Hasta La Ideas

This mirror-clad visitor centre by Australian firm Charles Wright Architects was designed to be invisible amongst the surrounding trees of the Cairns Botanic Gardens in Queensland.

Comprising two buildings and a dividing promenade, the visitor centre was designed as a gateway to the gardens, which contain a selection of tropical plants from northern Australian rainforests as well as from across Southeast Asia.

Charles Wright Architects drew inspiration from the suit worn by the alien-hunter in the 1987 movie Predator to give both buildings a reflective outer coating that would play down their impact on the park landscape. “We proposed a design which literally reflects the gardens as camouflage for the building,” explain the architects.

Rather than cover the surfaces with a single polished plane of metal, the architects added a series of flat panels that break the facade down into facets. Each one sits at an incrementally different angle and helps to muddle the reflected images.

The pedestrian promenade runs across the site from east to west. To the north, one building contains a cafe and exhibition area for visitors, with a multi-purpose hall and a courtyard amphitheatre, while to the south a second block accommodates staff offices that open out to a long and narrow terrace.

Both buildings have non-linear shapes, generated by the routes of predefined pathways and locations of mature trees. They also have to nestle against the landscape at one end where the ground starts to climb upwards around them.

Charles Wright Architects have offices in Melbourne and Shanghai. The firm also recently completed a house that can withstand powerful cyclones. See more architecture in Australia.

See more stories about mirrors on Dezeen, including a polished steel pavilion by Foster + Partners and a playground pavilion in Copenhagen.

Photography is by Patrick Bingham Hall.

Here’s a project description from Charles Wright Architects:

Cairns Botanic Gardens Visitors Centre

Conceptual framework

We set-out to design a “green” building which represents a paradigm shift for Cairns, moving away from the conventional building vernaculars toward new and progressive solutions that can be applied anywhere on a tropical latitude. There was a collective desire to attract both national and international attention, which would also aid in creating new opportunities and connections to existing facilities, communities and groups.

Public and cultural benefits

A new, iconic gateway into the botanic gardens and tanks arts centre precinct – “a democratic public space under-cover” – a challenging new architecture for the tropics which will act as an attractor to assist Cairns in its mission to be seen as a progressive city nationally and globally significant.

Relationship of built form to context

Council called for the building to be long, low and blending seamlessly with the surrounding environment (ideally invisible). We proposed a design which literally reflects the gardens as camouflage for the building with visual effect similar to the suit as worn by the alien hunter in the original 1987 Predator film. We sited the new building to straddle and activate the pedestrian promenade linking the gardens with the Arts Centre, acting as an open and flexible conduit into the interpretive and performative spaces.

Program resolution

The functional brief was very tight for the allotted site and constrained by existing paths, roads, easements, mature trees and a gradient that made the delivery of universal access particularly challenging.

The northern block contains the café terrace and opens to the major interpretation display and information space.

The southern block is an office building for council staff with a naturally ventilated corridor serving a linear sequence of cellular office spaces that all open out to the shared staff terrace on the south. This thin plan configuration encourages maximum use of passive cross-ventilation, augmented by efficient ceiling fans. Individual AC control when combined with an insulated internal thermal mass helps to minimise annual energy use through a mixed mode operation.

Above: site plan – click for larger image

Integration of allied disciplines

The project team had a collective desire to develop a world-class ESD, flexible office and mixed use public facility which wasn’t reliant on complex technological solutions or costly maintenance. We collaborated closely with council’s public artist to incorporate art glass within the glazed promenade facades.

Cost/value outcome

The client engaged in the choice of costed design strategies for the planning and form. There were significant mutual benefits such as the non-briefed inclusion of the informal amphitheatre as an alternative to excessively high retaining systems. The project was delivered under budget.

Above: sections – click for larger image

Sustainability

ESD initiatives include solar panels for feedback into the energy grid, stormwater harvesting tanks, mixed mode air-conditioning systems, low energy light fittings throughout, low water usage fittings, long life cycle efficiency materials and construction, solar treatment to all windows, naturally ventilated circulation corridors and shaded exposed thermal mass internally.

Response to client and user needs

Cairns Regional Council sought fresh and challenging ideas to create a memorable piece of tropical architecture, which has unquestionably been achieved. The Visitors Centre has already become a new landmark for the city.

Above: elevations – click for larger image

Principal architect: Charles Wright Architects
Project team: Charles Wright, Richard Blight, Justine Wright, Katja Tsychkova
Project manager/s Charles Wright Architects / Cairns Regional Council / Aecom
Builder: Hansen Yuncken

Structural & Civil consultant: ARUP Pty Ltd
Hydraulics consultant: CMRP Pty Ltd
Electrical & Mechanical consultant: WSP Lincolne Scott Australia Pty Ltd
Quantity surveyor: Turner & Townsend
Landscape architect: JNP Pawsey & Prowse
ESD / Energy Efficiency consultant: Brad Pinches Consulting

Size: GFA 1415m2, cost $4.7 M
Time to complete: 4 months Design & Documentation, 10 months construction
Council: Cairns Regional Council
Client: Cairns Regional Council
Design software used: Autodesk AutoCad & Revit

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by Charles Wright Architects appeared first on Dezeen.

Glass panels slide into the walls to create an outdoor living room at this lakeside house outside São Paulo by Brazilian architects Studio Arthur Casas (+ slideshow).

Named Casa Itu, the building is the main residence for a young family with two children. It is two storeys in height, but most of the rooms occupy the ground floor to create a long L-shaped plan.

Studio Arthur Casas used an earthy materials palette of sandy-coloured render and Brazilian teak wood to create a relationship between the house and the surrounding landscape.

“We always try to use local materials,” architect Alexandra Kayat told Dezeen. “We used local earth in the mixture of the colour for the facade. We tried to find a colour that would be as close as possible to tones found in the landscape, so the house would fit better in the landscape, as its quite large and horizontal.”

The living room sits at the outer corner of the plan, allowing two sides to open out to the garden. A wooden pergola cantilevers out beside it and has now (since the photographs) been fitted with a retractable canopy, while a supporting column is concealed behind the trunk of an indoor tree.

A timber deck stretches out along the edge of the rear elevation, where the architects have installed a swimming pool. From here, a staircase ascends to give access to another terrace on the roof.

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Students arriving at and departing from this school in Zaragoza, Spain, often obstructed sports games in the playground, so architect Guzmán de Yarza Blache decided to lift one of the sports courts up out of the way (+ slideshow).

Raised up by one storey, the new elevated sports court sits at the entrance to Lasalle Franciscanas School. It is held in place by concrete pilotis, creating a sheltered entranceway underneath that can also be used as a general playground.

Yarza Blache, a director at J1 Arquitectos, was asked to complete installation of the structure during the six week summer holiday period, so he specified a prefabricated concrete structure that could be built in just a few days.

Two layers of steel fencing were added to create see-through walls, which are curved over at the top to prevent balls from escaping. The outer layer sits within a Corten steel planting box, so that ivy can grow up and eventually surround the court.

Ramps extend down from both sides of the structure, leading to an infants’ play area on one side and an entrance to the building on the other.

Since its opening, children at the school have nicknamed the structure “The Whale” in reference to its bulbous shape.

Other playground structures completed in recent years include a pavilion featuring funhouse mirrors and a building with fairytales engraved into its facade. See more stories about schools.

Photography is by Miguel de Guzmán.

Here’s a translated project description from the architect:

Elevated Sports Court at Lasalle Franciscanas School

The commission is originated by the need from the school to augment the total surface of the courtyard that due to the great amount of students and parents that usually gather during the day, can sometimes obstruct the correct developing of the sports and leisure activities that should take place in it.

The courtyard is 33 metres wide by 35 metres long and has a south-east orientation. It is formed by the existing school that has a U form with two wings, one from the 50’s and another one from the 70’s.

The fact of being a school meant that we had to accomplish the building works exclusively during the summer months. That fact made immediately think about a prefabricated concrete structure that could be built in a couple of days, and that could also solve the 13 meters distance that we wanted to cover in the ground level.

The necessary elimination of the two existing trees in the courtyard gave another of the key drivers of the project; the inclusion of vegetation in the new structure. To do so we have designed a 70 metres long corten steel flower pot from which almost three hundreds of ivy plants grow, that in a few years will have covered the whole metallic bubble.

That metallic bubble is formed with a double layer of galvanized steel, so one of the layers can help the ivy grow while the other one can resist the practice of teenager ball-related sports.

The ground level hosts a garden-bench with an organic shape that includes different species of plants and allows the parents and the students to sit down and observe. The relation of the new volume with the rest of the school also had to be solved, for which a soft 45-meter ramp was designed to connect the ground level with an intermediate level and the elevated court.

Another organic ramp was also included to let the children from the infantile area get out to their courtyard´s zone, also in the ground level and partly under the court.

The later visits to the school have revealed the success of the project and its fast iconic assimilation by the students, who have kindly called it “The Whale”.

Architect: Guzmán de Yarza Blache
Finishing Date: September 2012
Location: Calle Andrés Piquer 5, Zaragoza.Spain
Client: Lasalle Franciscanas School
Built Surface: 350 sqm
Budget: 290.000 Euros

Contractor: GM Empresa Constructora
Collaborators: Ana Guzmán Malpica, Julien Luengo-Gómez
Quantity Surveyor: Jose Manuel Arguedas
Structure: Josep Agustí de Ciurana, PRAINSA

Above: ground level plan – click for larger image

Above: court level plan – click for larger image

Above: roof plan – click for larger image

Above: long section – click for larger image

Above: cross section – click for larger image

Above: long elevation – click for larger image

Above: side elevation – click for larger image

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Guzmán de Yarza Blache appeared first on Dezeen.

This house for a surgeon in Chiba, Japan, by Apollo Architects & Associates contains courtyards with elevated wooden walkways and glass walls behind its thick concrete exterior (+ slideshow).

The residence was designed for a busy street in Yotsukaido City, so Apollo Architects & Associates used chunky slabs of reinforced concrete to create a soundproofed barrier around the interior spaces.

“[The client] requested privacy and quietness for his wife and three children to lead healthy lives,” explain the architects.

The largest of the three courtyards sits beyond a sheltered driveway and contains a grass lawn and a central tree, while the second is positioned past the entrance and accommodates a pebble surface and a small maple tree.

The smallest court is tucked away at the back to offer a small outdoor area for the main bedroom and bathroom.

“The family can enjoy different atmospheres in these courtyards,” say the architects.

Two staircases lead up to the living room and the children’s room on the first floor. One is indoors and built from wood, but the second is a series of concrete treads that rise up from the grassy courtyard.

Wooden balconies overlook the courtyards from above and residents can look into different rooms through glass walls.

The house is named Still and was completed in spring 2012.

Tokyo-based Apollo Architects & Associates is led by Satoshi Kurosaki. The studio has designed a number of houses since launching in 2000, including Lift in Sendai with a pointy overhang and Damier in Tokyo which has a chequered facade. See more houses designed by Apollo Architects & Associates.

Photography is by Masao Nishikawa.

Here’s some more information from Apollo Architects & Associates:

Still

The client acquired the 330 m2 orthogonal property located along the road in pursuit of a space to rest his body and soul exhausted from his work as a surgeon. He requested privacy and quietness for his wife and three children to lead healthy lives. The building is set back from the frontal street where heavy vehicles pass by regularly. Parking space is secured for three cars. Reinforced concrete structure is chosen for its soundproofing ability. The opening is kept to a small horizontal ribbon window to block the noise and automobile emissions.

The client purchased this property sized over 300 m2 for a purpose of creating courtyards with tall symbolic trees. There is a compact court with a maple tree in front of the entrance. Across the central corridor is the main court. And, toward the back of the site is a narrow bathroom court. The family can enjoy different atmospheres in these courtyards.

The master bedroom and bathroom are located in the quiet area far from the street so that the residents can relax while viewing the garden. Each space offers its unique ambience. For example, in the study adjacent to the bedroom, the residents are able to carry out their professional work, or in the Japanese room facing the entrance court, they could relax and enjoy the space while sitting on the floor.

The family space on the second floor is a single space surrounded by full-height glazing. Across the central corridor, the children’s room/study space is located. The space can be separated into individual rooms in the future. The other characteristic of this house is that the residents can experience the circulation space as they cross between inside and outside, thanks to the central corridor and roof balcony connecting the main building and annex. It is the ultimate luxury to lead a slow-paced life and enjoy the changing seasons.

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Product news: Berlin-based designer Werner Aisslinger will unveil brightly coloured chairs and a set of modular furniture for Italian brand Moroso in Milan next month (+ slideshow).

Werner Aisslinger’s Bikini Wood dining chair and swivel chair for Moroso come in a variety of bold colour gradients. The backs of the wooden chairs are covered by a slim piece of leather or fabric.

The Bikini Island collection comprises a range of modular units, including tables, poufs, cabinets and sofas in various fabrics.

The angular sofas can also be matched with round tables, bookshelves, clothes rails and plant pots.

The furniture will be presented at Salone Internazionale del Mobile in Milan between from 9 to 14 April.

Aisslinger recently presented a storage system for German brand Flötotto that’s held together by plastic clips as well as a swinging sofa for the office – see all design by Werner Aisslinger.

Other products created for the brand include a Le Corbusier-inspired armchair and sofa by London designers Doshi Levien and Tord Boontje’s plywood furniture held together by thread – see all design from Moroso.

See all chairs »
See all furniture »

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for Moroso appeared first on Dezeen.