395 Page Mill Road by Studio O+A

The entrance lobby at AOL‘s Palo Alto headquarters looks like a skate park (+ slideshow).

395 Page Mill Road by Studio O+A

Just like AOL’s offices upstairs, the lobby was created by San Francisco designers Studio O+A for the campus at 395 Page Mill Road, which is also home to other internet-based companies including security firm TrustedID and cloud computing company Cloud-On.

395 Page Mill Road by Studio O+A

The skateboarding ramp spans the entire lobby and integrates a reception desk and a lounge area.

395 Page Mill Road by Studio O+A

Adjacent rooms house a business incubator run by Stanford University students, as well as an auditorium, a gym, a cafe and a yoga studio.

395 Page Mill Road by Studio O+A

Bicycles are docked on a column in the centre of the lobby, while helmets hang on the walls and both can be borrowed by employees.

395 Page Mill Road by Studio O+A

See our earlier story about AOL’s offices at the campus here.

395 Page Mill Road by Studio O+A

Studio O+A have also designed headquarters for Facebook and offices for web hosts Dreamhost.

395 Page Mill Road by Studio O+A

Photography is by Jasper Sanidad.

Studio O+A’s description of the project can be found below:


395 Page Mill Road in Palo Alto is the address of AOL’s new West Coast headquarters. It is also home to several small businesses—a coffee shop, a gym, some tech incubators—that occupy the same building. The 35,000 square foot ground floor area is divided into spaces ranging from 500 to 2,500 square feet. O+A’s design challenge was to coordinate these spaces and AOL’s public lobby in a way that builds community and fosters interaction. The solution: turn the complex and adjoining outdoor areas into a “campus.”

395 Page Mill Road by Studio O+A

In keeping with that concept AOL has partnered with Stanford University to fill some of the building’s higher-profile spaces. The Ground Up coffee shop is a Blue Bottle cafe owned and operated by Stanford Student Enterprises. StartX: The Stanford Startup Accelerator is an entrepreneurial incubator with which AOL hopes to cultivate new ideas. Other tenants include tech venture firms Softtech, Morado Ventures and Imagine K12, the cloud computing company Cloud-On, identity security firm TrustedID and the management consultant company Medallia. AOL’s in-house labs are also on this floor as are a gym, an auditorium, a yoga studio and bike racks with cycles available for check-out.

A unifying selection of warm wood finishes, all crafted in an urban-rustic style, begins the process of drawing these disparate elements together. The interior design of the Ground Up coffee bar compliments the alfresco seating and leisure elements in the outdoor plaza, which, in turn, echo the fine grain facades in the building’s spacious lobby. The result is visual continuity with just enough variation to keep the eye—and mind—engaged.

Perhaps the most engaging feature of the space is the plywood entry portal, a sweeping abstract skateboard half-pipe referencing AOL’s beginnings. Seeking an iconic symbol of the 1980s culture into which AOL was born, O+A settled on this distillation of a skateboard ramp, a shape at once graceful and suggestive of youth, vitality and new thinking.

395 Page Mill Road by Studio O+A

Common areas and paths of travel in the space encourage cross-pollination, not only between separate departments of AOL, but also between the separate entities in the building. The aim is to create communal energy, in essence to grow a little city at one location: organic, vital, adaptable to change. As with a real city, the consequences of this “urban planning” are never predictable, but always trend naturally toward growth and problem-solving.

Part of the “little city” or “campus” idea is a realization on the part of companies like AOL that their own creative advancement is enhanced by the proximity of like-minded people. The more amenities available at a given location, the greater the attraction to that class of creative, mobile, tech-fluent entrepreneur that is always in demand at Silicon Valley’s top firms. Steve Jobs, Mark Zuckerberg, Jack Dorsey have all spoken of the importance of the workplace in recruiting top talent. AOL’s new complex at 395 Page Mill recognizes that when you’re competing with Facebook and Google, you need to have a cool sandbox.

The post 395 Page Mill Road
by Studio O+A
appeared first on Dezeen.

Editions for iPad

AOL’s personalized newspaper app

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To keep up with the fast-paced iPad app industry, AOL’s latest effort to up their relevance comes in the form of Editions, a magazine-esque daily news update specifically geared to the reader. After a test run, it rates surprisingly good—well worth the free download at least.

The aggregator aims to stand out by allowing for customization from preferred news sections all the way down to font size and banner cover. By syncing with AOL, Twitter and Facebook identities, it adapts to user preferences, providing only the news and information most important to them.

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Once you have a personalized profile, you can browse the app’s automatic suggestions or search for other sites to add. Messing around with tags and keywords provides more or less from any given source. These choices then roll into your profile, which updates for the following day’s issue, tailoring the content to your interests.

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Also of note, once you choose a news story from the in-app excerpts, the magazine redirects the user to actual news providers’ sites. This nice little ethical decision gives actual pageviews to the original publisher, giving credit where credit is due—an Internet-era practice we’ve always backed.

Look to the iTunes App Store where Editions is now available for free download.

via The Unofficial Apple Weblog


AOL New Offices

Après ceux de Facebook, le cabinet d’architecte Studio O+A pensé les nouveaux bureaux d’AOL. Installés à Palo Alto, ces derniers sont visuellement très réussis, et veulent retranscrire “la transparence” du groupe. Plus de visuels dans la suite de l’article.



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Previously on Fubiz

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AOL Offices by Studio O+A

AOL Offices by Studio O+A

Here some photos of the new Palo Alto offices of internet services company AOL, designed by San Francisco designers Studio O+A.

AOL Offices by Studio O+A

The interior features an open-plan layout with exposed ceilings, concrete floors and meeting areas built from oriented strand board.

AOL Offices by Studio O+A

Cylindrical booths made of oriented strand board and translucent fiberglass form collaborative working spaces.

AOL Offices by Studio O+A

The company’s logo is superimposed on imagery taken from abstract patterns, nature and pop culture to make custom-made wall coverings throughout the space.

AOL Offices by Studio O+A

Studio O+A were also responsible for the interiors of Facebook’s Palo Alto headquarters.

AOL Offices by Studio O+A

Photographs are by Jasper Sanidad.

AOL Offices by Studio O+A

Here are some more details from Studio O+A:


AOL Offices
Palo Alto, California

AOL launched a company-wide initiative to adapt to changes in online culture—which the company had been instrumental in creating in the first place. As part of this effort, AOL moved its West Coast headquarters to a new corporate space in Palo Alto and brought in Studio
Here are soem images of AOL’s new offices in O+A to give the office a fresh design.

AOL Offices by Studio O+A

The existing space retained a distinctly 1980s corporate aesthetic: drop ceilings hanging over every office, high cubicles separating employees into tightly defined workstations, dark finishes, and oblique lines.

AOL Offices by Studio O+A

O+A restored the space to a clean, white canvas—exposing the ceilings, stripping the walls to reveal the structure, and generally creating a spatial equivalent to the transparency that AOL was bringing to every aspect of its business.

AOL Offices by Studio O+A

Key to this approach is the concept of “honest materiality”—the embrace of materials and processes that originate in the construction industry and that increasingly provide the finish motifs for modern workplace design.

AOL Offices by Studio O+A

At AOL, for example, oriented strand board (OSB), typically used by contractors to separate spaces on construction sites, was sanded, shaped, and finished to serve as a contemporary accent throughout the complex.

AOL Offices by Studio O+A

Exposed ceilings, concrete floors, expansive sightlines, and modern furniture all contribute to the industrial look. The result is a space that communicates what it is made of and how it was built.

AOL Offices by Studio O+A

In keeping with this theme of transparency, O+A’s floor plan emphasizes collaborative space—a change from segregated private offices to open workstations and the collegiality of shared environments.

AOL Offices by Studio O+A

Two features of the AOL design highlight this concept. The first is a series of circular pods positioned throughout the main work areas as impromptu meeting rooms. Constructed of OSB and translucent fiberglass, these cozy silos provide a space for informal collaboration and spontaneous creativity. To encourage that spontaneity, the pods are open to all employees and cannot be reserved.

AOL Offices by Studio O+A

An even more prominent feature is the large, bright, collaborative space AOL has dubbed the Town Hall. Part kitchen, part play space, part kick-back area, the Town Hall also functions as an all-hands common area (Ariana Huffington spoke there when AOL acquired the Huffington Post), modeled after late-night eateries in San Francisco’s Mission District.

AOL Offices by Studio O+A

The kitchen’s bench-seating, ample light, and bursts of color against a white palette go well with the game and relaxation area. Centrally located to bring together staff from departments that might not otherwise interact, the Town Hall is designed to foster the kind of creative cross-pollination for which tech companies like AOL are renowned.

AOL Offices by Studio O+A

And then there are graphics. AOL’s new logo—the company’s initials in a simple white font—can be placed effectively on any colorful background. Those playful backgrounds vary throughout the headquarters and include both abstract patterns and imagery drawn from nature and pop culture. All wall coverings in the space are custom designed.

AOL Offices by Studio O+A

The design embodies the elements of the new AOL—transparency, collaboration, creativity, and playfulness—to create a stimulating environment for the firm’s staff.

AOL Offices by Studio O+A


See also:

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Facebook Headquarters
by Studio O+A
Skype office by
PS Arkitektur
Google office by
Scott Brownrigg

Aol Phase 02

Une 2ème série de films pour AOL, dans le cadre du lancement au New Museum à New York et destiné au media web ou au mobile. Commissionné par Wolff Olins NYC, sur une direction artistique et une animation de Matt Pyke / Universal Everything. A découvrir dans la suite.



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Previously on Fubiz

Aol.

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A couple days ago Aol. launched their new brand platform. It was created by Wolff Olins, a brand and innovation consultancy located in London, New York, and Dubai.

The aim of the project is to be “deliberately disruptive, deliberately unlike what is being done by other media businesses. The reason is simple; the media world of today is entirely unlike the media world of yesterday.” The result is a system that caters to everyone (or at least tries to). Wolff Olins created a number of different images and short films (both with real and digital content) that the new word mark sits atop. Some of the results are certainly interesting, some not so much, but I suppose that’s kind of what they were going for?

So far I’m not impressed (it was hard deciding if this one should go under ‘Spanking’ or not). As far as the aesthetic of the new site goes, simply allowing users to change the colour scheme and background image of their home page is a far cry from ground breaking. However, it will be interesting to see how it’s received and the result of any other new Aol. initiatives.

“What designers think of AOL’s new logo” – The Guardian

Dezeenwire: The Guardian’s digital content blog shows technology giant AOL’s new logo design and asks designers what they think of it – The Guardian