Profile House by BLOXAS

A wooden wall with the silhouette of three little buildings lines the edge of this house extension in Melbourne by Australian architecture studio BLOXAS (+ slideshow).

Profile House by BLOXAS

Profile House is located within the industrial district of Brunswick East, so BLOXAS designed a new facade that would reference the surrounding brick and corrugated iron warehouses, as well as the timber-clad exterior of the original building.

Profile House by BLOXAS

The front entrance to the house remains in its previous location on the northern elevation, while the new rough-sawn ash facade grows out of a boundary fence on the western perimeter and stretches out along the length of the site.

Profile House by BLOXAS

The extension doubles the size of the single-storey house. The architects retained three front rooms and one small bathroom, then increased the size of the kitchen and dining room and added a new children’s playroom, living room and en suite bedroom beyond.

Profile House by BLOXAS

The zigzagging profile of the building gives angled ceilings to each of the new spaces and brings daylight in through high-level windows and rooflights.

Profile House by BLOXAS

“The defining character of each internal space is the high undulating ceilings,” says BLOXAS director Anthony Clarke. “These, assisted by a central wharf-decking courtyard and smaller lightwell to the west, allow natural light to penetrate throughout the entire plan.”

Profile House by BLOXAS

The long narrow lightwell sits behind the western elevation, while the split-level courtyard is tucked into a recess on the east side of the building so that both the dining room and living room can open out to it.

Profile House by BLOXAS

Most of the new rooms feature bamboo flooring, apart from the living room that has a polished concrete ground surface.

Profile House by BLOXAS

Clarke established BLOXAS, short for Black Line One X Architecture Studio, in 2009 and the studio is based in Fitzroy North, Victoria. See more Australian architecture on Dezeen.

Profile House by BLOXAS

Photography is by Peter Bennetts.

Profile House by BLOXAS

Here’s a project description from BLOXAS:


Profile House

The Profile House offers an evocative tribute to the defined industrial typology of Brunswick East, in Melbourne’s inner north. Simple planning creates clean, elegant and sculptural internal living spaces.

Profile House by BLOXAS

Seeking an addition to their typically dark Californian Bungalow, the clients emphasised the sustainable performance of their future home. Accordingly, they described a space with a feeling of openness, lightness, and visual continuity, connecting their home and landscape.

Profile House by BLOXAS

These values were reinforced by their professions, one specialising in environmental site characterisation and remediation, and the other practicing alternative medicine.

Profile House by BLOXAS

Located in a semi-industrial zone, the site offers visual proximity to the area’s brick and corrugated iron warehouses. Some warehouses and factories are still operational, whilst many lie dormant and in disrepair, ripe for either their imminent demise or redevelopment into multi-storey apartment blocks.

Profile House by BLOXAS

A strong internal vertical profile extrudes to form the western elevation. Clad with rough-sawn overlapping Victorian Ash timber, this distinct contour continues along the western boundary as the defining architectural expression of the Profile House, whilst delivering on the brief of a secure building.

Profile House by BLOXAS

The defining character of each internal space is the high undulating ceilings, these, assisted by a central wharf-decking courtyard and smaller light-well to the west, allow natural light to penetrate throughout the entire plan.

Profile House by BLOXAS

In addition to the retention of three front rooms and central bathroom, the plan now features a re-worked kitchen and dining area, an informal children’s area, and new living space. A new main bedroom, ensuite and private garden are also incorporated. The overall design strengthens family engagement and visual communication, reinforcing the relationships between space and activity.

Profile House by BLOXAS
Floor plan – click for larger image

In addition to dependable design strategies such as careful plan orientation and cross ventilation, solar hot water and water harvesting systems were also included, as well as the use of north facing thermal mass in the main living space. Natural material choices and finishes of low embodied energy including: un-seasoned, un-milled Victorian ash timber, and bamboo flooring through-out the addition adhered to the client’s environmental stipulations.

 

Profile House by BLOXAS
Cross section one – click for larger image

A refreshing change from housing that simply maximises developer returns, neighbours have responded appreciatively to the low scale design, whilst maintaining the area’s built integrity. In a subtle move the project further softens the corner, with the use of the timber in the boundary wall, juxtaposing against the materials of the factories.

Profile House by BLOXAS
Cross section two – click for larger image

This compact, economical and highly livable outcome was a result of inclusive dialogue between all consultants, the builder, architect and in particular the client.

Profile House by BLOXAS
Cross section three – click for larger image

Architect: Black Line One X Architecture Studio.
Location: Brunswick East, Melbourne, Australia.
Builder: Genjusho
Project year: 2012
Areas: Site = 371sq.m, Existing house area = 87sq.m, Additional area = 83sq.m
Furniture: ‘Earl Pinto’ and Ross Gardam

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Home 09 by i29

Dutch interiors studio i29 has added plywood walls, furniture and surfaces to every room inside this house in North Holland (+ slideshow).

Home 09 by i29

Located near the Kennemer dunes on the west coast, Villa Bloemendaal is a two-storey residence completed by Dutch firm Paul de Ruiter Architects in 2011. i29‘s role was to detail the interiors of each room, using a minimal approach and simple materials.

Home 09 by i29

The designers used plywood throughout the house to unite each of the different spaces. In the living room, the material was used to construct a fireplace, while plywood bookshelves line the walls of the kitchen and dining room, and plywood cabinets, wardrobes and beds can be found in the bedrooms.

Home 09 by i29

Jeroen Dellensen of i29 told Dezeen: “The villa has large expanses of glass, which results in lots of light and gives the inhabitants the feeling that the villa and the surrounding landscape are one. To bring nature inside even more, we decided to use a natural material on walls, cabinets and sliding doors.”

Home 09 by i29

To complement the natural finish of the wood, the architects added black and white furniture and light fittings.

Home 09 by i29

“A monochrome colour palette is something we use often in our work, in order to give selected interior elements more character,” added Dellensen.

Home 09 by i29

House 09 follow a sequence of numerically titled residential interiors by i29. Others include Home 06, which featured a wall of plants, and Home 08, where appliances are hidden inside timber cabinets. See more interiors by i29.

Home 09 by i29

Other recently completed houses in the Netherlands include a renovated townhouse in The Hague and a thatched residence in Zoetermeer. See more Dutch houses on Dezeen.

Home 09 by i29

Photography is by the architects.

Home 09 by i29

Here’s some more information from i29:


Close to Bloemendaal, on the edge of the Kennemer dunes, the site of Villa Bloemendaal is situated. A sustainable home that follows a minimalistic design and shows respect for man and nature alike, in a unique residential area where the existing flora and fauna are given full rein.

Home 09 by i29

i29 interior architects worked on the interior of a villa which was designed by Paul de Ruiter architects. A minimal approach to the materialisation and detailing of the building is a core value of both the interior and exterior design. The large expanses of glass and the patio result in maximum daylighting and give the inhabitants the feeling that the villa and the surrounding landscape are one.

Home 09 by i29

In order to bring nature inside even more, all of the interior functions in the house are made from natural materials. i29 interior architects created large surfaces of wood through the whole house to connect the different areas. Cabinets, wardrobes, walls, sliding doors, beds and even a fireplace have been made in one and the same material. Pine wood panels – normally a basic material – has been used as a high end finishing with fine details.

Home 09 by i29

Client: Private
Location: Bloemendaal NL
Floor area: 489 sqm

Home 09 by i29

Architect: Paul de Ruiter architects
Interior architect: i29 interior architects
Contractor: Scholz Groep – IJmuiden
Cabinet maker: Kastwerk
Materials: pine wood panelling, steel, concrete floor, glass walls, linoleum, painted wood

Home 09 by i29
Ground floor plan – click for larger image
Home 09 by i29
First floor plan – click for larger image

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Massimiliano and Doriana Fuksas to redesign central railway area of Bari, Italy

Fuksas to redesign central railway area of Bari, Italy

News: Italian architects Massimiliano and Doriana Fuksas have won a competition to transform the central railway area of Bari, a city in southern Italy, with a proposal to build a three-kilometre-long elevated park over the track.

The winning design, a collaboration between Fuksas and architect Jordi Henrich I Monràs, stretches over an area of 78 hectares and is centred around a large park that will pass over the railway and offer promenade views over the city and the sea.

Fuksas to redesign central railway area of Bari, Italy

The project will also provide Bari with a new cultural centre spread across the former Rossani barracks. Existing buildings will be restored and turned into a public library, an exhibition space, municipal offices and workshops for artists, actors and academics.

A new elliptical building with a wood facade will house a 1000-capacity auditorium adaptable to concerts, theatre performances, film screenings and exhibitions, while underground parking will be provided on the northern edge of the park near the railway station.

Fuksas to redesign central railway area of Bari, Italy

In the south-west corner of the park, alongside Bari’s existing Auditorium Nino Rota, the architects propose to enlarge the city’s music conservatory with a new auditorium and teaching rooms as well as an area for outdoor concerts.

Last month the Fuksas duo won a competition for the Moscow Polytechnic Museum and Educational Centre with a design consisting of four copper-clad elements, while in January they completed a new building for the National Archives of France – see all architecture by Massimiliano and Doriana Fuksas.

Fuksas to redesign central railway area of Bari, Italy

In 2011, a two-and-a-half mile-long elevated park called The High Line opened on abandoned railway along 22 blocks of downtown Manhattan, while last year Danish architects BIG completed a project to place a 750-metre-long carpet of grass and rubber through Copenhagen – see all parks and gardens.

Here’s some more information from the architects:


International competition for the “Baricentrale railway area”, Italy, won by Massimiliano and Doriana Fuksas + Jordi Henrich I Monràs

Massimiliano and Doriana Fuksas along with Jordi Henrich I Monràs have won the international competition for the design of the railway area “Baricentrale”.

The international competition launched by the Municipality of Bari, aimed to promote the transformation of the city, using the reorganisation of the railway area which has long acted as a rift that cuts through the city, as the starting point for its transformation. The site of the project stretches over an area of 78 hectares which is divided into 7 segments.

The decision of the jury in choosing the winning design team came about on the basis of the following main reasons: the ability to fully respond with consistency and quality to the primal need of the city, that of reconnecting the two “sides” of the railway area which have been split apart for so long; the integration of buildings situated on the two sides, through the realisation of a large elevated park; the introduction of an increase of the current building density, balanced and well distributed between the different compartments; the proposal having a high level of environmental sustainability as its main characteristic.

Fuksas to redesign central railway area of Bari, Italy
Section – click for larger image

The project signed by Studio Fuksas desires to solve the issue of the fracture of the city of Bari in a radical way through the design of a large city park with promenade views of the city and the sea, which acts as the connective tissue of the entire project. Without burying the rail track, the project aims at the rebirth of a strongly degraded area and pass through a large elevated park, 3 km long with an east-west bike path. A big lung which will double the amount of green for inhabitants, from the current 2.7 m to 5.1 m ab / ab.

The sub-sector of the barrack Rossani, composed of 5 buildings has been assigned an important role. It will become the cultural centre of the city of Bari with spaces for social gatherings in a green area. Existing buildings will be restored without altering the architectural shape. Their function will be related to culture and arts. The building positioned at the center of the park (1400 square meters) will host the municipal offices. The building D will host workshops for artists and fellows of the Academy of Fine Arts in Bari; the building E (2930 sqm) will become the city’s public library with specialized sections devoted to the visual arts, theater, music and architecture, the building F (2,184 sqm) is transformed into a huge exhibition space for temporary exhibitions and will support the educational activities of the Academy of Fine Arts. The building H (2890 square meters) will host residencies for artists, actors, contract professors, scholars and students of the academy linked to European programs of cultural exchange. The ground floor will also house a café open to the public and immersed in the park. It will include the construction of an underground parking with 800 seats, located in the northern edge of the Park Rossani near the new Central Station.

Fuksas to redesign central railway area of Bari, Italy
Section – click for larger image

At the centre of the regular structure of the barrack will arise the auditorium / performance centre with a capacity of about 1,000 seats. The architectural shape of the elliptical performance center generates a volume from soft geometries that deliberately contrasts with the rigidity of existing buildings. A multi-purpose building that can accommodate a variety of events and activities such as concerts, theater, conferences, exhibitions and film screenings. Common areas, the cafeteria and the foyer are fully glazed in order to create a relationship of continuity between inside and outside. The wood will be the outer skin of the structure of the facade of the building in order to be in harmony with the park and vegetation.

The city of music will be built at the south-west of the park. The function is already defined by the presence of the Auditorium Nino Rota. The existing structure also plays a supporting role at the Conservatory Niccolo Piccinni. The project proposes to shape a genuine city of music providing for the enlargement of about 2000 square meters of the conservatory with a new building that will house a 400-seat auditorium and music school. Furthermore it is also planned to build an area for outdoor concerts with 400 seats. The park of music because of the new structure planned by the master plan is easily accessible from the city centre.

Fuksas to redesign central railway area of Bari, Italy
Section – click for larger image

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4StrikeBike by TSG Essempio

A bicycle that can be pedalled with hands and feet at the same time has been developed by Dutch studio TSG Essempio.

4StrikeBike by TSG Essempio

Pedals replacing the handlebars allow the 4StrikeBike to be cycled with the hands and steered simultaneously.

4StrikeBike by TSG Essempio

These pedals click into a fixed upright position so the bike can also be used normally.

4StrikeBike by TSG Essempio

“The 4StrikeBike has adjustable peddling handlebars and can be used as an ordinary city bike in traffic as well as a touring bike for longer distances at higher speeds,” Jan Willem Zuyderduyn of TSG Essempio told Dezeen.

4StrikeBike by TSG Essempio

A chain runs up one side of the frame between the hand pedals and the standard mechanism linking the foot pedals to the back wheel.

4StrikeBike by TSG Essempio

The crankshaft has a special freewheel system that allows the bike to be cycled with both the upper and lower body, or just the legs while getting on and off.

4StrikeBike by TSG Essempio

Retired Dutch surgeon Lex van Stekelenburg came up with the idea for the bike after developing back problems, following years of performing lengthy operations while standing with a hunched posture.

4StrikeBike by TSG Essempio

Van Stekelenburg took the concept to TSG Essempio, who developed his proposal and prototypes further.

We’ve featured a number of unusual bicycles, including one made from see-through plastic and another constructed out of cardboardSee more cycling design »

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Herzog & de Meuron wins second competition for National Library of Israel

Herzog & de Meuron

News: Herzog & de Meuron has been chosen to design the new National Library of Israel in Jerusalem after the initial competition winner was dismissed over a copyright dispute.

The Swiss firm won out against international architects Frank Gehry and Renzo Piano along with three Israeli architects – Kolker Kolker Epstein, Kimmel Eshkolot and Dina Amar and Avraham Korial.

Entrants to the relaunched competition were not asked to submit detailed plans for the building but instead underwent an interview with the competition jury. No images of the winning project are available yet.

Herzog & de Meuron’s appointment comes just four months after Israeli architect Rafi Segal was ousted from the job when one of his former colleagues at the Harvard School of Design challenged his ownership of the winning design.

Bing Wang said she and her company, HyperBina, had worked on Segal’s entry and should have been credited for their role when the announcement of the winner was made in September 2012.

Segal, who has has launched a legal challenge against the project backers’ decision in the the hope of being reinstated, said he had intended to name the full design team as soon as he had permission to publicise his win. A Jerusalem court is due to consider Segal’s claim on 8 May.

Construction recently started on two Herzog & de Meuron-designed projects in Europe – a football stadium in Bordeaux, France, and an outdoor bathing lake in Riehen, Switzerland. See all architecture by Herzog & de Meuron.

Other libraries we’ve reported on lately include Snøhetta’s completed a library at North Carolina State University featuring a robotic book retrieval system and a 3D printing workshop, while a library dedicated to design has recently opened in Seoul, South Korea. See all libraries.

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Harpa Concert Hall in Reykjavik wins Mies van der Rohe Award 2013

Harpa Concert and Conference Centre by Henning Larsen Architects Batteriid Architects and Olafur Eliasson

News: Harpa Concert Hall and Conference Centre in Reykjavik, Iceland, by Henning Larsen Architects and artist Olafur Eliasson has won this year’s European Union Prize for Contemporary Architecture, the Mies van der Rohe Award.

The crystalline Harpa Concert Hall and Conference Centre by Henning Larsen Architects and Olafur Eliasson with local practice Batteríið Architects beat four other projects on the Mies van der Rohe Award 2013 shortlist to scoop the €60,000 prize.

The Emerging Architect Special Mention award was given to María Langarita and Víctor Navarro for the Red Bull Music Academy, where they took over a warehouse and filled it with makeshift huts, providing individual studios for 60 musicians alongside a lecture hall, recording studio and staff offices.

The award ceremony will take place on 6 June at the Mies van der Rohe Pavilion in Barcelona, Spain.

Opened to the public on 4 May 2011, the Harpa Concert Hall is clad in panes of clear and colour-coated glass on a faceted steel framework, scattering glittering reflections of the surrounding harbour and sky. Read more and and check out a full set of images of the Harpa Concert Hall in our earlier story.

The biennial Mies van der Rohe Award is the most prestigious accolade in European architecture and is awarded to the best building completed in the last two years by a European architect.

The four other projects on this year’s shortlist were the Superkilen park by BIG in Denmark, Metropol Parasol by J. Mayer H. in Spain, a retirement home by Aires Mateus Arquitectos in Portugal and a Market Hall by Robbrecht en Daem architecten and Marie-José Van Hee architecten in Belgium. See all the projects shortlisted for the Mies van der Rohe award 2013.

Previous winners include David Chipperfield for the Neues Museum in Berlin in 2011 and Snøhetta for the Norwegian Opera & Ballet in Oslo in 2009. See all our stories about the Mies van der Rohe Award.

The prize is organised by the European Commission and the Mies van der Rohe Foundation, which was established in 1983 with the initial purpose of reconstructing the iconic pavilion designed by Modernist architect Ludwig Mies van der Rohe for the 1929 Barcelona International Exhibition, and now organises exhibitions and events promoting the study of Modern architecture and Mies van der Rohe’s work.

This year’s winning firm was founded in Denmark in 1959 by its namesake Henning Larsen, who last year was among the five laureates of the Praemium Imperiale arts prize awarded by the Japan Art Association. Henning Larsen Architects’ recent projects include plans for a Danish headquarters for software giant Microsoft and a proposed complex of public and leisure buildings in Trondheim, Norway.

Danish-Icelandic artist Olafur Eliasson has worked on several other architectural projects throughout his career, including a fort-like headquarters for a Danish investment company and a temporary pavilion outside London’s Serpentine Gallery, which he designed with architect Kjetil Thorsen of Snøhetta in 2007.

More about the Mies van der Rohe Award »
More about architecture by Henning Larsen »
More about Olafur Eliasson »

Here’s some more information from the Mies van der Rohe Foundation:


Harpa wins the European Union Prize for Contemporary Architecture – Mies van der Rohe Award 2013

Harpa, the Reykjavik Concert Hall and Conference Centre in Iceland, is the winner of the 2013 European Union Prize for Contemporary Architecture – Mies van der Rohe Award, the European Commission and the Mies van der Rohe Foundation announced today. Designed by Henning Larsen Architects, Batteríið Architects and Studio Olafur Eliasson, the building has helped to transform and revitalise Reykjavik harbour and brought the city and harbour district closer together. The ‘Emerging Architect Special Mention’ award goes to María Langarita and Víctor Navarro for the Nave de Música Matadero (Red Bull Music Academy) in Madrid, Spain. The award ceremony will take place on 7 June at the Mies van der Rohe Pavilion in Barcelona, coinciding with the celebration of the 25th anniversary of the prize.

“Architecture is one of the most visible expressions of our contemporary culture. My warmest congratulations go to this year’s winners – indeed, to all of those who made the final shortlist. They have created buildings which are not only of the highest aesthetic and technical quality, but also places which touch our emotions and bring people together. I would also like to thank the Mies van der Rohe Foundation for their excellent collaboration in helping to bring the best of contemporary European architecture to worldwide attention,” said Androulla Vassiliou, European Commissioner for Education, Culture, Multilingualism and Youth.

Harpa’s crystalline structure was inspired by Icelandic landscapes and traditions. Its dramatic design captures and reflects the light of the city, ocean and sky to thrilling effect.

Peer Teglgaard Jeppesen, from Henning Larsen Architects said: “On behalf of the team I would like to thank the European Commission and the Fundació Mies van der Rohe for this award. We are immensely honoured. Harpa is the result of collaborative process that has involved many people and with their efforts, strong commitment and drive Harpa has become a symbol of Iceland’s renewed dynamism.”

Wiel Arets, Chair of the Jury, said: “Harpa has captured the myth of a nation – Iceland – that has consciously acted in favour of a hybrid-cultural building during the middle of the ongoing Great Recession. The iconic and transparent porous ‘quasi brick’ appears as an ever-changing play of coloured light, promoting a dialogue between the city of Reykjavik and the building’s interior life. By giving an identity to a society long known for its sagas, through an interdisciplinary collaboration between Henning Larsen Architects and artist Olafur Eliasson, this project is an important message to the world and to the Icelandic people, fulfilling their long expected dream.”

The Nave de Música Matadero Madrid (Red Bull Music Academy) was built in only two months to host a nomadic annual music festival in an early 20th-century industrial warehouse complex in Madrid. It responded to the technical and acoustic needs of the event, while promoting and enriching artistic encounters between the participating musicians.

Antoni Vives, President of the Mies van der Rohe Foundation, said: “It has been an honour for the city of Barcelona and the Mies van der Rohe Foundation to grant this Prize with the European Commission for the last 25 years: a quarter of a century of the best European architecture. I would like to congratulate the winners of this 13th edition and I would like encourage architects to continue to play their role as catalysts for transforming cities.”

The winners were chosen from 335 submitted works in 37 European countries. Five works were shortlisted for the main award. The other finalists were: Market Hall (Ghent, Belgium by Robbrecht en Daem architecten; Marie-José Van Hee architecten); Superkilen (Copenhagen, Denmark by BIG Bjarke Ingels Group; Topotek1; Superflex); Home for Elderly People (Alcácer do Sal, Portugal by Aires Mateus Arquitectos) and Metropol Parasol (Seville, Spain by J. Mayer H).

The jury members who selected the finalists for 2013 are: Wiel Arets, Chair of the Jury, Principal, Wiel Arets Architects, Maastricht/Dean, College of Architecture, IIT, Chicago; Pedro Gadanho, Curator, Contemporary Architecture, Museum of Modern Art (MoMA), New York; Antón García-Abril, Principal, Ensamble Studio; Louisa Hutton, Principal, Sauerbruch Hutton Architects, Berlin; Kent Martinussen, CEO, The Danske Arkitekter Center (DAC), Copenhagen; Frédéric Migayrou, Director, Architecture & Design, Centre Pompidou, Paris; Ewa Porebska, Editor-in-Chief, Architektura-murator, Warsaw; Giovanna Carnevali, Secretary of the Jury, Director, Fundació Mies van der Rohe, Barcelona.

About the Mies van der Rohe Award

The architecture sector is at the heart of Europe’s vibrant cultural and creative industries. It directly employs more than half a million people, as well as more than 12 million in the construction sector. Architecture is part of the cultural and creative sectors, which contribute 4.5% to the EU’s GDP.

The European Union Prize for Contemporary Architecture – Mies van der Rohe Award highlights the contribution of European architects to the development of new ideas and technologies in contemporary urban development. Launched in 1987 and co-funded by the EU Culture Programme and the Fundació Mies van der Rohe, the prize is the most prestigious in European architecture. It is awarded every other year to works completed within the previous two years. The winner receives €60 000. This year’s ceremony is the 13th to take place since its launch.

Works nominated for the Prize are put forward by independent experts from all over Europe, as well as by the member associations of the Architects’ Council of Europe, national architects’ associations, and the Advisory Committee for the Prize.

The Prize is named after Ludwig Mies van der Rohe, who is regarded as one of the pioneers of 20th century modern architecture. His most celebrated works include the German Pavilion at the 1929 Barcelona Exhibition, Villa Tugendhat in Brno, Czech Republic, the Seagram Building in New York and the National Gallery in Berlin.

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Teso table by Foster + Partners for Molteni&C

Teso table by Foster + Partners for Molteni&C

Milan 2013: Foster + Partners has designed a coffee table made by stretching a perforated disk of steel upwards to form a metal-mesh base.

Teso table by Foster + Partners for Molteni&C

The Teso table by Foster + Partners for Molteni&C is pressed and twisted into a tapered cylinder by a robotic arm.

A circular transparent glass top allows the structure to be seen from any angle. It’s available in a brushed stainless-steel, brushed brass or bronze-painted finish.

Teso table by Foster + Partners for Molteni&C

This is the architecture firm’s second table for Molteni&C, following its Arc table with a base made of cement and organic fibres in 2009.

Teso was presented at the Salone Internazionale del Mobile in Milan earlier this month.

See all our stories about tables »
See all our stories about Foster + Partners »
See all our stories about Molteni&C »

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Asterisk by SAKO Architects

This asterisk-shaped restaurant and winery at the centre of a lake near Beijing is our second story in the last week about Chinese studio SAKO Architects (+ slideshow).

Asterisk by SAKO Architects

The timber-clad building was designed by SAKO Architects with different functions in each of its five wings, while a wine cellar occupies the basement.

Asterisk by SAKO Architects

An entranceway cuts through the first of the five wings. A lobby is located beyond and leads into a central hall with a circular skylight overhead.

Asterisk by SAKO Architects

A wine showroom and bar are contained in the second wing, while the third contains the dining room of the restaurant. Both of these spaces open out to rectangular terraces, plus one of them projects out across the surface of the lake.

Asterisk by SAKO Architects

The fourth wing contains a series of private function rooms, divided by brick walls with gaps to let the light through, and the final wing contains the kitchen and staff facilities.

Asterisk by SAKO Architects

Our other recent story about SAKO Architects featured a doughnut-shaped kindergarten with brightly coloured details.

Asterisk by SAKO Architects

See more architecture in China, including a museum of wooden sculptures and an art gallery in Beijing with curvy courtyards.

Asterisk by SAKO Architects

Photography is by Ruijing Photo.

Asterisk by SAKO Architects

Here’s some more information from SAKO Architects:


Asterisk in Beijing

The project is a building which on a floating island in the lake, with an area of 2,000 sqm. Including ground floor and basement. Wine showroom, restaurant and underground winery are included.

Asterisk by SAKO Architects

The space separated by five different functional blocks, and setup as one integral building which is direction relative and continuity connected with the central multifunction space.

Asterisk by SAKO Architects

The respective functions are connected through a space, the large openings in the exterior wall, form the interior and outdoor overall sense. There are five different functional plazas between each block, wedding or wine exhibition and other activities can be held here.

Asterisk by SAKO Architects

Project Name: ASTERISK in Beijing
Project Location: Beijing, China
Project Type: Architecture

Asterisk by SAKO Architects

Architect/s: Keiichiro SAKO, Shuhei AOYAMA, Ariyo MOGAMI, Touru IWASA/ SAKO Architects
Lighting Design: Masahide Kakudate Lighting Architect & Associates
Client: Beijing Sheng Lu International Zhuang Park Hotel Management Ltd.

Asterisk by SAKO Architects

Element: Winery, Restaurant
Size: Site area: 4,800m2
Building area: 2,000m2
Design Period: 2010/05 – 2011/04
Construction Period: 2010/10 – 2012/11

Asterisk by SAKO Architects
Floor plan – click for larger image
Asterisk by SAKO Architects
Cross section – click for larger image

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Penleigh and Essendon Grammar School Senior by McBride Charles Ryan

Arched openings bring students past shimmering tiled buildings and into landscaped courtyards at this grammar school near Melbourne by Australian architects McBride Charles Ryan (slideshow).

Penleigh and Essendon Grammar School Senior by McBride Charles Ryan
Photograph by Peter Bennetts

Completed at the end of 2012, Penleigh and Essendon Grammar School (PEGS) Senior is the second building designed by McBride Charles Ryan for the school, following a boys junior school shaped like the silhouette of three overlapping houses.

Penleigh and Essendon Grammar School Senior by McBride Charles Ryan
Photograph by Peter Bennetts

For PEGS Senior, the architects devised a figure-of-eight plan with a sequence of classrooms around the edges, a library at the centre and two courtyards within the voids. This layout allows every route to lead back to the library and also creates outdoor spaces that are protected from strong winds.

Penleigh and Essendon Grammar School Senior by McBride Charles Ryan

“The project is based on an infinity symbol, a shape that allows the facility to be structured around two protected courtyards,” explain the architects. “The building is an embodiment of the journey of education and the crossover between disciplines.”

Penleigh and Essendon Grammar School Senior by McBride Charles Ryan

Swathes of colour streak across the walls, floors and ceilings of rooms in both wings as part of a colour strategy to help students to differentiate between each department.

Penleigh and Essendon Grammar School Senior by McBride Charles Ryan
Photograph by Peter Bennetts

Glazed ceramic tiles in bands of grey and black give the school its shimmering outer skin, while the same shades are repeated across the cladding panels of the courtyard elevations. Some details are picked out in timber, including the underside of arches and louvred window screens.

Penleigh and Essendon Grammar School Senior by McBride Charles Ryan

The two separate courtyards contain a mixture of grassy mounds, hard landscaping, rock gardens, trees and curvy benches.

Penleigh and Essendon Grammar School Senior by McBride Charles Ryan
Photograph by Peter Bennetts

“This variety of spaces and volumes [is] not dissimilar to a walled citadel with its gardens and ceremonial arches,” add the architects.

Penleigh and Essendon Grammar School Senior by McBride Charles Ryan

McBride Charles Ryan completed its first building for PEGS in 2011. Other projects by the firm include Klein Bottle House, a residence with origami-like facets and folds.

Penleigh and Essendon Grammar School Senior by McBride Charles Ryan

See more schools on Dezeen, including a stark concrete secondary school in Portugal and a gabled extension to a boarding school in England.

Penleigh and Essendon Grammar School Senior by McBride Charles Ryan

Photography is by John Gollings, apart from where otherwise indicated.

Penleigh and Essendon Grammar School Senior by McBride Charles Ryan

Here’s some more information from McBride Charles Ryan:


The Infinity Centre, Keilor East

The Infinity Centre, the new campus for Penleigh and Essendon Grammar School senior students, is derived from the initial idea that the library, a learning hub, is central to the school. We also wanted a building that offered protection from a windswept site and signified the merging of two schools.

Penleigh and Essendon Grammar School Senior by McBride Charles Ryan

Radiating out from the library, along the length of the form, are specialist precincts and a variety of learning spaces. Each wing then returns to link up, forming cloisters and the resulting plan of an infinity symbol. Being structured around two protected courtyards has enhanced the learning space’s access to light, ventilation and view.

Penleigh and Essendon Grammar School Senior by McBride Charles Ryan

Each wing has its own qualities, different from each other and yet seamlessly connected to the next. In this way the building acts as an embodiment of the journey of education, with less distinction of any prescribed boundaries between disciplines. The colour strategy reinforces the identity of the academic disciplines, universally enhanced by the richness of natural materials, such as locally recycled timber. Planning allows the building’s circulation to constantly return to the library at its heart, and in this way is physically and experientially in parallel with the educational ethos of the school.

Penleigh and Essendon Grammar School Senior by McBride Charles Ryan

This variety of spaces and volumes, not dissimilar to a walled citadel with its gardens and ceremonial arches, are encased within a unifying skin. The outer wall of the building is clad with glazed bricks, a material that offers protection, beauty, gravitas, and imbues the impressive form with a sense of permanence. The banded brickwork pattern aids in reading the shape of the building, adding complexity and delight as the sun catches the silver through the day.

Penleigh and Essendon Grammar School Senior by McBride Charles Ryan
Photograph by Peter Bennetts

Project team: Rob McBride, Debbie Ryan, Andrew Hayne, Drew Williamson, Qianyi Lim, Peter Ryan, Stephan Bekhor, Anthony Parker, Amelia Borg, Natasha Maben, Benedikt Josef, Alan Ting, Luke Waldron, Jacqui Robbins, Daniel Griffin, Seung Hyuk Choi, Angela Woda
Area: 8000 m2

Penleigh and Essendon Grammar School Senior by McBride Charles Ryan
Photograph by Peter Bennetts

The post Penleigh and Essendon Grammar School
Senior by McBride Charles Ryan
appeared first on Dezeen.

Blockhouse by AZL Architects

Walls appear to be peeling back from the facade of this house by Chinese office AZL Architects, one of 24 architect-designed buildings underway in a forest near Nanjing, China.

Blockhouse by AZL Architects

The house forms part of the Chinese International Practical Exhibition of Architecture (CIPEA) programme, which was first conceived back in 2003 as a showcase of modern architecture featuring 11 buildings by Chinese studios and 13 more by architects from abroad. A total of 20 houses are planned for the site in Laoshan National Forest Park, as well as an art museum by Steven Holl, a conference centre by Arata Isozaki, a hotel by Liu Jiakun and a leisure centre by the late Ettore Sottsass.

Blockhouse by AZL Architects

For his contribution, Zhang Lei of AZL Architects designed a four-storey house with layered concrete walls, intended to resemble the curling forms of traditional Chinese scrolls. Each opening provides a wide aperture, framing views of the surrounding woodland from balconies that wrap the perimeter.

Blockhouse by AZL Architects

“The concept of Blockhouse is almost the living attitude of many Chinese; a minimal opening to the surrounding landscape is the only perforation of the richness inside the house,” say the architects.

Blockhouse by AZL Architects

Rooms are contained within a glass volume at the centre of the structure. A living and dining room occupies the ground floor, while the five bedrooms required by the brief are located upstairs along with bathrooms and a study.

Blockhouse by AZL Architects

A staircase leads up to the roof, where a wooden terrace and swimming pool sit just above the treetops.

Blockhouse by AZL Architects

Blockhouse is part of the first batch of completed CIPEA houses. Although each one is designed as a functioning home, none of the houses will be lived in and will instead serve as an extension of Holl’s Nanjing Sifang Art Museum, scheduled to open later this year.

Blockhouse by AZL Architects

See more stories about architecture in China, including a kindergarten in Tianjin and a museum for wooden sculptures in Harbin.

Blockhouse by AZL Architects

Photography is by Yao Li.

Blockhouse by AZL Architects

Here’s a little more information from AZL Architects


CIPEA No.4 House / AZL architects

Situated in Laoshan Forest to the west of central Nanjing city, China International Practical Exhibition of Architecture (CIPEA) began in 2003 to bring twenty-four renowned international & domestic architects together onto one site. CIPEA consist of four public buildings and twenty small houses, in accordance with the brief, the houses should have at least five bedrooms, public spaces and hospitality accommodations on 500 square meters.

Blockhouse by AZL Architects

The Number Four “Blockhouse” sits on a particularly valley site, nestling the house into the landscape. In the spirit of a pagoda, four cubic floors are stacked vertically, allowing for minimal site excavation and land use. The ground floor features living and dining spaces quietly enveloped in the surrounding forest and overlooking a stream, and a communal roof terrace rises to just above the trees. The roof merges into the landscape as another living space, complete with pool and wooden deck within the panorama of the forest. The geometric shape is sculpted from concrete and finished in a white protection surface.

Blockhouse by AZL Architects

The concept of Blockhouse is almost the living attitude of many Chinese; a minimal opening to the surrounding landscape is the only perforation of the richness inside the house. The horizontal break of each floor – in combination with larger unique curved apertures on each floor – frame vistas in the spirit of Chinese landscape scrolls. Prescribed views have a long tradition in Chinese art history and traditional Chinese gardens, designed to make the viewer reconsider and contemplate the landscape.

Blockhouse by AZL Architects
Site masterplan rendering

Location: Nanjing, Jiangsu Province, China
Architect in Charge: Zhang Lei
Project Team: Zhang Lei, Jeffrey Cheng, Wang Wang, Wang Yi
Collaborator: Architectural Design & planning Institute, NJU
Project Area: 500 sqm
Project year: 2008-2012

Blockhouse by AZL Architects
Site masterplan – click for larger image
Blockhouse by AZL Architects
Site plan – click for larger image
Blockhouse by AZL Architects
Ground floor plan
Blockhouse by AZL Architects
First floor plan
Blockhouse by AZL Architects
Second floor plan
Blockhouse by AZL Architects
Third floor plan
Blockhouse by AZL Architects
East and south facades
Blockhouse by AZL Architects
West and north facades
Blockhouse by AZL Architects
Cross section east to west

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AZL Architects
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