Pheasant Light by Ed Carpenter for Theo

Pheasant Light by Ed Carpenter for Theo

Product news: Hackney designer Ed Carpenter has created a countryside version of his London design classic, the Pigeon Light, this time shaped like a pheasant.

Made of vacuum-formed acrylic, the Pheasant Light for design brand Theo can be clipped on to surfaces with a peg where the bird’s feet would be. The light is currently available in white but more colours may be released in the new year.

Pigeon Light by Ed Carpenter

Ed Carpenter first designed the Pigeon Light (above) for his Royal College of Art graduation project in 2001. He collaborated with Theo founder Thorsten van Elten to produce the light, which has become an iconic urban souvenir and is a best-seller in museums and design shops worldwide.

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Claudio Chair by Arquitectura-G

Product news: the repeating arches of these colourful chairs designed by Spanish architecture studio Arquitectura-G were inspired by the use of forced perspective in Renaissance paintings.

Claudio Chair by Arquitectura-G

The Claudio Chair by Arquitectura-G has a seat that narrows at the front, bringing the front legs closer together.

Claudio Chair by Arquitectura-G

When you view the chair from the back, you can see its front legs as well, an effect that creates a false vanishing point.

Claudio Chair by Arquitectura-G

As well as the four colours in production, the designers have launched a series of 43 one-off chairs, each in a different colour, which can be placed side by side to form a full circle resembling a colosseum (see bottom image).

Claudio Chair by Arquitectura-G

We previously featured a couple of architectural projects in Barcelona by Arquitectura-G – an apartment renovation with built-in mezzanine levels and another apartment with sliding and folding doors between each room.

Claudio Chair by Arquitectura-G

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Photographs are by Arquitectura-G.

Here’s some more information from the architects:


INDOORS is a section of the architecture office ARQUITECTURA-G. It focuses on the interior rearrangement of the urban apartment, suiting it to the contemporary dwelling culture. With the very same philosophy, INDOORS also produces its own furniture, Claudio chair being part of it.

The starting point of the Claudio chair’s design is the arch as an element and its repetition. The arch, traditionally related to heavy solid construction rather than to the framework, is here decontextualised, using it in a small scale piece made out of thin wood planes.

Claudio Chair by Arquitectura-G

The lower part of the legs is rounded so each one only leans on a single point. Then, the legs make up an L-shaped cross-section which transforms into arches in each plane, making the joints under the seat stiff. To form the back, the rear arch grows without touching the seat – a horizontal plane that reinforces the categorically geometrical character of the piece – until it reaches the proper height.

The trapezoidal form of the seat breaks the formal purity of the whole, giving in exchange a fake illusion of vanishing point, in the same way as the forced perspectives of the Renaissance and the paintings of Chirico.

Claudio Chair by Arquitectura-G

Material: Lacquered MDF
Design: ARQUITECTURA-G
Edition: INDOORS
Design year: 2012

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107 Chair by Robert Stadler for Thonet

Product news: Austrian designer Robert Stadler’s update on the classic bentwood bistro chair by Thonet, synonymous with cafe culture since it appeared in the nineteenth century, has gone into production.

107 Chair by Robert Stadler for Thonet

Last November we reported on the initial launch of Robert Stadler’s 107 chair, which was created specially for the Corso restaurant interiors that Stadler designed in Paris. Now available as part of German furniture maker Thonet’s own collection, the 107 Chair incorporates a separate flat backrest to simplify the production process.

107 Chair by Robert Stadler for Thonet

By replacing the curves of Thonet’s famous 214 Chair with straight lines, Stadler enabled it to be manufactured in a cost-efficient way. The frame is made of solid wood, while the seat and backrest are made of plywood with a natural or stained finish.

107 Chair by Robert Stadler for Thonet

We recently featured a concept bicycle made for Thonet with a frame of steam-bent wood, inspired by the classic 214 chair.

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107 Chair by Robert Stadler for Thonet

Above: image is by Robert Stadler Studio

Photographs are by Constantin Meyer except where stated.

Here’s some more information from the designer:


The 107 Chair by Robert Stadler: Inspired by Coffee House Culture Yet Uncompromisingly Modern

Variations on an archetypal design: with its slim, curved backrest and its lightweight and elegant look, the 107 chair is reminiscent of Thonet’s famous 214 coffee house chair. An effect intended by Austrian-born and Paris-based designer Robert Stadler, who sees his 107 chair as a contemporary re-interpretation of the most famous of classic chair designs. The new 107 chair connects to Thonet’s longstanding tradition by being an ideal piece of furniture for the café and restaurant trade, which is equally well suited for use in private living and dining interiors.

Initially, the 107 design was commissioned for the Corso restaurants in Paris where the chair has been used since autumn 2011. From October 2012, the 107 chair will also be available as part of the Thonet collection. The 214 coffee house chair (historically No 14) saw worldwide success in the 19th century, not least due to its sensible pricing. Today, this classic piece is rather expensive to produce since the bentwood material requires a high percentage of manual work during production.

With the 107, Robert Stadler wanted to design a chair for the cafés of the world’s cities that would explicitly reference its predecessor yet would be significantly cheaper to produce thanks to modern production technologies. “You only have to think of Buckminster Fuller who was able to achieve maximum stability with minimal use of materials when designing his geodesic domes. I took this idea as an inspiration and I also simplified the design by replacing curves with straight lines without compromising the chair’s comfort. I wanted to design a variation on the famous 214 that would take the original idea as a guideline: creating a Thonet chair that can be produced in a cost-efficient way,” says Robert Stadler.

A characteristic feature of the new chair is the fragment design of the backrest, which is both a constructional element and a design feature. The frame of the 107 chair, which is only available without armrests, is made of solid wood. The seat and backrest are made of plywood with a natural or stained finish. The seat is also available with textile or leather upholstery.

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Balloon by Uli Budde for Vertigo Bird

Balloon by Uli Budde

Berlin-based designer Uli Budde placed a flat disc above the bulb of this lamp so that it looks like a hot air balloon taking flight.

Balloon by Uli Budde

Balloon, which was created by Uli Budde for Slovenian lighting brand Vertigo Bird, consists of a bulb in a cylindrical base with a thin aluminium disc leaning over it.

Balloon by Uli Budde

Inspired by antique oil lamps and candle holders, Budde used the disc as a circular reflector to diffuse the light from below, producing a warm glow.

Balloon by Uli Budde

The resulting shape leaves room for our own associations, according to Budde. “Is it a balloon soaring into the air, a small glowing sun or an oversized light bulb?” he asks.

Balloon by Uli Budde

The lamp is made from lacquered aluminium and plastic and is available in white or yellow.

Balloon by Uli Budde

Balloon was shown in Copenhagen last week and will appear in Zurich from 23-25 November as part of the international design fair Blickfang.

Other designs inspired by balloons we’ve featured on Dezeen include a desk supported by giant Jenga blocks at one end and balloons at the other and a light that looks like a helium balloon stuck to the ceiling.

See all our stories about lamps »
See all our stories about balloons »

Here’s some more information from the designer:


Balloon is a table lamp generating diffused, ambient lighting.

Balloon owes elements of its forms to the typical antique oil lamps and candle holders with a reflector placed behind the flame to reflect and direct the light. Besides, the idea that we often consider the moon to be a light source (next to fire and the sun, for example) although it is just enlightened by the sun, gave the stimulus to work with indirect light.

The lamp’s light source is situated inside a cylindrical base. Light shines upwards and lights the reflector, which tilts forwards, re-directing and reflecting a diffused glimmer of light. Through its simplicity and figurative character, the lamp leaves room for associations and fantasy – is it a balloon soaring into the air, a small glowing sun or an oversized light bulb?

For the special exhibition format called ‘blickfang selected’, five renowned personalities from the design scene have chosen young talents involved in furniture design. Uli Budde has been invited as one of them by Philipp Mainzer – architect, designer and co-founder of furniture brand e15 – to present his work at blickfang Copenhagen in Øksnehallen from 9-11 November, 
blickfang Zürich in Kongresshaus from 23-25 November and 
blickfang Basel in Messe Basel from 8-10 March 2013.

The lamp is available in White and Yellow.

Design: Uli Budde
Producer: Vertigo Bird
Year: 2010/11
Light source: 9W energy-saving fluorescent light
Material: lacquered aluminium, plastic parts
Size: 280x425x135mm
Colors: matte white/matte yellow

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77|011 Metropolitan Bike by Rizoma

This carbon-fibre and aluminium bicycle with no upright in the diamond-shaped frame weighs just eight kilograms.

77|011 Metropolitan Bike by Dirk Bikkemberg for Rizoma

The bicycle comes with a flip-flop rear wheel hub so the rider can chose between a single-speed and fixed-gear mechanism by pulling a lever and flipping the wheel over.

77|011 Metropolitan Bike by Dirk Bikkemberg for Rizoma

Wing mirrors can be attached to the ends of the handlebars so cyclists can see behind without craning over their shoulders.

77|011 Metropolitan Bike by Dirk Bikkemberg for Rizoma

“High-end materials and shapes along with a new concept of urban mobility is the revolution,” says Rizoma CEO Fabrizio Rigolio, who describes the bike as ”a new alternative to the luxury caItalian bike manufacturers”.

77|011 Metropolitan Bike by Dirk Bikkemberg for Rizoma

The 77|001 Metropolitan Bike is available to buy with either matte white or shiny carbon frame finish.

77|011 Metropolitan Bike by Dirk Bikkemberg for Rizoma

We recently featured a concept for a bicycle made from steam-bent wood.

77|011 Metropolitan Bike by Dirk Bikkemberg for Rizoma

See all our stories about bicycles »

The information below is from Rizoma:


RIZOMA 77|011 – New Metropolitan Bike

Rizoma, the internationally renowned brand for all things cycling, presents the innovative metropolitan bike 77|011 dedicated to those who love style and technology.

77|011 Metropolitan Bike by Dirk Bikkemberg for Rizoma

A unique commodity, ideal for navigating urban environments with style, the 77|011 has changed the rules and the concept of motion, adapting it for contemporary culture. Technically advanced and durable, the most compelling feature of Rizoma’s newest addition is its multi-functionality: with dual single speed (with a traditional free wheel) and fixed-gear (using a threaded sprocket, a growing trend among urban cyclists who prefer the greater control by using the pedals for braking) capabilities. The rear wheel comes ready with two mounts that allow the rider to choose freely between two pulleys, depending on their preferred mode of travel.

77|011 Metropolitan Bike by Dirk Bikkemberg for Rizoma

The 77|011 also comes with mounts for the optional brakes included on the base model. Rizoma’s interpretation of the ‘Made in Italy’ style and the philosophy are clearly seen in the simplicity of the design and in its plug and play functionality, all in a single frame size (thanks to the adjustable seat 92 > 96 cm), removing the complication of choosing a best fitting model.

77|011 Metropolitan Bike by Dirk Bikkemberg for Rizoma

The metropolitan bike 77|011 by Rizoma is the fusion of a cutting-edge concept with an exclusive design. The sleek carbon fiber structural skin frame and the simplicity of the belt-drive contribute to a decidedly modern look. Aluminum elements, machined from solid, make the 77|011 distinctive and a mere 8kg, so it’s easy to carry on a shoulder when climbing stairs or going into the subway. Shiny carbon and matte white (all made of carbon-fiber) are the two color variations available for Rizoma’s newest icon.

The Rizoma 77|011 costs €3,700 and can be purchased in select stores or online at www.rizoma77011.com.

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Ear Sofa by St Ely for Lerival

Montreal-based designers St Ely have created a sofa made up of three interchangeable modules with sliced-off corners.

Ear Sofa by St Ely

St Ely is a collaboration between industrial designer Eugenie Manseau and architect Hubert Pelletier. The seating has been launched by Lerival, an American design house that connects furniture design with architecture.

Ear Sofa by St Ely

The design was inspired by the comfortable, angled back of old 1920s and 1930s couches and combined with the orthogonal rigidity of contemporary furniture.

Ear Sofa by St Ely

Folding the ends of each module creates an angle between the back and sides, which the designers liken to ears.

Ear Sofa by St Ely

“Most modular sofas are a continuous piece sliced up,” Pelletier said to Dezeen. ”We wanted to subtly stress the idea of the individual units and the act of combining these units together.”

Ear Sofa by St Ely

“The fold at each end is the dominant detail of the design and creates a repetitive motif when many units are assembled,” he continued.

Ear Sofa by St Ely

A key consideration for St Ely was the impact of the piece on the surrounding space: “A large piece of furniture like a sofa can be used to articulate the architectural space, divide rooms and underline functional transitions in space.”

Ear Sofa by St Ely

“We think the back view is as important as the front or side view. By expressing the fold on the back side we created a formal detail that is coherent with the front view and that animates the back side,” Pelletier added.

Ear Sofa by St Ely

More modular seating we have featured on Dezeen includes triangular sofas that tesselate to create different forms within a space and a modular seating system that encourages interaction between people.

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Zieharsofika upholstery by Meike Harde

German design graduate Meike Harde has designed a range of upholstered benches and stools simply by folding foam mats and fixing them to wooden frames with elastic bands.

Zieharsofika by Meike Harde

Meike Harde created the furniture with the motivation to explore new methods of upholstery construction, aiming to create a stiff cushion from a flat foam mat.

Zieharsofika by Meike Harde

“Other upholstery products are trying to use fabric without wrinkles. I want to use the natural creases in a big dimension as ornamentation, and to construct stiffness,” explains Meike, adding that stretching fabric over foam to create a flat finish requires a difficult construction process that takes a lot of time.

Zieharsofika by Meike Harde

By contrast, the simple, fast construction method that Meike has invented uses just three components: foam, rubber bands and wood.

Zieharsofika by Meike Harde

The foam mat is layered and gathered tightly to create waves that are held together at the top and bottom with elastic bands. The cushion is then compressed and fixed using longer elastic bands in the opposite direction, before the wooden stool is inserted underneath the elastic.

Zieharsofika by Meike Harde

This design avoids permanent connections between the foam and the wood, making it easy to replace cushions when they become worn.

Zieharsofika by Meike Harde

The small stool, which Meike says ”looks like broccoli, is made from a square piece of foam while the benches are made from a rectangular piece of foam.

Zieharsofika by Meike Harde

When asked about the comfort of the stiff benches, Meike told Dezeen “the furniture should be used as a bench, not as a very soft armchair,” comparing the comfort to that of Chesterfield leather furniture.

Zieharsofika by Meike Harde

We have also featured a series of disturbing masks designed by Meike Harde, called Too Beautiful to be True.

Zieharsofika by Meike Harde

Other benches and stools we have featured on Dezeen include a bench that can be converted into a chaise longue, or an armchair and a side table, and a collection of stools that can be used as tables or seats.

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Donky Bike by Ben Wilson

The steel beam running through this compact bicycle by British industrial designer Ben Wilson means it can carry heavy loads on its front and rear platforms (+ slideshow + movie).

Donky Bike by Ben Wilson

Ben Wilson came up with the Donky Bike after noticing that mountain bikes were being used on city streets. “Bicycle use in London was growing rapidly, but many of the bikes on the street seemed unsuitable for urban use,” he says, explaining that he wanted to combine the load-carrying ability of a Dutch model with the strength and simplicity of a BMX.

Donky Bike by Ben Wilson

The resulting design has compact 20″ wheels and is designed to handle well even when moving through traffic at low speeds, as the weight of its cargo is distributed through the steel beam rather than hanging off the handlebars.

Donky Bike by Ben Wilson

Wilson tested different methods of attaching cargo but settled on the standard bungee cord, as it offers the most flexibility and is widely available.

Donky Bike by Ben Wilson

To park up, riders can either lower the footstand or stand the whole thing on end so that it rests on its rear platform and wheel.

Donky Bike by Ben Wilson

It comes in lime green or black. It’s also made from widely available components that are easily repaired or replaced, ensuring its longevity.

Donky Bike by Ben Wilson

Wilson studied on the Design Products MA at the Royal College of Art in London before opening his studio in east London. We’ve featured two of his other projects on Dezeen – a pedal-powered car that’s framed by a neon tube light and a unicycle that places its rider inside the wheel.

We’ve featured lots of other two-wheeled transport on Dezeen, including a folding bicycle with full-size wheels and a road bike with a frame made of steam-bent wood.

Donky Bike by Ben Wilson

Above: photograph is by Jens Marott

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Donky Bike by Ben Wilson

Above: photograph is by Jens Marott

Photographs are by John Selby except where stated.

Here’s some more information from the designer:


Donky Bike is a versatile load carrier designed to be ridden easily and safely with whatever you need to take with you. The cargo load is carried on the frame, not the handlebars, so the steering and handling remain light and balanced. The Donky is made with a tough steel frame equipped with simple low maintenance components.

Donky Bike by Ben Wilson

The idea behind Donky bike was to create an affordable, practical bike which has a large load carrying capability. With great handling and steering, even at low speeds through traffic and when loaded with cargo. The idea was to build a bike that will last a lifetime, with durable components that can be added, repaired or replaced anywhere in the world, and is easy to build, ride and maintain. A bike for life, not landfill, a Donky bike is built to last.

Donky Bike by Ben Wilson

The racks on the front and back are removable for storage, and in the future, Donky bike will offer further accessories which will be able to clip onto the frame. Compact strong and easy to ride – Donky is now in stock. One size, two colours.

Donky Bike by Ben Wilson

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Pal stool by Hallgeir Homstvedt for One Nordic

This stool by Norwegian designer Hallgeir Homstvedt is held up by three slim, curved legs inspired by skateboards (+ movie).

Pal by Hallgeir Homstvedt

For the Pal stool, made for Finland-based design brand One Nordic, Hallgeir Homstvedt thought back to the time as a teenager when he’d tried to make his own skateboard by bending a piece of plywood.

Pal by Hallgeir Homstvedt

The thin, wide wooden legs are screwed to the outside of the round seat using an x-shaped joint, making the stool stronger and easier to put together and take apart.

Pal by Hallgeir Homstvedt

One Nordic, which launched during Stockholm Design Week this year, is an online shop dedicated to flat-pack designs requiring simple self-assembly, such as Form Us With Love’s bent wood furniture collection.

Pal by Hallgeir Homstvedt

Above: Pal stools among the One Nordic collection. Photograph is by Antti Pulli

We’ve featured a few other projects inspired by skateboards, including a house filled with concrete surfaces for the owner to skateboard over and a prototype for a house where the walls, floors and ceiling are all a skate ramp.

See all our stories about stools »
See all our stories about skateboards »

Photographs are by Linus Vuorio except where stated. Movie thumbnail is by Jonas Lindström.

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Apps by Richard Hutten for Artifort

Interieur 2012: Dutch designer Richard Hutten has created a series of sofas and armchairs designed to resemble the icons on a smartphone screen.

Apps by Richard Hutten for Artifort

Richard Hutten launched the Apps collection for Dutch brand Artifort at the Interieur design biennale in Kortrijk, Belgium, last month. “On the one hand, it is a very simple and therefore timeless design,” says Hutten. “On the other hand, it is entirely contemporary thanks to the flowing forms and a basic shape that appears to be based on icons displayed on a smartphone.”

Apps by Richard Hutten for Artifort

The range includes an armchair and two-seater sofa, covered either in a single fabric or two contrasting ones. The seats are made with a wooden frame upholstered in foam and include webbing in the backrest. Prototypes of the Apps collection were first presented in Milan last April and the range is now going into production.

Apps by Richard Hutten for Artifort

Artifort was founded 120 years ago as an upholstery company in Maastricht. “For me, Artifort is part of our national heritage,” says Hutten. “The quality of the designs dating from the 1960s in particular is very high and my ambition is to revive that golden era.”

Hutten founded his own design studio in Rotterdam in 1991 after graduating from the Design Academy Eindhoven and was a leading figure in Droog Design at its inception in 1993. Past projects featured on Dezeen include traditional oriental rug patterns stretched into stripes and leaf-shaped fridge magnets. See all our stories about design by Richard Hutten.

Apps by Richard Hutten for Artifort

Interieur 2012 took place from 20 to 28 October and highlights included Troika’s arcade of light beams bent into gothic arches and Ross Lovegrove’s car shaped by instinct rather than science. See all our stories about design at Interieur 2012.

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