Polar Bear: Spy On The Ice

Clever camerawork captures endangered polar bears on their trek across the Arctic tundra
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Innovative wildlife filmmaker John Downer uses covert digital technology to bring human audiences astonishingly close to the most reclusive wild animals. With elephants and tigers as previous subjects, Downer’s latest offering is focused on the beautiful but endangered maritime species in Polar Bear: Spy On The Ice.

Downer employs three types of cameras to track the lives of two mother bears as they lead their clubs across Arctic Norway in search of seal hunting grounds for the den’s survival. Not letting any of the frozen conditions get in the way of filming, the three cameras each offered a unique way of capturing the bears. The Snow-cam, disguised as a lump of snow, was equipped with four-wheel drive and tundra wheels to get across land and ice. The Blizzard-cam is rigged with propellers, allowing it to reach speeds of 37 mph, while the Iceberg cam was thoroughly waterproofed to maneuver between sheets of ice and under water to capture the polar bears swimming under the ice.

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The cameras didn’t always blend into the Arctic’s barren environment though, and late last year an adult male polar bear smelled a ruse, discovered he was on candid camera, and destroyed more than $200,000 worth of equipment with his mighty paw. Fortunately secondary cameras caught the entire act, showing the bear’s impressive cunning and stupendous strength.

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As the Arctic ice recedes the show offers a glimpse into a disappearing world that scientists fear could be lost forever this century. The one-hour special has already aired on BBC but will premiere stateside this week on Discovery’s Animal Planet at 10pm (EST) Thursday, 10 March 2011.


Louviere + Vanessa

A visceral look at humanity in prints made from blood and wax
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A designer friend recently tipped us off about a husband-and-wife photography duo in New Orleans whose fine art creations blend state-of-the-art innovations with old world crafts by developing monochromatic film on Gampi—paper texturized with a mixture of wax and blood is just one example.

Grotesque? Hardly. Louviere + Vanessa’s images are visceral in a good way. The artists proclaim to harness the amoral eros and destructive nature of humanity that has supplanted animal instinct designed to ensure survival. But for all that their work’s starkness is marked by beauty—it’s not challenging insomuch as one wants to look deeper rather than feel an appreciative wince and move on.

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Some of their most recent offerings are up for sale at a New Orleans gallery with a nominally functional website. We look forward to more exhibitions in the future.

Take our reader survey and enter to win a CH Edition Jambox!


Caged Animals

Une série poignante par le photographe espagnol Oscar Ciutat avec ces clichés d’animaux enfermés, et retenus en captivité. Intitulé “Caged”, l’ensemble présente les regards et les yeux d’animaux tels que l’éléphant, le rhinocéros, le mouton ou l’âne. Plus d’images dans la suite.



elephant

wildgoat

donkey

guanaco

sheep

wapiti

deer

rhino

tapir

bis













Previously on Fubiz

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20 Designers at Biologiska

20 Designers at Biologiska

Stockholm 2011: 20 designers presented their work among stuffed animals and dried plants inside the vitrines of the Biologiska museum in Stockholm last week.

20 Designers at Biologiska

Visitors ascended double spiral staircases at the centre of the building, draped with clothing by Katrin Greiling and lighting by David Taylor, before arriving at a 360-degree two-storey diorama filled with taxidermy.

20 Designers at Biologiska

Designers including Fredrik Färg and Staffan Holm presented work on the circular landings and inside glass cases.

20 Designers at Biologiska

Further pieces were on display inside the diorama itself and in the museum’s ground floor hallways, including work by Mark Braun of Germany and Florian Hauswirth of Switzerland.

20 Designers at Biologiska

The exhibition, called 20 Designers at Biologiska, was curated by French designer Emma Marga Blanche and Dutch designer Fredrik Färg in collaboration with museum director Lars-Erik Larsson and Hanna Nova Beatrice of Plaza Magazine.

20 Designers at Biologiska

Stockholm Design Week took place 7-13 February. See all our coverage of the event here »

20 Designers at Biologiska

More animals on Dezeen »

20 Designers at Biologiska

The information that follows is from the curators:


INTERNATIONAL DESIGN IN THE SWEDISH NATURE.

WELCOME TO A MAGICAL & DIFFERENT DESIGN EXPERIENCE IN A FANTASTIC MUSEUM.

An exhibition that is about evolution, diversity, and universality, where contemporary design, art and light is housed in an unexpected context. A magical place of historical and emotional value that creates a dialogue between the stationary artificial scenery and the always variable design stage. Curated by Fredrik Färg, Emma Marga Blanche and Hanna Nova Beatrice.

20 Designers at Biologiska

The French-born designer Emma Marga Blanche visited ”Biologiska” Museum for the first time Christmas 2009. She was immediately mesmerized by the fantastic scenery. Even the inhabitants of Stockholm know more about the outside of the Museum than the magic inside, that revealed itself for Emma like a frozen treasure of nature from 1893. The idea of showing the location to others began to germinate.

20 Designers at Biologiska

In April 2010 Emma visited the site with Fredrik Färg and met Lars-Erik Larsson, the head of the museum, who vividly described the museum and its interesting history. The idea of a design exhibition within the premises was born and Fredrik who likes anything but white boxes as the backdrop for his work engaged himself.

20 Designers at Biologiska

In the autumn of 2010, it became clear that Lars-Erik of “Biologiska” and Hanna Nova Beatrice from Plaza Magazine together with Emma and Fredrik would create the event: ”20 designers at Biologiska” at Stockholm Design Week 2011.

20 Designers at Biologiska

It includes, as its name implies, 20 national and international designers from more than 15 countries. From the Netherlands to Italy, Sweden and Canada. Designers like Duilio Forte, Valantin Loellman, Cate & Nelson, Cooper & Gorfer as well as the curators themselves will have their contemporary design represented in the dioramas of Biologiska. Biologiska, which in principle is a daylight museum will be shown in new and exciting ways made possible by the main partners, lighting companies Cardi and Elektroskandia Belysning.

20 Designers at Biologiska

The “Biologiska museet” is situated at Djurgården and was built in 1893. The architecture is inspired by the medieval Norwegian stave churches.

20 Designers at Biologiska

The pioneering educational aspect of the museum was the use of the diorama for the first time on a grand scale in order to present the natural habitat. The perspective of the diorama unites foreground and background. The large, painted backgrounds are the work of Bruno Liljefors who is famous for his dramatic painting of birds and animals.

20 Designers at Biologiska

The vast diorama, which can be viewed from two levels, presents the different types of landscape from inland Sweden as well as from the coast.


See also:

.

Avifauna by Maarten Kolk
& Guus Kusters
Taxidermy artwork
by Idiots
Jewellery and objects
by Kelly McCallum

Animal Thrown Together

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Here's a fun little holiday card we did this year for Cartoon Network. Make your own at http://animalsthrowntogether.com/

Papillons Graphiques by Chris Waind

Papillons Graphiques by Chris Waind

New Zealand designer Chris Waind has created this set of decorative paper butterflies.

Papillons Graphiques by Chris Waind

Called Papillons Graphiques, the pieces are packaged in a metal tin that includes a set of pins so they can be displayed pinned to a board like a real butterflies would be in Victorian collections.

Papillons Graphiques by Chris Waind

Each piece is a digital print on watercolour paper to give a textured feel.

Papillons Graphiques by Chris Waind

Here’s more information from the designer:


The Graphic Butterfly Collection.

Nine species of graphic butterflies packaged in a brushed metal presentation tin and finished with a label band.

Papillons Graphiques by Chris Waind

The collection also comes with a set of pins.

Papillons Graphiques by Chris Waind

The dimensions of each butterfly measures around 3.5″ (90mm) high X 4.5″ (115mm) wide. The tin measures 3 3/4″ (95mm) long X 2 3/8″ (60mm) wide.

Papillons Graphiques by Chris Waind

Each specimen is a giclee print on 200gsm archive watercolour paper, for deep rich colour with a textured feel.

Papillons Graphiques by Chris Waind

This makes a beautiful gift for anyone looking for a slightly more humane butterfly collection.

Papillons Graphiques by Chris Waind


See also:

.

Butterfly table by
based upon
Cardon Copy by
Cardon Webb
The Hybrid Project by Readymade Projects,
Mogollon and Daniel Hakansson

Fossilisation machine results by Austin Houldsworth

Fossilisation machine results by Austin Houldsworth

These photos from British designer Austin Houldsworth show the results of his machine, featured in our earlier story, built to fossilise a partridge (above) and a pineapple.

Fossilisation machine results by Austin Houldsworth

The contraption, called 2 Million & 1 AD, was designed to pump water with a high mineral content through the items over several months in order to speed up their petrification.

Fossilisation machine results by Austin Houldsworth

The containers were opened to the public at the end of September to reveal that the process had begun but not quickly enough to be completed in a matter of months.

Fossilisation machine results by Austin Houldsworth

Houldsworth hopes to develop the project and eventually fossilise a human.

Fossilisation machine results by Austin Houldsworth

More information in our earlier story about the machine.

Fossilisation machine results by Austin Houldsworth

The following is from Houldsworth:


Follow Up – Fossilisation Machine commissioned for Tatton Park Biennial.
‘2 Million &1AD’

In the previous episode, Austin Houldsworth had installed a 3 tonnes and 4m-tall Fossilisation Machine in Tatton Park for the Tatton Park Biennial. Austin had designed and built a functioning prototype fossilization machine, which utilized the natural process of petrification to hopefully create a fossil from the decaying remains of a pineapple and partridge.

On the 26th of September the two containers housing the bird and fruit were opened to the public.

The results were as follows:

  • The partridge had been encased in an orange residue; Almost resembling rust in colour. This could of originated from the ‘cast iron’ pump casing used to circulate the water round the system – although the bird was still intact.
  • The Pineapple (which had been suspended in sand) had turned into very rich compost.
  • An interesting unexpected result was that the containers (which housed the organic objects) had deposits of calcium coating the aluminum surfaces.

The petrification process had started to work, but unfortunately too slowly to calcify the partridge within the short time frame. Unfortunately the mineral content of the water was still a little too low for the petrification process to occur quickly… adding large amounts of dry ice (carbon dioxide) helped raise the carbonic acid levels in the water – but still not high enough.

Austin has now upgraded the system to incorporate a pressurized water carbonizing vessel, which should speed the process up – he is currently looking for a new site to continue onto the second testing phase of the project. His ultimate aim is still the fossilization/petrification of a Homo sapiens sapiens.


See also:

.

More about
this project
Underground Souvenirs by
Maxim Velčovský for Mint
More stories about
animals

Chimera

Have a weird Christmas with a bird-legged ornament
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For a creepy Christmas, Conceptual artist Peter Eudenbach sculpted 100 of these pieces called “Chimera,” a sort of traditional Christmas ornament-with-legs. Eudenbach formed the globe itself from turquoise glass, attaching a set of cast pewter bird feet; the decoration is the perfect accessory for a darker holiday.

Released through Artware
and to be available online next month, each piece sells for $150, measures about 4″ tall and is signed and numbered by the artist.

Eudenbach is an assistant professor of sculpture
at Old Dominion University in Norfolk, Virginia. His installations have appeared around the world and are detailed on his personal site
.


Alex Randall Bespoke Lighting

Chandeliers made from meat hooks and rodent lamps from a London-based sculptor

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After graduating from Chelsea College of Art & Design with a sculpture degree, Alex Randall started making her wildly surreal one-off lamps in 2006—just a year later picking up Liberty’s Most Promising Newcomer award.

Earlier this year, the sculptress caught our eye with her squirrel lamp at NYC’s ICFF and more recently she took her work to Tent London as part of London’s Design Festival. Against a backdrop of light, natural wooden furniture, uplifting colour and excitable young designers, Randall’s beautifully provocative work stood out for its singular bleak, visceral and bloodthirsty vision.

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Perhaps a subtle reference to the prominence of rodents in London (supposedly you’re never further than three feet from the creatures), the Rat Swarm lamp is a thing of dark pleasure.
The On a Thread chandelier (pictured here, with its dangling, rusty saw blades, continues the macabre theme. Made from a couple of wooden legs—the light shines out from within its hollows— Patience, like all Randall’s work, dislocates her subject matter context.

Where past seasons have seen many designers referencing the antler as a motif, most choose to beautify the object—removing the Antler from the action of death. Unsurprisingly, Randall moves the opposite way, hanging hers from a series of meaty hooks for an effect that’s still beautiful but more sympathetic to the lineage of item.

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Young, intelligent and not afraid to combine the beautiful and the shocking, Randall is a truly wonderful addition to the industry.


It Is Right To Draw Their Fur: Animal Renderings

Dave Eggers’ clever new book of drawings

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Dave Eggers, author and founder of the indie publishing house McSweeney’s recently unveiled yet another creative talent: the knack for drawing. His oversized “It Is Right to Draw Their Fur: Animal Renderings” arrives in McSweeney’s book release club members’ mailboxes this week and his first collection of drawings.

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Packaged in a delightful cardboard portfolio, it consists of 26 posters on heavy and regular stock in three sizes of animals Eggers drew with China marker in the late hours of the evening at the end of 2009 into this year. Most are accompanied by nonsensical sayings as imagined by him, an attempt to put words to the animals’ staid-to-confused expressions.

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Eggers explains in the enclosed booklet that his drawing background stretches back to his childhood days, when he aspired to become a painter after his hero Manet. He later made extra money through his illustrations. The pictures he’s drawn of animals are simplistic, but the detail lies in the fur. Strokes upon strokes create a coat that you can almost feel with your eyes.

For non-subscribers, “It Is Right to Draw Their Fur’s” official release date is 1 October 2010, but it’s already available from McSweeney’s online store or from Amazon.