Fashion by McQueen and Treacy in new exhibition of Isabella Blow’s collection

Extravagant outfits and hats from the wardrobe of the late stylist and fashion muse Isabella Blow have gone on display in London (+ slideshow).

Isabella Blow Fashion Galore exhibition at Somerset House

Isabella Blow: Fashion Galore! at Somerset House celebrates the life of the British magazine editor, who launched the careers of designers including Alexander McQueen, Philip Treacy, Hussein Chalayan and Julien Macdonald.

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Blow entered the fashion industry in the 1980s as an assistant to Anna Wintour at US Vogue. In the UK she worked as the fashion director for the Sunday Times and Tatler before her death in 2007.

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Blow’s collection, now owned by model Daphne Guinness, includes items designed specifically for her by fashion designer Alexander McQueen and milliner Philip Treacy.

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Their experimental and flamboyant garments and hat designs contributed to her distinctive and recognisable style.

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Designed by London architects Carmody Groarke, the exhibition is divided into sections themed around areas of Blow’s life.

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It starts with a display of family photographs depicting her aristocratic upbringing in Cheshire, UK, during the 1950s.

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A section dedicated to McQueen and Treacy includes their graduate collections and early work created from found materials, such as Blow’s wedding headdress.

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Both designers’ Autumn Winter 1996 collections are also displayed. McQueen dedicated this collection to Blow and it was the show that shot him to fame. Blow also styled Treacy’s show for the same season.

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Clothing by Viktor & Rolf, Jeremy Scott, Comme des Garçons and Julien Macdonald all feature in a section dedicated to Blow’s love of the English countryside.

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Full outfits worn by Blow have been recreated on mannequins by set designer Shona Heath using old photographs.

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One of her most famous and successful shoots, for British Vogue December 1993, has been put up alongside London-themed installations by Heath that exhibit more hats and shoes.

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The final portion shows the Spring Summer 2008 collection that Alexander McQueen and Philip Treacy collaborated on and dedicated to Isabella after her death, on show to epitomise her legacy.

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The exhibition, created with the Isabella Blow Foundation and Central Saint Martins, opened earlier this week and runs until 2 March 2014.

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Photos by Peter Macdiarmid/Getty Images for Somerset House

Somerset House sent us the following information:


Isabella Blow: Fashion Galore!

20 November 2013 – 2 March 2014 Embankment Galleries, Somerset House

This autumn, Somerset House, in partnership with the Isabella Blow Foundation and Central Saint Martins, is proud to present Isabella Blow: Fashion Galore!, a major fashion exhibition celebrating the extraordinary life and wardrobe of the late British patron of fashion and art.

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Born into the rarefied world of British aristocracy, Isabella’s thirty year career began in the early 80s as Anna Wintour’s assistant at US Vogue. On her return to London in 1986 she worked at Tatler followed by British Vogue. In 1997 she became the Fashion Director of the Sunday Times Style after which she returned to Tatler as fashion director. Driven by a passion for creativity, Isabella is credited for having nurtured and inspired numerous artists and designers.

The exhibition will showcase over a hundred pieces from her incredibly rich collection, one of the most important private collections of late 20th Century/early 21st Century British fashion design, now owned by Daphne Guinness.

This includes garments from the many designer talents she discovered and launched, such as Alexander McQueen, Philip Treacy, Hussein Chalayan and Julien Macdonald amongst others.

Isabella Blow Fashion Galore exhibition at Somerset House

Isabella is also known for discovering models Sophie Dahl and Stella Tennant, and for her collaborations with major photographers such as Steven Meisel, David LaChapelle and Sean Ellis, which pushed the boundaries of convention in her increasingly provocative fashion spreads and establishing herself as a legendary figure within the international fashion and contemporary art worlds.

Curated by Alistair O’Neill with Shonagh Marshall and designed by award-winning architectural firm Carmody Groarke, with installations by celebrated set designer Shona Heath, the exhibition will display thematically the breadth of Isabella’s collection, a life lived through clothes.

Isabella Blow Fashion Galore exhibition at Somerset House

Isabella’s Background

The first section of the exhibition will explore Isabella’s background, and her British aristocratic ancestral roots.

Born Isabella Delves Broughton in 1950s post-war Britain, with a family seat at Doddington Hall in Cheshire, her family history can be traced back to the 14th Century – a factor which played an important part in Isabella’s life. Highlights include family photographs and the sculpture entitled Isabella Blow by Tim Noble and Sue Webster.

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Alexander McQueen and Philip Treacy

This section will feature pieces from Alexander McQueen and Philip Treacy’s graduate MA collections from Central Saint Martins and the Royal College of Art respectively, including Isabella’s wedding headdress.

Exploring the way in which both designers used whatever they could get their hands on to make their garments and hats, this section celebrates the beginnings of their careers and the talent Isabella saw in them, celebrating her eye for discovering young talent.

The next section exhibits key items from McQueen and Treacy’s AW 1996 collections. McQueen dedicated his AW 1996 collection, entitled Dante, to Isabella and this was his first season toreceive international critical acclaim. This same year Isabella styled Philip Treacy’s AW 1996 collection, key items of which will be exhibited.

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Countryside

A huge hedge installation, inspired by Isabella’s love of the English countryside will display groups of clothing from her collection presented in four themes that conjure the fantastical world Isabella inhabited and drew inspiration from, reflecting her love of birds, flowers and the surreal.

Works in this section show off a number of Isabella’s favourite designers, including clothing by Jeremy Scott, Comme des Garçons, Julien Macdonald, Viktor and Rolf and Undercover alongside accessories by Philip Treacy and Erik Halley.

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Isabella’s Outfits and Style

Shona Heath will create bespoke Isabella Blow mannequins wearing full outfits worn by her, built referencing archival documentary images. These will demonstrate her distinctive, eclectic style and mixing of designer pieces. She was quoted as saying “Fashion is a vampiric thing, it’s the hoover on your brain. That’s why I wear the hats, to keep everyone away from me”, demonstrating the way in which Isabella wore her clothing as a form of armour.

Pieces here include McQueen for Givenchy, Alexander McQueen, Fendi, Philip Treacy, Escada, Teerabul Songvich, Dior, Prada, Jeremy Scott, Benoit Meleard for Jeremy Scott, Viktor and Rolf, John Galliano for Dior, Manolo Blahnik and Marni.

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Isabella at Work/Head & Feet

Taken from Isabella’s owns words: “Tip: Always accentuate the head and the feet”, this part of the exhibition will look at the importance that hats and shoes played in her life – she was rarely seen without a McQueen outfit, Treacy hat and Manolo Blahnik shoes.

Representing Isabella’s work and urban London life installations by Shona Heath will be created to exhibit hats and shoes from her collection.

This section also features one of Isabella’s most famous and successful shoots with Steven Meisel for British Vogue December 1993 entitled Anglo Saxon Attitudes featuring Stella Tennant, Honor Fraser, Plum Sykes, Bella Freud and Lady Louise Campbell, the first time any of them had graced the pages of a magazine, showcasing Isabella’s eye for spotting talent.

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Legacy

The final section in the exhibition displays La Dame Bleue, the S/S 2008 Alexander McQueen collection that Alexander McQueen and Philip Treacy collaborated on and dedicated to Isabella after her death. The collection was inspired by Isabella and to end on this note evokes both her legacy and her importance.

The post Fashion by McQueen and Treacy in new
exhibition of Isabella Blow’s collection
appeared first on Dezeen.

Dior Illustrated: Rene Gruau and the Line of Beauty by Gitta Gschwendtner

Dior Illustrated by Gitta Gschwendtner at Somerset House

This exhibition designed by Gitta Gschwendtner for London’s Somerset House displayed fashion drawings on gauze-covered boxes.

Dior Illustrated by Gitta Gschwendtner at Somerset House

Designed to showcase work by 20th century illustrator René Gruau for fashion brand Dior, the exhibition opened with a collage of posters featuring Gruau’s work, incased in a eight-metre box with a timber frame and coloured gauze covering.

Dior Illustrated by Gitta Gschwendtner at Somerset House

Similar structures were used to hang works in the exhibition itself, while smaller stacked boxes spelled out the exhibition name.

Dior Illustrated by Gitta Gschwendtner at Somerset House

Grey netting was used to cover a vaulted alcove housing a selection of Dior Haute Couture dresses.

Dior Illustrated by Gitta Gschwendtner at Somerset House

The exhibition, called Dior Illustrated: Rene Gruau and the Line of Beauty, took place 10 Nov 2010 to 9 Jan 2011.

Dior Illustrated by Gitta Gschwendtner at Somerset House

See also: Drawing fashion at the Design Museum by Carmody Groarke

Dior Illustrated by Gitta Gschwendtner at Somerset House

More about Gitta Gschwendtner on Dezeen »
More exhibitions on Dezeen »

The information that follows is from Gschwendtner:


‘Dior Illustrated: Rene Gruau and the Line of Beauty’ at Somerset House

‘Dior Illustrated’ celebrates the renowned illustrator René Gruau, who created some of the most iconic fashion images of the 20th century. This exciting exhibition showcases groundbreaking artworks including original illustrations for Christian Dior Perfumes, vintage perfume bottles, sketches and magazines, as well as a selection of Dior Haute Couture dresses.

The challenge for the exhibition design was to create a spatially stunning environment for the predominantly two-dimensional works. Furthermore, the Embankment Gallery with its vaulted ceilings and stone coloured render required a design that complements its unique architecture.

Gitta Gschwendtner’s design solution creates a stunning installation of timber frame boxes covered in coloured gauze. These light three-dimensional structures form the main exhibition build for the hanging of the prints and object display.

On entering the exhibition the visitor encounters an 8 meters long gauze box containing a collage of Dior advertisements. This exhibit introduces Rene Gruau’s prolific work prior to seeing the original illustrations that form the basis for the advertisement prints upstairs.

Further along a large-scale installation of red gauze boxes showcases the exhibition title while introducing the concept of the transparent exhibition structures to the visitor.

In the main gallery gauze boxes are staggered in the space loosely following the shape of the vaulted ceiling. The transparent gauze creates layers of colour in the space, with each section custom dyed in a different shade to compliment the work. The precious couture dresses are dramatically lit behind a screen of grey gauze, protecting them from visitors touch and giving them an ethereal quality.

Exhibition Design: Gitta Gschwendtner
Graphic Design: Studio Frith
Photography: Sorted


See also:

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Drawing Fashion at The Design
Museum by Carmody Groarke
Drawer Kitchen by
Gitta Gschwendtner
Lik+Neon by
Gitta Gschwendtner

Interview: Max Fraser at Joy of Living

Interview: Max Fraser at Joy of Living

In this movie recorded at Somerset House in London author Max Fraser talks about his Joy of Living project, where designers including John Pawson, Michael Wolfson and Brodie Neill donated artworks based on graph paper to raise money for a cancer charity. 

Click on the symbol in the bottom right of the video player above to view the movie in full-screen HD.
Can’t see the movie? Click here.

The movie also features Charles Jencks, co-founder of Maggie’s Cancer Caring Centres, talking about the work the charity does.

120 pieces were on show before being sold to raise money for the charity. More details in our earlier story.

The exhibition has now closed but artworks are available to buy for £250 each from the project website.

More about Maggie’s Cancer Caring Centres on Dezeen »

Watch all our movies »


See also:

.

Maggie’s Centre Cheltenham
by MJP Architects
Maggie’s Centre Gartnavel
by OMA
Maggie’s Centre London
by Rogers Stirk Harbour

Joy of Living at Somerset House

Joy of Living at Somerset House

Over 100 designers including Terence ConranTord Boontje, Tom Dixon and Michael Marriott will anonymously exhibit artworks drawn on a piece of A4 graph paper at Somerset House in London next week, before being sold in aid of a cancer charity.

Joy of Living at Somerset House

Called Joy of Living, the project was initiated by London Design Guide author Max Fraser to raise money for Maggie’s Cancer Caring Centres.

Joy of Living at Somerset House

The artworks will be exhibited anonymously and sold at the same price with the author only revealed after each piece has been purchased.

Joy of Living at Somerset House

See the full list of designers below.

Joy of Living at Somerset House

The exhibition will be open to the public at Somerset House from 15-21 March.

Joy of Living at Somerset House

A jury will award a £1000 prize to the best design, plus a £500 prize decided by public vote.

Joy of Living at Somerset House

See all the designs and vote for your favourite on the project website.

Joy of Living at Somerset House

More about Maggie’s Cancer Caring Centres on Dezeen »

Joy of Living at Somerset House

More graphic design on Dezeen »

Joy of Living at Somerset House

Here’s some more information from the organisers:


JOY OF LIVING EXHIBITION AT SOMERSET HOUSE UNITES UK DESIGNERS IN SUPPORT OF MAGGIE’S CANCER CARING CENTRES

Joy of Living is a charity project that unites over 100 leading lights in the design community to galvanise support for Maggie’s Cancer Caring Centres. Design author Max Fraser has set the challenge to a cross-section of new and established UK designers to create a desirable artwork that expresses the Joy of Living – all starting from a simple sheet of A4 graph paper.

Joy of Living at Somerset House

The signed works will be exhibited and on sale in London’s inspiring space for art, culture and creative exchange, Somerset House, from 15 – 21 March.

Joy of Living at Somerset House

The project aims to raise £50,000 for Maggie’s, a charity that helps people to build a life beyond cancer, helping to manage the impact of a diagnosis of cancer and to live with hope and determination.

Joy of Living at Somerset House

Max Fraser explains, “After a very personal, emotional journey as I supported my mother through her 6-year battle with cancer, I vowed to contribute in some way to mankind’s fight against this disease.

Joy of Living at Somerset House

Maggie’s recognises that building an atmosphere of calm and celebrating a good quality of life are immensely beneficial to patients, and I know that my mother would have benefited so positively from its services.

Joy of Living at Somerset House

Charity founder Maggie Keswick Jencks once said, “Above all what matters is not to lose the joy of living in the fear of dying,” and this statement has inspired the design challenge and Joy of Living project.”

Joy of Living at Somerset House

A stellar list of UK design talent including: Terence Conran, Tom Dixon, Barber Osgerby, Sebastian Bergne, John Pawson, Tomoko Azumi, Daniel Eatock, Fredrikson Stallard, Martino Gamper, Rob Ryan, Stuart Haygarth, Michael Marriott, Max Lamb, and Troika have already answered the call to action, and have each produced unique artworks that embody the Joy of Living theme.

Joy of Living at Somerset House

The fluid brief allows for a maximum of expression and the use of graph paper is evocative of the beginning of the design process, and Max hopes that the choice of this simple medium will trigger a breadth of responses.

Joy of Living at Somerset House

The graph paper can be used in any manner by the designer. Each designer will also supply a short text on the inspiration for their finished, signed piece.

Joy of Living at Somerset House

Habitat has partnered with the project to frame each artwork for the March exhibition.

Joy of Living at Somerset House

Because democratic values are at the core of Maggie’s philosophy, each artwork will be priced at £250, whether by a household name or a rising star. What’s more, the name of the designer will not be revealed until the piece is purchased, making sure that supporters buy a piece to which they have a true emotional response.

Joy of Living at Somerset House

Max Fraser said, “The time and commitment that so many designers have already pledged to the Joy of Living project is truly amazing, and I hope that together, and with the further support of the design industry, we can raise our target funds to back the brilliant work that Maggie’s does around the country.”

Joy of Living at Somerset House

“Maggie’s founder, Maggie Keswick Jencks, always stressed the importance of creating a welcoming, calm, yet uplifting environment in our centres,” said Laura Lee, Chief Executive of Maggie’s Cancer Caring Centres. “We have engaged with leading architects to design our existing centres, and our mission is to build more across the UK with the generous support of projects like this. Good design is core to our beliefs so it makes perfect sense to partner with the design industry on a project of this kind.”

Joy of Living at Somerset House

Joy of Living is a personal project by Max Fraser and is backed by his brand, london design guide, which is launching its very first award in conjunction with the project. £1000 will be awarded to the designer who best responds to the Joy of Living brief, as selected by a confirmed jury comprising Claire Catterall (Curator, Somerset House), Marcus Fairs (Editor, Dezeen), Max Fraser, Charles Jencks, (Co-founder of Maggie’s) and Lynda Relph-Knight (Editor, Design Week).

Joy of Living at Somerset House

A further £500 award will be given to the designer of the most popular artwork, as chosen by a public vote.

Joy of Living at Somerset House

All artworks will be available to view online at www.londondesignguide.com/joyofliving from 1st March 2011. Donations can be made online at www.justgiving.com/joyofliving

Joy of Living at Somerset House

Joy of Living will be exhibited in the Great Arch lobby at Somerset House, Strand, London WC2R 1LA from 15 – 21 March 2011 and will be open to the public from 10am – 6pm daily.

Joy of Living at Somerset House

Confirmed Designers include:

  • Michael Anastassiades
  • Richard Ardagh
  • Shin Azumi
  • Tomoko Azumi
  • Barber Osgerby
  • Johanna Basford
  • Sebastian Bergne
  • Marc Boase
  • Tord Boontje
  • Jason Bruges
  • Ed Carpenter
  • Naomi Cleaver
  • Paul Cocksedge
  • Committee
  • Terence Conran
  • Peter Crawley
  • Darkroom
  • Anthony Dickens
  • Tom Dixon
  • Ella Doran
  • Alan Dye
  • Daniel Eatock
  • Michael Eden
  • Robin Farquhar
  • Paul Finn
  • Annabel Fraser
  • Fredrikson Stallard
  • Martino Gamper
  • Thore Garbers
  • Neil Gillespie
  • Alistair Hall
  • Jon Harrison
  • Simon Hasan
  • Stuart Haygarth
  • Jaime Hayon & Nienke Klunder
  • Sam Hecht
  • Simon Heijdens
  • Mark Holmes
  • Benjamin Hubert
  • Sam Jacob
  • Jam Design
  • Sam Johnson
  • André Klauser
  • Max Lamb
  • Amos Marchant
  • Peter Marigold
  • Michael Marriott
  • Hannah Martin
  • Beau Mcclellan
  • Giles Miller
  • Helen Amy Murray
  • Gareth Neal
  • Brodie Neill
  • New Future Graphic
  • Nous Vous
  • John Pawson
  • Luke Pearson
  • Simon Pengelly
  • Laura Perryman
  • Monica Piatkowski
  • Russell Pinch
  • Steve Price
  • Raw Edges
  • Rob Ryan
  • Ismini Samanidou & Gary Allson
  • Michael Sodeau
  • Rodrigo Solorzano
  • Cathy Spooner
  • Andrew Stafford
  • Richard Sweeney
  • Alexander Taylor
  • Timorous Beasties
  • Nina Tolstrup
  • Troika
  • Twocreate
  • Viable London
  • Moritz Waldemeyer
  • Peter Wall
  • William Warren
  • Chris Wilkinson
  • Donna Wilson
  • Wokmedia
  • Michael Wolfson
  • Voon Wong & Benson Saw
  • Terence Woodgate
  • Richard Woods
  • Sebastian Wrong
  • Helen Yardley
  • Dan Ziglam

Maggie’s

Maggie’s is a charity which empowers people to live with, through, and beyond cancer through a network of unique cancer caring centres across the UK, designed by superstar architects such as Zaha Hadid, Frank Gehry and Richard Rogers. Maggie’s is a young and extremely dynamic organisation: founded in 1996 the charity was conceived by Maggie Keswick Jencks who, along with her husband, renowned landscape architect Charles Jencks, identified the need for a space where people affected by cancer could be empowered to help themselves with the many non-medical challenges associated with the disease. There are now seven Maggie’s centres based near major cancer hospitals throughout the UK, and plans for more if enough money can be raised. Design is an integral part of what makes Maggie’s Centres unique. Maggie’s creates uplifting spaces that are resolutely non-institutional. Like Lubetkin, who designed the ground-breaking Finsbury Health Centre in London in 1938, Maggie’s believes that “Nothing is too good for ordinary people”; that beautiful surroundings should not be the preserve of the privileged. The detailed brief they provide to architects is centred on the needs of the people who visit the centres, but it also allows broad creative scope and artistic interpretation. Through this, Maggie’s has succeeded in creating a network of centres that are exquisitely idiosyncratic in their design but utterly consistent in the community of care they create for people affected by cancer.


See also:

.

Maggie’s Centre Cheltenham
by MJP Architects
Maggie’s Centre Gartnavel
by OMA
Maggie’s Centre London
by Rogers Stirk Harbour