Ruta del Peregrino: Cerro del Obispo Lookout Point by Christ & Gantenbein

This bone-like tower of concrete by Swiss studio Christ & Gantenbein is one of nine architectural interventions along La Ruta del Peregrino, a 72-mile pilgrimage through the mountain landscape of Jalisco, Mexico (+ slideshow).

Cerro del Obispo Lookout Point by Christ & Gantenbein

La Ruta del Peregrino has been popular since the 17th Century and each year around two million pilgrims embark on the journey from the city of Ameco, across the Cerro del Obispo mountain and along to the town of Talpa de Allende.

Cerro del Obispo Lookout Point by Christ & Gantenbein

The new structures were designed to provide landmarks and shelters along the route, and Christ & Gantenbein has constructed one near the peak of the mountain.

Cerro del Obispo Lookout Point by Christ & Gantenbein

“The pilgrims’ column sets a mark that is visible from afar,” said architect Emanuel Christ. “It also creates an exciting, almost transcendental space for those that have already reached it.

Cerro del Obispo Lookout Point by Christ & Gantenbein

A simple doorway invites visitors inside, where an open ceiling encourages them to look up towards the sky. “The simple yet striking room inside the column, shaped by the contorted wall, is nothing more than the view to the sky, manifested in architecture,” said the architect.

Cerro del Obispo Lookout Point by Christ & Gantenbein

Despite being a religious pilgrimage towards the shrine of the Virgin of Talpa, the architect also explains how they avoided religious iconography and symbolism. “It was important for us to allow a spiritual experience that is directly connected with an immediate physical and spatial perception,” he said.

Above: site plan

The Cerro del Obispo is the fifth structure we’ve featured from the route, following a precariously balanced viewing platform by Elemental, a stone pier by Ai Weiwei, a ring of concrete and a spiralling pavilion.

Cerro del Obispo Lookout Point by Christ & Gantenbein

Above: floor plan

See all our stories about La Ruta del Peregrino »

Photography is by Iwan Baan.

Here’s a project description from Christ & Gantenbein:


Cerro del Obispo Lookout Point Ruta del Peregrino, Mexico, 2012 Pilgrim’s Column

Each year around two millions of people set out on their pilgrimage through the Mexican county of Jalisco, along the 117 kilometres of the Ruta del Peregrino. The route of their pilgrimage leads them from the city of Ameca, over the mountain Cerro del Obispo until the point of the Espinazo del Diablo and finally into the destination town of Talpa de Allende with the shrine of the Holy Virgin of Talpa.

Above: section

In 2008 the tourism office of Jalisco resolved upon a master plan in order to create a better infrastructure for the pilgrims and at the same time draw visitors from around the world to Western Mexico. The Mexican architects Tatiana Bilbao, Derek Dellekamp and Rozana Montiel have invited selected architects and designers to grapple in their designs with the history of the pilgrims’ route as well as with the craggy mountain landscape in the West of Mexico. Nine land-marks are the outcome of this process, among these places to rest and places of contemplation, designed by Dellekamp Arquitectos, Rozana Montiel (Periférica), Alejandro Aravena (Elemental), HHF architects, Luis Aldrete, Tatiana Bilbao, Ai Weiwei (Fake Design), Godoylab and Christ & Gantenbein.

Cerro del Obispo Lookout Point by Christ & Gantenbein

Above: elevation

The column on the peak of the Cerro del Obispo, a mountain with almost 2,000 metres height, protrudes like a huge bone out of the woody landscape above the valley of Ameca. A detached, organically shaped monolithic concrete wall composes the tower of 26.55 metres that can be acceded from one side through a small entrance. Inside a unique view into the sky awaits the visitor – and the sunlight, that comes in through the opening, reflected from the light concrete walls, gathering on the floor.

Ruta del Peregrino

Above: route diagram

The post Ruta del Peregrino: Cerro del Obispo
Lookout Point by Christ & Gantenbein
appeared first on Dezeen.

Underwater by David Bowen

Interieur 2012: data from the ripples of a nearby river animated this mechanical installation by American artist and designer David Bowen, which hung over visitors’ heads at the Interieur design biennale in Kortrijk, Belgium, last week (+ slideshow).

Underwater by David Bowen

Called Underwater, the installation used a Microsoft Kinect motion sensing device to collect real-time data about the dynamic surface of the nearby river Leie.

Underwater by David Bowen

Above: photograph is by Frederik Vercruysse

The water’s movement was then simulated in the suspended grid through 486 servo motors – small motors coupled to sensors that precisely control their position. Viewed from below, the kinetic installation gives visitors the impression of being underwater.

Underwater by David Bowen

The installation is a response to the theme of Future Primitives set by Interieur, explained Bowen. “The goal of the future primitive within the Underwater installation is to create a sophisticated system that provides an immersive mechanical perspective of a natural, dynamic and ageless phenomenon,” he said.

Underwater by David Bowen

“My work is concerned with the aesthetics that result from reactive and generative processes as they relate to the intersections between natural and mechanical systems,” he added.

Underwater by David Bowen

Above: image shows the point cloud representation of the installation

Other projects in the Future Primitives series we’ve featured on Dezeen include a furniture collection combining shelves with leather seats like deckchairs and a concept car designed to trigger an emotional response.

Underwater by David Bowen

Above: image shows the number field used in the installation

At Interieur 2012 we also reported on a collection of furniture that expands like popcorn and a concrete lamp based on an interwar military listening device.

See all our stories about installations »
See all our stories about water »
See all our stories from Interieur 2012 »

Photographs are by David Bowen except where stated.

Here’s some more information from the designer:


Underwater is a large-scale suspended installation that gives the impression of being under the surface of water. Using a Microsoft Kinect, the device I have developed collects real-time surface data from water and is used to articulate the mechanical installation. The complex and subtle movements on the surface of the water are simulated within the installation by hundreds of servo-motors moving according to the collected data.

The Kinect is a game controller that uses an infrared array to create real-time 3D models of spaces, objects and people in motion. To capture the data for this piece, I have modified the device to be situated above the water surface and directed to view a floating membrane in the water. As the water waves and ripples, the Kinect tracks the movement of the membrane. This movement is transferred to a complex grid of data points, collected within the system and sent to the installation in the gallery space as the membrane floats on the water.

Each of the 486 servo-motors within the installation grid is connected to one data point whose movement will correspond directly to the movement of its respective point on the water membrane. The mechanical result mimics the subtle, complex and dynamic movement of the water viewed from below the surface.

The post Underwater by
David Bowen
appeared first on Dezeen.

Kawanishi Fam by TT Architects

The minimal interior of this collaborative office was converted from a coffee-roasting warehouse by Japanese studio TT Architects (+ slideshow).

Kawanishi Fam by TT Architects

Located in Kurashiki in Okayama Prefecture, Kawanishi Fam is a flexible workspace for entrepreneurs.

Kawanishi Fam by TT Architects

The architects divided the long space into a work area and a meeting area, divided by a glazed screen wall.

Kawanishi Fam by TT Architects

At one end of the room, a wooden wall shaped like a small hut disguises the utility area and toilet.

Kawanishi Fam by TT Architects

Another project by TT Architects we’ve featured on Dezeen is a house extension with a covered courtyard inserted into its side.

Kawanishi Fam by TT Architects

Other office interiors we’ve published recently include an workspace that groups employees together in islands of colour and a studio with herringbone parquet over the floors and walls.

Kawanishi Fam by TT Architects

See all our stories about office interiors »

Photographs are by Kei Sugino.

Here’s some more information from the architects:


This is a creative space for up-and-coming entrepreneurs to exchange ideas, formulate plans and convert this into results. Previously a warehouse used for roasting coffee, these entrepreneurs coordinated a renovation to create a shared space.

The layout encompass individual working spaces; however, open tables without partitions have been used. This achieves the initial aim of creating a space in which members can actively collaborate together in an open manner.

In addition, we have created an open-use meeting space, featuring a large touch-panel display and a utility space including a kitchen and toilet.

A characteristic angled ceiling and a high side light provides soft lighting for an open space.

Kawanishi Fam by TT Architects

Above: floor plan

Location: Kurashiki, Okayama, Japan
Clients: Shintaro Ono / Kurashiki Estate
Architects: Teruki Takayoshi / TT Architects
General constructors: Kotaro Meguro / Meguro Construction
Photographer: Kei Sugino
Site area:160.42 sq m
Building area: 104.41 sq m
Total floor area: 439.445 sq m
Structure: steel: 4story
Principal use: collaborative working space
Construction period:May 2012

The post Kawanishi Fam
by TT Architects
appeared first on Dezeen.

The Oscar Niemeyer Collection for Converse

Brazilian architect Oscar Niemeyer has created a collection of sneakers and slip-ons for American shoe company Converse, featuring a handwritten poem celebrating the “sensual curve” for which his architecture is famous (+ slideshow).

The Oscar Niemeyer Collection for Converse

Above: Chuck Taylor All Star Chukka Boot

The 104-year-old modernist architect, whose iconic buildings include the spiky Cathedral of Brasilia, reworked five classic styles for Converse, which also reached its 104th birthday this year.

The Oscar Niemeyer Collection for Converse

Above: Chuck Taylor All Star Hi

Each design is inspired by a famous poem by Niemeyer: “It is not the right angle that attracts me, nor the straight line, hard and inflexible, created by man. What attracts me is the free and sensual curve — the curve that I find in the mountains of my country, in the sinuous course of its rivers, in the body of the beloved woman.”

The Oscar Niemeyer Collection for Converse

Above: Chuck Taylor All Star Oxford

The poem, written in Niemeyer’s handwriting, adorns the canvas upper of the Chuck Taylor All Star Hi sneaker, which also has a red tongue that references the entrance of his Ibirapuera Auditorium in São Paulo.

The Oscar Niemeyer Collection for Converse

Above: Jack Purcell

The black edging of the Chuck Taylor All Star Chukka Boot is inspired by a monument against torture designed by Niemeyer, while the lining includes an architectural illustration referencing the Landless Worker’s Movement in Brazil.

The Oscar Niemeyer Collection for Converse

Above: Skid Grip Oxford

A red curve outlines the edge of the Chuck Taylor All Star Oxford, while the unusual rounded toe of the Jack Purcell sneaker also ties in with Niemeyer’s curved architecture.

The Skid Grip Oxford slip-on has a red curve on its upper and an extract from the poem wrapped around the right toe.

Earlier this year we featured a series of anaglyphic 3D photographs of Niemeyer’s most iconic buildings, while in 2011 we reported on the Centro Niemeyer arts centre in the Spanish city of Avilés, which was open for just six months before closing down amid claims of financial irregularities.

See all our stories about shoes »
See all our stories about Oscar Niemeyer »

Here’s more information from Converse:


Converse Inc. announces the launch of the Converse x Oscar Niemeyer collection. Created inspiring by Oscar Niemeyer’s artwork, world-renowned architect, visionary and creative ambassador, the limited edition collection features five Converse silhouettes, each interpreted through Niemeyer’s outspoken architectural vision.

Born out of a shared passion for creative expression, the new footwear collection launches in Brazil on October 23, 2012 as part of a collaborative effort between Converse and the Oscar Niemeyer Foundation. Inspired by Niemeyer’s motto “It is not the right angle that attracts me…”, the exclusive range celebrates the Brazilian architect’s non-linear design ethos that is present in all of his works.

“Converse footwear includes some of the most iconic, original and modern designs in history,” says Penny Ericson, Vice President, Converse Jack Purcell and Premium. “As one of the great artistic visionaries of our time, Oscar Niemeyer’s work represents those same qualities and we’re excited to help bring that to life with this new collection.”

Born in 1907, Niemeyer’s career spans over eight decades, having established himself as one of Modernism’s greatest pioneers. Through his contemporary use of concrete and bold approach to design, Niemeyer introduced a new way to build ‘curved’ architecture, which has since become his signature, recognised throughout the world. Niemeyer’s bold design approach and outspoken voice revolutionized the way the world looks at architecture and design.

About the Collection

The Converse x Oscar Niemeyer collection features five new iterations of Converse silhouettes, each with a nod to Niemeyer’s legendary curve and his creative, rebellious point of view:

The collection includes a Chuck Taylor All Star Hi sneaker with an all-over canvas print featuring the architect’s famous handwritten poem about curves. Featured in a bold red, the tongue creates an unmistakable reference to the dramatic entrance of São Paulo’s Ibirapuera Auditorium.

The Chuck Taylor All Star Oxford model continues the use of the red curve, this time outlining the edge of the upper, creating a bold contrast to the sneaker’s white canvas. Natural leather accents on the toe bumper, tongue and midsole complete the look of this casual sneaker.

The collection also includes a Chuck Taylor All Star Chukka Boot rendered in a rich, natural suede, was inspired by the monument “Torture Never More”, designed by Niemeyer in 1986. The lining in leather features the architectural illustration referencing the social movement “Landless,” further reinforcing Niemeyer’s beliefs.

A Converse Skid Grip Oxford slip-on features the signature curve as a red outline of the upper and an additional reference to the poem of Curves on the right shoe’s toe. Red stitching and natural colored leather patches on the heel give the overall design a textured look and feel.

Rounding out the collection, a stylish Jack Purcell sneaker features a red and white lace option and the signature Jack “smile” as a playful representation of Niemeyer’s curve.

The Converse x Oscar Niemeyer collection will launch at exclusive retailers across Brazil on October 23. The sneaker range will retail for R$170 – R$270 (85 – 135 USD) and is available in unisex sizing 3.5 – 11.5.

The post The Oscar Niemeyer Collection
for Converse
appeared first on Dezeen.

Kishu by Maya Selway

Interieur 2012: objects that seem like half-finished sketches of candle holders, vases, bowls and bottles won British designer Maya Selway second prize in the Object category of the Interieur Design Awards at the Interieur design biennale in Kortrijk, Belgium, last week (+ slideshow).

Kishu by Maya Selway

Each object in the Kishu collection is carefully weighted at its base to support its lopsided structure. “I worked for a long time to get the balance just right,” Selway told Dezeen.

The delicate pieces are made from oxidised copper, and the vase also has a shallow silver dish for holding water.

Kishu by Maya Selway

The bottles and bowls are purely decorative, but the candle holder and the vase can be used as shown.

Selway trained as a silversmith and jeweller at Camberwell College of Arts in London and Bishopsland near Reading, and has also worked making props and building sets for theatre and film.

Kishu by Maya Selway

Other unusual candle holders we’ve featured on Dezeen include one with a sandpaper base for striking matches and a series of stackable candle holders made from copper, steel and lumps of concrete.

At Interieur 2012 we also reported on a concept car by Ross Lovegrove that invites a primitive emotional response and a table, lamp and bookshelf made from concrete by Matali Crasset – see all our stories about Interieur 2012.

Kishu by Maya Selway

See all our stories about candle holders »
See all our stories about vases »
See all our stories about homeware »

The post Kishu by
Maya Selway
appeared first on Dezeen.

Durasafe Store by Ministry of Design

Hard hats and high visibility jackets are displayed as fashion items at this Singapore boutique that architects Ministry of Design designed for a safety equipment brand (+ slideshow).

Durasafe Gallery by Ministry of Design

As the flagship store for Durasafe, the shop was conceived as a retail space that would attract mainstream shoppers. “The intention is to broaden the appeal to capture new interest from anyone interested in cool hats, boots, gloves, etc.” explained Ministy of Design’s Joy Seah.

Durasafe Gallery by Ministry of Design

She also described how the store will appeal to industry professionals. “For example, a structural engineer may prefer to get his own streamlined Raf-Simons-looking safety boots instead of the standard issue ones, or an architect might want his own construction hard hat in a gorgeous colour,” she said.

Durasafe Gallery by Ministry of Design

The shop is styled like an industrial warehouse with black walls, metal staircases and cage-like balconies.

Durasafe Gallery by Ministry of Design

“We drew inspiration from the building and manufacturing industries for the scaffold-inspired display system, signage and floor markings and the watertight bulkhead doors at the changing rooms,” explained architect Colin Seah.

Durasafe Gallery by Ministry of Design

Bright orange screens mark the entrance to the shop, where customers pass by a bright green cross that forms part of the company logo. “The whole frontage of the boutique is essentially about the logo and you walk right through it,” said Colin Seah. “There is no product or even hint of the product at the start, which is quite atypical for most boutiques.”

Durasafe Gallery by Ministry of Design

Dashed yellow lines on the floor denote different display zones, which are also marked with orange graphics designed by the studio.

Durasafe Gallery by Ministry of Design

Other recent projects by Ministry of Design include a property showroom with a rampart-like facade and an extremely pointy pavilion.

Photography is by Edward Hendricks, CI&A Photography.

Here’s a project description from Ministry of Design:


Durasafe Retail Store

Ministry of Design continues its exploration of retail and exhibition design with the unique Durasafe store – the flagship retail environment for Singapore’s leading supplier of premium safety gear and equipment.

Durasafe Gallery by Ministry of Design

Durasafe, extending its reach beyond the “business to business” model to include a consumer based store, approached Ministry of Design to create a retail environment that would reinforce its existing strong brand presence as well as provide an exciting shopping environment for its predominantly male customer base.

Durasafe Gallery by Ministry of Design

Situated in a 6m high modern warehouse space, MOD’s design for the Durasafe store is a multi-layered spatial experience that dramatizes the entire process of shopping. The entire facade of the store serves as a backdrop for an over-sized Durasafe logo and dominates one’s first visual impression.

Durasafe Gallery by Ministry of Design

Passing through this strongly coloured backdrop, one walks into a completely different space, an entirely black environment which allows the multi-coloured safety products on display to visually pop and take a place of prominence.

Durasafe Gallery by Ministry of Design

The space comprises a double storey display scaffold-like structure surrounding a feature display area and retail lounge. Inspired by the industrial environments and construction sites where Durasafe’s products are most commonly employed, the ‘scaffold’ allows the products to be clearly displayed in distinctive categories – these are further called out with custom designed graphic logos in light boxes.

Durasafe Gallery by Ministry of Design

Ground and first floor plans – click above for larger image

The ‘scaffold’ also exploits the high ceiling space and introduces a sense of adventure and exploration into the shopping experience. This “industrial chic” atmosphere is further enhanced by changing rooms adorned by actual water tight bulkhead doors, a display table made from a 6 m long customized floor trolley and yellow graphic boxes embedded in the floor calling the different zones.

Durasafe Gallery by Ministry of Design

Signage graphics

Scope: Interior Design + Graphic Design
Size: 175 sqm
Location: Singapore
Completed: 2012

The post Durasafe Store by
Ministry of Design
appeared first on Dezeen.

Future Primitives by Muller Van Severen

Interieur 2012: soft leather seats hang between the colourful plastic shelves of this furniture by Belgian design duo Muller Van Severen presented at the Interieur design biennale in Kortrijk, Belgium, last week (+ slideshow).

Future Primitives by Muller van Severen

The collection includes shelving units in various heights and configurations, some with seats draped like deckchairs inserted into their frames, as well as standing and hanging lamps and separate chairs and loungers.

Future Primitives by Muller van Severen

Responding to the theme of Future Primitives set by Interieur, the designers began with what they saw as primitive forms and basic material, and updated them for the future by combining different functions. The resulting objects are intended to be “timeless”, they said.

Future Primitives by Muller van Severen

The designers selected materials they felt were strong and simple, such as tubular steel and leather.

Future Primitives by Muller van Severen

“We chose the materials because we think they are very pure,” designer Fien Muller told Dezeen. “The leather is very natural [and] also the steel tubes are not painted because we like the light in it. When you paint it that’s gone.”

Future Primitives by Muller van Severen

The shelves are made from polyethylene plates used in the catering industry for food hygiene purposes. “All the colours are made for one food, for example yellow is for poultry, blue is for fish, green is for vegetables,” said Muller.

Future Primitives by Muller van Severen

“We used all the colours you can have of that material, but it’s again the combination of the colours that makes it special,” she added.

Future Primitives by Muller van Severen

The slim black frames splashed with colour recall furniture from the de Stijl movement, such as Gerrit Rietveld’s 1923 Red Blue Chair.

Future Primitives by Muller van Severen

Muller Van Severen is a furniture project launched by photographer Fien Muller and artist Hannes Van Severen in 2011.

Future Primitives by Muller van Severen

Other installations in the Future Primitives series we’ve featured include Greg Lynn’s prototype of a rotating cocoon for compact living and an aerodynamic concept vehicle by Ross Lovegrove.

Future Primitives by Muller van Severen

See all our stories about furniture »
See all our stories from Interieur 2012 »

Future Primitives by Muller van Severen

Photographs are by Frederik Vercruysse.

Here’s some more information from the designers:


We are Fien Muller and Hannes Van Severen and we are both active as visual artists. We see our collaboration as outside the field of visual arts and describe it as a ‘furniture project’. That collaboration started only two years ago; we called it Muller Van Severen.

Future Primitives by Muller van Severen

For Interieur 2012 we were selected for the Future Primitives series.  For us, Future Primitives means starting from basic materials and their basic measurements (like plates and profiles that already exist). In that sense it is something very primitive – the primitive side is about FORM. The future side of this story is more about FUNCTION, mostly the combination of functions. It is future-oriented thinking in a primitive form! For us, Future Primitives is something timeless because it is something that could just as well have existed in the past as it can function in the future.

The post Future Primitives
by Muller Van Severen
appeared first on Dezeen.

Paviljoen Puur by Emma Architecten

A loosely curving wall of timber shingles spirals around this visitor centre that Dutch studio Emma Architecten has constructed beside one of the coastal batteries of Amsterdam’s historic defence line (+ slideshow).

Paviljoen Puur by Emma Architecten

Fort Diemerdam is one of only two coastal fortifications along the Stelling of Amsterdam, which comprises a series of armed forts dating back to the late nineteenth century and is classified as a World Heritage Site.

Paviljoen Puur by Emma Architecten

Paviljoen Puur is constructed over the plot of the old soldier’s shelter and the new plan was derived from the footprint of the original building.

Paviljoen Puur by Emma Architecten

Architect Marten de Jong told Dezeen how the curves of the landscape inspired the undulating curves of the wooden walls, which angle in different directions so that in some places they face the ground and in others they point up towards the sky.

Paviljoen Puur by Emma Architecten

“We wanted anybody visiting the building to be puzzled about when it was built, and whether it is the future they’re looking at or the past,” said De Jong. “To do this, the building had to have little or no reference to architectural elements. A window or a door usually depicts a specific age of architectural thinking, which would make it easy to pinpoint the year of its creation. Instead, the building comes forth from the landscape.”

Paviljoen Puur by Emma Architecten

The glazed entrance is nestled back between the folds of the walls, while windows appear in slices that face the historic gun bays, as well as the next fort on Pampus Island.

Paviljoen Puur by Emma Architecten

Timber shingles were used for the exterior so that the building would comply with the historic Dutch law that required all buildings within the firing range of guns to be constructed from wood so that they can be shot when enemies hide behind them.

Paviljoen Puur by Emma Architecten

“I especially like how the wooden cladding will age over the years,” said De Jong. “Due to its curved shape it will change colour gradually, soft like nature, without sharp edges or hard lines.”

Paviljoen Puur by Emma Architecten

There are three floors inside the building, including two above ground and one below, which can also be used for private functions such as weddings or corporate events.

Paviljoen Puur by Emma Architecten

Photography is by John Lewis Marshall.

Paviljoen Puur by Emma Architecten

Here’s a project description from Emma Architecten:


Fort Diemerdam / Paviljoen Puur

Brief

Fort Diemerdam is part of the “Stelling of Amsterdam’. This historical defence line was recently put on the UNESCO world heritage list. This ignited a re-development plan for Fort Diemerdam to make it accessible to visitors, tourists and those interested.

Paviljoen Puur by Emma Architecten

The existing bunkers and fortress guardian house have been restored. The original plan of slopes and strongholds is restored and a nature conservation program has started. Emma architects has designed a new pavilion in which and from which puur produkties revives the fortress again with events, tours and catering.

Paviljoen Puur by Emma Architecten

Paviljoen Puur can be exclusively reserved for corporate and private events such as product presentations, meetings, corporate events and weddings. On Sunday and in the summer Paviljoen Puur is a place where everyone feels at home: young and old can enjoy indoor and outdoor atmospheric seasonal meals, tastings and a cultural program with theater and music.

Paviljoen Puur by Emma Architecten

Paviljoen Puur is located on the exact site of a former soldiers shelter. The footprint of this shelter was taken as the basis for the pavilion. Around its base a wooden wall curves up to protect the site and encompass the program. The design is inspired by the undulating forms of the slopes and the surrounding landscape. Openings in the sloping wall give views of the gun bays, a terrace and the direction of the island Pampus, the next fortress of defence line.

Paviljoen Puur by Emma Architecten

The stelling of Amsterdam, a UNESCO World heritage site

The coastal battery Fortress Diemerdam is part of the Stelling of Amsterdam, a former defence line around the capital, which was constructed between 1880 and 1914. The defence line consists of 46 forts and batteries, dikes and sluices at about 15 kilometres from Amsterdam, that by means of inundation would protect the lands of Amsterdam.

Paviljoen Puur by Emma Architecten

The Stelling of Amsterdam is protected in its entirety as a monument by the Province of Noord-Holland and the state. Since 1996, the Stelling of Amsterdam features on the UNESCO World Heritage List. Fort Diemerdam is particular within the Defence Line of Amsterdam, because it is one of only two coastal batteries.

paviljoen puur doorsnede

Site plan – click above for larger image

Redevelopment

In 2006 Stadsherstel Amsterdam NV became the owner of Fort Diemerdam. They wanted to establish a cultural location in the fort. In such a location visitors get information about the fort, about the Defence Line of Amsterdam. Also, the grounds and buildings would be highly suitable for events such as open air theater, lectures and music.

paviljoen puur doorsnede

Basement plan – click above for larger image

To this end, a plan was developed which entailed for the restoration of existing buildings, earthworks and the surrounding nature and the rebuilding of a former guard house. This plan was rejected by the advisory board, there would be no historicist building rebuilt, something new was needed for the fort to look again towards the future, instead of back into the past. Emma Architects from Amsterdam was commissioned a building that should give the fort a future alongside such a prominent past.

paviljoen puur doorsnede

Ground floor plan – click above for larger image

Architecture

Now, how to create something new in a place where it is fixed that the old is protected? Emma started looking for ways to simultaneously imagine the future and the past. To convey both an air of positive futurism, as well as a strong sense of the past. They found leads in the history of the fort and in the special landscape that surrounds her.

paviljoen puur doorsnede

First floor plan – click above for larger image

In and around the fort site the kringenwet (‘law of circles’) applied. This required that all buildings within the firing range of the guns must be constructed out of wood. When the enemy would approach, all buildings were shot so they could no longer hide. A plinth of just 60 centimetres was allowed to be built from stone, all wooden houses would not last long in this wetland area.

paviljoen puur doorsnede

Long section – click above for larger image

Emma brought the footprint of a former soldiers shelter, which emerged in an archaeological research, into the design. At the exact spot, the historical plan is pushed 60 cm into the ground, instead of above it. Visitors will sit slightly lowered, sheltered in the fortress grounds. A wooden wall curves up around this base plan to protect the site and encompass the required spatial program.

paviljoen puur doorsnede

East elevation – click above for larger image

The wooden wall is draped along the features of the surrounding landscape. The Dutch engineers work of embankments, bastions and ramparts is characterized by the military precision of elevations, slopes and curves which could strategically hide troops and artillery from view. The wooden facade leans forward and backward, bends around the program and nestles the building deep in the stronghold. It plays with the landscape.

paviljoen puur doorsnede

South elevation – click above for larger image

The openings in the wall and the terrace on the first floor offer visitors a focused view of the earthworks, the bunkers, the sky and let your gaze to the horizon. The differentiation of heights and openings creates a dynamic play looking and being looked at, of gradual and continuous disclosure.

paviljoen puur doorsnede

West elevation – click above for larger image

Underneath the pavilion a large basement is built inside the major earthwork. This allowed the rear entrance to be realized outside the pavilion, towards the road. Thus the pavilion addresses the landscape on all sides. The technical installations are also integrated in the earthwork. The pavilion has been equipped with air heat pumps and the sewage discharges on a helofyte filter. The wooden facade is lined with 40,000 WRC natural shingles.

paviljoen puur doorsnede

North elevation – click above for larger image

Due to the variable differences in orientation, the facade will naturally change colour as differently. Depending its inclination towards the sky or the earth, orientation on south or north, on prevailing wind direction or close to the trees; in time, the surrounding nature and the elements will define the appearance of the building.

The post Paviljoen Puur by
Emma Architecten
appeared first on Dezeen.

Noma Restaurant by Space Copenhagen

Danish studio Space Copenhagen has overhauled the interior of Copenhagen eatery Noma, which was this year named “World’s Best Restaurant” for the third time in a row (+ slideshow).

Noma Restaurant by Space Copenhagen

The designers have replaced the brown hues of the original interior with muted black and grey tones and have also swapped the tables and chairs with ones from the Ren collection they designed for furniture brand Stellar Works.

Noma Restaurant by Space Copenhagen

Fur cloaks hung over the the chairs before and the designers have added more over the new ones.

Noma Restaurant by Space Copenhagen

“We felt a great importance in protecting the honest, earthy feel of the restaurant and balancing it with refinement of detail and elegance,” explained designers Peter Bundgaard Rützou and Signe Bindslev Henriksen. “It was very much about using organic materials such as wood, stone, leather, brass and linen in a new way; materials that age beautifully over time.”

Noma Restaurant by Space Copenhagen

A new oak floor runs through the entire restaurant, while a new wall defines the space in the lounge and the bar is rebuilt using dark wood and brass.

Noma Restaurant by Space Copenhagen

“The most radical change has been the redesign of the lounge area,” said Bindslev Henriksen, before explaining how the renovation gives the restaurant a more cosy Nordic feel. Quoting the words of chef and owner Rene Redzepi, she said: ”It is as if the restaurant has moved 1000 kilometres north.”

Noma Restaurant by Space Copenhagen

Earlier this year architects 3XN transformed Noma’s warehouse into an experimental food laboratory.

Noma Restaurant by Space Copenhagen

We also featured Noma as part of our report into the cross-pollination between the worlds of food and design.

Noma Restaurant by Space Copenhagen

See more stories about restaurants »

Noma Restaurant by Space Copenhagen

Here’s a statement from Peter Bundgaard Rützou and Signe Bindslev Henriksen:


“The complete renovation had to take place while the NOMA team was in London during the Olympics, leaving us a total work period of less than three weeks. Time was a challenge in itself, but also the fact that the NOMA is located in an old listed warehouse building presented a lot of restrictions.

Working with NOMA for so many years has created a mutual respect and understanding of both the space, but also the mindset, values and preferences of all the people involved. That makes dialogue and communication very easy, which is always very valuable for a creative process. But in the beginning we all thought that NOMA should be turned upside down, that we should do something completely new and unexpected. After quite a long initial sketching period, we all came to the conclusion that it seemed forced and pretentious for a place like NOMA to do something too conceptual or formally upscale — whether it was modern, nostalgic or a combination of the two. Rene Redzepi defined his vision: it is important that the space is not perceived as a superficial layer between the costumer and the actual food experience.

We decided to respect and protect the existing atmosphere of NOMA, but work carefully with the space and functional elements in terms of detailing, tactile surfaces, colours — more or less as a 1:1 mood board of samples, wood, stone, leather, textiles, furniture. a balance between the rough and the refined detail and elegance.

We built a brick wall in the lounge and changed the entire floor to a beautiful oak floor from Dinesen in falling width, which made a huge difference in atmosphere. Apart from not doing a lot of actual construction on site, we changed almost anything else.

All the furniture, surfaces, curtains, painted surfaces, toilets have been completely changed or renovated. Especially the lounge area involved quite a lot of construction. We build a long brick wall facing the rest of the building to get a more defined lounge space, and the long massive bar was replaced with spatial elements in grey wood and brass – mounted at the columns which creates a completely different flow and openness of the space.

The chairs and tables in the restaurant are the same design as in the original Noma, but we changed the surfaces and colors. The Chair is from J.L. Møller and the tables we designed ourselves. But in the lounge we changed all the furniture, and here we used the Ren Chair and Sofa which we recently designed. The Ren Chair is a part of a completely new collection we have made and launched in collaboration with Stellarworks. For NOMA we had a modified version made for the new lounge in a different lowered height and materials to accommodate lounge seating dimensions as well as designing a two-seater sofa to complete the area especially for this project.

The chair reflects values that we feel match and complement the aesthetics of Noma. It is a genuine honest chair with high detailed features in black solid wood, brass and black leather. The chair has an organic shaped body and fine detailing in brass, it picks up the tradition of classic Danish design, but also shows a curiosity towards other cultural points of reference, sampling Asian features into the design. The intention is through choice of materials and surface finishes that the chair patinates and builds character over time when being worn.”

The post Noma Restaurant by
Space Copenhagen
appeared first on Dezeen.

Daum Space by Mass Studies

South Korean firm Mass Studies has developed a system of five pre-cast concrete modules for building South Korea’s answer to California’s Silicon Valley, starting with this flexible headquarters building for internet company Daum (+ slideshow).

Daum Space by Mass Studies

Above: photograph is by Yong-Kwan Kim

Named Daum Space, the five-storey office building is the first completed building on a previously undeveloped site on the island of Jeju, where the company have chosen to relocate. The architects describe this as a “rebellious attempt to move away from the urban setting” of South Korea’s cities and form a creative community “comparable to Silicon Valley”.

Daum Space by Mass Studies

Above: photograph is by Yong-Kwan Kim

Mass Studies has prepared a masterplan for the whole 800-metre-long development site, showing ten buildings lined up alongside a stretch of designated rural zones.

Daum Space by Mass Studies

Above: photograph is by Yong-Kwan Kim

The 350-person Daum Space is positioned in the central section and demonstrates the construction system envisioned for each building in the complex.

Daum Space by Mass Studies

“We thought of a way to create a system of structure that could potentially serve as the grammar for the entire territory,” explain architects Minsuk Cho and Kisu Park. “With these basic formal structures we were able to form various forms of vaulted or cantilevered spaces within large open planes, while also providing a way for the entire campus to grow organically to meet the unpredictable needs of the future.”

Daum Space by Mass Studies

The 8.4-metre-wide concrete modules appear in five variations and can be used to create column-free spaces with spans of over 12 metres, as well as cantilevered canopies up to 6 metres deep.

Daum Space by Mass Studies

The building is open on all four sides at ground floor level, revealing a series of social areas that include a cafe, an events space, a lounge and a games room.

Daum Space by Mass Studies

Open-plan offices cover the double-height first floor, which is overlooked from above by a mezzanine library.

Daum Space by Mass Studies

An auditorium is also located on the first floor, while smaller offices and meeting rooms can be found on the third and fourth storeys.

Daum Space by Mass Studies

Joints between the concrete modules also create small enclosed spaces at each level, where the architects have located bathrooms, staircases and elevators.

Daum Space by Mass Studies

Other projects we’ve featured by Mass Studies include a shop with green walls and a glazed exhibition centre. See more projects by Mass Studies.

Daum Space by Mass Studies

Above: photograph is by Yong-Kwan Kim

Photography is by Kyungsub Shin, apart from where otherwise stated.

Daum Space by Mass Studies

Here’s some more text from Mass Studies:


Context

Daum is an international IT firm based in Korea, primarily known for its web portal services. Unlike its competitors that are typically located in metropolitan areas, Daum has been planning to relocate its operation to an undeveloped site within Jeju Province (an autonomous island situated off of the southern coast of Korea) for the past 8 years.

Daum Space by Mass Studies

Largely known as a major tourism hub, Jeju Province has been encouraging the implementation of other industries in the recent years, one of which is the development of the island’s technology-based industrial complex.

Daum Space by Mass Studies

Above: photograph is by Yong-Kwan Kim

Considering the fact that the urban population of Korea has grown from 20% to over 80% in the last 50 years – which makes Korea one of the most urbanized countries in the world – Daum’s radical step of exiling themselves to the rural Jeju Province can be framed as a utopian gesture, comparable to Silicon Valley of the late 70’s in America, as a rebellious attempt to move away from the urban setting to reinvent an independent, creative work community.

Daum Space by Mass Studies

Another dilemma that urban workplaces face in the 21st century is that while the nature of the working organization is becoming more horizontal, the spaces are becoming vertical. Therefore, the generous conditions provided by Jeju Province counters this problem as an opportunity to imagine a new type of spatial organization to match Daum’s creative, horizontal working organization.

Daum Space by Mass Studies

Above: photograph is by Yong-Kwan Kim

Masterplan

Over the course of the next decade, Daum plans to gradually relocate its operations. For the development of the IT complex, Jeju Province has designated a vast, undeveloped land of 1,095,900 square meters on the island’s northern mountainside, in close proximity to Jeju University. Daum’s site, 300m wide and 800m long at its maximum, is the largest central plot within the development area, measuring 132,000 square meters and parallel to the main road in its longitudinal direction.

Daum Space by Mass Studies

Above: photograph is by Yong-Kwan Kim

Given this scale, one can imagine Daum’s complex built progressively over time, a masterplan growing organically across the site’s green terrain. As a counteraction to the typical office park development – a homogeneous field of low-rise, non-contextual office blocks floating in a sea of parking lots – Daum’s masterplan is designed as a linear growth, dividing the site into opposing rural vs. urban zones and informal vs. formal zones. The urban zone will be defined by a dense, low rise, 70m wide and 800m long superstructure. This proposal allows functions to be optimized, supporting an efficient urban work zone – an “information superhighway,” symbolically as well as literally – and a vast area of park-like space dotted with facilities that will house community activities such as farming, sports, etc. Each of the buildings in the urban zone, no more than 5 floors high, are situated a floor level above the previous to accommodate the site’s gradual 60m rise, taking advantage of this gentle, uniform slope to connect the facilities at different levels. This progressive alignment promotes movement across the site vertically, horizontally and diagonally, effectively increasing the efficiency and unity of the masterplan.

Daum Space by Mass Studies

Above: photograph is by Yong-Kwan Kim

Daum Space: Formal Structure

During the design process, we thought of a way to create a system of structure that could potentially serve as the grammar for the entire territory. To formalize this notion, we designed five elementary structural modules of 8.4m by 8.4m with variations of extrusional or rotational attributes, to either extend or to end the structure as necessary. As a combination of these modules, the structure expands horizontally and vertically.

Daum Space by Mass Studies

Above: photograph is by Yong-Kwan Kim

With these basic “formal structures,” we were able to form various forms of vaulted, or cantilevered spaces within large open planes, while also providing a way for the entire campus to grow organically to meet the unpredictable needs of the future.

Daum Space by Mass Studies

As a result, large spaces of 12.6m spans or 6.3m cantilevers are supported by vertical piers with small 3.8m spaces within them, creating a field of spaces of various degrees of size and enclosure.

Daum Space by Mass Studies

Above: photograph is by Yong-Kwan Kim

As the first building within the masterplan, Daum Space is located near the center of the site, to provide the office space for the first 350 employees as well as other subsidiary functions.

Daum Space by Mass Studies

As a combination of these modules, we were able to design the Main Center as a five-storey building that is open on all four sides, allowing the scenic views – a nearby forest to the west, Halla Mountain to the south, and the ocean to the north – to penetrate into the interior, creating a favorable working environment.

Daum Space by Mass Studies

The ground floor serves the various shared / public functions. The cafeteria, an open lounge, a café, a small pavilion for Daum’s public relations purposes, a game room, a gym, and meeting rooms are located here, as well as an auditorium that is isolated from the work space.

Daum Space by Mass Studies

The inclined site meets the entrance road on the southern end of the 2nd floor, where one enters the auditorium. The main entrance to the building is located further into the site, with an outdoor space separating the two entrances. The 2nd floor is provided with a double floor ceiling height and the largest open plan work space, composed of the reception area, office spaces, and a block of conference rooms with a library above it as the 3rd floor.

Daum Space by Mass Studies

As one progress upward to the 4th and 5th floors, the floor areas become smaller, allowing for more isolated, intimate office spaces, project rooms and conference rooms, together with outdoor terraces (of either wooden decks or grass).

Daum Space by Mass Studies

Module shapes – click above for larger image

Inside the piers, which act as the vertical structural elements on all floors, are round or rounded rectangular spaces for various core services, HVAC, stairs, elevators, as well as programs such as smaller meeting rooms, restrooms, and lactation rooms.

Daum Space by Mass Studies

Concept diagram – click above for larger image

As a result, Daum Space has systematic rigor, but by creating an array of spaces of various scales and qualities, it feels like a village without being picturesque, as a vertical/horizontal field of spatial experiences which anticipates further growth in the near future.

Daum Space by Mass Studies

Basement plan – click above for larger image

Name and site of the project: Daum Campus Masterplan & Daum Space
Architects: Mass Studies – Minsuk Cho, Kisu Park
Design team: Mass Studies – Hyunjung Kim, Jisoo Kim, Sungpil Won, Nikolas Urano, Sebastien Soan, Junghye Bae, Jangwon Choi, Kwonwoong Lim, Youngjoon Chung, Bhujon Kang, Zongxoo U, Taehoon Hwang, Sangkyu Jeon, Younkyoung Shin, Vin kim, Daeun Jeong, Yuseok Heo, Kyungmok Park, Wonbang Kim, Jieun Lee, Sanghoon Lee, Songmin Lee

Daum Space by Mass Studies

Ground floor plan – click above for larger image

Structural engineering: TEO Structure
MEP Engineer: HANA Consulting & Engineers
Lighting Engineer: Newlite
Landscape design: Soltos Landscaping

Daum Space by Mass Studies

First floor plan – click above for larger image

Client: DAUM Communications
Construction: Hyundai Development Company
Construction Manager: Hanmi Global Co.

Daum Space by Mass Studies

Second floor plan – click above for larger image

Location: Jeju Province, Korea
Site Area: 1,095,000 m2 (masterplan) / 48,383 m2 (daum space)
Site Coverage Area: 3,720.38 m2
Total Floor Area: 9,184.16 m2 (including basement floor)

Daum Space by Mass Studies

Third floor plan – click above for larger image

Building-to-Land Ratio: 7.69%
Floor Area Ratio: 15.90%
Building Scope: B1F + 5F

Daum Space by Mass Studies

Fourth floor plan – click above for larger image

Structure: RC
Finish: Exposed Color Concrete, Wood Deck, Vertical & Roof garden
Cost: 13,510,000EUR (20,000,000,000 KRW)

Daum Space by Mass Studies

Roof plan – click above for larger image

Design phase (beginning and ending month, year): 2008.4 – 2010.6
Construction phase (beginning and ending month, year): 2010.7– 2011.11

Daum Space by Mass Studies

Section A – click above for larger image

Daum Space by Mass Studies

Section B – click above for larger image

Daum Space by Mass Studies

Section C – click above for larger image

Daum Space by Mass Studies

Section D – click above for larger image

The post Daum Space by
Mass Studies
appeared first on Dezeen.