Hasta La Ideas



There are multiple schools of thought when it comes to pocket knives – you’ve got one school that says pocket knives (or any EDC) should be highly rugged, durable, and scary-looking so as to fend off enemies. Another says that pocket knives should serve as multitools that have a myriad of functions to help you overcome any situation. The third school of thought, and the one that I subscribe to personally, is that a pocket knife should be useful when you need it, and invisible when you don’t. The SerpBlade falls squarely into the third school of thought while teasing the first two ever so slightly. At 37 grams or 1.3 ounces, the SerpBlade is lighter than an empty AirPods case (that’s for you metric-hating folks!), but it packs a scalpel blade at one end, and a tungsten steel glass breaker at the other end. It’s also made of titanium and carbon fiber, two of the most durable and resilient materials known to mankind. Whether it’s opening boxes or defending yourself from life-threatening situations, the SerpBlade comes in very handy, and when you’re done, its lightweight compact design disappears into your pocket like thin air.

Designer: TrekGear

Click Here to Buy Now: $59 $79 (25% off) Hurry! Only 9 days left.

The beauty of the SerpBlade lies in its sheer simplicity. Come and think about it, all of the pocket knife’s features can be broken down into four distinct parts – its blade, its glass-breaker, its materials, and the overall design.

The SerpBlade strangely enough doesn’t come with a blade built-in. Instead, it relies on any standard scalpel-style surgical blade that snaps right into the knife’s blade holder. Made from surgical steel, these blades are ridiculously sharp (ask any doctor or surgeon), and can handle everything from cardboard and paper to even cutting through wood. Readily available pretty much everywhere, the surgical scalpel blades come in a variety of profiles, so you can choose a shape that suits your needs best. A drop-point or clip-point is usually the crowd favorite, but a nice tanto-style blade really gives the SerpBlade a wicked demeanor. The fact that the SerpBlade ditches a built-in blade for a removable one gives you two significant advantages – for starters, you don’t need to worry about ever having to sharpen your blade again. If a blade grows dull or even breaks, simply ditch it for a new one. It’s simple, fast, and frankly, sustainable because you aren’t throwing out an entire knife just because the blade is damaged or dull. The second major advantage is that the SerpBlade, as a result, is TSA-friendly, as now you can simply ditch the blade and carry the EDC with you while traveling anywhere.

Flip the knife over and you’ve got a tungsten-steel glass-breaker on the reverse end. A great addition to the SerpBlade (I don’t know why more EDC knives don’t have glass breakers in them), this little feature comes in extremely handy when you need to make a quick getaway. The glass-breaking tip can easily shatter through hard laminated glass panels like the ones found in cars, giving you the ability to easily escape in the case of an emergency. The sharp surgical blade CAN cut through seatbelts too, although a serrated knife or a seatbelt cutter would be much more suited to the specific task at hand.

The materials play a crucial role in the SerpBlade’s appeal, given that they allow the knife to be durable, maneuverable, and so easy-breezy to use that you’ll find yourself reaching for the SerpBlade over other EDC knives. The pocket knife comes with a titanium armature that’s sandwiched between a two-piece carbon fiber handle. Sure, this makes the knife lightweight, it also makes the knife incredibly durable (you’re sure to use it for a lifetime if not more), but the combination of titanium and carbon fiber allows the SerpBlade to also be fire-resistant, waterproof, and corrosion-proof. Titanium doesn’t rust or oxidize the way steel does, and both titanium and carbon fiber can resist high temperatures while also being relatively inert to chemicals. In short, your lightweight knife is also 10-20x more durable than an all-steel knife or a steel knife with wooden handles.

On the design front, the SerpBlade is as slim and slender as they come. At 81mm in length (just over 3 inches), the SerpBlade is the perfect blend between compact and ergonomic. A deep pocket clip allows you to securely carry your SerpBlade in your pocket, and a lanyard hole (that’s now been added to the final design) lets you attach your SerpBlade to a carabiner or paracord too. It was built to be your trusty sidekick for trekking, camping, hunting, gardening, wilderness survival, emergency use, and even something as benign as opening boxes and envelopes or papercraft.

The knife features a single-handed flip-to-open mechanism that deploys in under a second, letting you go from 0 to 100 in the blink of an eye. A roller bearing mechanism makes the flip-out buttery smooth, while a liner lock holds the blade in place while you’re using the knife, ensuring it doesn’t shut on you mid-job. The titanium arm that holds the surgical scalpel blade lets you change blades in a jiffy too. All you need to do is slide out the old blade and add a new one and you’re good to go. Change blades whenever an old one goes dull or breaks, or even if you’re in the mood for something different!

The SerpBlade comes in a single color, although each carbon fiber handle has a unique flake pattern that differs from knife to knife. The EDC starts at a discounted $59, which includes the pocket knife itself, along with ten No.23 surgical blades included. The Serpblade ships globally for free starting July 2024.

Click Here to Buy Now: $59 $79 (25% off) Hurry! Only 9 days left.

The post Ultra-Light Tactical Titanium Pocket Knife Tips Scales at Just 1.3 Ounces first appeared on Yanko Design.

When you think of furniture made from materials like rattan, wood, leather, and steel, it evokes ideas mostly of sturdiness and toughness. And most of the designs we see seem to have varying degrees of rigidness and structure. You don’t normally associate adjectives like airiness, lightness, or delicacy with those that use these unless they’re mixed together with other materials that add something new to the design and the actual product.

Designer: Junya Ishigami

Japanese architect Junya Igashami has a design language that veers more towards simple, elegant, and delicate pieces. With his newest furniture series presented by Belgian gallery Maniera, he is still able to maintain this aesthetic but this time using the aforementioned “harder” materials: rattan, wood, leather, steel, and with the addition of glass materials as well. The designer used thin lines as a common theme for the various pieces so that you get a light and refreshing reimagination of the materials used for the furniture line.

The Ame low glass table seems to slightly float off the floor with its stainless steel and glass structure while the Maru-Shikaku Atelier table adds a rattan element. The Ame Isu line has different chairs including a rocking chair, a caster chair, a zaisu chair, and a “regular” chair and all of them use stainless steel with rattan, leather, or wire. The Bou Light fixtures include a table lamp and a pendant while the Ami Kabe line has small and large partitions.

This entire furniture line will be on exhibit at the Parc of the Villa Bagatti Valsecchi at the Milan Design Week until April 21. Some of the pieces included were actually created for projects like the House & Restaurant in the city of Ube in Japan (Zaisu chair and Ame low glass table) and the still being constructed House project where Ishigami’s mother will eventually reside (atelier table and other chairs).

The post Junya Ishigami turns “tougher” materials into light and airy furniture first appeared on Yanko Design.

It’s not unusual to see a company take a different direction after it launches a successful product or two. Improvements have to be made, of course, but there are times when upgrades turn into almost completely different products that seem to stray away from what made those successful designs successful. By renaming its earbuds to a simple “Ear” and dropping the number after it, some might think that Nothing has gone back to the drawing board to rebrand and redesign. Fortunately, there’s nothing to worry about since the new Ear and Ear (a) look almost exactly the same, so we give it a test to see, or rather hear, if its beauty is skin deep or if it’s something you’ll want to listen to.

Designer: Nothing

Aesthetics

At its birth, Nothing made bold claims and used Apple-like language to describe its design philosophy, and for the most part, it has been able to prove its words. It has established a distinct aesthetic not just with the Nothing Phone at also with all iterations of its Ear wireless buds. Technically the fourth generation after two numbered Ears and one Stick, the new Ear and Ear (a) thankfully retains that transparent stem design paired with opaque buds, staying true to form and keeping what its customers love about its products.

Of course, that does also mean that you won’t be able to distinguish the new Ear from the Ear (2), at least not visually. All of the changes are internal, which you can technically see because of the transparent design but not recognized. You get the upgraded experience and new features without losing the Ear’s eye-catching design, nor do you miss out on the quality materials that give the buds and its case their premium character.

If you want something fresh, you’ll have to look at the Nothing Ear (a) instead. While the buds themselves remain the same, the case transforms into a more rectangular shape that still has a transparent cover like the regular Ear. The new case also has a few important usability improvements, which we’ll get to later. The biggest difference between the Ear and Ear (a), however, is the bright new yellow color available only for the Ear (a) model. The choice of color wasn’t simply based on a whim, as Nothing compares it to its design philosophy of transparency, stripping away unnecessary colors and leaving only the primary hues. Perhaps it’s a hint that future Ears will be available in Cyan and Magenta.

In terms of aesthetics, Nothing has thankfully stayed true to both the spirit and the application of its design philosophy. You have an elegant and minimalist earbud design that embodies transparency literally and figuratively. The Ear (a) takes that a bit further in the direction of joyful play with a bright yellow finish. It would have been great if both Ear and Ear (a) shared the same color selection, but it’s understandable that Nothing wants to target different groups with different designs while still holding true to its core design values.

Ergonomics

One of the benefits of sticking to a tried and tested design is that you don’t have to worry about whether it works or not. In this case, the Nothing Ear’s usability has already been proven since the first generation, so you can be sure that you will be enjoying a tight seal and a comfortable fit like others before it. That said, there will always be exceptions, especially for those with ear shapes that the included tips don’t support. Unfortunately, Nothing has yet to provide a solution to that problem, like with extra tips to fit less common ears.

Since the case of the Nothing Ear hasn’t changed in the slightest, its ergonomics remain the same as the Ear (2). You still have a compact square shape that opens up like a clamshell, complete with that odd dimple that lets you precariously use the case as a fidget toy. It almost means, however, that the new Ear’s case still bears the same shortcomings as well, which the Ear (a)’s case thankfully fixes.

The rounded rectangular case of the Nothing Ear (a) has softer edges that make it more comfortable to hold in the hand. More importantly, however, you can clearly see its orientation so you won’t have to pause for a second to figure out which direction it opens. And unlike the Nothing Ear case, this yellow bubble-like container has markings to make it easy to see which bud goes in which slot. The red dot matches the dot of the same color on the right Ear (a) bud, while white is the color for the left bud. It’s a trivial addition but one that has a significant impact on the product’s usability.

Performance

You’ve undoubtedly come across designs that are so captivating yet fail to impress when it comes to functionality. That is fortunately not the case for the new Nothing Ear and Ear (a), and this is where the earbuds really prove to be worthy upgrades. Suffice it to say, you won’t be disappointed by the sound that you will hear, especially when you consider how much the buds cost.

The Nothing Ear and Ear (a) both boast new 11m drivers, though the higher-end model uses a ceramic material for even better audio clarity. In practice, this means that both buds are nearly equal in terms of audio output, producing clear, bold sounds with depth, especially when you turn on the bass enhance setting on the Nothing X app. Admittedly, it’s not going to compete with premium earbuds that cost nearly twice as much, but you won’t find both Ears lacking either. You get a well-balanced audio performance that makes listening to music, especially to classical music, a joy.

You can, of course, tweak the experience with the equalizer available in the mobile app, but the Nothing Ear does one thing more than the Ear (a). You can create a personalized sound profile by going through a series of tests so that you can be assured of the best quality possible given your ear shape and the tips you’re using. It takes the Ear’s performance to the next level, but not all people will be willing to pay the literal price for advanced features they may or may not even notice.

The good news is that, for all intents and purposes, the two new Nothing earbuds have the same feature set and perform quite similarly in that regard. Active Noise Cancellation, which has three levels of sensitivity, is quite effective, though definitely not on the same level as those more expensive brands. You can also set the app to automatically switch between ANC levels depending on the amount of ambient noise, which doesn’t always kick in immediately. There’s also a transparency mode that works in the opposite direction to let external sounds in, useful when you need to talk to someone or be aware of your surroundings.

Another trait the two share in common is dual connectivity, where you can pair the buds to two devices at the same time. They will switch between the two depending on which device is active, so you can take a call on your phone and then resume listening to music from your laptop afterward. In-ear detection is also automatic, and it will pause or resume playback when you remove and put back one or both of the buds in your ear.

Battery life is also one of the key upgrades in this generation of Nothing earbuds. The Ear can last a little over 5 hours with ANC on, while the Ear (a) somewhat ironically lasts longer over 5.5 hours in the same condition. Those figures nearly double if you turn ANC off, and the cases can charge the buds around three more times for extended use.

Sustainability

Nothing has always been a strong proponent of sustainable practices from the get-go, and the Ear and the Ear (a) thankfully don’t diverge from that path. The buds themselves might not be made from recycled materials, aside from the 100% recycled tin solder paste, but everything else about their manufacturing and packaging takes positive steps towards taking care of the environment. In addition to plastic-free packaging and carbon footprint labels, Nothing also uses renewable energy in the final assembly of the earbuds.

Given their size, the tendency to lose at least one of the pair, and their fragile designs, many earbuds have become almost disposable accessories, even if you’d cry over their price tag. The Nothing Ear and Ear (a) are thankfully built to last, though not exactly on equal footing. Both buds are IP54 dust and water-resistant, but only the Ear’s case enjoys an IP55 rating. The Ear (a), unfortunately, can only claim IPX2 water resistance, so you’ll probably be more careful that the yellow box doesn’t meet accidents.

Value

Despite the upgrades, the Nothing Ear doesn’t change its price tag from the $149 of its predecessor. The Nothing Ear (a), on the other hand, introduces a new $99 option in between the Ear and the $79 Ear (stick). Given its impressive performance and eye-catching design, those prices are quite a steal. The bigger question, however, is which of the two you should grab.

Unfortunately, things don’t seem to be in favor of the Nothing Ear. Yes, it has more features like a personal sound profile, a slightly better audio quality, and a more durable case, but not all of these will be deal breakers. In contrast, the Ear (a) offers comparable performance, a slightly longer battery life, a more ergonomic case, and a new yellow color option in addition to the typical white and black, all for a $50 lower price tag. There is a chance that the majority of buyers will prefer the Nothing Ear (a), especially the yellow option, but more discerning audiophiles won’t go wrong with the higher-end Nothing Ear.

Verdict

At first glance, the Nothing Ear seems like a simple rehash of an old design. It does, however, invite us to look deeper to go beyond what the eyes can see, and the product’s transparency is exactly a metaphor for that mindset. It brings together a familiar, stylish design and quality performance without extraneous features that distract you from the essentials. Best of all, it doesn’t even ask for more despite the noticeable improvements in the overall experience.

The Nothing Ear (a) sends a slightly different message with its vibrant color and more playful shape. It still clearly has Nothing’s design DNA but mixes it up with a fun identity that doesn’t skimp on the important bits. It says that you don’t have to go overboard, both in features and in price, to have a good time, and both the Ear and Ear (a) offer a delightful design that not only gets the basics right but goes above and beyond for a truly memorable experience each time you put them on.

The post Nothing Ear and Ear (a) Buds Review: It’s Nothing To Scoff At first appeared on Yanko Design.

Architecture studio Renzo Piano Building Workshop has unveiled render of its concept for a three-storey cultural centre in south Florida, USA.

Located in downtown Boca Raton, The Center for Arts & Innovation will contain public event and education spaces and have a capacity of 6,000 guests.

Plans for the center were announced late last year and the building is one of just two to three new commissions accepted by Renzo Piano annually, according to the studio.

The design phase for the project will continue over the next 18 months, allowing the project “to transcend its impact far beyond South Florida”.

“When you’re designing a conceptual plan as an architect, you’re often designing something that you don’t know, yet, exactly what it will be,” said Renzo Piano Building Workshop founder Renzo Piano.

“It’s about inventing. It’s about starting and working and seeing,” he continued. “We’re at the beginning and so what you see in these early designs – it’s not printed in stone. Rather, it’s the beginning of what we’re inventing and of something really unique.”

The building’s programming will take place across three storeys, with one section of the building dedicated to a large multi-purpose event and performance space that will “merge seamlessly” with an outdoor piazza.

The remaining space will contain a public lobby, working spaces, a maker space, creator residences, a startup incubator, food services and social areas.

Renderings show a wedge-shaped building wrapped in a glass facade with a large plaza at its centre, protected by sunshades that span its width.

A third floor, clad in an opaque material, sits on top. In some areas, it is affixed to the glass base while in others it is hovering just above it, supported by thin pillars.

This third-floor space will host food and beverage services, along with 100,000 square feet (9,290 square metres) of solar panels to provide electricity and hot water.

A red, rectangular viewing box will be suspended above the third-floor roof, accessed by a staircase, and will be used  as an additional space for events.

“Above the roof, there will be a special 100-person capacity panoramic space, known as the Belvedere, dedicated to both public and special events with 360-degree views of the city, ocean, and beyond,” said the team.

Interior renders show a textured ceiling, with floor-to-ceiling glass enclosing a double-height lobby that is outfitted with brightly-coloured furniture and an exposed, skeletal staircase.

Based on the “four societal pillars” of arts, education, business and community, the project aims “to pioneer a new approach to how the world designs, imagines, programs, utilizes and embraces its cultural infrastructure” according to the team.

“Innovation is like beauty – you don’t just say someone is beautiful for their exterior, they’re also beautiful because of their mind,” said Piano.

“The same sentiment will apply to the center. It’s not about being a beautiful building; the beauty is in what will be created and invented inside the building.”

As of last year, groundbreaking is scheduled for 2025, with a date still to be determined for a finalized design.

The studio recently completed a Toronto justice building to house criminal courtrooms and a museum in Turkey wrapped in a “fish-scale” facade.

The images are by Renzo Piano Building Workshop

The post Renzo Piano unveils Boca Raton cultural centre topped with viewing box appeared first on Dezeen.

This screw gripper, designed and manufactured by Wera Tools, is for holding non-magnetic screws on the tip of your driver. It slides over cylindrical and hexagonal shafts with a diameter of 4.5mm to 6mm.

Made of soft plastic, they won’t mar the surface of your workpiece as the screw reaches home.

They also have an insulated version, sold as a pair; this includes the 4.5mm-to-6mm-sized unit and a larger one that can handle 6mm to 8.5mm.

They run $6 and $12, respectively.