10 Best iPod-Inspired Homage Designs To Honor The Iconic Device

The iPod, a groundbreaking device that revolutionized the way we listen to music, is celebrating its 23rd anniversary. While it may no longer be at the forefront of Apple’s product lineup, its legacy lives on in various nostalgic designs that pay homage to its iconic status. And, we’ve curated a collection of innovative and intriguing designs – concepts and tangibles alike, that perfectly capture the essence of the iPod while integrating modern technology.

These products celebrate the iPod’s legacy by blending nostalgia with modern technology. Each design offers a unique way to honor the iconic device, whether through transforming existing gadgets, enhancing smartphone functionality, or reimagining the iPod Shuffle. They are an interesting mix of conceptual designs and real products but they all showcase the enduring influence of the iPod on the world of technology and design. As we celebrate its 23rd anniversary, these innovations remind us of the iPod’s impact and the creative possibilities it continues to inspire.

1. Pod Case

If you’re wondering if this is the new iPod, sadly, it isn’t. But it is something much better! A way for you to celebrate and reminisce over the iconic iPod. It is designed to be an old-school external case for your beloved Apple Watch. Designed by Joyce Kang and C.O. Design Lab, the Pod Case is a beautiful celebration of the evergreen iPod. It is made from silicone, and will smoothly slide over the body of your Apple Watch, offering it a fun and funky throwback.

Since the watch’s screen almost matches the screen size of the classic iPod Nano, this design works well, creating an amusing fusion of the past and the present. The jog wheel on the front doesn’t work, but you can easily navigate and control the watch through the touch screen. If you’re a Gen-Z who never got to experience the iPod, or a millennial wishing to relive their glorious iPod days, the Pod Case is a great idea.

What we like

  • Perfect fusion of the past and the present.
  • Besides being aesthetically unique, it offers protection for your Apple Watch.

What we dislike

  • The case may not be compatible with all Apple Watch models and sizes.
  • The design may not appeal to those who want a more modern look.

2. AW6 Case

Designed by Elago, and dubbed the AW6 case for the AirPods, this adorable little case is another tribute to the iPod. It is created to replicate the iPod Classic’s jog dial while serving as a protective cover for your AirPods case. This case is compatible with 1st and 2nd gen AirPods, and the sleeve is equipped with a slot for the charger, and a carabiner clip to hang it from your belt loop or backpack. There is a tiny hole above the menu for the charging light as well.

If you’re looking to take a trip down memory, then the AW6 case is a great bet as it not only protects your AirPods and their case but also takes you back to the days when the iPod was a sweet reality instead of a distant memory. It adds a fun twist to typical and conventional AirPods accessories, by merging the old and the new.

What we like

  • The design may offer an improved grip compared to the smooth surface of the original AirPods case.
  • Will serve as a conversation starter amongst Apple enthusiasts.

What we dislike

  • May not appeal to those who want a more minimal and contemporary look for their tech devices.

3. Opal Tadpole

Designed by Opal, the Tadpole is an iPod Shuffle-shaped webcam with a 4k sensor and AI feature. It features a new machine-learning signal processor which delivers “DSLR-rivaling quality”. It is also equipped with a moderately wide 90-degree field of view. The wide angle is great for capturing more than just your face, it is a boon for dynamic presentations, or when you want to show your surroundings more.

It features a f/1.8 lens, which can capture well even in low-light conditions. It also includes a digital microphone array, which can pick up your voice clearly while minimizing any background noise. It adopts the shape and size of a 3rd-Gen iPod Shuffle, with a lovely minimalist design to match. It can easily clip onto your laptop or monitor without adding much bulk.

What we like

  • The 4K sensor offers high-resolution video quality.
  • The iPod Shuffle-inspired design offers a compact and portable form factor.

What we dislike

  • The unique design might raise questions about durability and how well the device can deal with regular use.

4. Shuffle AirTag Case

Elago is back with another cutesy design! This is the Shuffle AirTag Case, and it is the perfect accessory for any Apple lover. It looks like the 4th Gen iPod Shuffle and is designed to be a protective case for your AirTag. It is built from soft silicone and offers protection from bumps and scratches. It also features a keyring, which allows you to securely attach it to bags, backpacks, etc.

The case has been built with attention to detail, and it successfully captures the iPod Shuffle’s iconic beauty. It includes a circular interface on the front, as well as a switch and 3.5mm audio input on the bottom. It is available in two colors – mint green and black, although black does seem like the more appealing option.

What we like

  • It transforms the look of the AirTags, allowing users to personalize their devices.
  • Provides an additional layer of protection for the AirTag.

What we dislike

  • The case may add some bulk to the compact AirTag, which could affect its fit in certain accessories or holders.

5. tinyPod

Called the tinyPod, this delightfully little accessory is another interesting way to convert your Apple Watch into a miniature iPod. It features a nostalgic design and a modern twist. The Apple Watch is enclosed in a case that resembles the iPod and provides a colored screen and an interesting click-wheel-like control system. We are unsure of the functionality, but it will deliver an experience that will take you back to the good old days.

It also allows you to enjoy the added capabilities of the Apple Watch. The accessory allows users to listen to music, watch YouTube, and more without even touching their smartphones. It bridges the gap between a simple portable media player and a full-fledged smartphone.

What we like

  • By combining the Apple Watch’s features with the iPod’s design, users can enjoy music and other media with ease.

What we dislike

  • Details about the click-wheel functionality and overall user experience are unclear.

6. iPod Magnetic Hybrid Card Holder

Say hello to Elago’s iPod Magnetic Hybrid Card Holder. It is a MagSafe-compatible accessory that will bring a hint of nostalgia to modern smartphones. This card holder is designed to resemble the classic iPod, and it merges old-school charm with new technology. It can fit perfectly and seamlessly onto MagSafe-enabled iPhones, providing an easy and convenient way to carry essential cards with you.

The cardholder is made from durable polycarbonate, and it is equipped with powerful Neodymium magnets which provide a secure fit. It is blessed with an ergonomic design which includes a finger groove for easy handling, and a card removal aid for convenience.

What we like

  •  The card pocket holds up to two cards, providing a practical solution for carrying essentials without a bulky wallet.
  • Made from robust materials, the card pocket is designed to withstand daily use.

What we dislike

  • Only compatible with MagSafe-enabled iPhones, limiting its use to a specific audience.

7. Nothing Npod (1)

The Nothing Npod (1) is a lovely fan-made tribute to the iPod Shuffle. It is a conceptual design created by designers Shreyansh Onial and Aditya Pandharpure. It integrates Nothing’s transparent design aesthetic and glyph interface with the beautiful memory of the iPod Shuffle. It is equipped with a signature circular panel that will remind you of the original iPod Shuffle.

The concept also includes a wireless charging coil, and a USB-C charger, thereby combining classic design elements with modern technology. The glyph interface works well, adding a unique touch, and responding to music with visual indicators for volume and playback progress.

What we like

  • Integrates modern conveniences into its retro design.
  • The glyph interface offers the potential for dynamic interaction.

What we dislike

  • It is a conceptual design, so we don’t know how well it will translate into a tangible product.

8. iPod Touch 2024

Designers JUAN and Wong teamed up to reimagine the iPod Touch, drawing inspiration from the iPhone 16 language. The iPod is no longer in production, but this reimagined concept brings to us what the iPod would probably look like in today’s times. Their unique vision retains the 4-inch retina display but adopts elements from the latest iPhones.

The iPod includes a single Apple logo on the back and a revived pop-out loop hanger button. They’ve also retained the 3.5mm headphone jack, bringing attention to the iPod Touch’s identity and cost-effectiveness. It is exciting to see how the iPod Touch would have looked like in 2024.

What we like

  • Blends classic iPod Touch design with contemporary iPhone elements.
  •  The loop hanger button and headphone jack add distinctive touches.

What we dislike

  • Not yet available as a tangible product.
  • It appeals to fans of both iPod and iPhone design languages, so it has a limited audience.

9. W6 Stand

The W6 Stand by Elago is designed as a nifty throwback to the iPod! If you want to convert your Apple Watch into an iPod, this is a tangible and buyable product that you can purchase. It transforms your Apple Watch into a nostalgic display reminiscent of the classic music players. It is compatible with all the Apple Watch series and perfectly creates the impression of the lovely vintage device.

The stand is built from scratch-free silicone, and it provides protection and stability and prevents scratches or wear and tear. The W6 Stand is perfect for nightstand use. You can also slide the Watch charger inside too, so your Watch can charge as it docks in its new yet not-so-new home.

What we like

  • Works with all Apple Watch series, ensuring broad usability.
  • Silicone construction prevents scratches,

What we dislike

  • The retro design may not appeal to everyone.
  • It is best suited for use as a nightstand, so it may not appeal to all users.

10. iPod Classic 2021

Designer Andrea Copellino reimagined a modern iPod Classic that brings the nostalgic and lovely charm of Apple’s iconic MP3 player. This iPod Classic drew inspiration from the iPhone 12 Pro, featuring a stainless steel body and flat sides. The concept also includes a click wheel and Apple Remote Integration. The concept is a celebration of the beloved iPod Classic, weaving a surreal image of its potential future.

Of course, the iPod doesn’t seem to have a foreseeable future, but this iPod Classic concept is a fun and playful way to celebrate and remember the audio device. It manages to capture the essence of the iPod with modern design elements, and contemporary aesthetics, creating a perfect fusion of the old and the new.

What we like

  • Features high-quality materials and a sleek aesthetic.
  • Combines click wheel nostalgia with Apple Remote functionality.

What we dislike

  •  As a design concept, it is not yet available for purchase, and we are unsure how well it will translate into a real product.

The post 10 Best iPod-Inspired Homage Designs To Honor The Iconic Device first appeared on Yanko Design.

Thomas Heatherwick creates Bombay Sapphire bottle with cinched waist and "terrarium of sorts"

British designer Thomas Heatherwick has created a collection of sculptural bottles including some with an integrated “terrarium of sorts” as part of a glassware collection for gin brand Bombay Sapphire.

Unveiled today, the limited-edition set described as “the first ownable Thomas Heatherwick piece of its kind” includes one of three gin and tonic glasses and a standard-sized gin bottle.

The designer also created two larger, more sculptural designs with an hourglass shape that will be displayed at Bombay Sapphire’s distillery and in selected bars throughout Europe.

Blue glassware Bombay Sapphire
Thomas Heatherwick has released a sculptural glassware collection with Bombay Sapphire

The collaboration marks 10 years since Heatherwick Studio completed the Bombay Sapphire distillery at Laverstoke Mill, which involved renovating the existing buildings and the addition of two glasshouses.

“We transformed the remains of an old paper mill into a distillery that places nature at its core,” said Heatherwick.

“Two remarkable glasshouses were constructed to harness waste heat from the distillation process, cultivating the botanical plant species that give gin its unique flavour.”

Thomas Heatherwick collection of gin glassware
The collaboration marks 10 years of the Bombay Sapphire distillery in Hampshire

“The inspiration for the distillery glasshouses came from historical glasshouses like the ones created by Victorians who grew plants in special terrariums,” Heatherwick told Dezeen. “A decade later, the bottle has a connection to the distillery glasshouse.”

Finished in the same blue hue characteristic of Bombay Sapphire bottles, the glasses and larger bottles in Heatherwick’s collection are distinguished by pleated detailing and a sculptural hourglass shape.

“Pleating the bottle and giving it a pinched ‘waist’ gives it lovely, generous curved surfaces which feels like a connection to the Hampshire project,” said Heatherwick.

Hourglass shaped gin bottle designed by Heatherwick
Pleated detailing and a “pinched waist” characterise the design of the larger bottles

One of Heatherwick’s key aims was to find a way to incorporate nature into the bottle design, which he explained is a common goal throughout his wider design projects.

The largest bottles, produced in a limited edition of 10, will each hold a different botanical found in Bombay Sapphire gin.

“The bottom of the new bottle forms a terrarium of sorts and is a way of integrating nature into the design,” he said. “It holds one of the types of botanicals used to infuse the gin.”

The pieces derive their sculptural quality from the hand-blowing process, Heatherwick explained.

“Blown glass is a very special material that resonates with people,” he stated.

“For the glasshouses at the distillery, we worked with engineers who managed to realise these very voluptuous, complex shapes that were that were pieces of very advanced manufacturing and craft.”

Gin bottle in hourglass shape held by Heatherwick
The pieces were hand-blown

“For the new bottle, the craft involved has been incredible, using electric kilns powered by renewable energy,” he added. “Craftsmanship has been essential from the distillery all the way through to our latest collaboration”.

The ten terrarium bottles are set to be housed at Bombay Sapphire’s Hampshire distillery, while the smaller cinched models will be displayed at a selection of bars throughout Europe from 2025.

Other bottle designs recently featured on Dezeen include Mortlach whiskey bottles covered in metallic “brain” cases by Philippe Starck and the “world’s lightest whisky bottle” from Johnnie Walker.

The photography is by Raquel Diniz and Laura Knox.

The post Thomas Heatherwick creates Bombay Sapphire bottle with cinched waist and “terrarium of sorts” appeared first on Dezeen.

Pixel 9 Pro Fold replacement screen from iFixit arrives with a big caveat

Smartphones today are very complex products, which is why manufacturers have long discouraged or even disallowed owners from opening up theirs just to repair a single part. Most people probably don’t have the skills for that anyway, but the old policies also prevented small third-party businesses from offering more accessible repair services. That has been changing slowly, with more major phone makers finally allowing self-repair to some extent.

Of course, that all hinges on the availability of replacement parts, which isn’t that easy to come by when it comes to official components. Fortunately, the likes of Google have partnered with iFixit to actually sell the most critical parts, opening the doors further to self-repair or third-party services. That includes the new Pixel 9 Pro Fold, though the replacement foldable screen might still be beyond most people’s reach.

Designer: Google, iFixit

A foldable phone probably has the most complex design among smartphones today, especially because of its flexible display panel. Unfortunately, that is probably the component that will break faster, which means it will be the one that will get replaced more often. Even more unfortunately, it’s also one of the most expensive parts of the phone.

The official Pixel 9 Pro Fold replacement screen being sold on iFixit is a prime example of that. Now available for anyone to purchase, the foldable screen alone costs $1,199.99. If it’s your first iFixit self-repair, you might want to buy the screen and a repair kit, setting you back $1,206.99 in total. It’s an eye-watering price tag, especially when you consider that the Pixel 9 Pro Fold itself already costs $1,799.

It doesn’t help that the process for repairing the Pixel 9 Pro Fold is, as expected, a bit convoluted and nerve-wracking for novices. Then again, that isn’t too surprising, given the young age of the technology and the rarity of available parts. Most owners probably won’t do the process themselves but iFixit and Google’s partnership will allow small businesses to thrive making repairs for these devices.

Despite those rather large hurdles, it’s still a significant step forward in making smartphones longer-lasting and more sustainable. There will be more options to get the Pixel 9 Pro Fold repaired, even if they’re pricey. It’s definitely a much better situation compared to the past where even opening up a smartphone on your own marks you for some legal trouble.

The post Pixel 9 Pro Fold replacement screen from iFixit arrives with a big caveat first appeared on Yanko Design.

Muni Onesie (and other items)

If there’s one thing that most San Franciscans can agree on, it’s that the Muni (its municipal transit system’s name) has a really great logo. Affectionally known as “The Worm,” it was created in 1975 by celebrated graphic designer and brand identity guru Walter Landor. The Onesie is available in 6, 12 and 18 month sizes. It’s 5 oz, 100% ring spun cotton and features double needled ribbed binding, snap tape and a snap closure. We couldn’t pick just one thing to share though, so check out their other caps, tees, sweatshirts and accessories (with prices ranging from $15-$65).

Icons of Design Celebrates Independent Artisans and Craftspeople

A design-focused SoCal gathering that intersperses vehicular displays from indie shops with all sorts of wares from small batch boutiques

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Icons of Design Celebrates Independent Artisans and Craftspeople

A design-focused SoCal gathering that intersperses vehicular displays from indie shops with all sorts of wares from small batch boutiques

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Courtesy of Icons of Design

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It takes mountains of creativity and boatloads of brains to build an exceptional custom car. The high-level orchestration of art and engineering demanded by automotive manufacturing is unparalleled, making it no wonder that Jonathan Ward, one of the pioneering forces in the handmade automotive space, embraces a spiderweb of connections within the worlds of design and craftsmanship.

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Courtesy of Icons of Design

“I’m a serial craftsman,” Ward explains to COOL HUNTING, “I make all my clothes and leather goods. Through all this shit I geek out on through my training and network, I’ve developed so many friends that are doing exceptional work as independent makers.” He reveals that those relationships led him to a realization. “I thought, craftsmanship has no boundaries. Wouldn’t it be neat to have an event where people could go and see not just the latest custom cars and trucks and motorcycles from pro shops that they could see at The Quail, but also from incredible people who have a soulless day job but are building incredible things?” 

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Courtesy of Icons of Design

By embracing his network, which spans from silversmiths and jewelers to boot makers and apparel manufacturers, Ward assembled Icons of Design—a design-focused lovefest that intersperses vehicular displays from indie shops like Legend Motor Co., Ruffian, and of course his own Icon4X4 with everything from small batch boutiques like Formawerx to more mainstream companies like Aether

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Courtesy of Icons of Design

The second installment of this event will be held this Saturday and Sunday, 16 to 17 November at Hagerty Garage + Social in Van Nuys, California. With around 50 brands represented, the vibe is closer to a country fair than an urban assembly. Patrons are able to peruse local offerings from the array, with food trucks and a full bar hosted by Madre mescal and tequila. One hundred percent of the net proceeds benefit GO Campaign, an organization that works with vulnerable children both globally and in Southern California. 

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Courtesy of Icons of Design

Ward sees the union of seemingly disparate crafts as elemental to his automotive and leather-working efforts. “Really, with the exception of ceramics, pretty much every other art form is often present in every vehicle we design and build,” he says. “So if we do a hand-tooled leather interior, that’s going to traditional Western tooling; if we do custom knobs and switches, we’re combining both high-tech and old-world lost wax casting; all the textiles and leathers that we use are rarely from the automotive realm.”

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Courtesy of Icons of Design

“But I guess the most honest answer is because I’m a geek and I love supporting independent makers both as a consumer and a creator,” he adds. “I think it’s harder and harder for them to find an audience and make a relevant business case for being independent.”

Ten striking sculptural buildings that draw attention from afar

Kaktus Towers by BIG

Following the completion of Open Architecture‘s conical Sun Tower in China, we’ve collected 10 eye-catching skyscrapers, towers and cultural buildings that stand out from their surroundings.

Spiky residential towers, an ark-shaped church and a timber castle viewpoint are among the featured buildings, many of which have become landmarks in their contexts thanks to their towering heights and sculptural forms that can be seen from afar.

Read on for 10 striking structures that stand out in the landscape:


Sun Tower by Open Architecture
Photo by Jonathan Leijonhufvud

Sun Tower, China, by Open Architecture

Sun Tower is a 50-metre-tall concrete building with a conical shape, designed by Chinese studio Open Architecture as a cultural venue that doubles as a giant sundial.

Located in Yantai, northeast China, Sun Tower contains exhibition spaces, a semi-outdoor theatre, a library, a viewing deck, a cafe and a bar within its sculptural form, which references lighthouse typologies.

Find out more about Sun Tower ›


Sculptural apartment building Kaktus Towers by BIG

Kaktus Towers, Denmark, by BIG

Danish studio BIG designed a pair of distinctive residential high-rises in Copenhagen with rotated floor plates that form a spiky exterior.

The towers are linked by a raised public park and contain 495 apartments, some of which open onto balconies on the corners of the jagged facade.

Find out more about Kaktus Towers ›


Woven Gateway and Sky Ring by Line+ Studio
Photo courtesy of Line+ Studio

Woven Gateway and Sky Ring, China, by Line+ Studio

Commissioned as part of the enhancement of the Chuan Yan Nineteen Peaks Scenic Area in Zhejiang, China, architecture practice Line+ Studio created a 20-metre-long woven timber tunnel and a doughnut-shaped balloon that floats above a field.

Intending to create a “public symbol” in the scenic area, the balloon is tethered over an outdoor gathering space and functions as a meteorological balloon.

Find out more about Woven Gateway and Sky Ring ›


Auckland Castle's entrance by Niall McLaughlin Architects
Photo by Nick Kane

Auckland Tower, UK, by Niall McLaughlin Architects

UK studio Niall McLaughlin Architects added a larch entrance building and viewpoint to Auckland Castle, which forms the first port of call for visitors and leads them to a ticket hall.

Rather than close the tower off with solid walls, the studio left the timber structure open to mimic the form of medieval siege engines that were used as weapons to destroy fortifications.

Find out more about Auckland Tower ›


Twisted skyscraper in Chongqing by Aedas

Dance of Light, China, by Aedas

Designed by architecture studio Aedas as a landmark in Chongqing’s business district, the Dance of Light office skyscraper has a dramatic twisting facade informed by the shape of the northern lights.

The studio created two double-curved facades to give the 180-metre-tall tower its twisted appearance, which is clad in double-curved glass.

Find out more about Dance of Light ›


Observation Tower Kärven by White Arkitekter
Photo by Felix Gerlach

Observation Tower Kärven, Sweden, by White Arkitekter

Another twisting landmark is the Observation Tower Kärven, a 12-metre-tall hyperboloid structure with timber beams that enclose a spiral staircase and viewing platform overlooking a nature reserve.

It was developed using parametric modelling and calculation software by Swedish studio White Arkitekter, which aimed to create a structure with “a visually striking simplicity reminiscent of a bundle of twisted straws”.

Find out more about Observation Tower Kärven ›


Sculptural apartment building by MAD Architects
Photo by Iwan Baan

One River North, USA, by MAD Architects

A curving canyon-like crack breaks open the main facade at the One River North apartment block in Denver, Colorado, by international studio MAD Architects.

The studio wanted to impose the image of rock formations onto the otherwise typical residential building, adding outdoor spaces on textured plaster terraces where the facade opens up.

Find out more about One River North ›


Broadcasting tower with walkable roof
Photo by Sebastian van Damme

Çanakkale Antenna Tower, Turkey, by IND [Inter.National.Design] and Powerhouse Company

Dutch studios IND [Inter.National.Design] and Powerhouse Company clad a looping broadcasting and observation tower in Corten steel to contrast with the surrounding Turkish forest.

Forming a continuation of an existing forest path, the Çanakkale Antenna Tower has a tall multimedia and telecom broadcast antenna that slopes down into a looped building containing exhibition spaces, recreational facilities and an observation deck.

Find out more about Çanakkale Antenna Tower ›


Sculptural seafront tower in Indonesia
Photo courtesy of Nuanu

Tri Hita Karana Tower, Indonesia, by Arthur Mamou-Mani

French architect Arthur Mamou-Mani used rattan and ironwood to construct the intricate, flowing form of this viewing tower on a beach in Bali, Indonesia.

The 30-metre-tall Tri Hita Karana Tower was designed to be a landmark for the Nuanu resort that could be disassembled, moved or adapted in the future, in an effort to protect the surrounding environment.

Find out more about Tri Hita Karana Tower ›


Sculptural church building in China
Photo courtesy of Inuce

Mountain Church of Julong, China, by Inuce

Perched at the foot of a mountain in Julong, this church steps up a sloped site with four granite-clad terraces that form the base for its sculptural main hall. It was designed by architecture studio Inuce to resemble a biblical ark resting on a rock.

Being Julong’s first permanent church, Inuce wanted to create an accessible and “religious landmark” for the town, incorporating a small library, study rooms and conference facilities in the lower level.

Find out more about Mountain Church of Julong ›

The post Ten striking sculptural buildings that draw attention from afar appeared first on Dezeen.

Fjcstudio wraps Sydney school in perforated aluminium facade

Darlington Public School by Fjcstudio

Perforated aluminium screens envelop the exterior of Darlington Public School in Sydney, Australia, which has been redesigned by architecture studio Fjcstudio.

Located on the outskirts of the city, the primary school was designed to serve as “a model for innovative educational spaces”, providing adaptable indoor and outdoor learning spaces for the students.

The design by Fjcstudio took influence from the school’s “strong connections to Aboriginal people”, which were integrated through the building’s design and landscaping, and artwork including murals and totems by Aboriginal artists Blak Douglas and Neil Thorne.

Exterior view of Darlington Public School in Sydney
Fjcstudio has redesigned the Darlington Public School in Sydney

“The school’s emphasis on blending educational, cultural, and environmental values highlights its role as a community hub that celebrates both its local landscape and its deep connections to Aboriginal heritage,” said the studio.

Completed in 2023, the school has also been shortlisted in the Educational project category of this year’s Dezeen Awards.

It was also the winner of World Building of the Year 2024 at the World Architecture Festival 2024 and was praised by the jury for its “poetic” design.

Outdoor play area at community school by Fjcstudio
The school has won World Building of the Year at the World Architecture Festival 2024

The 3,878-square-metre school opens onto a spacious, landscaped outdoor space, which fronts the building and stretches its full length. Here, paved walkways, play areas and stepped seating are interspersed with greenery.

The building’s organic facade, which is composed of a brick base topped with screens of perforated aluminium, overlooks this outdoor space. Behind it, a rectilinear volume hosts the school’s spaces and is topped with a sawtooth roof.

On the ground floor, recesses in the facade’s structure lead into a sheltered entrance courtyard, where a second entrance similarly connects to the space through an arched opening.

The adjacent learning areas are divided into flexible classroom spaces designed in collaboration with educational consultants New Learning Environments to foster “collaboration and inclusivity”.

White walls contrasted by wooden storage spaces feature throughout the classrooms, which are lit by openings and suspended lighting.

Sheltered courtyard within Darlington Public School in Sydney
A sheltered courtyard connects the school’s spaces

Staircases housed in the building’s protruding cylindrical volumes lead up to the school’s first floor, where open-plan, semi-outdoor learning spaces are lit and ventilated by the perforated facade.

Additional spaces include a communal hall, and upper floor classrooms and “withdrawal rooms” lit by openings in the building’s sawtooth roof.

Open-plan learning spaces at community school by Fjcstudio
Open-plan learning spaces are hosted on the first floor

The studio also integrated sustainability initiatives into the school, including a rainwater harvesting system, energy-efficient systems and passive strategies such as natural ventilation and optimised daylight access through the sawtooth roof.

Fjcstudios is a multi-disciplinary studio with offices in Sydney, Melbourne, Brisbane and the UK. The studio was previously awarded World Building of the Year in 2013 for the Auckland Art Gallery, and is the first practice to become a double recipient of the prestigious award.

Other schools recently featured on Dezeen include a preschool featuring parametric forms topped with greenery and a “culturally sensitive” preschool built from timber and rammed-earth.

The photography is by Brett Boardman.

The post Fjcstudio wraps Sydney school in perforated aluminium facade appeared first on Dezeen.

"As the centre of Delhi is reimagined, it is hard not to see parallels in history"

The Indian government’s rushed redevelopment of the Central Vista in New Delhi fails to move on from the colonial history of Edwin Lutyens‘s original project, writes Amit Khanna.


For millennia, kings and rulers have built so that they may live forever, and history has only been selectively kind. In New Delhi, Narendra Modi is pushing through a project that is remaking the centre of the city, a vast Haussmann-isation of the Central Vista.

Launched in 2019, but not due to complete until 2026 at the earliest, this $2.7 billion project will see the colonial-era administrative centre in New Delhi completely overhauled. A new parliament has already been built, with a whole suite of government and cultural buildings – including a prime-ministerial residence – due to follow, plus the overhaul of the public spaces along the three-kilometre strip of land.

There is significant opposition from the architectural community to the rushed redevelopment plan

Modi is attempting to solve a fundamental issue. India’s administration has grown with its population, and his bureaucrats are currently spread out all over the capital city, while most of the older buildings are falling apart.

It is a much-needed densification of power, and one that will remain long after power at the centre has changed hands, but what will be the legacy of his ambitious vision?

Lutyens was appointed to design the new capital for Delhi in 1912, in a rare case of a government opting for the best candidate. It was a choice mirroring the trajectory of a life and career that broadly coincided with the height of the British empire.

In her fond biography of her great grandfather, The Architect and His Wife, Jane Ridley paints a vivid portrait of Lutyens as a man with the necessary will to transform his sketches into reality via the complex bureaucratic web of the British government’s India Office.

The task in Delhi was to deliver an edifice of power and permanence. In this, Lutyens succeeded, though at a cost: his work in Delhi, like that of Albert Speer in Nazi Germany, became emblematic of domination on a biblical scale.

A century later, there is significant opposition from the architectural community to the populist Indian’s government’s rushed redevelopment plan, with calls for the preservation of both the urban structure and the local ecology. There is talk of the preservation of the buildings themselves, now showing their age after a hundred years of systematic bureaucratic neglect and a haphazard network of retrofitted services.

The chosen facade is hardly breaking the shackles of colonial domination

Lutyens himself, ever the pragmatist, would likely have been astonished at the efforts to conserve his buildings beyond their functional life. He was, above all, an architect who lived for his next project, and it is not hard to imagine that, given the chance, he would have welcomed the opportunity to build anew by tearing down the old.

Indian architecture firm HCP has been appointed to the project. Within the annals of modern architecture in the subcontinent, the work of HCP stands out for its clarity of architectural intent and strict adherence to an honest expression of materiality.

Its eponymous founder, Hasmukh C Patel, started building in the post-independence era where Lutyens and his contemporaries left off, and produced an oeuvre of crisp exposed-concrete public buildings in Ahmedabad. Now helmed by Hasmukh’s son, Bimal Patel, the studio’s more recent buildings are generally sensitive to the local climate and often built using local materials and resources.

However, what HCP has produced in Delhi is a radical departure from its well-known aesthetic. The exposed brick and concrete sharpness has been replaced with a sort of faux Lutyens-esque classicism, complete with sandstone plinths and tall collonaded verandahs.

The new parliament is a well resolved, beautifully built and generally well-detailed building. However, the material expression reverts to the choices made by Lutyens under pressure from governor-general Lord Hardinge – red and beige sandstone are intricately detailed to create a surface texture and proportion more reminiscent of buildings made across Europe hundreds of years ago than of a contemporary public building in Asia.

For a nation (and incidentally, a government) that prides itself on its modernity and the digital age, the chosen facade is hardly breaking the shackles of colonial domination, and may just be reinforcing how strong they remain in the public consciousness of what it means to be grand.

It would have repulsed Lutyens to be so exclusionary

And the parliament building is just the beginning of a vast panoply of projects planned along the Central Vista, gradually replacing and subsuming institutions that benefited from the immense scale of the open space afforded by the grand boulevard running through the site, now called Rajpath.

Planted originally with Jamun trees, the fruits of which were thought to pay for the maintenance of the gardens and were a favourite haunt of napping government servants, lunching students and smooching couples, the gardens are now increasingly off-limits, and thousands of trees are being cut to make way for the buildings.

In the evenings, the broad road leading up to the presidential palace used to be overcrowded with ice-cream and street-food vendors, hawking their wares to weary Delhiites in search of a breezy evening walk. Now it is cordoned off and strictly guarded against casual loitering.

One can hardly blame the authorities for wanting to keep their precious new buildings under lock and key. Stray incidents of terrorism are rampant globally and Delhi’s huge population of urban poor are unwelcome in the manicured environs of power in the capital.

Gone are the vendors, the amorous visitors, and the middling bureaucrats (who will soon be able to nap in their swanky air-conditioned offices), and in their place is a sort of urban dead zone – a public place without the public. It would have repulsed Lutyens, who was not an imperialist, to be so exclusionary.

For thousands of years, local kings and invading armies have created their own cities here

As the centre of Delhi is reimagined, it is hard not to see parallels in history. For thousands of years, local kings and invading armies have created their own cities here. Forts still dot the landscape from Mehrauli in the south to Tughlaqabad in the east and Chandni Chowk in the north, every arriving emperor looking to stamp his authority in the region through a programme of building.

It is unsurprising therefore, to witness the building efforts of the current regime following the two historic practices of rebirthing the capital. First is to subsume the old into the new – by forcing HCP to design a building that looks like it always belonged, thereby creating a false sense of continuity while gradually removing the privileges of public space.

And then there’s the second, more ominous trend of attempting to leave a lasting edifice in the fickle dust plains just before the end of the empire.

Amit Khanna is design principal at Amit Khanna Design Associates.

The photo is by Abhishek Choudhary.

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Atlantic collection rugs by Workshop/APD for Warp & Weft

Atlantic collection rugs by Workshop/APD for Warp & Weft

Dezeen Showroom: architecture firm Workshop/APD has drawn on its projects on the US island of Nantucket to create the Atlantic collection of rugs for Warp & Weft.

Designed by Workshop/APD designers Andrew Kline and Ruoxi Wang, the Atlantic rug collection applies the firm’s elegant, contemporary aesthetic to the shapes, lines and colours of the American east coast.

Atlantic collection rugs by Workshop/APD for Warp & Weft
The Meander rugs are inspired by pathways cut through coastal grasses

The collection features six different designs arranged into three groupings: Tidal, Shore and Meander.

“Each of the groupings was intended to bring the landscape’s textures, shapes and hues to life and into residential commercial spaces with a luxe, sophisticated aesthetic that transcends the traditional definition of a coastal aesthetic,” said Workshop/APD principal Andrew Kotchen.

Atlantic collection rugs by Workshop/APD for Warp & Weft
Shore has a watercolour effect recalling lapping waves

The Meander rugs come in two styles that reference winding pathways cut through beach grasses and that feature textural contrasts created by combining materials such as cut-pile wool with looped hemp.

The one Shore rug is made of fine silk and features a watercolour effect reminiscent of waves lapping the sand, while the three Tidal rug designs are lined with dynamic strokes that are meant to evoke waves cresting and breaking against each other.


Product details:

Product: Atlantic collection
Designer: Workshop/APD
Brand: Warp & Weft
Contact: info@warpandweft.com

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Mycelium Muse exhibition celebrates "variations and irregularities" of mycelium fabric

Mycelium Muse exhibition at Design Miami.Paris

Seven French designers and artists have worked with a mycelium-based biomaterial called Reishi to create products including folding screens, desks and lighting fixtures.

Exhibited at Design Miami’s 2024 Paris edition, the Mycelium Muse exhibition was a collaboration between materials company MycoWorks and creative agency Paragone, which represents emerging creatives including many of the designers chosen for the project.

Mycelium lamp
Seven French designers have made products made from Reishi

The seven female designers and artists were each tasked with developing an object that celebrates the unique properties of Mycoworks’s Reishi material, which is malleable like fabric but can also be dyed, embossed, varnished or finished like leather.

Reishi is custom-grown from mycelium – the root network of fungi – according to each project’s specifications and comes in a variety of colours and textures that can resemble wood, marble or paper.

Mycelium lamp displayed as part of the Mycelium Muse exhibition at Design Miami.Paris
Jospéphine Fossey created a geometric lamp from the biomaterial

The designers were encouraged to showcase Reishi’s adaptability and durability in their objects, with the only constraint being that they should preserve the material’s natural colour.

“The idea behind this project was to show how this new material can inspire art and design through its amazing story, spanning from its incredible natural origins to its groundbreaking production cycle,” Mycoworks creative director Xavier Gallego told Dezeen.

“Each designer was given creative control to show the different ways in which the material could be used and translated,” he added. “The variations and irregularities of some of our sheets became expressive entry points for exploring the mysteries of mycelium.”

Screen made from Reishi and steel tubes
Steel tubes formed the framework for a Reishi-covered screen by Sophie Dries

For her contribution, architect and designer Sophie Dries created a brutalist-style screen with a frame made from weathered steel tubes. The metal’s patinated surface is complemented by Reishi’s naturally mottled texture.

Interior designer Jospéphine Fossey‘s Lampadaire Silencieux lamp highlights Reishi’s opalescence and its ability to produce a warm, diffused light. The geometric forms of the base and shade offer a counterpoint to the material’s natural tactility.

Aspen stool displayed at Design Miami.Paris
Aspen is a folding stool with a laser-cut Reishi seat

The Aspen stool by designer Marion Mailaender is based on the classic folding fisherman’s stool with a modern twist provided by the stitched Reishi seat, which is laser cut to create an ornamental fringe.

“I really enjoyed experimenting with an innovative material in a classic furniture format,” said Mailaender. “I was able to mix ancestral sewing techniques to reinforce the material and at the same time use more modern techniques.”

For her Undergrowth desk, architect and cabinetmaker Ann Le Corno chose to highlight the natural imperfections that are evident in both mycelium and myrtle burr timber. The desk’s organic shapes are intended to evoke rough-hewn logs and sharpened wood shingles.

Multidisciplinary artist Pauline Guerrier produced a bas-relief artwork made with different Reishi pieces, demonstrating the material’s diverse tones and textures.

“While exploring the idea of the transition from the animal to the vegetal, I was reminded of the myth of Daphnée, who metamorphosed into a tree to escape Apollo’s grasp,” said Guerrier, who carved the Reishi by hand to create a feminine curves.

Undergrowth mycelium desk
Ann Le Corno aimed to celebrate the imperfections in mycelium with her desk

Interior architect Fanny Perrier was influenced by 1930s ornamental folding screens when creating her own six-panel room divider, which uses Reishi for elements that might previously have been made from parchment or leather.

Finally, artist and photographer Sarah Valente created a fresco comprising ten sheets of Reishi that she painted, rubbed, soaked and folded to produce effects that recall flora and fauna. A second, luminescent layer of pattern based on fungal networks appears under ultraviolet light.

Mycelium screen displayed at Mycelium Muse exhibition at Design Miami.Paris
Various tones and textures of the biomaterial were combined into Pauline Guerrier’s artwork

Asked for his thoughts on the range of outcomes produced for the project, Gallego told Dezeen: “we were astonished by the creativity of the designers to elevate the material”.

“The objects the designers created were all totally individual, demonstrating the versatility of applications of this material and how inspiring it can be for the future,” he added.

Display of Reishi artworks
A luminescent fungal pattern appears under ultraviolet light in Sarah Valente’s design

The items presented at Design Miami.Paris will be produced as editions of eight, with some already acquired by collectors during the show. A selection of the pieces will be shown during Milan design week in April 2025.

Gallego suggested that the Mycelium Muse exhibition offered “a glimpse of what’s to come for Reishi”, adding that Mycoworks will continue to develop creative projects aimed at highlighting the material’s potential uses.

Reishi panel at the Mycelium Muse exhibition at Design Miami.Paris
The Mycelium Muse exhibition was put together by Mycoworks and Paragone

Mycelium has become popular with designers keen to exploit its diverse natural properties, including its ability to be used in building applications to provide insulation and fireproofing while sequestering carbon.

Other recent designs that utilise mycelium include earplugs that can be composted after use and a collection of pendant lampshades that combine the material with plywood and aluminium frames.

The photography is by Felix Speller.

Design Miami.Paris took place from 15-20 October in Paris, France. See Dezeen Events Guide for an up-to-date list of architecture and design events taking place around the world.

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