E8 furniture by Mathias Hahn for Zeitraum

Clerkenwell Design Week 2013: new table sizes and a matching bench have been added to London designer Mathias Hahn’s E8 range of colourful wooden furniture.

E8 furniture by Mathias Hahn for Zeitraum

Mathias Hahn originally designed the E8 table in 2009 but recently released a bench in a similar style – with all surfaces stained bright colours apart from the top, which remains natural.

E8 furniture by Mathias Hahn for Zeitraum

Tables from 1.2 to 2.6 metres in length are also now available and the benches come in corresponding sizes. The wooden seats can be upholstered in fabric or leather.

E8 furniture by Mathias Hahn for Zeitraum

Produced by German brand Zeitraum, the furniture was on display at this year’s Clerkenwell Design Week.

E8 furniture by Mathias Hahn for Zeitraum

Also shown at the event were pendant lamps made of cable ties, plus a shimmering target was installed in front of a medieval gate.

E8 furniture by Mathias Hahn for Zeitraum

Hahn has also designed mirrors that can be swivelled with wooden handles and a pendant lamp that clamps to its own flex.

E8 furniture by Mathias Hahn for Zeitraum

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Mathias Hahn sent us the following information:


The long and narrow format of the original E8 Table allows it to be used as an every-day work and kitchen table, where temporary items such as laptops or paperwork can easily sidestep during meal times. With its overhangs it also serves as a full size dining table when needed.

E8 furniture by Mathias Hahn for Zeitraum

Now, the E8 family has grown and the table is available in a variety of additional sizes and colours. The adaptation of the design into a range of tables varying from 1200mm to 2600mm length offers a very versatile selection which covers all areas of domestic live and work scenarios, but is also attractive for the contracting market.

E8 furniture by Mathias Hahn for Zeitraum

The contrast between natural timber and colour emphasises the two-dimensional character of the top surface and its quality as a worktop. All surfaces except the top are coloured, using a staining technique that offers saturated and bright colours, while ensuring that the natural texture of the wood remains visible. Unlike lacquer, which scratches off easily, this method allows the table to wear gracefully over time while maintaining the character of the material.

E8 furniture by Mathias Hahn for Zeitraum

Corresponding to the E8 Table, there is now the E8 Bench, which also comes in a range of different lengths, relating to the table configurations. The bench is designed alongside the language of the table however deliberately created to work well as a stand-alone piece in its own right, which is why it does not have the overhangs of the table. It comes in a wooden version and is also available lightly upholstered in fabric and leather.

E8 is available in a broad set of colours, including different shades of cold and warm grey and several spot colours.

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Tied-Up Pendant Lamp by Vitamin

Tied-Up Pendant Lamp by Vitamin

Product news: twenty-six cable ties make up this pendant lamp that London studio Vitamin is exhibiting at Clerkenwell Design Week.

The black and orange industrial ties are locked into place by a turned wood and spun metal component at the top and a steel cog at the bottom. The different diameters of these elements cause the ties to curve outward towards the base.

Tied-Up Pendant Lamp by Vitamin

The lamp is currently on show at Clerkenwell Design Week, which concludes tomorrow, and will be available to purchase in two sizes later this year.

Dezeen Watch Store has a pop-up shop in the Farmiloe Building at the event, where we are presenting a selection of our latest and best-selling watches – more details here.

Tied-Up Pendant Lamp by Vitamin

Other lamp designs on Dezeen include aluminium shades with softly angled edges and a table lamp made of seaweed.

Vitamin has also designed mix-and-match vessels built up from assorted materials and ceramic urban gnomes that we’ve featured.

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Net tables by Benjamin Hubert for Moroso

Product news: London designer Benjamin Hubert has created a series of tables with legs and tops made of metal mesh for Italian brand Moroso.

Net by Benjamin Hubert for Moroso

Designed by Benjamin Hubert for Moroso, these circular tables have been made by manipulating expanded steel, which is more commonly found on industrial equipment and architecture, to form cylinders and disks for the legs and tops.

Net by Benjamin Hubert for Moroso

“In reference to its industrial origins, Net is purposefully geometric and simple in its design language,” explains the designer. “The tables have a large surface with expanded steel perforations that give a feeling of lightness while being small enough to not allow small objects to slip through.”

Net by Benjamin Hubert for Moroso

The tables come in a range of powder-coated paint colours and are available in various different sizes.

Net by Benjamin Hubert for Moroso

Net was launched at the Salone Internazionale del Mobile in Milan last month where Benjamin Hubert also unveiled a chair that weighs just three kilograms.

Net by Benjamin Hubert for Moroso

Hubert and Moroso also recently collaborated on a chair with a hammock-like back and a chair that looks like it’s wrapped up in a cloak.

Net by Benjamin Hubert for Moroso

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Cradle by Benjamin Hubert for Moroso

Product news: British designer Benjamin Hubert has created a chair with a hammock-like back for Italian furniture brand Moroso.

Cradle by Benjamin Hubert for Moroso

Called Cradle, the design is a cross between an upholstered lounge chair and a flexible hammock.

Cradle by Benjamin Hubert for Moroso

The steel frame of the hammock supports a textile mesh, which has been CNC-cut to allow it to stretch around the sitter’s shape.

Cradle by Benjamin Hubert for Moroso

“The chair’s aesthetic is purposefully architectural with a sharp rectilinear backrest contrasted with a softer seating area,” explains Hubert.

Cradle by Benjamin Hubert for Moroso

The chair was launched in Milan last month alongside another of chair by Hubert for Moroso, which looks as if it’s wrapped in a cloak – see all Dezeen’s coverage of Milan 2013.

Cradle by Benjamin Hubert for Moroso

Other designs by Hubert we’ve featured lately include a metal frame armchair that weighs only three kilograms and a family of terracotta pots with rubber lids – see all design by Benjamin Hubert.

Cradle by Benjamin Hubert for Moroso

Other Moroso furniture we’ve published includes Patricia Urquiola’s chairs with backrests wrapped in rush and Nendo’s chair shaped like a stiletto heel – see all furniture by Moroso.

Cradle by Benjamin Hubert for Moroso

Here’s some more information from the designer:


Cradle is a new lounge chair launching at Salone Internazionale del Mobile in April 2013. The project is the result of a close collaboration between Benjamin Hubert and Italian brand Moroso.

The product is a unique blend of two typologies of seating – a net structured hammock and a conventional upholstered lounge chair. The chair’s aesthetic is purposefully architectural with a sharp rectilinear backrest contrasted with a softer seating area, breaking traditional rules of seating typology and styling.

Cradle by Benjamin Hubert for Moroso
Talma chair (left), Net tables and Cradle chair, all by Benjamin Hubert for Moroso

The chair stems from the studio’s materials-driven, process-led industrial design approach, research into the construction of mesh materials, and a study of the relationships between traditional seating components.

Cradle utilises a custom-made cut pattern that allows a non-elastic textile to stretch in a controlled manner in a three dimensional form. This allows for the correct tension to comfortably support the body and both visually and physically reduces the product’s weight and cost.

Cradle by Benjamin Hubert for Moroso
Prototype design

The chair comprises a metal frame supporting a non-elastic textile with a geometric cut pattern, which cradles an upholstered seat block.

Materials: CNC-cut Kvadrat textile mesh, steel frame, moulded polyurethane, Kvadrat textile

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Dumbo by Tomek Rygalik for Moroso

Product news: this stocky, robust-looking chair by Polish designer Tomek Rygalik is called Dumbo after Disney’s cartoon baby elephant.

Dumbo by Tomek Rygalik for Moroso

The design by Tomek Rygalik for Italian brand Moroso is made of solid wood.

Dumbo by Tomek Rygalik for Moroso

Rounded steam-bent arms wrap around the backrest and seat to give additional structural support.

Dumbo by Tomek Rygalik for Moroso

“Dumbo is strong and resilient but not to be taken too seriously,” says Rygalik. “It is an armchair with a friendly expression and strong personality.”

Dumbo by Tomek Rygalik for Moroso

The piece was on show at the Salone Internazionale del Mobile in Milan last month, where Moroso also presented a chair like a pocket by Raw Edges and another chair like a hood by Patricia Urquiola.

Dumbo by Tomek Rygalik for Moroso

We’ve previously featured a series of furniture by Rygalik with bases that resemble bathtubs.

Dumbo by Tomek Rygalik for Moroso

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ES 01 by Georges Moanack for Punkt.

Product news: cable clutter is hidden away under the lid of this extension lead from Swiss design brand Punkt.

ES 01 by Georges Moanack for Punkt.

The ES 01 socket hub by Colombian designer Georges Moanack conceals five plugs under its cylindrical cover.

ES 01 by Georges Moanack for Punkt.

A central button allows all five devices to be turned off at once.

ES 01 by Georges Moanack for Punkt.

“I wanted to make crawling under furniture to untangle cables a thing of the past, and the design challenge was to find an attractive and accessible solution to this problem,” says Moanack.

ES 01 by Georges Moanack for Punkt.

The power cord is three metres long and there are six different socket types available for different countries.

ES 01 by Georges Moanack for Punkt.

Like all Punkt. products, it comes in red, black and white.

ES 01 by Georges Moanack for Punkt.

The ES 01 was presented at Spazio Rossana Orlandi in Milan last month.

ES 01 by Georges Moanack for Punkt.

Punkt. is a Swiss product brand with Jasper Morrison as creative director. Past launches include Morrison’s DP 01 telephone and AC 01 alarm clock. See all our stories about products by Punkt.

ES 01 by Georges Moanack for Punkt.

Other extension sockets we’ve featured on Dezeen include a system that combines plugs from different countries, one shaped like a crucifix, and a combined alarm clock and extension cable that wakes you with the breeze from a fan or the smell of coffee brewing.

ES 01 by Georges Moanack for Punkt.

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Here’s some more information from Punkt:


Cut out cable clutter

Punkt. launches its third product: the ES 01. The ES 01 is an original extension socket that has been designed to tackle a ubiquitous lifestyle problem: cable clutter. The ES 01 plugs 5 sockets and is available in a range of versions to comply with the different power supply standards of a wide selection of countries.

ES 01 by Georges Moanack for Punkt.

Punkt. ES 01: finally a solution to the cable clutter that plagues modern lifestyles and makes a mess of interiors. All of your cables and plugs converge neatly in the ES 01 extension socket, tucked away under its sleek rounded lid. Convert cable chaos into a clean design feature for the home or office.

No hiding power stations under furniture, no crouching down to untangle dusty cables, and no power damage to your devices; just an attractive, sturdy design piece that blends in well with all interiors and simplifies cable management.
Get organized and power your gadgets and devices with the ES 01!

ES 01 by Georges Moanack for Punkt.

The young Colombian designer Georges Moanack designed the ES 01 under the art direction of Jasper Morrison. The ES 01 combines Georges’ fresh outlook with Jasper’s talent and experience, resulting in an ingenious solution to a ubiquitous problem.

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Tjirp by Cas Moor

Product news: this doorstop by Belgian designer Cas Moor is shaped like a tiny bird.

Tjirp by Cas Moor

Called Tjirp, the bird’s slim rear is decorated with a narrow cut and slides under a door to wedge it open.

Tjirp by Cas Moor

The doorstop is handmade from oak by the designer and comes with a white, black or natural head.

Tjirp by Cas Moor

Cas Moor is based in Ghent where he is currently studying multimedia design at the Royal Academy of Fine Arts.

Tjirp by Cas Moor

Other bird-related design we’ve featured includes a bird box inside a flowerpot, a light that looks like birds sitting on a wire and a huge woodland nesting box for birds and humans.

We’ve also featured a wooden doorstop that doubles as a toy car – see all homeware on Dezeen.

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Hug by Claesson Koivisto Rune for Arflex

The armrests of these chairs by Swedish designers Claesson Koivisto Rune reach out as though asking for a hug.

Hug by Claesson Koivisto Rune for Arflex

The Hug range by Claesson Koivisto Rune for Italian brand Arflex features deep, thin arms that angle upwards and outwards.

Hug by Claesson Koivisto Rune for Arflex

“The friendly and welcoming gesture, seen most clearly in the ‘open-armed’ position of the armrests, is meant as a universal invitation, saying ‘come, sit with me a while and I’ll put you at ease,'” say the designers.

Hug by Claesson Koivisto Rune for Arflex

The upholstered seat, backrest and arms sit on a wooden plinth supported by legs in a contrasting colour.

Hug by Claesson Koivisto Rune for Arflex

The Hug collection includes a dining chair, a lower side chair and a high-backed club chair that’s more enclosed.

Hug by Claesson Koivisto Rune for Arflex

Arflex presented the pieces at Salone Internazionale del Mobile in Milan last month, where Claesson Koivisto Rune also showed top-heavy chairs inspired by the work of American minimalist artist Ellsworth Kelly for Italian furniture brand Tacchini. See more design by Claesson Koivisto Rune.

Hug by Claesson Koivisto Rune for Arflex

Meanwhile Spanish designer Jaime Hayón presented another chair with outstretched arms for Danish brand &tradition.

Hug by Claesson Koivisto Rune for Arflex

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Hug by Claesson Koivisto Rune for Arflex

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Kenny by Raw Edges for Moroso

Product news: the seat of this chair by London design duo Raw Edges for Italian brand Moroso is made from a single loop of material.

Kenny by Raw Edges for Moroso

The Kenny chair by Raw Edges for Moroso has a pocket-shaped seat fixed to a four-legged oak frame.

Kenny by Raw Edges for Moroso

The seat is made from from a loop of metal mesh, a thin piece of upholstery foam and a “warp and weft” fabric from Danish textile manufacturer Kvadrat, which has two colours of yarn woven in different directions.

Kenny by Raw Edges for Moroso

The designers pulled out individual threads to reveal more of the weft, creating a striped pattern across the fabric.

Kenny by Raw Edges for Moroso

“Turning flat material into three-dimensional volumetric shapes can be done in many ways, from pattern-making in fashion to complex origami folding,” explained designers Yael Mer and Shay Alkalay. “This project is all about the effortlessness of its geometry.”

Kenny by Raw Edges for Moroso

Raw Edges recently created a bookcase shaped like a loom to display novels by young British writers and a display of hundreds of fabric ribbons for Kvadrat – see all design by Raw Edges.

Kenny by Raw Edges for Moroso

We’ve published several Moroso products lately, including Patricia Urquiola’s chairs that wrap around the sitter like a hood and Nendo’s chair inspired by stiletto heels – see all furniture by Moroso.

Other chairs we’ve featured recently include a reissue of a classic design by Dieter Rams and a curved wooden chair with a cut-out backs – see all chairs.

Photographs are by Alessandro Paderni.

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Dieter Rams 620 Chair Programme relaunched by Vitsœ

Product news: furniture brand Vitsœ has reissued a classic chair by German designer Dieter Rams, the former head of design at Braun.

Dieter Rams 620 Chair Programme relaunched by Vitsœ

The 620 Chair Programme, first designed in 1962, has been “comprehensively re-engineered” according to Vitsœ, which last year was granted an exclusive global licence to produce Rams’ furniture designs.

Dieter Rams 620 Chair Programme relaunched by Vitsœ

Like Rams’ 606 Universal Shelving System, which Rams designed for Vitsœ in the same year, the chair is an adaptable piece of furniture that can be joined with other chairs to form a multi-seat sofa. Its castors can also be swapped for a swivel base.

Dieter Rams 620 Chair Programme relaunched by Vitsœ

Dezeen previously recorded a podcast with Rams at London’s Design Museum, where he talked to Vitsœ managing director Mark Adams about an exhibition of his work at the museum – see more stories about Dieter Rams.

Dieter Rams 620 Chair Programme relaunched by Vitsœ

Photographs are by Vitsœ.

Here’s more information from Vitsœ:


New licence, new Vitsœ chair production

Following Dieter Rams granting Vitsœ the exclusive worldwide licence to his original furniture designs, Vitsœ is pleased to announce it has comprehensively re-engineered Rams’s 620 Chair Programme delivering exceptional improvements in both quality and price. The 620 Chair Programme – marking its 50th anniversary – will be available from 9 May.

Dieter Rams 620 Chair Programme relaunched by Vitsœ

Vitsœ’s new production of 620 shows characteristic rigour and attention to detail. The chair has been completely re-engineered, right down to the last purpose-designed stainless-steel bolt. In turn, the very best traditional upholstery skills have been revived to ensure a chair that will last for generations, a point reinforced by the choice of a sumptuous full-grain aniline-dyed leather that will only improve with age. All of this has been achieved while prices have been reduced.

Designed for Vitsœ in 1962, the 620 Chair Programme has won numerous prizes and is collected by, and exhibited in, museums and galleries worldwide. Notoriously, in 1968, the chair was copied. Vitsœ’s co-founder, Niels Vitsœ, fought a lengthy court case that culminated in the chair being granted rare copyright protection in 1973.

Dieter Rams 620 Chair Programme relaunched by Vitsœ

Like its sibling the 606 Universal Shelving System, which was designed by Dieter Rams in 1962, the 620 Chair Programme is a carefully-conceived kit of parts. For example, a single chair can become a multi-seat sofa when more chairs are added. Or a chair on castors can be transformed into a swivelling chair.

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