Lou Tiny House makes custom homes, and they are one of the few companies to do so. Each home is unique and is a direct representation of its owners and their personal style and taste. The homes do share compact sizes and showcase artisanal woodwork made using local resources. However, each home is unlike the other, demonstrating a unique theme that perfectly echos the residents and their lifestyles. They created a tiny home for Axel, and it features an unusual exterior marked by a recessed roof with single and double slopes.

Designer: Lou Tiny House

The home features a unique gable that functions as the focal point of the house. It is made from glass, and framed by the side walls and the roof, resembling a private little terrace. The section behind the gables functions as an indoor/outdoor lounge, allowing residents to embrace the outdoors. The tiny house perfectly blends rustic components with modern design elements, creating a living space that perfectly embodies both.

The home occupies 140 square feet, and it is amped with custom modular furniture and strategic storage solutions. It includes a spacious living room with a glazed gable, that transitions into the kitchen/dining area. This space contains a furniture design that serves as a versatile snack bar, storage cabinet, and office. This includes two separate folding tables, which can be used together or separately. A custom staircase also occupies most of the space – it connects the main floor to the loft bedroom.

The staircase is pretty space-efficient, equipped with ample storage in its built-in open cubbies. There is some additional storage in the second tread as well. The kitchen is simple and basic, hosting a two-burner stove, a range hood, and a mini fridge under the countertop. The bathroom is also quite simple, equipped with the essential amenities. It contains a comfortable shower cabin, custom-made shelves, and a window for ventilation.

The tiny home features a loft floor with a hammock section that extends the floor. This hammock space can be used to relax and unwind, or for storage purposes if needed. Axel’s House on Wheels is a cozy and airy living space that feels warm and inviting. It perfectly balances a modern aesthetic with the feel of an adorable French cottage.

The post Cozy Custom-Built Tiny Home Incorporates A Fully-Glazed Gable For A Luxurious Upgrade first appeared on Yanko Design.

The Frank Lloyd Wright Conservancy has filed a counterclaim and defence of its easement on the Price Tower by Frank Lloyd Wright in Oklahoma following the current owner’s lawsuit against the organisation.

The back and forth began after preservation organisation The Frank Lloyd Wright Conservancy informed the owners of Wright’s skyscraper the Price Tower that its alleged “unapproved” sale of historical items – such as custom furniture – violated an easement that protected the integrity of the building’s design.

Local investment companies Green Copper Holdings, Copper Tree Inc, and owner Cynthia Blanchard subsequently closed the hotel inside of the building temporarily after the backlash, claiming the sale of the items was to cover operation costs.

Blanchard’s consortium then filed a lawsuit claiming the 2011 easement is now null and void. It also seeks restitution for damages and would prevent the Frank Lloyd Wright Conservancy from publically advocating for the easement.

The Conservancy recently filed its response and counterclaims towards the lawsuit, emphasising the legal validity of the easement and preservation efforts as a whole.

“Easements are a critical tool for the preservation of American cultural heritage,” said Conservancy president Safina Uberoi.

“We are defending our easement on Price Tower to preserve the integrity of Wright’s design, so it can continue to serve as a source of inspiration for future generations.”

As part of its legal response, the Conservancy states the easement, which protects the design integrity of the property, was breached.

“The Conservancy’s response also asserts counterclaims against Green Copper Holdings, LLC, Copper Tree, Inc., and Cynthia Blanchard for breaching the easement, indemnity under the easement, unjust enrichment, and requests declaratory and injunctive relief to ensure the easement is upheld and Ms. Blanchard is prohibited from selling off any further items from the Price Tower,” said the team.

Earlier this year, a local Bartlesville Examiner-Enterprise reporter spotted Blanchard loading historical items onto a truck to be sold from the tower, which included a directory board, chair and other custom pieces designed by Wright, as well as a gate from the local Shin’enKan property by architect Bruce Goff.

Completed in 1956 and located in Bartlesville, Oklahoma, the 19-storey Price Tower is considered to be Frank Lloyd Wright’s only skyscraper and one of two high-rise buildings by the architect.

Recently, a theatre designed by the architect was restored on the Talisen property and manufacturer Lindal Cedar Homes released purchasable house designs informed by Wright’s Usonian philosophy.

The photography is by Warren LeMay via Flickr unless otherwise stated.

The post Legal battle to “defend integrity” of Frank Lloyd Wright’s only skyscraper appeared first on Dezeen.

The Paris-based contemporary artist on her Miami Art Week collaboration with Acura

Read
Culture

Interview: Dalkhafine’s Surreal Road to Scope Art Fair

The Paris-based contemporary artist on her Miami Art Week collaboration with Acura

Mike Tommasiello

13 December 2024

This Miami Art Week, Acura partnered with Paris-based contemporary artist Dalkhafine, whose distinct blend of abstraction and surrealism became the perfect backdrop for their new ADX all-electric car right on the sands of South Beach—in front of the Scope Art Fair. We sat down with Dalkhafine to talk about her trippy, out-of-this-world mural, which she created specifically for the event. 

 What drew you to partner with Acura for this year’s Scope Art Fair at Miami Art Week?

I was invited by Acura to create an art installation to showcase their new ADX all-electric vehicle. Collaborating with a car brand has been a long-time dream of mine: I’ve always loved the world of cars, the thrill of speed and Formula 1. So when this opportunity came along, I didn’t hesitate for a second to say yes!

Can you tell us about the creative process behind your installation for the fair?

I envisioned an artistic installation that invites viewers to discover the new ADX through a playful and immersive journey. The experience begins by following a “fantasy road,” shifting between vibrant lines, intricate patterns, and stretches that resemble a real road—elements inspired by the dynamic energy of highways and the thrill of F1 racing. This path guides visitors around the cars, encouraging exploration and discovery, before culminating in front of a mural that marks the journey’s end. The arches appear as a frame, inviting the viewer to contemplate this endless perspective and the setting sun. All around, windows connected by clouds illustrate the interdependence of every element, symbolizing a dreamlike world where everything is linked. The woman, gazing into the distance, embodies this deep connection with nature and the universe. The arches are not just a visual frame; they also become an interactive space, offering a unique experience, much like an artistic photo booth.

How does showcasing your work at SCOPE elevate your approach to blending art and technology?

SCOPE is an iconic event, always ahead of its time. It’s a place where traditional paintings coexist with groundbreaking art installations and innovative digital creations. The energy and creativity at the event are incredibly inspiring, and I left feeling recharged with fresh ideas for future projects.

Were there any specific challenges or breakthroughs in collaborating with a car brand for an art fair?

Every project feels like stepping into a new playground, and this one was no exception. Collaborating with a car brand brought its own unique set of opportunities, which I found incredibly exciting. The real “challenge” was more about aligning my artistic vision with Acura’s brand ethos and creating something that felt authentic to both. This process pushed me to think outside the box and embrace new ideas, which I love.

One breakthrough was seeing how well the worlds of art and automotive design could intersect. Acura gave me the freedom to infuse my style while celebrating their innovative spirit, which was truly rewarding. I particularly enjoyed designing elements like the car wraps, which allowed me to merge my graphic universe with their cutting-edge vehicle design. This collaboration felt like a perfect fusion of creativity and technology, and I had an absolute blast bringing it to life!

How does the setting of Scope Art Fair influence how audiences perceive your work?

Scope is an incredible event showcasing a wealth of talent. Being part of it was a dream come true. It’s a fantastic platform to share your work and connect with people. I received so much positive feedback, it’s truly heartwarming. Projects like this feed both my creativity and my everyday life.

If you had to describe your installation in three words, what would they be and why?

I’d choose journey, graphic and fun. 

The installation is all about taking visitors on a visual journey. From the moment they step onto the “fantastic road,” they’re invited to explore, discover and immerse themselves in a playful narrative. It’s not just about observing the artwork; it’s about engaging with it, moving through the space, and feeling part of the story. The word graphic reflects the bold visual language I used: vivid colors, patterns and dynamic lines inspired by the energy of roads, racing and the movement we associate with cars. And finally, fun captures the essence of what I aim to create. Art should be accessible and enjoyable, and I wanted this installation to spark joy and curiosity. The photo booth setup with the mural and arches was designed for interaction, and seeing people take photos, laugh, and share their moments made it all worthwhile. In essence, this installation celebrates movement, creativity, and connection, bringing the dynamic world of automotive design into an imaginative and engaging artistic space.

·What role does mobility or movement play in your artwork, especially in this collaboration?

Movement is central to my life, I’m constantly traveling between Paris and Montreal. My journeys have always shaped my creativity, which may be why I feel such a connection to the world of automobiles. Cars represent constant motion, freedom and the ability to explore new places. That resonates deeply with my philosophy of always moving forward.

How do partnerships like this one shape the future of art in commercial and public spaces?

These collaborations are transforming how art is experienced in public and commercial spaces. Traditionally, art was static and isolated, but now we’re creating dynamic, immersive environments that engage audiences in new ways. Brands are beginning to understand the power of art to connect on a deeper level, which makes these partnerships exciting! 360-degree projects are especially interesting because they go beyond visuals to fully transform a space. From murals and car wraps to immersive installations, these elements combine to create something playful, impactful and engaging. By breaking down the boundaries between art and daily life, these projects make art more accessible and relevant, offering an experience that is both interactive and inspiring.

What was the most unexpected moment during the creation of this project?

I also designed car wraps for two vehicles: the ADX and the ZDX, showcased outside the Loews Hotel in Miami. When I saw them for the first time, I was so moved I almost cried. Wrapping a car in my designs has been a dream of mine for so long, and seeing it come to life was surreal. Often, we work in front of our screens, so seeing my designs brought to life was truly exceptional. The execution was flawless, it was so incredible to see my vision so perfectly respected!

Looking beyond Miami Art Week, how do you see yourself further blending art, design, and innovation?

I want to keep creating immersive art installations that blend murals, 3D structures and floor designs. Inviting people into my universe and offering them a memorable experience is something I’m deeply passionate about. I see this medium as a perfect playground for exploring new ideas, like combining art installations with video projections to push the boundaries of design and innovation even further.

Dezeen School Shows: an AI-powered companion gadget for people with dementia is included in Dezeen’s latest school show by students at University of New South Wales Sydney.

Also included is a project exploring possibilities of 3D printing and another aiming to increase the ecological health of a river.

University of New South Wales Sydney

Institution: UNSW Sydney
School: School of the Built Environment
Courses: Master Landscape Architecture, Bachelor Landscape Architecture (Honours), Bachelor of Design (Computational Design) and Bachelor of Industrial Design (Honours)
Tutors: Dr Sara Padgett Kjaersgaard, Dr Nicole Gardner, Associate Professor Mariano Ramirez, Associate Professor Bernadette Hardy, Linden Crane, Dr Andrew Mackenzie, Simon Lloyd, Dr Melissa Cate Christ, Dr Mike Harris, Patrick Franklyn, Professor M Hank Haeusler, Charlotte Firth, Hareem Nadeem, Stephen Goddard, Dr Cristina Ramos Jaime, Professor Oya Demirbilek, Danielah Martinez, Dr Christian Tietz and Gonzalo Portas

School statement:

“At UNSW Built Environment we focus on architecture and design at every scale, from industrial-designed products to the architectural design of buildings and landscapes, up to urban and regional planning and policy.

“We place emphasis on sustainable design approaches that embrace circular thinking and adaptive reuse to achieve resilient and low carbon outcomes. Our social-impact design ethos seeks to meet the diverse needs of different groups, creating landscapes, buildings and products that are healthy and inclusive. We also equip students to use advanced digital tools and data, allowing them to make evidence-based decisions and develop smart ways of analysing and designing our world.

“Many of our student projects engage with ‘Country’, which Associate Professor Bernadette (B) Hardy, a traditional owner of Dharug and Gamilaraay descent, redefines for First Nations people as a profound union of the physical and spiritual, deeply connected to the world’s oldest living culture.

“Studio design in the Bachelor of Landscape Architecture shown below is co-led by Associate Professor Hardy and Country as teacher (Dharug, Bidgigal, Gadigal, Wangal). Students and staff have been entrusted with Aboriginal knowledge and culture (referred to as Indigenous Cultural Intellectual Property and Cultural Law/Lore) and permission is required for its reproduction.

“Overall, at UNSW Built Environment we aim to develop skilled and enquiring graduates who can positively engage, adapt and shape our cities for the benefit of all people and life on earth.”

AMIKO: A caring companion for dementia by Zihan Eleanor Tang

“AMIKO is an AI-powered companion designed to support older adults with dementia, offering emotional recognition, safety monitoring and seamless connectivity.

“By detecting emotions and delivering empathetic feedback, AMIKO fosters meaningful connections through warm interactions and lighting cues.

“This conceptual ecosystem includes AMIKI satellite units for safety reminders and the AMIKON app, enabling caregivers to receive real-time updates and stay connected.

“Built with durability and medical compliance in mind, AMIKO redefines dementia care by transforming daily routines into moments of comfort and connection.”

Student: Zihan Eleanor Tang
Course: Bachelor of Industrial Design (Honours)
Email: zihantang.29[at]gmail.com
Tutors: Oya Demirbilek and Christian Tietz

NeuroEase: Non-invasive migraine relief by Nitish Ramesh

“NeuroEase offers a non-medicinal, non-invasive solution for managing migraines using advanced Vagus Nerve Stimulation (VNS) technology.

“This wearable concept provides fast, effective relief, empowering users to treat migraines anytime, anywhere without relying on pharmaceuticals.

“Designed as a complete treatment package, NeuroEase includes a charging dock, electrode gel and tissues for cleaning, making it a portable and user-friendly system.

“Its sleek, empathetic design combines comfort, functionality and adjustable settings to ensure a tailored experience.”

Student: Nitish Ramesh
Course: Bachelor of Industrial Design (Honours)
Email: nitish.ramesh2003[at]gmail.com
Tutors: Gonzalo Portas, Danielah Martinez and Christian Tietz

Ripple Rails by Olivia Xiao

“Ripple Rails is an urban technology design project that explores creative uses for smart technologies by leveraging the affordances of physical computing and engaging with principles of interaction design to create safer commuting conditions for school age pedestrians and cyclists.

“The site-specific design uses sensors to collect data about commuting behaviour and to drive real-time responsive actuation including movement and LED lighting to help manage the safe flow of commuters through a spatially constrained site.”

Student: Olivia Xiao
Course: Bachelor of Design (Computational Design)
Email: o.xiao[at]student.unsw.edu.au
Tutors: M Hank Haeusler and Hareem Nadeem

The Need for Speed by Louis Lamont

“The Need for Speed: An investigation into parametric velocity control to enable variable extrusion rate on large-scale pellet-based robotic printing is a computational design research project that investigates workflows to enhance accuracy and achieve uniform layer thicker for multi-planar robotic printing.”

Student: Louis Lamont
Course: Bachelor of Design (Computational Design)
Email: louis.lamont[at]student.unsw.edu.au
Tutors: Nicole Gardner, Stephen Goddard and Cristina Ramos Jaime

Timeless: How can we weave stories of Moore Park that connect diverse users to the landscape? by Hamnah Maqsood

“A deeper understanding of indigenous knowledge systems and their profound connection with country is essential in fostering place-based relationships with landscapes.

“The research proposal explores the ongoing storied process of indigenous origins, Moore Park’s history and future users, with the aim of being woven into the green fabric, to address issues of biodiversity loss for migratory bird habitats and the absence of place-based connections.

“The design of organic structures and pathways engage students, locals and indigenous people in programmes that elevate sensory connections and celebrate indigenous practices of weaving.”

Student: Hamnah Maqsood
Course: Master Landscape Architecture
Email: hamnah2001[at]hotmail.com
Tutors: Linden Crane, Andrew Mackenzie, Simon Lloyd and Melissa Cate Christ

Symbiosis and Co-living by Shuwen Li

“The Goolay’yari (Cooks) River, has a rich, continuing history with the Dharug People of the Sydney area.

“Once populated with an expansive array of more-than-human-kin, such as the Wurridjal (mullet), the river has been facing challenges since the middle of the 20th century.

“Conflicts between engineered concrete embankments for flood mitigation and its natural swampy, mangrove rich edges, alongside significant industrial pollution and runoff, have drastically reduced the amount of habitat that sustains aquatic life.

“The project seeks to establish a series of adaptive nature-based solutions to return the keystone fish habitat of the mullet to its original state and subsequently enhance the rivers resilience to future seasonal flooding events under projected sea-level rises.

“Reuse of the existing concrete block river edge also ensues a net positive climate outcome.”

Student: Shuwen Li
Course: Bachelor Landscape Architecture (Honours)
Email: catherinerrr520[at]gmail.com
Tutors: Mike Harris, Linden Crane and Patrick Franklyn

Whispers of the River by Kang Zheng

“The Cooks River, known as Goolay’yari by the Traditional Custodians of the land, winds its way through the heart of Canterbury, carrying with it a rich tapestry of history, culture and ecological significance.

“Once a thriving tidal waterway teeming with biodiversity, the river has been shaped by urbanisation, resulting in degraded habitats, water pollution and diminished community connection.

“This project centres on the riverfront spaces of the Cooks River, envisioning them as catalysts for reimagining the river’s identity as both a natural system and a communal landscape.

“Rooted in a layered history of reclamation, urbanisation and ongoing restoration, the river’s complexity demands innovative, climate-conscious design strategies.

“By harmonising human activity with the river’s natural processes, this project aims to restore its ecological health, enhance its cultural significance and ensure its accessibility and vitality for future generations.”

Student: Kang Zheng
Course: Bachelor Landscape Architecture (Honours)
Email: zhengkang.au[at]gmail.com
Tutors: Mike Harris, Linden Crane and Patrick Franklyn

Sign of the Tides by Ella Short

“On matriarchal Dharug land, the Goolay’yari (Cooks River) is the most polluted urban river in Australia.

“With the heavy urbanisation of the river, its natural ecosystem services are almost lost, but there are signs of the river fighting back.

“This project will give the land back to the river with deep consideration of what was and what will become.

“Tides are a contingent, abiding event – pushed and pulled by the moon (yanada in Dharug). These ebb and flow cycles of science, spirituality and celebration have been deeply considered.

“Sign of the Tides has created spaces that encourage the ecological and social fluctuations that occur with water and lunar cycles.”

Student: Ella Short
Course: Bachelor Landscape Architecture (Honours)
Email: ellanshort[at]gmail.com
Tutors: Mike Harris, Linden Crane and Patrick Franklyn

Oasis: Transforming sleep with light and sound by Yingqi Amy Feng

“Oasis is a bedside sleep therapy system that reimagines the moment of switching off, transitioning seamlessly between ambient light and sound therapy.

“Inspired by the ritual of turning off the lights, its tactile pivot mechanism dims a warm 2500K light while activating customisable soundscapes grounded in cognitive behavioural therapy.

“Rhythmic breathing guides, white noise, and adaptive soundscapes relax the mind and promote deep sleep.

“Oasis is designed for longevity and has a replaceable magnetic front cover and a durable aluminium structure.”

Student: Yingqi Amy Feng
Course: Bachelor of Industrial Design (Honours)
Email: amyfengdesign[at]gmail.com
Tutors: Danielah Martinez and Christian Tietz

Robotic Computing by Rachel Deeb

“This project adopts an iterative design approach to optimise design and fabrication processes using Python scripting in Grasshopper for Rhinoceros.

“A series of physical prototypes were fabricated using a 3-axis 3D printer to test tool path techniques, including changes to feed and extrusion rates and to create diverse surface patterns and woven textures.”

Student: Rachel Deeb
Course: Bachelor of Design (Computational Design)
Email: r.deeb[at]student.unsw.edu.au
Tutor: Charlotte Firth

Partnership content

This school show is a partnership between Dezeen and the University of New South Wales Sydney. Find out more about Dezeen partnership content here.

The post University of New South Wales Sydney presents ten architecture and design projects appeared first on Dezeen.

The autumn edition of our Dezeen Showroom New Releases newsletter features a chair in the shape of a crescent moon by Wigiwama. Subscribe to Dezeen Showroom New Releases now!

Called the Moon Chair, the seat consists of three separate upholstered modules that were designed for children to play with.

The seat is one of five designs that feature in the latest edition of the quarterly newsletter, in which the Dezeen Showroom editor rounds up their top picks of design, furniture and fittings from the last season.

Other designs featured in the newsletter included wardrobes and storage by Reform, the Lines rug by Mayice for Gan, Mirrors 001 and 002 by Archive for Space for Béton Brut and Tiles by Palet.

Dezeen Showroom New Releases

Dezeen Showroom New Releases is sent four times a year, rounding up a selection of designs and products from the last season published on Dezeen Showroom. Read the latest edition of Dezeen Showroom New Releases or subscribe here.

You can also subscribe to our other newsletters;

• Dezeen Debate is sent every Tuesday and features a selection of the best reader comments and most talked-about stories
• Dezeen Agenda is sent every Tuesday containing a selection of the most important news highlights from the week
• Dezeen Daily is our daily bulletin that contains every story published in the preceding 24 hours
• Dezeen In Depth is sent on the last Friday of every month and delves deeper into the major stories shaping architecture and design.

The post Dezeen Showroom New Releases newsletter features moon-shaped chair appeared first on Dezeen.