University of Westminster appoints FAT founder Sean Griffiths as Professor of Architecture

Sean Griffiths

News: following the announcement last month that London architecture studio FAT is to disband this year, founding member Sean Griffiths has been appointed professor of Architecture at the University of Westminster.

Griffiths is an alumnus of the University of Westminster and has recently held posts there as a teacher and researcher at the Department of Architecture.

“In my new role I want to highlight alternative forms of practice, exemplified by firms such as FAT, which emerged from the University of Westminster, as well as draw attention to the huge variety of activities in fields such as fine art, journalism, property development, social activism and arts consultancy that a number of prominent former students currently undertake,” said Griffiths. “This is particularly important in light of the ongoing debate about the value of architectural education.”

“I’m particularly pleased that the Professorship is at the University of Westminster, which was the springboard for the formation of FAT and has been a fantastic workshop for ideas that have found their way into my practice work, a process that will no doubt continue,” he added.

Alongside his position at University of Westminster, Griffiths will continue his current work as an architect, designer, artist, writer and teacher.

dezeen_A House for Essex by FAT and Grayson Perry
A House for Essex by FAT and Grayson Perry

The appointment follows the news that London studio FAT, which Griffiths co-founded in 1995 with Charles Holland and Sam Jacob, will close down this summer.

Renowned for its playful, postmodern approach to architecture, FAT announced in December that it would disband following the completion of two major projects – the curation of the British Pavilion at the Venice Architecture Biennale 2014 and a fairytale house it designed in collaboration with artist Grayson Perry for the Living Architecture series of holiday homes.

Photograph by Tim Soar.

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Pages by Sophie Nuttall

Pages by Sophie Nuttall

Stationery and ring-bound sheets of paper influenced this collection by Westminster fashion graduate Sophie Nuttall.

Pages by Sophie Nuttall

“I fused various white and cream fabrics, mainly neoprene, to create structure and reflect the vast blank space of a page aspiring to the subtle different tones of different pages,” Nuttall told Dezeen.

Pages by Sophie Nuttall

Small holes were laser cut along the edges of fabric, mimicking paper punctured down its binding edge. “Trying to mimic the printer paper from my childhood with its hole perforated edges, I loved the idea of something being so blank and pure,” said Nuttall.

Pages by Sophie Nuttall

White circular reinforcements were implemented around larger eyelets that acted as arm, shoulder or head holes. Metal rings linked the holes together so no sewing was required and each piece was made detachable so it could be connected to others in various ways.

Pages by Sophie Nuttall

Square shapes were folded and draped to create a selection of silhouettes including rectangular and diamond shapes. Some materials were patterned with lines or grids to look like pages from a school exercise book.

Pages by Sophie Nuttall

Also at the Westminster BA Fashion show, Philli Wood presented pink and orange parkas printed with giant cable knits. Other 2013 graduate fashion collections we’ve written about include pastel garments moulded from knitwear and headdresses covered in colourful spikes.

Pages by Sophie Nuttall

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Westminster BA Fashion 2013 collection by Philli Wood

Graduate fashion collection by Philli Wood

The illusion of giant cable knits was created by prints on sportswear fabric in Westminster student Philli Wood’s BA fashion collection.

BA Fashion 2013 collection by Philli Wood

Wood chose to print black knitwear patterns onto pink and orange performance nylons instead of knitting the pieces. “I liked the idea of something looking like knit from afar but in fact being something completely different,” he told Dezeen.

Graduate fashion collection by Philli Wood

Three dimensional cables on a round jacket and a separate chunky scarf appeared to be inflated. The wool patterns were also printed onto silk dresses and tights in the same colours.

BA Fashion 2013 collection by Philli Wood

Parkas of various lengths with wide-brimmed hoods were lined with orange nylon to reference the traditional anoraks.

BA Fashion 2013 collection by Philli Wood

Drawstrings used to manipulate the outline of the garments were made from thick rubber and had oversized metal toggles. “For the silhouettes I began looking at traditional parkas and then exaggerated the traditional shape into something more modern and exciting,” said Wood.

BA Fashion 2013 collection by Philli Wood

Wood’s collection featured in the University of Westminster BA Fashion 2013 show, which took place last week.

BA Fashion 2013 collection by Philli Wood

Oversized knitwear also featured in Sibling’s Autumn Winter 2013 The Natural Blond womenswear and Please Kill Me menswear collections. Other graduate work from this year includes a shape-shifting ballet school and towering seaside structures for wild birds.

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London Without Bees by Ben Kirk

London Without Bees by Ben Kirk

Architecture student Ben Kirk has designed conceptual towers to replace the fast-declining bee population by shooting artificial pollinators into the air.

London Without Bees by Ben Kirk

Above: main pollinator release point in Kew Gardens

Located in Kew Gardens, a tower would fire spores covered in pollen-filled latex balloons into the air so the wind could transport them to parks across London.

London Without Bees by Ben Kirk

Above: detail of artificial pollinators

City-wide recycling buildings would suck up unused pollen spores and redistribute them via a trumpet-like funnel.

London Without Bees by Ben Kirk

Above: satellite pollinator release facility in Victoria Park

Additional off-the-shelf Garden Pollination Devices with acetate tentacles would also available for private gardens.

London Without Bees by Ben Kirk

Above: satellite pollinator release facility in Victoria Park

Kirk developed the project while studying at the University of Westminster.

London Without Bees by Ben Kirk

Above: garden pollination devices

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Here are some more details from Kirk:


London Without Bees: architecture to pollinate a wilting city

What would happen if, as the worst predictions suggest, there were no bees in London? How would flowers be pollinated?

London Without Bees by Ben Kirk

Above: detail of garden pollination devices

Here a headquarters in Kew Gardens releases millions of delicate floating inseminators, like artificial spores, across the city. Locally, in places like Victoria Park in Hackney, small repair and collection points work constantly to recycle the proxy bees: architecture to pollinate a wilting city.

London Without Bees by Ben Kirk

Above: detail of garden pollination devices

Without the common honeybee, London’s gardens would be unrecognisable. We would miss their familiar buzz on a summers day, we would miss their delicious honey. Less obviously, we would miss their pollination, which allows plants to reproduce and flower in such vivid colours.

London Without Bees by Ben Kirk

Above: prototypes of artificial pollinators

The honeybee’s form is no accident. She is a conspiracy of the pollen bearing plant world, her architecture so specific to the task.

London Without Bees by Ben Kirk

Above: prototype of artificial pollinators

In response to the honeybee’s extinction, man must conceive a way to pollinate London’s parks and gardens, learning from her specficity through biomimicry.

London Without Bees by Ben Kirk

Click above for larger image

Firstly the ‘Garden Pollination Device’ fertilises London’s back gardens, shimmering like a garden chandelier as the light passes through the statically-charged perspex and acetate covered in pollen. It is designed as a flat pack product available off-the-shelf which the garden enthusiast can assemble themselves. It is suspended from the four corners of the typical London terrace back garden with tension wires, with the device hung in the middle, and predominantly relies on passive wind movement, and the vertical movement of the counter-weighted acetate tentacles, to accidentally brush past the anthers of one garden flower onto anothers stigma.

London Without Bees by Ben Kirk

Click above for larger image

Following this, a London-Wide Pollination Strategy is conceived, with delicate latex pollination devices projected into the London skies from a headquarters in Kew Gardens, and carried by the prevailing wind to the required destination.

London Without Bees by Ben Kirk

Click above for larger image

Once the pollination is complete, the proxy bees are recycled at local ‘Satellite Pollinator Release Facilities’ which strategically proliferate London.

London Without Bees by Ben Kirk

Click above for larger image

These ‘Release Facilities’ act both as workshops to recycle and reproduce the latex pollinators, and as a wind harvester, increasing the flow of air through the main funnel. This is achieved via side injection wind inlets and garden wind cowls, in order to project the proxy bees into the skies.

London Without Bees by Ben Kirk

Click above for larger image

Intentionally prosaic in external appearance, the facility in Victoria Park seamlessly merges into the urban fabric, its simple copper mesh cladding enveloping the workshop. Internally, the facility reveals a magical full height workshop with the spectacle of the ‘release’ seducing the visitor.

London Without Bees by Ben Kirk

Click above for larger image


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