Vega Cottage by Kolman Boye Architects references weathered Norwegian boathouses

This solitary wooden cottage on the Norwegian island of Vega was designed by Swedish studio Kolman Boye Architects to resemble the weather-beaten boathouses that are dotted along the island’s coastline (+ slideshow).

Vega Cottage by Kolman Boye Architects references weathered Norwegian boathouses

The traditional sheds, known as Naust, are common to Norway’s seaside towns and villages, so architects Erik Kolman Janouch and Victor Boye Julebäk decided to pay tribute by creating a small residence that resembles a pair of cabins.

Vega Cottage by Kolman Boye Architects references weathered Norwegian boathouses

“We have aimed to build a contemporary Naust with an unpretentious presence and a distinctive character, developing themes from the vernacular architecture,” they said, referencing the simple materials and gabled profiles.

Vega Cottage by Kolman Boye Architects references weathered Norwegian boathouses

Vega Cottage was built over the uneven terrain of a rocky outcrop near the coastline. “The site is distinctive for its grand and harsh northern landscape with wide panoramas of the Norwegian Sea and the jagged mountains rising from it,” said the architects.

Vega Cottage by Kolman Boye Architects references weathered Norwegian boathouses

A pathway leading to the entrance sits within a natural ravine, so as not to disturb views across the landscape. As a result, the house appears to be completely cut off from any other traces of civilisation.

Vega Cottage by Kolman Boye Architects references weathered Norwegian boathouses

The architects used pine to build the structure then added birch joinery details. Exterior walls are left exposed, while interior surfaces are painted white.

Vega Cottage by Kolman Boye Architects references weathered Norwegian boathouses

“The interior is kept subtle with a character of being hand-built, promoting tactile qualities and the attractive patina developed over time,” added Kolman Janouch and Boye Julebäk.

Vega Cottage by Kolman Boye Architects references weathered Norwegian boathouses

The largest space in the two-storey building is a family living room that occupies one half of the ground floor and features a stone fireplace.

Vega Cottage by Kolman Boye Architects references weathered Norwegian boathouses

Two oversized windows offer views out towards the ocean and the surrounding mountain range, while a door opens the space out a terrace flanked by two walls.

Vega Cottage by Kolman Boye Architects references weathered Norwegian boathouses

Other spaces on this floor include a lobby with a wall of storage. Bedrooms and smaller family rooms are located upstairs.

Vega Cottage by Kolman Boye Architects references weathered Norwegian boathouses

Photography is by Åke E:son Lindman.

Read on for the full description from Kolman Boye Architects:


Vega Cottage

The house stands on the island of Vega in the Norwegian archipelago not far from the polar circle. The site is distinctive for its grand and harsh northern landscape with wide panoramas of the Norwegian Sea and the jagged mountains rising from it.

Vega Cottage by Kolman Boye Architects references weathered Norwegian boathouses

Not far from the site, near the ocean shore, stands a group of traditional seaside huts, in Norwegian called Naust, whose forms and materials reflect many years’ experience of building in these conditions. The outermost hut shelters those behind – the huts being placed at odd angles to each other, partly due to topography and partly due to chance. The windowless weathered wooden facades have a straightforward tectonic and a strong material vocabulary.

Vega Cottage by Kolman Boye Architects references weathered Norwegian boathouses

We believe that good buildings engender the refinement of everyday life, having a curious, evocative and empathic nature. We have aimed to build a contemporary Naust with an unpretentious presence and a distinctive character, developing themes from the vernacular architecture.

Seemingly growing from the landscape, the house sits on a rock beneath a granite shoulder negotiating the uneven terrain. As not to disturb the dominant view towards the sea, access to the house is given through a narrow natural ravine densely grown with gnarled birch shrubs and laid out with sea-sand from the nearby shore. The landscape remains untouched and wild.

Vega Cottage by Kolman Boye Architects references weathered Norwegian boathouses
Floor plan – click for larger image

The large windows of the house face three directions, each with its strong unique characteristic. They are simple and robust in detailing and the optically white glass conveys undisturbed frames of the ocean, the mountain range and the bedrock.

Organised on two levels adapting to the terrain, the plan is compact, providing generous social spaces within a limited floor area. The upper level is comprised of smaller scale bedrooms and family rooms, whereas the lower level is a large gallery-like space structured around a stone hearth. Completed in linseed oil painted pine with untreated birch skirting, frames and reveals, the interior is kept subtle with a character of being hand-built, promoting tactile qualities and the attractive patina developed over time.

Vega Cottage by Kolman Boye Architects references weathered Norwegian boathouses
Section – click for larger image

Upon completion of the house the clients’ father, who spent his childhood in the close vicinity, visited the cottage. Being able to sit down – for the first time – sheltered from the elements; he stayed seated for several hours silently observing the ever-changing light over the sea.

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Hinged shutters camouflage with facade of Humberto Conde’s Portugal townhouse

Hinged panels discretely integrated into the facade of this house in Parede, Portugal, by Lisbon architect Humberto Conde protect the property when the owners are away. (+ slideshow).

Parede 11 house by Humberto Conde has hinged protective panels

Humberto Conde designed the family home for a narrow plot next to a three-storey property that informed the overall dimensions of the new building and the position of its street-facing elevation.

Unifamiliar-House-in-Parede-26

To the street, the house presents a minimal facade covered in cement panels and punctuated by narrow vertical windows. The hinged shutters fold down to conceal the windows, protecting the property at night and when the family is on holiday.

Unifamiliar-House-in-Parede-25

“The new building promotes a dialogue between the surrounding area by a language of contrast in its image and shape regarding all the spatial articulation principles that mark the adjacent building,” said Conde.

Parede 11 house by Humberto Conde has hinged protective panels

At ground-floor level, the entrance is shielded by a small boxy canopy, while the hinged shutters that conceal the kitchen and laundry can be folded upwards to admit natural light and views toward the street.

Unifamiliar-House-in-Parede-21

The gently sloping courtyard at the front of the house provides space for parking two cars, while a large patio at the back is surrounded by vegetation and incorporates a lap pool that is illuminated at night.

Parede 11 house by Humberto Conde has hinged protective panels

A long corridor leads from the entrance to the kitchen on the left and into the main living and dining area, which is connected to the garden by full-height sliding glass doors.

Parede 11 house by Humberto Conde has hinged protective panels

A staircase located to the right of the entrance ascends from the corridor to a first floor containing two bedrooms.

Parede 11 house by Humberto Conde has hinged protective panels

Next to the master bedroom is an antechamber between the dressing area and en suite bathroom, which contains a square, swivelling window.

Parede 11 house by Humberto Conde has hinged protective panels

This window looks out at a sculptural tree in a sheltered courtyard with frosted windows on either side, allowing light and ventilation to reach the bathrooms.

Parede 11 house by Humberto Conde has hinged protective panels

A door from the master bedroom provides access to a balcony overlooking the garden at the rear of the house, which projects over the patio below to shade the living spaces.

Parede 11 house by Humberto Conde has hinged protective panels

On the second floor is a third bedroom and doors that open onto a large roof terrace.

Parede 11 house by Humberto Conde has hinged protective panels

Similarly to the hinged panels on the house’s minimal front facade, these doors sit flush with a dark wall that gives the terrace a contrasting appearance to the rest of the white exterior.

Parede 11 house by Humberto Conde has hinged protective panels

Photography is by Fernando Guerra.

Here’s a project description from Humberto Conde:


Parede 11 House, Cascais, Portugal

Principles

The project aims to develop a single house located in the centre of Parede, Cascais, in a site characterised as Historical Urban Space. The lot of the house as a particular elongated and thin configuration like the adjacent lot on the left side – south. The nearby buildings are part of a summer houses morph-typological group that proliferated in the Portuguese coastline in the 40s, 50s and 60s.

Parede 11 house by Humberto Conde has hinged protective panels

These houses were usually built as second houses or summer residences, presenting, in general, a garden that involves them throughout their perimeter. The exception is made in smaller lots of recent date where it was usual the implantation of terraced houses, as a way to potentiate the opposite top sideband.

Parede 11 house by Humberto Conde has hinged protective panels

In this particular case, given the lot’s configuration and taking into account the adjacent house (with three floors above the ground and one basement), we believe that the new construction should certainly be marked out through these alignments, namely the build’s height, volumetry and the alignments of the main facade.

Parede 11 house by Humberto Conde has hinged protective panels

The new building should promote a dialogue between the surrounding area by a language of contrast in its image and shape regarding all the spatial articulation principles that mark the adjacent building – as well as by the used construction details, such as window openings, metric of the facades and visual relation with the exterior.

Parede 11 house by Humberto Conde has hinged protective panels

Safeguarding a small courtyard at the entrance of the house – access area to the parking lot and the house – that assures the alignments, the new building is developed in three floors above ground, freeing at the back (West), a green space which is in direct relation with the social spaces of the house.

Unifamiliar-House-in-Parede-19

Access / Outdoor Spaces

The building is focused on the alignments with the adjacent house, with a East/West orientation, which allows to free part of the lot at East as a reception and decompression space, providing an area for two parking spaces inside the lot.

Unifamiliar-House-in-Parede-20

There’s a longitudinal corridor, delimited by the contiguous lots’ walls, with the introduction of a single vegetable element – a tree – allowing the automobile and pedestrian access to the interior of the housing. It’s also considered the interest in maintaining the permeability of the soil by applying a large green surface at the back of the house. This will allow the infiltration of a significant percentage of rainwater and the optimisation of the access to the infrastructure network derived from extensions installed on the public road.

Parede 11 house by Humberto Conde has hinged protective panels

Functional Structure

The access to the interior of the house is made by a small and slightly inclined ramp, which is also use as a common distribution atrium of the automobile and pedestrian access.

Parede 11 house by Humberto Conde has hinged protective panels

At the ground floor level are the social spaces of the house. Through a central corridor, which serves as the house’s entrance hall, it’s made the distribution to the different spaces of the house. On the left side of the hallway are the kitchen and clothing treatment areas, accessed laterally. In front is the living room, a big space that establishes a close relationship with the exterior, through the use of a garden. Finally, on right side of the corridor are the staircases for the upper floors – the private spaces of the house.

Parede 11 house by Humberto Conde has hinged protective panels

Reaching the first floor through the distribution staircase, located on the right side of the house’s main access, we’ve got two bedrooms equipped with their own private bathroom and closet. Both bedrooms are naturally lit through the openings located on the East and West facades, having been also created a small outdoor garden to canalise natural light and ventilation of the bathrooms of both bedrooms.

Unifamiliar-House-in-Parede-23

The second floor consists on a single space – the third bedroom and a bathroom. Both spaces enjoy natural light and a strong relationship with a terrace facing the West, where a tree coming from the garden on the lower floor emerges.

Parede 11 house by Humberto Conde has hinged protective panels
Site plan – click for larger image
Parede 11 house by Humberto Conde has hinged protective panels
Ground floor plan – click for larger image
Parede 11 house by Humberto Conde has hinged protective panels
First floor plan – click for larger image
Parede 11 house by Humberto Conde has hinged protective panels
Second floor plan – click for larger image
Parede 11 house by Humberto Conde has hinged protective panels
Roof plan – click for larger image
Parede 11 house by Humberto Conde has hinged protective panels
Section A – click for larger image
Parede 11 house by Humberto Conde has hinged protective panels
Section B – click for larger image
Parede 11 house by Humberto Conde has hinged protective panels
Section C – click for larger image

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Curvaceous oak staircase ascends through converted convent by John Smart Architects

A dramatic oak staircase with a sweeping handrail connects the five storeys of this Victorian convent building in south London, which has been converted into four homes by John Smart Architects (+ slideshow).

Curvacious oak staircase ascends through converted London convent by John Smart Architects

The Old St John’s Convent and Orchard was renovated by London firm John Smart Architects to create four five-storey properties that retain the original order of the facades while adding modern interventions and overhauling the interiors.

Curvacious oak staircase ascends through converted London convent by John Smart Architects

“The distinctive Victorian skin was largely renovated and reinstated to retain as much of the character of the original convent as possible,” the architects told Dezeen.

Curvacious oak staircase ascends through converted London convent by John Smart Architects

“New interventions remained largely hidden where possible on the front facing facade, whereas the back facade required opening up to benefit from the south facing aspect and to improve visual connections with the large gardens,” they added.

Curvacious oak staircase ascends through converted London convent by John Smart Architects

Extensions to two of the properties incorporate large windows and Juliet balconies looking out onto the garden, and are clad in pale limestone that contrasts with the existing facade.

Curvacious oak staircase ascends through converted London convent by John Smart Architects

“Moleanos limestone was chosen as a pure, unapologetically modern solid element which contrasted against the original London brick,” said the architects.

Curvacious oak staircase ascends through converted London convent by John Smart Architects

Inside one of the extensions, a double-height void rises from the lower ground floor kitchen and dining area to a reading room above that features a glass balustrade to retain views of the garden.

Curvacious oak staircase ascends through converted London convent by John Smart Architects

The kitchen floor is made from polished screed, while oak was used for built-in cabinetry and an adjoining partition that screens the utility area.

Curvacious oak staircase ascends through converted London convent by John Smart Architects

A fluid oak staircase at the centre of the house was constructed from staves with standardised sections and assembled on-site. The wood was exposed to ammonia fumes to darken its colour.

Curvacious oak staircase ascends through converted London convent by John Smart Architects

Just two types of wedge-shaped staves were used to build the inner and outer curves that form the handrail and the stringer supporting the treads.

Curvacious oak staircase ascends through converted London convent by John Smart Architects

“The stairwell concept was to design a heavy vertical sculptured element, providing a solid core to the overall programmatic framing of the house,” the architects explained. “The building’s history meant it felt appropriate for the staircase to have a strong robust presence, which suggested dark oak.”

Curvacious oak staircase ascends through converted London convent by John Smart Architects

On the original main floor of the convent, a large oak bookcase acts as a dividing wall between a living area and the staircase.

Curvacious oak staircase ascends through converted London convent by John Smart Architects

The bookcase is constructed from the same fumed oak as the staircase, creating visual consistency between these two vertical elements while contrasting with the pale herringbone wooden floor.

Curvacious oak staircase ascends through converted London convent by John Smart Architects

Bedrooms and bathrooms are contained on the second and third storeys, with the staircase continuing to a roof terrace fitted between two sections of the sloping roof.

Curvacious oak staircase ascends through converted London convent by John Smart Architects

Photography is by Edmund Sumner.

Here’s some more information from the architects:


St John’s Orchard

Set within a tree lined neighbourhood in South London; a distinctive local landmark has been attentively refurbished and crafted into four elegant houses. The Old St John’s Convent and Orchard at 17 Grove Park has been given a fresh lease of life through combining the rich history of the original Victorian building with new contemporary spaces and interventions. Each house is set over 5 floors and spans over 4000 square feet.

Curvacious oak staircase ascends through converted London convent by John Smart Architects

The Great Room Floor

Conceived as an open single space, the Great Room Floor provides three distinct areas within the original ground floor of the convent, whilst still maintaining an open dialogue across the floor.

Curvacious oak staircase ascends through converted London convent by John Smart Architects

Library

The oak library unit forms a central ‘furniture wall’ in the Great Room. Concealed full height doors allow space to flow freely around it, creating a fluid space. The fumed oak joinery relates to the fumed oak stair, bringing the verticality of the central core into the spatial dynamic.

Curvacious oak staircase ascends through converted London convent by John Smart Architects

Staircase Design

The five-storey oak stair is constructed using staves of standard section sizes that were laminated into a bespoke form. Crafted in a workshop, the elements were assembled on-site into a seamless flight that rises through the core of the house. Detailing is reduced to a minimum – just two types of wedged-shaped staves were used to achieve the inner and outer curves of the stair, which serves as both stringer and handrail.

Curvacious oak staircase ascends through converted London convent by John Smart Architects

Kitchen and Dining

At the heart of each house is a cooking and dining space situated under a dramatic six-metre high double height void. Framed by a full height oak window and sliding door, it has vistas onto the gardens and terrace beyond. Inside merges with outside, giving a garden backdrop to cooking, eating and entertaining in one light-filled room. The double aspect space can be used to create two distinct atmospheres if desired, each with their own ambiance, for casual family dining and more structured formal dining. A monolithic polished screed floor unifies the space while storage and utility are concealed neatly behind bespoke cupboards and timber clad walls. The kitchen itself is crafted from fumed oak with framed black granite oak doors and an Italian white marble worktop.

Site plan of Curvacious oak staircase ascends through converted London convent by John Smart Architects
Site plan – click for larger image
Lower ground floor of Curvacious oak staircase ascends through converted London convent by John Smart Architects
Lower ground floor
Ground floor plan of Curvacious oak staircase ascends through converted London convent by John Smart Architects
Ground floor plan
First floor plan of Curvacious oak staircase ascends through converted London convent by John Smart Architects
First floor plan
Second floor plan of Curvacious oak staircase ascends through converted London convent by John Smart Architects
Second floor plan
Third floor plan of Curvacious oak staircase ascends through converted London convent by John Smart Architects
Third floor plan
Roof plan of Curvacious oak staircase ascends through converted London convent by John Smart Architects
Roof plan
Section of Curvacious oak staircase ascends through converted London convent by John Smart Architects
Section – click for larger image
North elevation of Curvacious oak staircase ascends through converted London convent by John Smart Architects
North elevation – click for larger image
South elevation of Curvacious oak staircase ascends through converted London convent by John Smart Architects
South elevation – click for larger image

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Studio 360 adds walls of modular shelving and storage to Slovenian apartment

Slovenian firm Studio 360 built walls of modular white shelving inside every room of this L-shaped apartment in Ljubljana to maximise space whilst removing clutter (+ slideshow).

Studio 360 adds walls of modular shelving and storage to Slovenian apartment

Studio 360 renovated a 100-square-metre apartment in the heart of the Slovenian capital to create the modern home, which contains a large living and dining room, two bedrooms, two bathrooms and a study.

Studio 360 adds walls of modular shelving and storage to Slovenian apartment

The designers didn’t make any changes to the layout of the apartment, but gave each room a different arrangement of shelving based on simple geometric shapes. This inspired the project’s name, Geometric Residence.

Studio 360 adds walls of modular shelving and storage to Slovenian apartment

The studio also made small structural adjustments by changing windows and doors, replacing the flooring and rewiring the electrics.

Studio 360 adds walls of modular shelving and storage to Slovenian apartment

“When the client approached us, this apartment was vacant and ruined,” explained studio director Lidija Dragisic. “In order to bring it back to life, the renovation was absolutely necessary.”

Studio 360 adds walls of modular shelving and storage to Slovenian apartment

The interior combines basic materials and natural colours, with white walls, oak furniture and detail accents in black. “This approach allowed the residents the freedom of doing any additional decorations without disrupting the overall design statement,” said Dragisic.

Studio 360 adds walls of modular shelving and storage to Slovenian apartment

Entering the space, the apartment opens onto the open-plan living room, accessed by walking under a strip of mirrored glass.

Studio 360 adds walls of modular shelving and storage to Slovenian apartment

The lounge area is dominated by block white shelving, with gaps made of oak deliberately inserted to allow the addition of books, a TV and speakers.

Studio 360 adds walls of modular shelving and storage to Slovenian apartment

In contrast, the adjacent kitchen features uniform white units, which surround a custom-made 3.5-metre wooden table with a parquet finish.

Studio 360 adds walls of modular shelving and storage to Slovenian apartment

In the master bedroom, oak storage units are suspended from the wall above a bed made from the same wood. Both this room and the second bedroom feature full-height white wardrobes.

Studio 360 adds walls of modular shelving and storage to Slovenian apartment

Sandwiched between the two bedrooms is a small study with shelving divided into squares and rectangles.

Studio 360 adds walls of modular shelving and storage to Slovenian apartment

The two main bathrooms are finished in slate grey tiling and feature mirror-lined walls and white inlet shelving.

Photogaphy is by Miran Kambic.

Here’s a project description from the designers:


 Geometric Residence, Ljubljana, Slovenia 

The apartment is located in the heart of Ljubljana, the capital of Slovenia. It is divided into living area (consisting of a large living room with kitchen and dining room) and more intimate / sleeping area (two sleeping rooms and a study room). In between these two spaces there is a service part offering two contemporary bathrooms and one utility.

Studio 360 adds walls of modular shelving and storage to Slovenian apartment

When the client approached us, this apartment was vacant and ruined. In order to bring it back to life, the renovation was absolutely necessary. The adaptation didn’t make any significant changes to the floor plan, besides some bathroom enhancements, windows & door replacements, new flooring and electrical installations.The interior furnishing design is simple, with design-scheme combining basic materials and natural colours: oak, white furniture and some detail accents in black. This approach allowed the residents the freedom of doing any additional decorations (art, coloured cushions, carpets, accessories etc.) without disrupting the overall design-statement.

Studio 360 adds walls of modular shelving and storage to Slovenian apartment

The furniture along the walls is in a neutral white and designed in a geometrical pattern, which magnifies the flat’s ambience. Several carefully selected accents are wood, which create a pleasant and cozy atmosphere. The furniture is custom and unique – for example, a big 3.5 m long wooden table in the middle of the dining area or a huge pantry with parquet-finish, which brings the living and private spaces together. The marriage of white and oak is implemented in the master bedroom as well (master-bed and a geometrically-shaped wall closet above). The massive curtains throughout the apartment achieve additional intimacy, softness and consistency (they are also in a neutral black & white combination). The bathrooms are simple and without any unnecessary decorations, which allows the beautiful concrete-like tiles to stand out. These spaces are visually enhanced with the clever use of built-in mirrored walls.

Studio 360 adds walls of modular shelving and storage to Slovenian apartment
Interior plan – click for larger image

Our aim was to adapt this interior to the versatile, ever changing needs of the modern customer. Besides the functionality, we wanted to create many different lighting scenarios and environments. This is achieved by combining basic lighting with the indirect led lighting, which are hidden in the furniture elements. The ceiling in the bedroom adorned with a crystal chandelier, which (along with the other vintage accessories) gives this residence a unique soul.

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Martin Azua’s Trees and Rocks table contrasts wood with marble

Barcelona designer Martin Azua has created a table that plays on the contrast in properties between wood and stone (+ slideshow).

Martin Azua’s Trees and Rocks table blows hot and cold

The Trees and Rocks table features central discs of Venato Carrara marble set into a main frame of Spanish walnut, but future versions may feature different combinations of material.

Martin Azua’s Trees and Rocks table blows hot and cold

“I wanted to make a table with two fine materials that are very attractive in themselves and don’t need any kind of ornamentation because their surface are always different and full of information,” said Azua. “The wood is warm and soft and the marble is cold and tough.”

Martin Azua’s Trees and Rocks table blows hot and cold

The marble also serves a practical function, creating a heat- and scratch-resistant section on the surface of the table.

Martin Azua’s Trees and Rocks table blows hot and cold

Azua’s latest creation is part of his Numbered collection, which features products created in collaboration with local craftsmen using local materials.

Martin Azua’s Trees and Rocks table blows hot and cold

Each piece is designed to incorporate elements that can evolve and change naturally with time and use.

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table contrasts wood with marble
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Steel-clad mountain hut by Savioz Fabrizzi Architectes wraps over an Alpine ridge

Perched on an Alpine ridge 3256 metres above sea level, this shiny steel cabin by Swiss firm Savioz Fabrizzi Architectes creates a starting point for mountaineers climbing the Bishorn, Weisshorn or Tête de Milon (+ slideshow).

Steel-clad mountain hut by Savioz Fabrizzi Architectes wraps over an Alpine ridge

Savioz Fabrizzi Architectes designed Tracuit Mountain Hut to replace an existing climbers’ facility that had been constructed in 1929 in the Chaussy section of the Swiss Alpine Club.

Steel-clad mountain hut by Savioz Fabrizzi Architectes wraps over an Alpine ridge

The existing building had been subjected to a number of adaptions over the years and would have required extensive renovation to bring it up to modern standards, so a decision was made to simply knock it down and start from scratch.

Steel-clad mountain hut by Savioz Fabrizzi Architectes wraps over an Alpine ridge

Wrapping over the peak of a mountain and glacier, the building has an angular shape that is orientated south to make the most of solar heat and energy.

Steel-clad mountain hut by Savioz Fabrizzi Architectes wraps over an Alpine ridge

“The nature of the site, between a cliff and a glacier, defined the position and shape of the new hut, which is constructed along the ridge above the cliff, fitting in with the site’s topography,” said the architects.

Steel-clad mountain hut by Savioz Fabrizzi Architectes wraps over an Alpine ridge

Solar panels cover the south elevation and the roof, allowing the building to generate all of its own power. Larger windows are also located on this side of the building, where they can take advantage of solar heat gain.

Steel-clad mountain hut by Savioz Fabrizzi Architectes wraps over an Alpine ridge

The difficulty in transporting concrete to the remote location prompted the architects to use a timber frame for the building’s structure, which had to be prefabricated and airlifted to the site by helicopter.

Steel-clad mountain hut by Savioz Fabrizzi Architectes wraps over an Alpine ridge

Corrugated stainless-steel panels clad the west, north and east elevations, creating a shiny surface that offers a distorted reflection of the surroundings.

Steel-clad mountain hut by Savioz Fabrizzi Architectes wraps over an Alpine ridge

Four storeys of accommodation are contained within the building, including sleeping spaces for up to 116 guests and large canteen.

Steel-clad mountain hut by Savioz Fabrizzi Architectes wraps over an Alpine ridge

“From the refectory, guests enjoy an uninterrupted, plunging view over the Val de Zinal,” added the architects.

Steel-clad mountain hut by Savioz Fabrizzi Architectes wraps over an Alpine ridge

Photography is by Thomas Jantscher.

Here’s some project text from Savioz Fabrizzi Architectes:


New Tracuit Mountain Hut, Zinal

The Tracuit Mountain Hut (altitude 3256 metres) belongs to the Chaussy section of the Swiss Alpine Club and is situated in the Val d’Anniviers, in the heart of the Valaisan Alps. Its superb position makes it the ideal starting-point for climbing the Bishorn, the Weisshorn, and the Tête de Milon.

Steel-clad mountain hut by Savioz Fabrizzi Architectes wraps over an Alpine ridge

The hut was built in 1929 and enlarged several times to cope with a constant increase in guest numbers and expected levels of comfort. Current requirements concerning health and safety, staffing, facilities, and environmental protection meant that the hut needed to be enlarged and completely refurbished. As transforming the existing hut would have produced a significant cost overhead, the club decided to build a new one. The design was chosen via an architectural competition.

Steel-clad mountain hut by Savioz Fabrizzi Architectes wraps over an Alpine ridge

The nature of the site, between a cliff and a glacier, defined the position and shape of the new hut, which is constructed along the ridge above the cliff, fitting in with the site’s topography. The south facade of the building extends from the cliff and works like a large solar collector, being either glazed or covered with solar panels to make maximum use of solar energy. The other facades reflect the surrounding landscape. From the refectory, guests enjoy an uninterrupted, plunging view over the Val de Zinal.

Steel-clad mountain hut by Savioz Fabrizzi Architectes wraps over an Alpine ridge

At this altitude, the construction methods had to be adapted to the adverse weather conditions and to the means of transport available. As transporting concrete is particularly expensive, its use was minimised and restricted largely to individual footings.

Steel-clad mountain hut by Savioz Fabrizzi Architectes wraps over an Alpine ridge

The whole of the structural frame is of wood. The wall and floor components, consisting of studs/beams, insulation and cladding, were prefabricated in the factory and transported by helicopter for on-site assembly. Panels of stainless steel cladding protect the roof and outer walls from the elements.

Steel-clad mountain hut by Savioz Fabrizzi Architectes wraps over an Alpine ridge

The east, west and north walls have only a few openings, reducing heat loss while providing optimum natural ventilation. Larger windows on the south wall, which is exposed to the sun, enable passive solar energy to be stored, and this wall is also covered with solar panels.

Steel-clad mountain hut by Savioz Fabrizzi Architectes wraps over an Alpine ridge

During the work, the existing hut accommodated the usual guests and also the construction workers. At the end of the work, this outdated, energy-hungry building was taken down. The lower part of the walls remains, with the south wall delimiting the terrace and protecting its users from the wind.

Steel-clad mountain hut by Savioz Fabrizzi Architectes wraps over an Alpine ridge

Via its large area of solar panels and south-facing glazing, the building makes maximum use of solar radiation. The compact shape of the building and efficient wall insulation reduce heat loss. Low-tech ventilation is used to recover the significant amount of heat emitted by the building’s occupants, while making it more comfortable and preventing any problems with mould growth in premises that are closed for several months of the year.

Steel-clad mountain hut by Savioz Fabrizzi Architectes wraps over an Alpine ridge

Client: Swiss Alpine Club, section Chaussy
Program: hut with 116 beds, (6 dorms with 12 places, 5 dorms with 4 places, 1 dorm with 24 places), refectory, professional kitchen, techniques
Civil engineer: Alpatec SA
HVAC engineer: Tecnoservice Engineering SA

Steel-clad mountain hut by Savioz Fabrizzi Architectes wraps over an Alpine ridge
Site map – click for larger image
Steel-clad mountain hut by Savioz Fabrizzi Architectes wraps over an Alpine ridge
Site plan – click for larger image
Steel-clad mountain hut by Savioz Fabrizzi Architectes wraps over an Alpine ridge
Lower basement plan – click for larger image
Steel-clad mountain hut by Savioz Fabrizzi Architectes wraps over an Alpine ridge
Upper basement plan – click for larger image
Steel-clad mountain hut by Savioz Fabrizzi Architectes wraps over an Alpine ridge
Ground floor plan – click for larger image
Steel-clad mountain hut by Savioz Fabrizzi Architectes wraps over an Alpine ridge
First floor plan – click for larger image
Steel-clad mountain hut by Savioz Fabrizzi Architectes wraps over an Alpine ridge
Section – click for larger image
Steel-clad mountain hut by Savioz Fabrizzi Architectes wraps over an Alpine ridge
South elevation – click for larger image
Steel-clad mountain hut by Savioz Fabrizzi Architectes wraps over an Alpine ridge
East elevation – click for larger image
Steel-clad mountain hut by Savioz Fabrizzi Architectes wraps over an Alpine ridge
North elevation – click for larger image
Steel-clad mountain hut by Savioz Fabrizzi Architectes wraps over an Alpine ridge
West elevation – click for larger image

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Architectes wraps over an Alpine ridge
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Randy Scott Slavin extends Alternative Perspectives panoramic photo series

New York photographer Randy Scott Slavin has stitched together more photographs of American cities and landscapes to create this extension to his Alternative Perspectives series.

Randy Scott Slavin extends Alternative Perspectives panoramic photo series

Randy Scott Slavin manipulated photographs he has taken of scenes across the USA into 360-degree panoramas, which he then digitally mapped as stereographic projections to create his Alternative Perspectives 2 series.

Randy Scott Slavin extends Alternative Perspectives panoramic photo series

It includes views of New York City such as the giant LED billboards of Times Square and the new buildings at the former World Trade Center site, as well as the series of bridges across the East River.

Randy Scott Slavin extends Alternative Perspectives panoramic photo series

This set of photographs is more landscape-orientated than the first and most of the effects centre around sky and water.

Randy Scott Slavin extends Alternative Perspectives panoramic photo series

Beaches, woodland, deserts and urban spaces were shot in locations including Miami, Los Angeles and Bridgehampton on Long Island.

Randy Scott Slavin extends Alternative Perspectives panoramic photo series

Slavin explained that he can’t predict if a set of images will be successful as a 360-degree panorama until post-production.

Randy Scott Slavin extends Alternative Perspectives panoramic photo series

“While shooting series one I came to realise that I could never know how and what would make a great Alternate Perspectives image until afterwards,” he said. “Sometimes I would be shooting a landscape that seems mundane and then in post production I found it to be amazing!”

Randy Scott Slavin extends Alternative Perspectives panoramic photo series

Slavin endured extreme weather and wildlife encounters in order to take the photographs. “Ants, mosquitos, jellyfish, sunburn, rain (lots of rain), freezing winds, treacherous icy hikes are just some of the few joys I experienced while shooting Alternate Perspectives 2,” he said.

Randy Scott Slavin extends Alternative Perspectives panoramic photo series

This time around, Slavin is making the prints available to purchase rather than solely producing limited editions.

Randy Scott Slavin extends Alternative Perspectives panoramic photo series

“For Alternate Perspectives series one I made limited edition prints that were extremely expensive but it pissed me off that so many fans of the work were priced out,” he said.

Randy Scott Slavin extends Alternative Perspectives panoramic photo series

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Perspectives panoramic photo series
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Stackle modular shelving system designed by THINKK Studio

Bangkok designers THINKK Studio have created a modular shelving system made from wooden batons with perforated aluminium surfaces that slot in to create dividers or hide clutter.

Stackle modular shelving system designed by THINKK Studio

THINKK Studio wanted to develop a versatile, stackable shelving design that provides multiple functionalities, including hanging space and adjustable surfaces.

Stackle modular shelving system designed by THINKK Studio

“To find a fresh system for modular shelving we decided to start the project by thinking about detail first,” the designers told Dezeen.

Stackle modular shelving system designed by THINKK Studio

They created a framework comprising jointed wooden batons that stack neatly thanks to the arrangement at each corner and don’t require any additional fixings to lock the individual modules together.

Stackle modular shelving system designed by THINKK Studio

“The cross-section of the four legs is intentionally designed for stacking,” added the designers. “When the shelves are flipped horizontally and stacked on top of another one, the legs perfectly insert down and sit on the lower shelf.”

Stackle modular shelving system designed by THINKK Studio

Flipping and stacking the units creates a random rhythm of the vertical bracing bars and additional metal surfaces.

Stackle modular shelving system designed by THINKK Studio

Vertical batons on either side of the shelves protrude above the horizontal surface to provide a hanging hook.

Stackle modular shelving system designed by THINKK Studio

Slits in the shelves and batons opposite create gaps into which the perforated aluminium sheets can be slid to provide surfaces for dividing the space, hiding mess or acting as a backdrop for objects.

Stackle modular shelving system designed by THINKK Studio

The aluminium surfaces are also fitted to the two vertical bars to create an additional horizontal shelf in the middle of each unit.

Stackle modular shelving system designed by THINKK Studio

The modules are available in natural oak or in a variety of coloured stains, with the aluminium sheets produced in complementary hues.

Stackle modular shelving system designed by THINKK Studio

THINKK Studio will present the Stackle shelving system at the Ventura Lambrate design district during next month’s Salone Internazionale del Mobile.

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designed by THINKK Studio
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Three white walls front Ripple house by Kichi Architectural Design

The three-layered facade of this riverside house in Tsukubamirai, Japan, was intended by local studio Kichi Architectural Design to reference rippling water (+ slideshow).

Three white walls front Ripple house by Kichi Architectural Design

Named Ripple, the three-storey family home has a blank white facade comprising three windowless walls,  which incrementally increase in size. Once conceals a balcony, while another screens the house’s entrance.

Three white walls front Ripple house by Kichi Architectural Design

“The facade which consists of three white outer walls, is suggestive of triple ripples on the surface of the river,” said Naoyuki Kikkawa, architect and co-founder of Kichi Architectural Design.

Three white walls front Ripple house by Kichi Architectural Design

The house is set back from the nearby river and is surrounded by cherry blossom trees, which the architect says are typical of this area.

Three white walls front Ripple house by Kichi Architectural Design

“It is a house that enables its residents to live closely with the cherry trees which manifest all kinds of expressions with the changing of the seasons in Japan,” he said.

Three white walls front Ripple house by Kichi Architectural Design

The house has a long and narrow plan, with a semi-enclosed courtyard at its centre and a sheltered patio at the back.

Three white walls front Ripple house by Kichi Architectural Design

Unlike the austere street facade, the rear elevation is fully glazed to bring light into the building and offer residents views out towards the river.

Three white walls front Ripple house by Kichi Architectural Design

“Based on the shape of the site, one that stretches in a narrow strip toward the cherry trees, I conceived the shape of the house, a U-shaped one, so that every one of its rooms would fully benefit from the light,” said Kikkawa.

Three white walls front Ripple house by Kichi Architectural Design

The house’s living, dining and kitchen areas occupy one room at the rear of the house. A void in the floorplate overhead creates a double-height space along one edge, while the sheltered patio provides an outdoor dining area.

Three white walls front Ripple house by Kichi Architectural Design

A lightweight steel staircase leads up to bedrooms and bathrooms on the first floor, then continues up to one of two lofts on the level above.

Three white walls front Ripple house by Kichi Architectural Design

The second loft sits above the children’s bedroom at the front of the house and can be accessed via a pair two ladders. Glass doors also open the space out to the balcony in front.

Three white walls front Ripple house by Kichi Architectural Design

Kichi Architectural Design is led by Naoyuki Kikkawa and partner Manami Kikkawa. The studio also recently completed the cube-shaped House of Kubogaoka and a converted farmyard barn named Scandinavian Middle.

Three white walls front Ripple house by Kichi Architectural Design

Photography is by Ippei Shinzawa.

Ground floor plan of Three white walls front Ripple house by Kichi Architectural Design
Ground floor plan – click for larger image
First floor plan of Three white walls front Ripple house by Kichi Architectural Design
First floor plan – click for larger image
Section of Three white walls front Ripple house by Kichi Architectural Design
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by Kichi Architectural Design
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Epilepsy aid uses wearable sensors to predict seizures and call for help

This wearable design concept helps epilepsy sufferers manage symptoms, predict potential seizures and alert passersby or loved ones when having a fit (+ slideshow).

Epilepsy aid uses wearable sensors to predict seizures and call for help
The Dialog device can be worn as a patch or clipped into watch-like bracelet

The Dialog device, developed by American technology company Artefact, would use a wearable sensor and an iPhone app to help monitor patients’ vital signs and keep a log of conditions leading up to, during, and after a seizure.

“There are currently three million epilepsy sufferers in America, and it is the third most common neurological disorder after Alzheimer’s and stroke,” said Matthew Jordan, the project leader.

Epilepsy aid uses wearable sensors to predict seizures and call for help

Current solutions, according to Artefact, only focus on detection, alert or journaling and don’t address the whole experience of living with the condition.

The Dialog would deal with the problem by creating a digital network that connects the person living with epilepsy to caregivers, doctors, and members of the public who have installed the Dialog app with data and instructions on how to give assistance.

The user attaches a nodule to the skin, which can be done either using transparent adhesive paper or by wearing it in a bracket that looks like a watch.

Epilepsy aid uses wearable sensors to predict seizures and call for help
The app alerts carers or bystanders about a seizure and gives instructions so they can help

Using a series of sensors that monitors hydration, temperature, and heart rate, it gathers information on the wearer and stores the data on a smartphone.

Additionally, the sensor would prompt the wearer to take medication and record mood through the sensor’s touchscreen, and logs information about local climate conditions that could increase the likelihood of a seizure.

Epilepsy aid uses wearable sensors to predict seizures and call for help
The log helps the wearer reorientate themselves after a seizure

In the event of a fit, the wearer simply grasps the sensor, which alerts a caregiver and anyone within close proximity of the sufferer who has downloaded the app.

“It helps possible first responders be notified that a patient who is nearby is having a sustained seizure, directs the bystander to the patient, gives instructions on how to help the patient through the emergency, and affords a direct line of communication to the family caregiver,” said Jordan.

Epilepsy aid uses wearable sensors to predict seizures and call for help
Control gestures

When the seizure ends, information about the length of the seizure, along with other contextual information, is displayed on the user’s smartphone to help reorient themselves.

Epilepsy aid uses wearable sensors to predict seizures and call for help
Data collected over time can help the wearer identify triggers and patterns

With the information generated by wearing the sensor, the app will then be able to learn what conditions or vital signs could indicate a potential seizure is imminent and alert all parties. It would also give time for the wearer to take preventative action.

A doctor can would be able to access all of the data generated by the app and make changes to medication or offer insights into causes and symptoms.

Epilepsy aid uses wearable sensors to predict seizures and call for help

“At this point, the device is a concept, but we designed it with technologies and components in mind that are currently in development or being tested in labs and research centres,” said Emilia Palaveeva, another member of the Dialog team.

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to predict seizures and call for help
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