has the soft evening light of the west,” said Cornejo.

Maison 2G by Avenier and Cornejo Architectes

The ground-floor living room is a double-height space that is described by the designers as being “carved”. It opens out to a terrace and garden.

Maison 2G by Avenier and Cornejo Architectes

Above: photograph is by Cristobal Palma

“We worked on the flow of movement in the house to reduce corridors and create a dynamic flux,” added Cornejo. “In this way we sculpted an intersection of movement and perspective.”

Maison 2G by Avenier and Cornejo Architectes

Above: photograph is by Cristobal Palma

A staircase winds up through the centre of the house and leads to three bedrooms, all located on the first floor.

Maison 2G by Avenier and Cornejo Architectes

Other houses we’ve featured in France include one with cut-out shutters on its glazed facade and one with deep larch window frames.

Maison 2G by Avenier and Cornejo Architectes

See more stories about houses on Dezeen »

Maison 2G by Avenier and Cornejo Architectes

Above: photograph is by Cristobal Palma

Photography is by Stephane Chalmeau, apart from where otherwise stated.

Here’s some more information from the architects:


House 2G
Orsay (France)

Before becoming a family home the land near the University of South Paris, Orsay, was better known by students for a take away bus that served English fast food.

Maison 2G by Avenier and Cornejo Architectes

Located at the end of the Rue Georges Clemenceau, at the intersection with the entrance to the university grounds, this site has a triple orientation, including a view of the park.

Maison 2G by Avenier and Cornejo Architectes

Above: photograph is by Cristobal Palma

Architects Avenier Cornejo’s clients are friends of friends. The development of the project was a collaboration that had a lot of freedom. The family, having a third child, was open to any proposal for their new home that offered plenty of quality light; which was previously lacking.

Maison 2G by Avenier and Cornejo Architectes

Above: ground floor plan – click above to see larger image

The challenge of the project was also to insert a contemporary house ecologically in a suburban fabric, more or less traditional, enjoying its view on the park. The ground is very wet and required deep foundations for the supporting structure. It is specified to meet the 2005 target for RT operation. In addition to basic insulation, natural vegetation was added externally. The compact volume limits energy losses.

Maison 2G by Avenier and Cornejo Architectes

Above: first floor plan – click above to see larger image

Flirting with the building regulations of the materials and the context of the landscape led a project of ‘total look’ wood. The volume is simple and one-piece, the wood cladding envelope dramatic. Composed of strips of cedar crate, this one allows omnipresent light, to be so over-input and redirected the angular pants interiors. The volumes are designed and vibrate throughout the day.

Maison 2G by Avenier and Cornejo Architectes

Above: roof plan – click above to see larger image

To offset the plain exterior the interior is enhanced by a carved inside: a large volume unites the two levels of the house, patio lights rooms and bathroom and staircase structure the ground floor…

Maison 2G by Avenier and Cornejo Architectes

Above: section – click above to see larger image

This framework looks onto the landscaped garden to enjoy its charms. The untreated cladding has been planted with patina ash and sweet fruit integration.

Maison 2G by Avenier and Cornejo Architectes

Above: front elevation – click above to see larger image

Client: Private
Architects: Avenier & Cornejo Architectes
Building company: Martins Construction
Mission: Complete
Programme: Private house
Surface: 216 sq m
Cost: 400 000 Euros HT
Phase: Completed

The post Maison 2G by Avenier &
Cornejo Architectes
appeared first on Dezeen.

Dezeen’s A-Zdvent calendar: J House by Isolation Unit and Yosuke Ichii

J House by Isolation Unit and Yosuke Ichii

We’re into double figures on our A-Zdvent calendar and at number ten is J House in Japan, which features rooms that open out to one another. Read more about J House »

The post Dezeen’s A-Zdvent calendar: J House
by Isolation Unit and Yosuke Ichii
appeared first on Dezeen.