St. George Spirits

Our tour of the ingredient-driven artisanal California distillery
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The building that houses St. George Spirits in Alameda, CA may look like a naval air hangar on the outside, but inside lies a vast warren of copper pot stills and casks filled with artisanal spirits. St. George was founded in 1982 to make eau de vie fruit brandies, and the process of making handcrafted eau de vie continues to influence their development of other spirits. Since its inception, the distillery has evolved into a comprehensive operation making whiskey, gin, rum, Qi Tea Liqueurs, and is even developing an aged balsamic vinegar.

Master distiller Lance Winters has been on a 16-year journey to make magic at St. George, and he describes his work as if he were tinkering away in some kind of fantastical workshop. With no shortage of projects on hand, Winters is currently planning a move to a much larger laboratory and is working on the release of a single malt whisky with a special bottling from a single barrel later this year, in celebration of their 30th anniversary. In about two years, Winters’ organic corn rye whiskey and California bourbon will be ready for release. We caught up with Winters to get a tour and hear more about his successful passion.

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What are you working on in here in your lab?

This is where most of our projects start. I run individual botanicals through one of these small stills to be able to see how it is going to express itself. I have one friend who is growing organic rye up by Mt. Shasta. We have brought down some of that rye, mashed it in here, fermented it and distilled it in the stills and it’s lovely. I also decided to make bourbon. Bourbon is a lot of fun because you have so much latitude to play around with the grain bill. It’s like making chocolate or coffee—bringing out different characteristics when you roast the grain.

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How did the idea for your Breaking & Entering Bourbon bottling come about?

Dave Smith is responsible for putting together our whiskey for bottling. He goes through and smells and tastes everything we’ve got and determines what is going to go into a given bottling. He is so good at it, I thought, what if he had access to a bunch of bourbon barrels? What could he do? So we went to a bunch of different bourbon distilleries. We brought 320 barrels back with us. It took him about three months to taste from all of them. He made notes and decided how they would best be blended together to be able to make a “super bourbon”—a Compass Box style of American bourbon. I think Compass Box is fantastic. We bottled ours under the name Breaking & Entering. We were careful to let people know that we did not make this, but we blended it. We love it.

You are aging balsamic vinegar too?

This balsamic vinegar has been aging for 14 years. It’s thick and syrupy. There is no way to short-circuit this process. I want to learn how to blow glass and make my own bottles.

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How did you develop your three gins? (Terroir, Botanivore, and Dry Rye Gin)

Five years ago I started talking about how much in love I am with the parklands around here. My son was going to a day camp. I’d pick him up in the afternoons and the smell was pine trees and wild fennel, bay laurel, and dirt. I love that smell of the earth between the dry dusty component and the decomposing mulch of the woodlands. I thought that would be something really great to distill, but then I shelved the idea. A couple of years later, I started thinking about making a gin with the flavors and smells of the forest. They all have an affinity for some traditional part if the gin profile. If you’ve hiked Mt. Tamalpais you will recognize the profile. We bring in Douglas fir and infuse it in high proof alcohol. We have been drawing it off and taking that liquid and putting it in the stills. It tastes like a sweet Christmas tree.

We also make a gin called Botanivore, a very broad, beautiful refreshing style of gin designed for tropical climates that is great for gin and tonics. As soon as you throw a little tonic in there, the dill seed in it explodes making it very green and herbaceous. It’s really good in a martini too.

At the opposite end of the spectrum is the one we start with a pot-distilled rye. It’s like a rye whiskey that hasn’t touched a barrel yet. Rye already has a lovely peppery nature to it that helps bump up some of the juniper berry qualities. We use 50% more juniper berries and crack them open to get more surface area. We add black peppercorns, caraway seed, lime and grapefruit peel. It’s my favorite cocktail base for a Negroni or to treat is as a rye in an Old Fashioned.

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So are your spirits for cocktail geeks?

Our customers don’t need to be experts, they just need to know what they like and what makes their palette tingle. We need to be experts at what we like and that’s basically where everything starts. We’ve been able to find enough people who think like us to keep us going.


The Leather-bound PDT Cocktail Book

A leather-bound edition of the new barman’s bible

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Jim Meehan, New York’s most meticulous bartender, compiled The PDT Cocktail Book with the same precise touch, careful measurement and keen eye he applies to his inventive cocktails. Launching last month to an overwhelmingly warm welcome, the new barman’s bible of some 300 recipes was hailed as the most influential book on mixology to hit shelves in recent history. As somewhat of an homage to the rich, dark aesthetic of the bar where many of the featured cocktails were invented, Meehan has released a new leather-bound edition designed and illustrated by Chris Gall.

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This latest edition of the PDT Cocktail Book is handsomely wrapped in fine leather, giving the book a traditional feel reminiscent of what one mind find in a rich antique library. Each recipe is complimented by Gall’s bright illustrations as well, a touch that provides a nice contrast to the book’s serious exterior.

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With the same extensive content as the first release, this leather-bound edition details many behind-the-scenes secrets to PDT’s success in addition to the stellar recipes, from bar layout and design to preferred tools, techniques and special ingredients. The Leather-bound edition of PDT Cocktaill Book is now available from Moore and Giles for $65.


Grand Mayan Tequila

The 10-year journey of an ultra-aged tequila, from agave plant to hand-painted bottle
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Far from the bars where rowdy patrons slam down shots of pale liquid with a lick of lime and sprinkle of salt lives ultra-aged tequila, meant to be savored like a glass of cognac. In the case of Grand Mayan Tequila the depth of the extra añejo dark amber spirit reveals notes of nuts and chocolate, and a smooth, lingering finish.

Grand Mayan begins its 10-year journey in the agave fields of Jalisco, Mexico, where the agave tequilana weber is grown for 5-7 years before being harvested. The hearts of the plant are then slow-cooked in stone ovens before they go through a slow natural fermentation process. Extra care is taken in the distillation and filtering process, which takes place at the famous La Cofradia distillery. The liquid ages in American oak casks for at least three years before being bottled in their signature ceramic bottle celebrating the history of Mexico.

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Created by artisans in Mexico City, the lovely, diminutive decanter is hand-painted with blue flowers and orange designs—an appropriately elaborate vessel for the precious liquid within. The company produces only 3,000 litres of the spirit per year, which has become highly coveted by tequila connoisseurs for its flavor, rarity and special presentation. We experienced the enthusiasm firsthand during a recent visit to K&L Wine Merchants, where mere mention of Grand Mayan received quick notes of approval from every staff member within earshot. Naturally, we felt compelled to pour ourselves a shot and were able to savor it slowly, no lime or salt necessary.


Louis XIII "Le Jeroboam" Auction

The only bottle of Remy Martin’s most advanced cognac in the U.S. up for the bidding
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The landscape has changed when it comes to the exclusivity of luxury brands, and with a label like Rémy Martin, it’s easy to become distracted by the hype that rap moguls and film directors shower on the venerable cognac. While the brand caters to an impressive range of clientele, from Charles de Gaulle to Jay-Z, in the end it’s the spirit itself that matters. In anticipation of the auction of the three-liter “Le Jeroboam” bottle valued at $26,000, we sat down with the cellar master herself to discuss what makes Louis XIII so special.

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Pierrette Trichet is the fourth cellar master in the history of the company, and the first woman to hold the position. With a background in biology and biochemistry, the young Trichet began in the Rémy Martin laboratory, over time learning the difficult task of putting words to aromas. Trichet defines the art of cognac-making as a human science, and recognizes that her well-trained nose is capable of much more than even the most advanced scientific equipment. Creating the blends based on her distinct tastes, she does so with the full confidence of the company, which will occasionally give her blind taste-tests to make sure her palate remains on-point. Louis XIII is the masterful upshot of her unique ability. The special blend is comprised of 1,200 individual eaux-de-vie that are first aged anywhere from 40-100 years and then added to a tiercon that will house the mix for another hundred years—which means Trichet will never taste the matured blend she is currently making.

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Up for auction is a crystal decanter numbered 13—a nod to Louis XIII—out of the 100 that were made. The only bottle currently available in the U.S., it’s an enlarged version of the brand’s classic shape, which was made to replicate a metal gourd found by Rémy Martin’s grandson at the site of a 16th-century battlefield. Inside the bottle’s limousin oak coffret is a wine master’s pipette to simulate the tasting experience, four custom crystal glasses by furniture designer Cristophe Pillet, a book illustrating the Louis XIII legacy and an invitation for the buyer and four guests to attend a tasting at the house of Rémy Martin.

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Benefits from the auction go to the Ruby Peck Foundation for Children’s Education. The auction begins on 25 November 2011, and can be accessed via the auction site .


Thurso

A revamped Manhattan for the holiday season
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On a recent trip to LA, we had the pleasure of grabbing a drink at £10, a posh semi-secret lounge at the Montage hotel in Beverly Hills. An official U.S. outpost of The Macallan, the interiors of the recently-opened space leave room for improvement, but the tucked-away spot filled with low-slung couches overlooking a grassy courtyard makes for a nicely atmospheric stop-in if you’re in the area, complete with the charming bartender, Nicholas Vitulli, who mixes drinks table-side.

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Our favorite was the Thurso, which puts a deliciously fun twist on the Manhattan. Named for an area of the Scottish Highlands, it calls for The Macallan 12 and cinnamon syrup in place of the more traditional American whiskey and sweet vermouth. It’s a simple switch, but one that takes the cocktail staple to the next level for holiday-season dinner parties. Topped with a dusting of fresh nutmeg, sipping it anywhere is a multi-sensory experience.

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Thurso

2 oz The Macallan 12

1 demarara sugar cube

3/4 oz cinnamon syrup

2 dashes Jerry Thomas’ bitters

3 dashes Jamaican jerk bitters

Stir/strain over Highland Springs ball/shaved nutmeg


Cool Hunting Capsule Video: Tony Conigliaro

Our behind-the-scenes video inside the lab of London’s premier mixologist

Renowned as one of the pioneers of advanced mixology, London’s Tony Conigliaro is an expert on flavors, aromas and ingredient pairings. Conigliaro creates his concoctions in a lab above his bar, 69 Colebrooke Row, using modern scientific tools to achieve spectacular results. We recently caught up with the famed bartender, who gave us a tour of his lab and shared some insight into how amazing cocktails come to be.


Bombay Sapphire: Martini Season

The spirit brand celebrates the classic cocktail

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From its inception, Bombay Sapphire was crafted with the perfect martini in mind. This long-standing connection with the classic cocktail now provides the foundation for a new initiative that celebrates both Bombay Sapphire and the cocktail for which it was designed.

Bombay employs a master botanist that is in charge of sourcing the specific high-quality ingredients that go into the distillation process. The botanical ingredients that go into gin are what impart the spirit’s flavor and each brand of gin has its own unique recipe. While all gin contains juniper berry, Bombay’s botanist travels as far as Java for cubeb berries and sources Grains of Paradise from West Africa to round out the signature Bombay Sapphire taste.

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Using a vapor-infusion method that has been honed over the course of more than two centuries, Bombay Sapphire gin is produced in small batches. The botanical elements are contained in baskets and vapor passes over them continuously, extracting their essential flavors to incorporate directly into each drop of gin. While quicker methods may allow for more gin to be produced, the specialized and time-intensive process that produces Bombay is part of what gives it a balanced flavor profile.

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The well-proportioned use of the typical botanicals found in gin, along with the vapor-infusion process, are what make Bombay Sapphire an excellent match for the martini, whether it be in its most classic form or an imaginative reinvention. With that in mind, Bombay invites you to celebrate Martini Season.


Koval Distillery

Organic small-batch spirits entirely handcrafted in the heart of Chicago

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Just a few blocks from Hollywood Beach in Andersonville is Koval, Chicago’s first boutique distillery since the days of prohibition. Robert and Sonat Birnecker, the husband-and-wife team behind Koval, handcraft vodka, whiskey, brandy and liqueurs entirely from scratch, drawing on Robert’s long lineage in the brewery business as well as the farm-fresh grains and produce the Midwest region has to offer.

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Unlike many small-batch producers, Koval doesn’t start with a pre-made base. From mashing to bottling, they keep the entire process in-house, distilling their entirely organic spirits in a custom-built Kothe Destillationstechnik potstill from Germany. The still’s elongated whiskey helmet, designed specifically for grain spirits, allows a greater surface area for the liquor to develop a full aroma and distinct flavor.

Koval started out by producing five single-grain white whiskeys, which are more flavorful than vodka and slightly more intense than aged whiskey. With its powerful punch, white whiskeys make great mixed drinks. For sippers, they also distill regular and dark single-grain aged whiskeys, branded under the name Lion’s Pride. Like the white whiskeys, the Lion Pride varieties include rye, wheat, oat, spelt and millet, all matured in new American oak barrels sourced from The Barrel Mill in central Minnesota.

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We tried a few of Koval’s spirits, finding that each style had a definitively different flavor. The Levant Spelt white whiskey tastes like a slightly bland moonshine, but would serve as a good base for a cocktail with heartier mixers, while the sweeter Lion’s Pride regular rye would work well in a Manhattan that’s easy on the vermouth. We enjoyed the Lion’s Pride dark millet as a sipping whiskey, and the rosehip liqueur would go great in a lavender martini or other floral drink.

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Prices vary depending on type, but on average a 750-milliliter bottle of Koval whiskey runs around $40 and sells online from West Lakeview Liquors or from Koval’s brick-and-mortar shop.