On the Rock vessels by Lee Broom to launch at Milan dinner party

Milan 2014: London designer Lee Broom will launch these glass and marble vessels during a dinner party in the window of a Milanese design boutique next week.

On the Rock vessels by Lee Broom

Lee Broom‘s On the Rock wine and champagne glasses feature crystal bowls perched on top of Carrera marble bases.

On the Rock vessels by Lee Broom

“Fusing the delicate crystal with the heavy marble base plays with the idea of balance – both structurally and through the contrasting materials,” said Broom.

On the Rock vessels by Lee Broom

The surfaces of both materials are curved where they meet, so the glass looks like it could topple off.

On the Rock vessels by Lee Broom

The champagne coupe has a wider and flatter cup than the wine glass, as well as a taller, thinner stem.

On the Rock vessels by Lee Broom

The collection will be launched during the dinner at Spazio Pontaccio, Via Pontaccio 18, in Milan’s Brera district on 8 April, before the showroom opens to the public the day after.

On the Rock vessels by Lee Broom

A limited series of 30 wine glasses and 30 champagne glasses will also be available to buy from a pop-up shop at the boutique, along with a selection of Broom’s designs.

On the Rock vessels by Lee Broom

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to launch at Milan dinner party
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Emily Reinhardt: The Object Enthusiast: The Omaha-based artist creates made-to-order ceramic vessels to hold all your treasures

Emily Reinhardt: The Object Enthusiast


Ceramic artist Emily Reinhardt has given herself a very apt alias: The Object Enthusiast. The Omaha-based creator makes vessels that are part geometric and part organic; looking like something naturally grown, yet with tinge of human interference….

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Creative Fruit Ninja Homewares

Mathery, un studio de design situé à Melbourne, a créé des objets du quotidien tels que des dessous de table, des bols et des vases à partir de peaux de fruits découpées, assemblées et teintées. Cela ajoute beaucoup d’originalité à de simples objets ménagers. Plus d’images du projet dans la suite de l’article.

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Between Two Rivers by Siba Sahabi

Amsterdam-based designer Siba Sahabi made these carafes and cups by coiling strips of felt on a potter’s wheel (+ movie).

Between Two Rivers by Siba Sahabi

Between Two Rivers refers to the translation of the ancient Greek word Mesopotamia, an area of the Middle East where the earliest civilisations are thought to have developed and where the potter’s wheel was first used.

Between Two Rivers by Siba Sahabi

Inspired by the development of ceramics after this invention, Siba Sahabi used a potter’s wheel to wind strips of felt into ten sculptural vessels.

Between Two Rivers by Siba Sahabi

The carafes and cups are made from strips coated with a layer of paint on both sides, so that the original colour contrasts with the paint on the inside and outside.

Between Two Rivers by Siba Sahabi

Sahabi also collaborated with Lisa Klappe and Niels van den Top on a movie (top) that shows the process of making the vessels.

Between Two Rivers by Siba Sahabi

The collection is on show at Museum Ons’ Lieve Heer op Solder in Amsterdam as part of Winter Salon 2013 until 17 February.

Between Two Rivers by Siba Sahabi

Sahabi has previously produced vessels from coils of black wallpaper and candle holders from rings of felt.

Between Two Rivers by Siba Sahabi

Other felt objects we’ve featured include felt lights with switches shaped like nipples and jewellery made from computer parts mounted in felt – see all designs made from felt.

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Photographs are by Lisa Klappe.

Here’s some more information from Sahabi:


Siba Sahabi’s new collection of felt vessels entitled Between Two Rivers launched during WinterSALON/ 2013 in Amsterdam.

Between Two Rivers is the ancient Greek translation of the term Mesopotamia, the cradle of Western civilisation, birthplace of the pottery turntable and primary inspiration of designer Siba Sahabi for her new collection. Through ten new sculptural felt vessels Siba makes the connection between this ancient land – located between the rivers – with its pottery innovations and Western ceramics culture which developed through these new technologies.

The turntable, that aided potters to design circular objects more accurately and faster, was invented in 3500 BC in Ur, an ancient Mesopotamian city-state located in modern Iraq. Around 2200 BC this invention was introduced in Greece and thus sparked a new style of Greek ceramics called Minyan pottery which Siba has reinterpreted in her felt sculptures.

A circular, ribbed finish is one of the distinguishing characteristics of Minyan ware which reflects its production process on a potter’s turntable. Although the turntable no longer plays a significant role in the production of modern large-scale pottery today, the appearance of hand-turned ceramics is often imitated by producing circular shapes with fine ridges.

The objects from the collection, that comprise a series of carafes and cups, are made from coiled coloured felt strips (3mm thick) coated with a layer of paint on both sides. In this way, each object shows three colours: the original colour of the felt (surface of the ridges), the inside, and outside of the objects. The dense felt material beautifully translates the heavy appearance of the Minyan ware and exaggerates the appearance of the oversized objects, some of which are up to 50cm high.

A specially-commissioned film is screened alongside the exhibition. Made by Siba Sahabi in collaboration with Lisa Klappe and Niels van den Top, the short film entitled ‘Pallas Athena’ juxtaposes the setting of a Greek pre-antique pottery workshop with the modern techniques of the felt coiling used in Siba’s objects. The short film is dedicated to the wise but short-tempered Greek goddess of inspiration, crafts, art and war. According to myth Pallas Athena taught textile classes to, among others, a talented but troubled student called Arachne who denied that she was taking lessons if ever asked. To punish Arachne for not acknowledging her teacher, Pallas Athena turned her into a spider.

The collection was realised with the support of the Amsterdams Fonds voor de Kunst.

Between Two Rivers is exhibited during WinterSALON/ 2013 at Museum Ons’ Lieve Heer op Solder, Amsterdam from 19 January – 17 February 2013.

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FHNY Collection by Florian Hauswirth

FHNY Collection by Florian Hauswirth

This three-legged wooden chair with adjustable back-rest shaped like an oar is part of a special edition collection designed by Florian Hauswirth of Switzerland.

FHNY Collection by Florian Hauswirth

Above: MWC – Minimal Wood Chair

Called FHNY Collection, the range includes a nutcracker, a set of ceramic vessels with coloured strips at the bases and an oar-shaped wooden scoop.

FHNY Collection by Florian Hauswirth

Hauswirth is part of Swiss design collective Postfossil.

FHNY Collection by Florian Hauswirth

Above: My Wood

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FHNY Collection by Florian Hauswirth

The following information is from Hauswirth:


FHNY Collection: materials, tools and origin

In his work, Swiss Industrial Designer Florian Hauswirth combines traditional forms and crafts with new technologies. The origin and lifecycles of materials as well as the production methods of objects are important to the Wallpaper* Award Winner 2010. The FHNY Collection, a result from Hauswirth’s artist residency from the Bernese Foundation for Applied Arts in New York, contemplates the origin of objects in terms of material, production and place.

FHNY Collection by Florian Hauswirth

Above: Vessel

Through his designs, Hauswirth raises awareness of the materiality and production processes of everyday objects in a time when industrial globalization and modern production/transportation methods have left us with little or no relation to the work and efforts behind a product As an industrial designer and technical model maker Hauswirth knows these processes well and seeks to embody them in his work by creating durable and sustainable objects.

All objects of this limited edition were designed and produced in New York City.

FHNY Collection by Florian Hauswirth

MWC Minimal Wood Chair

A minimalist chair from solid wood, inspired by the experimental “Minimal Chair“ developed by Charles and Ray Eames in 1948. The mechanical-functional finesse of a moveable backrest, implemented in wood only, improves the comfort of this novel small wooden chair. The furniture allows two different seating positions. Another inspiration for the mechanical wooden chair was Shaker furniture. Shakers were ingenious craftspeople who, centuries ago already developed ball joints from solid wood.

FHNY Collection by Florian Hauswirth

Above: Nutool

Nutool

Nutool is an aluminum nutcracker, an accessory with a tool character. Products exist to serve as a tool to ease our everyday life. The cracking of a nut is something essential – the natural transport- and wrapping-shell of a fruit is being opened. Nutool is best used at the end of a day, with a fresh piece of bread and a glass of wine.

FHNY Collection by Florian Hauswirth

My Wood

The wood used for this scoop derives from a plum tree that grew next to the house where the designer was raised. Nutrition and cooking were very important in the bringing up of Florian Hauswirth and still are today. Not only should we strive for local and organic foods, our everyday objects should live up to the same sustainable expectations.

Vessel (three ceramic vessels)

The ceramics collection plays with the physical relation between fluidity and form. As vessels swim in the glaze, they are being marked – an inversion of the inside and the outside. Through this marking, the production process becomes apparent on the product. Through different prototypes, industrially appearing ceramics were created.


See also:

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Doublefacette by
Florian Hauswirth
Assemblage 1 by
Toogood
Furniture by
Postfossil