Dear Ginza Building by Amano Design Office

This towering commercial block in Ginza, Tokyo, by Amano Design Office features a faceted aluminium facade reminiscent of a crumpled-up sweet wrapper (+ slideshow).

Dear Ginza by Amano Design Office

Tokyo-based Amano Design Office was asked to design an eye-catching building that would entice shoppers from Ginza’s Central Street to a second shopping street just beyond.

Dear Ginza by Amano Design Office

The nine-storey tower accommodates small units that can be used as either offices or shops. Apart from the glazed ground floor, each storey is concealed behind a double-layer facade that comprises a perforated metal exterior and a clear glass interior.

Dear Ginza by Amano Design Office

The architects used computers to generate the faceted aluminium form, then added a floral pattern to soften the appearance.

Dear Ginza by Amano Design Office

“In the neighbourhood of mostly modernist architecture with horizontal and vertical or geometric shapes, the building has a proper feeling of strangeness, attracts special attention and has an appeal as a commercial building,” they explained.

Dear Ginza by Amano Design Office

Lighting installed behind the metal panels is programmed to change colour depending on the season, switching between shades of red, blue and green.

Dear Ginza by Amano Design Office

“The facade becomes a part of the interior decoration and obviates the need for window treatments such as blinds or curtains,” added the architects.

Dear Ginza by Amano Design Office

Other commercial buildings from Japan with unusual facades include a herringbone-patterned boutique designed by OMA and a Tokyo bookstore covered in hundreds of interlocking T-shapes. See more architecture in Tokyo »

Dear Ginza by Amano Design Office

Photography is by Nacasa & Partners.

Here’s the project description from the architects:


Dear Ginza Building

The client is a developer company. It purchased a long-sought after lot in Ginza, and planned to build a commercial/office building. The building site is on the Ginza 1-chome Gaslight Street, which is one street behind the Ginza Central Street. It is on the back side of the Mizuho Bank and Pola Ginza buildings on the Central Street. The atmosphere is quite different from the gorgeous Central Street, and the site is on an empty street which is often seen behind the street with large-sized buildings. Attracting as many people as possible into such a street is our task. The client desired the building to be a gorgeous existence. In addition, the designer desired to provide a “slight feeling of strangeness” to the passersby that would attract them to the building.

Dear Ginza by Amano Design Office

Considering the views from the inside, simply obtaining openness with glass seems futile, since the outside scenery is hopeless. Therefore, a double skin structure is employed, which consists of glass curtain walls and graphically treated aluminium punched metal. The facade becomes a part of the interior decoration and obviates the need for window treatments such as blinds or curtains. By using a double skin, reduction of the air conditioning load and the glass cleaning burden was also intended.

Dear Ginza by Amano Design Office

The irregular facade design was determined by computing a design to avoid arbitrary forms and to approximate forms in nature. We thought that a well-made incidental form would likely be a less-disagreeable design. In the neighbourhood of mostly modernist architecture with horizontal and vertical or geometric shapes, the building has a proper feeling of strangeness, attracts special attention, and has an appeal as a commercial building. The abstract flower graphic is used to balance the impression of the facade, i.e., to free it up from becoming too edgy.

Dear Ginza by Amano Design Office

By computing the design, individual aluminium punched panels are irregular with different angles and shapes, yet all fit into a standard size, resulting in excellent material yield. To avoid being clunky, an extremely lightweight structure is required. Therefore, much caution was taken in its details. The coloured LED upper lighting, which is installed inside the double skin, entertains the passersby with different programs depending on the season. Expected tenants included a beauty salon and aesthetic salon, and the expectations are materialising.

Dear Ginza by Amano Design Office

Building location: Ginza-1-chome, Chuo-ku, Tokyo, Japan
Completion year: March 2013
Designer: amano design office
Collaborators: Atorie Oica, Azzurro Architects
Construction firm: Kumagai Gumi Co.,Ltd.

Dear Ginza by Amano Design Office

Main use: store building and office building
Lot size: 187.20 sqm
Building area: 155.55 sqm
Total floor space: 1300.02 sqm
Maximum height above rail level: 31.955 m
Structure: steel frame
Number of stairs or stories: nine storeys above ground and one underground story
Main material: aluminium graphic punching metal, extruded cement panel

Dear Ginza by Amano Design Office
Ground floor plan – click for larger image
Dear Ginza by Amano Design Office
Upper floor plans – click for larger image
Dear Ginza by Amano Design Office
Sections – click for larger image
Dear Ginza by Amano Design Office
Elevations – click for larger image

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Call for entries to A’ Design Award and Competition 2014

Call for entries to A' Design Award and Competition 2014

Dezeen promotion: entries from architects and designers are now being accepted for this year’s A’ Design Award and Competition.

Call for entries to A' Design Award and Competition 2014
Casa Cubo by Studio MK27. Main image: Osaka Restaurant by Ariel Chemi

The annual A’ Design Award and Competition honours exemplary concepts, prototypes or finished projects in all design fields.

Call for entries to A' Design Award and Competition 2014
Opx2 by Jonathon Anderson

A panel of 50 academics, design professionals and press members will judge the submitted designs and winners will be announced in April 2014.

Call for entries to A' Design Award and Competition 2014
Catino by Emanuele Pangrazi

Winners will receive extensive PR coverage of their work, an invitation to a gala night, plus an A’Design Awards trophy.

Call for entries to A' Design Award and Competition 2014
Shoe Class by Ruud Belmans

A selection of projects will be displayed in a physical exhibition and all winning designs will be compiled into a yearbook.

Call for entries to A' Design Award and Competition 2014
Nissan Calendar 2013 by E-Graphics Communications

Images show a selection of winners from last year’s awards, including a Brazilian house with walls that open up to the garden and graphics for the 2013 Nissan calendar.

For more information and to enter your project before 30 September 2013 visit the A’ Design Awards website.

More information from the organisers follows:


The A’ Design Award and Competition is one of the worlds’ most prestigious and inclusive design accolades that brings together architects, designers, companies and media members under the same roof. The design competition highlights best architects and designers worldwide to provide them publicity, fame and recognition through international press coverage and exhibitions. Entries to the competition are judged by an expert 50-person jury panel composed of academics, press members and professionals from the fields of architecture and design.

Awarded entries are provided a rich winners’ kit that includes the annual yearbook, the award trophy, press release preparation and distribution, winners’ logo, PR tools, winners’ exhibition and gala-night participation. Last year, the A’ Design Award & Competition has attracted over three thousand entries from seven continents and projects from sixty-seven countries were highlighted as winners.

The A’ Design Award & Competition logo reaches over nine hundred million impressions each year through traditional media, television channels and online publications. Entries to the competition can be made under: Architecture, Interior Design, Furniture Design, Building Materials & Components Design and Exhibition Design categories among others. The standard deadline for entering your works to the competition is on 30 September 2013.

www.adesignaward.com

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Light Walls House by mA-style Architects

Perimeter skylights throw light across a grid of exposed wooden ceiling beams inside our second house this week from Japanese studio mA-style Architects (+ slideshow).

Light Walls House by mA-style architects

Positioned in a shady location between two neighbouring buildings in Aichi, Japan, the wooden house couldn’t have many windows, so mA-style Architects added skylights around each side of the flat roof.

Light Walls House by mA-style architects

Daylight disperses itself through the interior by bouncing off both the ceiling beams and the laminated wooden walls.

Light Walls House by mA-style architects

“The design intended to create a space with uniformly distributed light by adjusting the way of letting daylight in and the way of directing the light,” said the architects.

Light Walls House by mA-style architects

Bedrooms and storage spaces are contained within two-storey boxes scattered through the interior. Rectangular openings lead into the spaces, plus those at first-floor are accessed using wooden ladders.

Light Walls House by mA-style architects

“Considering each box as a house, the empty spaces in between can be seen as paths of plazas and remind us of a small town enclosed in light,” the architects added.

Light Walls House by mA-style architects

A bathroom, a study space, bookshelves and a kitchen with steel surfaces line the perimeter of the open-plan space.

Light Walls House by mA-style architects

White-painted wooden panels clad the exterior of the rectilinear structure, including a sliding door that gives the house a corner entrance.

Light Walls House by mA-style architects

Led by partners Atsushi and Mayumi Kawamoto, mA-style Architects has also completed a house with small attic spaces tucked into the triangular roof and an elevated house that points out like a giant rectangular telescope.

Light Walls House by mA-style architects

See more architecture by mA-style Architects »
See more Japanese houses »

Light Walls House by mA-style architects

Photography is by Kai Nakamura.

Here’s a project description from the architects:


Light Walls House

The site is in a shady location where a two-story neighbouring house closely stands on the south side, and even the shade and shadow on the path intensify the impression of darkness.

Light Walls House by mA-style architects

Therefore, the design intended to create a space with uniformly distributed light by adjusting the way of letting daylight in, and the way of directing the light.

Light Walls House by mA-style architects

By taking into consideration the space for the residents, the functions for living, and the relationship with the surrounding environment, creation of a diversity and richness in the house was intended by controlling the concept of light.

Light Walls House by mA-style architects

Along the edges of the 9.1m square roof, sky lights are made, as if creating an outline, in order to provide sunlight.

Light Walls House by mA-style architects

The roof beams narrow the sunlight, and the slightly angled clapboard interior walls with laminated wood reflect and diffuse the light.

Light Walls House by mA-style architects

As a result, soft and uniformly distributed light is created and surrounds the entire space.

Light Walls House by mA-style architects

Along the outline of lighting, work spaces such as a kitchen, bathroom, and study are arranged. Private spaces such as bedrooms and storage are allocated into four boxes.

Light Walls House by mA-style architects

The path-like spaces created between them are public spaces. Each box attempts to balance within a large spatial volume.

Light Walls House by mA-style architects

Light coupled with the rhythm of scale raises the possibilities of the living space for the residents.

Light Walls House by mA-style architects

Considering each box as a house, the empty spaces in between can be seen as paths or plazas, and remind us of a small town enclosed in light.

Light Walls House by mA-style architects

The empty spaces, which cause shortening or elongating of distances between people, are intermediate spaces for the residents, as well as intermediate spaces that are connected to the outside when the corridor is open, and these are the image of a social structure that includes a variety of individuals.

Light Walls House by mA-style architects

In terms of a natural component, in which light is softened by small manipulations, and of a social component, in which a town is created in the house, this house turned out to be a courtyard house of light where new values are discovered.

Light Walls House by mA-style architects
Floor plan
Light Walls House by mA-style architects
Concept diagram

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Verlan Dress by Frances Bitonti and New Skins Workshop students

New York designer Francis Bitonti worked with students to 3D-print this dress using commercially available MakerBot machines (+ movie).

Francis Bitonti created the dress while leading a three-week digital fashion workshop over the summer, which aimed to introduce students to computer software and additive manufacturing equipment.

“The project wasn’t to design a garment, the project was to design a method of making form on the computer that could be deployed across the body,” said Bitonti.

Verlan Dress by Francis Bitonti

During the New Skins Workshop, students experimented with form-building software and created samples of their designs using the 3D printers.

“The MakerBot provided the students a direct link with the material world,” said Bitonti. “While they’re working on all these complex computer simulations they were able to get tactile, physical results through the MakerBot.”

Interim reviews of the groups’ work took place with guest critics, including designer Vito Acconci, who chose their favourite 3D-printed dress designs to develop.

Intricate patterning from one group and the silhouette from another were combined to create the final design, which was then printed in sections using a new flexible filament created by MakerBot.

“The idea was to create a landscape of geometric effects, things that would have different material behaviours in different parts of the body,” Bitonti said.

The result was a garment that referenced muscle fibres, veins and arteries to look like an inside-out body. It was named Verlan Dress after the French slang word for the reversal of syllables.

The workshop took place at the Digital Arts and Humanities Research Centre of the Pratt Institute in New York.

Bitonti previously worked with designer Michael Schmidt to create a dress for burlesque dancer Dita Von Teese using selective laser sintering. We’ve also featured 3D-printed clothing by Iris van Herpen and Catherine Wales.

Last month Microsoft began selling MakerBots in its US stores, while Makerbot unveiled a prototype of a desktop scanner earlier in the year. Read more about 3D printing in our one-off magazine Print Shift.

See more digital fashion »
See more 3D printing »

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Glass office for Soho China by AIM Architecture

Mirrored walls and glass ceilings transform this office interior in Shanghai into a labyrinth of reflected light and imagery (+ slideshow).

Glass office by AIM Architecture for SOHO China

Shanghai studio AIM Architecture designed the office for Soho China, the property developers behind Zaha Hadid’s Galaxy Soho and Wangjing Soho projects, and it occupies a space in the company’s Fuxing Plaza complex.

Glass office by AIM Architecture for SOHO China

The space functions as a showroom, so the architects wanted to show customers the raw condition of the office units available to rent.

Glass office by AIM Architecture for SOHO China

“As Soho rents out the offices in this building in bare shell state, the main design idea is to show the customers what they are actually getting, and at the same time add a layer of inspiring luxury to it,” they said.

Glass office by AIM Architecture for SOHO China

Ventilation ducts and other service pipes are visible through a continuous glass ceiling, while glass floors surround individual meeting rooms.

Glass office by AIM Architecture for SOHO China

Mirrored partitions alternate with glass screens and windows, juxtaposing views between rooms with framed apertures of the Shanghai skyline.

Glass office by AIM Architecture for SOHO China

“The glass-only approach allows a complexity that emerges from a simple choice,” added the architects.

Glass office by AIM Architecture for SOHO China

The entrance to the office is via an all-white corridor, where strips of light are reflected to create the illusion of a never-ending grid.

Glass office by AIM Architecture for SOHO China

Other offices filled with mirrors and glass include a Tokyo office with a hidden slide and a production studio in New York with translucent screens and glass partitions. See more office interiors »

Photography is by Jerry Yin, Chief Architect, SOHO China.

Here’s a project description from AIM Architecture:


Glass office by AIM Architecture for SOHO China

An all glass and mirror inner cladding exposes the infrastructure of SOHO’s new office building in Shanghai. The glass creates manifold reflections of the sales models and meeting rooms, while leaving the original height and structure in view. This creates a ‘double reality’ that merges with the stunning views of downtown Shanghai.

Membrane ceilings create extra attention for the models. Light and surfaces reflect throughout the space, even further diffused by half see-through mirrors. Some of the floors are islands of stone or carpet, to create static moments to offset this sea of reflectivity.

Glass office by AIM Architecture for SOHO China

As SOHO rents out the offices in this building in bare shell state, the main design idea is to show the customers what they are actually getting, and at the same time add a layer of inspiring luxury to it.

The glass-only approach allows creating a complexity that emerges from a simple choice. That is what makes this project bold and layered at the same time.

Glass office by AIM Architecture for SOHO China

This project by AIM Architecture is part of Fuxing Plaza, a large mixed-use complex (140.000m2) that hopefully will boost more energy and surprises for the city.

Date of realisation: September 2013
Design team: Wendy Saunders, Vincent de Graaf, German Roig, Carter Chen and Jiao Yan.
Client: SOHO China

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Share.Food tableware by Bilge Nur Saltik

London Design Festival 2013: Royal College of Art graduate Bilge Nur Saltik has designed a collection of minimal white plates, bowls and cups that tip backwards and forwards, revealing a flash of fluorescent pink on their undersides (+ slideshow).

Share.Food tableware by Bilge Nur Saltik

Share.Food tableware by Saltik features a small bowl, a large plate and a cup, each with a v-shaped base.

Share.Food tableware by Bilge Nur Saltik

Saltik intends to playfully encourage people to share food and drink by tilting the vessels in different directions, rewarding them with a warm glow of colour from underneath as they do so.

“It is a bit of a balancing game around the dinning table,” Saltik told Dezeen. “Users can either balance everything towards themselves or they can tip them over and open their plate to other users.”

Share.Food tableware by Bilge Nur Saltik

“It is quite a nice gesture to tip the plate and offer your food to someone – it is kind, surprising and playful,” she added.

Each object has a painted base that creates a soft glow when placed on light-coloured surfaces. “The glow is to underline the angles,” the designer said. “It is to indicate the direction of sharing and to create curiosity.”

Share.Food tableware by Bilge Nur Saltik

Saltik’s tableware was on display at design showcase Tent London and the Going Into Business exhibition of work by this year’s Design Products graduates from the Royal College of Art during London Design Festival.

Share.Food tableware by Bilge Nur Saltik

We’ve also featured Saltik’s OP-jects dimpled glassware that creates kaleidoscopic effects, which she presented at Show RCA 2013 earlier this summer.

See all our stories about London Design Festival 2013 »
See Dezeen’s map and guide to London Design Festival 2013 »

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Koya No Sumika by mA-style Architects

Small attic spaces are tucked between the ribs of a triangular roof at this house extension in Japan by mA-style Architects (+ slideshow).

Koya No Sumika by mA-style architects

Japanese firm mA-style Architects designed the timber roof as a series of V-shaped frames, which sit over a rectilinear base and create triangular windows at each end.

Koya No Sumika by mA-style architects

Added to the west side of a family house, the Koya No Sumika extension provides a separate living and dining space for a couple and is connected to the main building by a glass and timber passageway.

Koya No Sumika by mA-style architects

“The young couple desired feelings of ease and spaces that ensure quiet and comfortable times,” said the architects. “The extension is designed as a minimum living space and pursues both maintaining distance and retaining fertile relationships.”

Koya No Sumika by mA-style architects

Small pockets slotted into the sides of the living area provide storage spaces for books and plants, as well as study areas with wooden desks and chairs.

Koya No Sumika by mA-style architects

A set of protruding wooden stairs and a separate ladder lead to the compact attic spaces overhead, as well as to a bed deck at the front of the building.

Koya No Sumika by mA-style architects

Bare light bulbs hang down from the triangular ceiling sections to illuminate the space.

Koya No Sumika by mA-style architects

Other mA-style Architects projects we’ve featured are an elevated house in the shape of a giant rectangular telescope, a wooden house lifted off the ground and curved like the hull of a boat and a metal-clad house with a smaller wooden house insideSee more Japanese houses »

Koya No Sumika by mA-style architects

Photography is by Kai Nakamura.

Here’s a project description from the architects:


Koya No Sumika

This is an extension plan for a young couple’s house next to the main house. The main house is a one story Japanese style house with about 200m2, which is commonly seen in rural areas.

Koya No Sumika by mA-style architects

It is a big house with many rooms and mainly consists of large spaces for people to gather and to provide hospitality. However, the young couple desired feelings of ease and spaces that ensure quiet and comfortable times.

Koya No Sumika by mA-style architects

A simple extension may enable each of the house’s residents to live completely separated, but the relationship between the families and the connection with the main house might be lost.

Koya No Sumika by mA-style architects

Therefore, by utilising the functions for living in the main house, the extension is designed as a minimum living space, and pursues both maintaining distance and retaining fertile relationships.

Koya No Sumika by mA-style architects

The extension is attached by a connecting-corridor on the west side of the main house. This enables the residents to switch their mindset before entering into the other living space, and the common garden maintains a proper sense of distance. By relying on the main house for the large kitchen, bathroom, and future children’s room, only a few functions for a living space are required for the extended part.

Koya No Sumika by mA-style architects

The living spaces are aggregated into a simple continuous structure, which consists of small, 2m high, U-shaped bearing walls. A V-beam roof truss is made with 62mm panels and structural plywood on both sides, and it is topped with a 69mm thin roof.

Koya No Sumika by mA-style architects

By overlapping the bearing walls and the V-beam frame, and by using a variety of finishes, contrasting spaces are created and a sense of scale in the vertical direction is born in the flat house. By doing so, as the residents’ living scenes unfold, light and air freely circulate in the space, and the people’s lines-of-sight extend beyond the area in a state of freedom. We intended to leave a rich blank space that fosters the imaginations of the residents.

Koya No Sumika by mA-style architects
Ground and first floor plans

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Preston Bus Station protected from demolition

News: the brutalist 1960s bus station in Preston, England, has been safeguarded from demolition after being declared a Grade II-listed historic building by the UK government.

Architecture minister Ed Vaizey announced earlier today his decision to protect the concrete post-war building, which was set to be replaced by a smaller bus station as part of a regeneration of Preston’s city centre.

The result marks the end of a long campaign to save the structure that was designed in the 1960s by Keith Ingham and Charles Wilson of architecture firm BDP. This was the fourth time the building had been put forward for listing and its protection has been supported by a host of architects including Richard Rogers and OMA.

Preston Bus Station protected from demolition

Former RIBA president Angela Brady, who backed the campaign, has praised the move. “Well done. A great decision to list [Preston Bus Station],” she commented on Twitter.

Meanwhile Catherine Croft, director of heritage organisation The Twentieth Century Society, said: “This is fantastic news and long overdue.”

“Obviously it’s not the outcome we were hoping for,” said city councillor Peter Rankin, who had supported the demolition. “We’ve always said the bus station is too big, provides relatively poor facilities for bus passengers and costs Preston taxpayers over £300,000 a year to maintain. We will have to take some time now to consider the listing decision and the options for moving forward.”

Grade II listed buildings are considered “nationally important and of special interest” and alteration or demolition requires listed building consent, making it harder – but not impossible – for the bus station to be knocked down.

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Xkuty One electric bike by The Electric Mobility Company

Riders can use their iPhone as the dashboard for this electric bike designed by Spanish transport firm The Electric Mobility Company.

Xkuty electric bike by The Electric Mobility Company

A free app allows the user to connect their Apple iPhone with the Xkuty One bike, and set parameters such as maximum speed, acceleration style and battery consumption. The phone then clips to the centre of the handlebars to act as a speedometer and monitor battery life.

Using the iPhone’s gyroscope, which monitors orientation and angular momentum, the app can be programmed to call an emergency contact if it senses a collision or fall.

Xkuty electric bike by The Electric Mobility Company

The Electric Mobility Company claims it is “the world’s first electric bike with full iPhone integration”.

“Xkuty was born from our belief that we need to change the way we travel,” said the company’s CEO Carlos Felipe. “The objective was to develop an affordable, intuitive and simple alternative to the more traditional urban transportation.”

Xkuty electric bike by The Electric Mobility Company

The silent bike can reach speeds of 35 kilometres-per-hour and features hydraulic brakes at the front and back. Seat and handlebar grip colours can be chosen from a range of bright shades, with helmet trims to match.

The model will from cost €2800 (£2360) once available and a waiting list for the product has been set up on the company’s website.

Xkuty electric bike by The Electric Mobility Company

Other bicycles on Dezeen include one that can be pedalled with hands and feet at the same time, and another made from the same strong and lightweight plastic used in fighter jet canopies.

See more bicycles »
See more transport design »

Here’s some more information from The Electric Mobility Company:


Xkuty One: No Noise, No Fumes, No Sweat!

The Electric Mobility Company introduce Xkuty: the world’s first electric bike with full iPhone integration.

Innovative urban transport company, The Electric Mobility Company, are announcing the launch of their revelation in modern transport; Xkuty One, the first fully iPhone integrated electric bike.

Xkuty electric bike by The Electric Mobility Company

Xkuty is the whole package

Xkuty’s beautifully simple design makes it the perfect city companion. From the commuter vehicle of smartest businessman to the round-town runaround of the city fresher, its clean lines and fully customisable design makes Xkuty a hit with anyone who sees it. And Xkuty’s not just beautiful, it’s intelligent too! The Xkuty ethos focuses on efficiency, sustainability and environmental awareness. With its light frame and silent electric motor, Xkuty allows you to tour the city with no noise, no fumes and no effort!

Xkuty electric bike by The Electric Mobility Company

Xkuty wants to make the world a better place

“Xkuty was born from our belief that we need to change the way we travel,” says Carlos Felipe, CEO of The Electric Mobility Company. “The objective was to develop an affordable, intuitive and simple alternative to the more traditional urban transportation. We wanted something that offered more than just function to the rider, something deeper that put the the emphasis on emotion and the relationship between vehicle and rider. Thus, Xkuty was born.”

Xkuty electric bike by The Electric Mobility Company

Xkuty loves your iPhone (and your iPhone loves Xkuty right back)

Thanks to the Xkuty App, available to download free from the Apple App Store, your iPhone becomes the control panel of your Xkuty, allowing you to modify the key parameters of your bike: set your maximum speed, control the power curve, select various acceleration styles and even adjust battery consumption with ECO and Sport modes.

The Xkuty App not only allows you to control your Xkuty throughout the ride, but also keeps an eye on your bike when you’re not around! Using the iPhone gyroscope, if it detects your Xkuty has fallen over it automatically calls the number of your choice to alert you.

Xkuty electric bike by The Electric Mobility Company

Xkuty has friends in high places

In conjunction with Aspar team, Xkuty saw its debut during the twelfth season of 2013 Moto GP at Silverstone Circuit, a celebration of speed, engineering and motorcycling. The Aspar team will have six Xkuty bikes as support vehicles for the next two seasons, throughout the Championships which will be held in San Marino, Spain, Malaysia and Japan.

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Weston Williamson unveils shape-shifting stadium for Brasilia

News: London studio Weston Williamson has won a competition to design a new athletics stadium for Brasilia with a concept for a shape-shifting structure that opens like a flower in response to wind direction and sunlight.

Brasilia Athletics Stadium by Weston Williamson

The competition called for ideas for a 70,000-seat athletics venue and Weston Williamson’s winning response features a circular building with a skeletal structure modelled on the wings of a bird in flight.

Brasilia Athletics Stadium by Weston Williamson

A series of feather-like sections would make up the animated exterior. Each would be able to shift itself independently, adapting to changing weather and lighting but also creating a spectacle during ceremonial occasions.

Brasilia Athletics Stadium by Weston Williamson

“The exterior form of the new athletics stadium reflects the utopian spirit of the Brasilia plan by incorporating a geometry that is ever-changing,” said the studio. “The stadium, therefore, has no fixed identity, but alters in relation to the condition of its surroundings.”

Brasilia Athletics Stadium by Weston Williamson

The base of the stadium would be elevated on a wooden plinth and surrounded by pools of water and trees, using passive cooling to moderate the interior temperature.

Brasilia Athletics Stadium by Weston Williamson
Position one

The competition, which was organised in connection with the Rio 2016 Olympic Games, was intended to be “design constraints free”, allowing applicants to “be creative and test the boundaries of what is possible”. A $12,000 prize is awarded to the winner.

Brasilia Athletics Stadium by Weston Williamson
Position two

Other sports venues in Brazil include the National Shooting Centre and the renovated 1960s Mineirão Stadium in Belo HorizonteSee more architecture in Brazil »

Brasilia Athletics Stadium by Weston Williamson
Position three

Here are a few words from Weston Williamson:


Weston Williamson + Partners Wins First Prize

Weston Williamson + Partners has won 1st prize in the Brasilia Athletics Stadium Competition run in connection with the upcoming Olympics.

The exterior form of the new Athletics Stadium reflects the utopian spirit of the Brasilia plan by incorporating a geometry that is ever-changing. The stadium, therefore, has no fixed identity, but alters in relation to the condition of its surroundings.

Brasilia Athletics Stadium by Weston Williamson
Position four

The stadium references the iconographic plan for Brasilia, that represents a bird in flight, by incorporating massive feather like structures that envelop the interior. These fine structural elements shift in relation to wind direction and sunlight, meaning that the form is constantly in flux. The movable envelope also acts ceremoniously, reaching upwards to the sky when an event is about to unfold, adding another layer of visual spectacle to the games.

Brasilia Athletics Stadium by Weston Williamson
Position five

The stadium is situated on a wooden plinth surrounded by water pools and dense greenery which helps to cool the site in the intense heat. A network of shaded facilities is situated beneath this plinth, all lit with top light from perforations within the timber structure above.

The design proposes a fluid icon, suited to an environment that is being continually redefined.

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