Colour-changing ink transforms flame-engulfed headdress by Lauren Bowker

Alchemist Lauren Bowker applied heat-sensitive ink to a sculptural leather garment and used fire to alter its colour during a presentation for her company The Unseen (+ movie).

Coinciding with London Fashion Week earlier this month, Bowker’s design house The Unseen debuted a series of garments embedded with her colour-changing ink at an event in the Dead House – a series of vaulted passages beneath Somerset House where her studio is located.

Colour-changing ink transforms flame-engulfed headdress by Lauren Bowker

She created a giant black headdress made from overlapping layers of hand-stitched leather that engulfed the wearer like a shell, completely covering the head and extending down past the hips.

Colour-changing ink transforms flame-engulfed headdress by Lauren Bowker

During the presentation, a figure wearing this headdress was lead down a tunnel and positioned beneath a spotlight. Large flames erupted around the garment as wicks that protruded from the body were lit in unison.

Colour-changing ink transforms flame-engulfed headdress by Lauren Bowker

As the heat from the fire lapped the material, peacock-tail colours began to emerge and disperse across the surface. When the flames died down, the green and purple tones remained on the material as the model was lead back into the depths of the underground vaults.

Colour-changing ink transforms flame-engulfed headdress by Lauren Bowker

The collection also included garments worn over the torso that react to the movement of air, changing colour as environmental conditions shift in varying climates and when people come close or walk past.

“Seasonally each piece exhibits different tones of colour,” Bowker told Dezeen. “The summer environment will create a brightly coloured jacket that will dull in the wind to become black again, whereas in the winter the pieces are black until the wind hits them then revealing the colour shift.”

Colour-changing ink transforms flame-engulfed headdress by Lauren Bowker

Made in a similar layered style to the larger heat-responsive piece, these designs were displayed on models in alcoves along the subterranean tunnels.

“The fins in each jacket are shaped and designed to create turbulence trips within the wind – triggering the colour-change response,” said Bowker.

Colour-changing ink transforms flame-engulfed headdress by Lauren Bowker

She has previously applied different versions of her reactive inks to feathered garments that are sensitive to light.

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Smartwatch by Dor Tal monitors social networks to predict your future

Israeli designer Dor Tal has designed a set of gadgets that monitor data generated on social networks to help users predict the future and take action ahead of time (+ movie).

Future Predicting App Concept by Dor Tal
Predictions and recommended actions would be projected onto the hand by a smartwatch

Dor Tal’s Future Control project imagines a personal horoscope built on your data that could predict everything from when you’re most likely to go to the gym, to what mood your partner is going to be in when they get home.

Dor Tal‘s concept works in two ways. The first requires the user to download an app on to their smartphone that scours social networks for any data generated about the user, or other people and organisations that might affect them. An algorithm then detects any patterns of behaviour that could be forecast ahead of time. The more accounts the user adds, including credit card information, Google, Apple and Facebook, the more intelligent the device becomes.

Future Predicting App Concept by Dor Tal
Pico projector shows predictions and recommended actions on a wall

“When it identifies a predictable action, a recommended response for solving the problem or enhancing the experience is calculated and presented,” explained Dor Tal.

The second part of the project is called Predictables: two devices that present that data to the user. The first uses a pico projector, which displays a timeline with a series of floating bubbles indicating actions the user can take.

Future Predicting App Concept by Dor Tal
Designs for the smartwatch strap

The colour scheme highlights how far in the future the action might be: green indicates behaviour days ahead, where as red tells the user these actions should be taken today.

If the user is moving around, the same display can be projected on to the their hand via a smartwatch. Both displays utilise gesture control, allowing the user to interact with the display with his or her hands.

Future Predicting App Concept by Dor Tal
The pico projector and smartwatch

“One interesting aspect of the interaction, similar to what happens in the Back to the Future films, is that the predictions continuously change as the user acts and reacts in present time,” said Tal.

Future Control was part of Tal’s graduation project from Bezalel Academy of Arts and Design in Jerusalem. The designer wanted to explore our obsession with trying to predict the future.

Future Predicting App Concept by Dor Tal
Designs for Pico projectors

“From the movement of the stars to modern technology, man has searched for patterns that can indicate the imminent future,” explained Tal. “The biggest challenge of this project is to create the forecasting algorithms, but I believe this will happen sooner than expected.”

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Paper fish dance to the beat in Isobel Knowles’ music video for singer Sally Seltmann

Dezeen Music Project: artist Isobel Knowles used cut-out paper shapes to create the animated underwater scenes of dancing swimmers and fish in this music video for Australian singer Sally Seltmann’s single Catch Of The Day.

Catch Of The Day music video by Isobel Knowles for Sally Seltmann

Knowles used stop-motion animation to give movement to the paper shapes, shooting each element separately and building up the synchronised compositions digitally.

Catch Of The Day music video by Isobel Knowles for Sally Seltmann

“The animations are shot frame by frame using a camera and a light box,” Knowles told Dezeen. “I shot most of the elements separately and then composited them, changed colours and added effects digitally, layering up each scene from small parts.”

Catch Of The Day music video by Isobel Knowles for Sally Seltmann

Without a brief from Seltmann, Knowles was free to create her own interpretation of the track, which is the second single taken from the singer’s forthcoming album Hey Daydreamer.

Catch Of The Day music video by Isobel Knowles for Sally Seltmann

“The music is quite rich sonically, but still quite simple and pop,” Knowles said. “I wanted to reflect this richness and playfulness with the visuals.”

“The cascading harps at the beginning of the song just instantly made me think of underwater scenes from movies and cartoons, so I followed my initial reactions.”

Catch Of The Day music video by Isobel Knowles for Sally Seltmann

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Chris Martin’s sofa system for Massproductions zigzags around corners

Stockholm 2014: this movie by Swedish brand Massproductions shows how designer Chris Martin’s modular sofa system can be arranged to fit any room.

Anway Sofa System by Chris Martin for Massproductions_dezeen_4

The Anyway Sofa System by Chris Martin features elements with concave and convex bends of both 30 and 90 degrees, creating flexible arrangements that can fit into awkward spaces.

Chris Martin's sofa system for Massproductions snakes around corners

“I saw a need for a sofa that closely related to the space it found itself in,” said Martin. “The Anyway Sofa complements interior spaces, almost to the point where it becomes part of the architecture.”

Chris Martin's sofa system for Massproductions snakes around corners

The upholstered seating can be ordered with a high or low back and modules include the option to add armrests on either end.

Anway Sofa System by Chris Martin for Massproductions_dezeen_3

Legs are available in a range of wood and metal finishes. Massproductions exhibited the seating at this year’s Stockholm Furniture Fair, which took place last week.

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Hydraulic mechanisms tilt singers at Moncler Autumn Winter 2014 presentation

An Alpine choir pivoted on hydraulic platforms as part of French fashion house Moncler’s Autumn Winter 2014 presentation at New York Fashion Week, which concludes today (+ movie).

Moncler Autumn Winter 2014 presentation_dezeen_6

Moncler created an audio-visual installation called Winter Symphony to showcase the brand’s Moncler Grenoble ski and winter wear collection at New York’s Hammerstein Ballroom on Saturday.

Hydraulic mechanisms tilt singers at Moncler Autumn Winter 2014 presentation

Members of the ten-piece Pendulum Choir stood on small platforms and were strapped to the mechanisms around the torso, legs and feet as they sang an updated version of a traditional Alpine song.

Hydraulic mechanisms tilt singers at Moncler Autumn Winter 2014 presentation

Dressed in down-filled morning suits, the nine singers and one conductor tilted in various directions as pistons behind their backs and under their feet contracted and expanded.

Moncler Autumn Winter 2014 presentation_dezeen_5

Behind them, sixty male and female choir members dressed in black and white Moncler outfits stood in rectangular boxes stacked four levels high.

Moncler Autumn Winter 2014 presentation_dezeen_7

Each box was illuminated around the edges, separated from each other so they appeared to float in the darkened theatre.

Hydraulic mechanisms tilt singers at Moncler Autumn Winter 2014 presentation

Lights shining on the choir members flashed as the larger collective joined in singing with the smaller group.

Hydraulic mechanisms tilt singers at Moncler Autumn Winter 2014 presentation

The presentation took place on 8 February during New York Fashion Week, which finishes today.

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Interactive model offers a look inside Herzog & de Meuron’s Elbphilharmonie

The not-yet-realised interior of Herzog & de Meuron’s Elbphilharmonie concert hall in Hamburg can now be toured by computer and tablet users via a fly-through model created by digital studio Neutral (+ movie).

Herzog de Meuron's Elbphilharmonie - Convergent 3D Architecture App by Neutral

Herzog & de Meuron originally asked Neutral to produce a simple animation depicting the architecture of their philharmonic hall under construction beside the river Elbe, first planned for 2012 but which now won’t open until 2016 due to stalls in the planning process.

Herzog de Meuron's Elbphilharmonie - Convergent 3D Architecture App by Neutral

Neutral decided to instead create an interactive 3D model that allows users to take in 360-degree views of different rooms, gradually making their way towards the 2150-seat auditorium at the heart of the building.

Herzog de Meuron's Elbphilharmonie - Convergent 3D Architecture App by Neutral

“Users experience the spaces as they build up to the grand hall,” said co-founder Christian Grou. “The novel 3D technique developed by Neutral expands traditional architectural narrative, transposing the user into future spaces, giving architects new possibilities for articulating visions long before they become reality.”

Herzog de Meuron's Elbphilharmonie - Convergent 3D Architecture App by Neutral

Spaces featured include the main atrium, stairwells and a multi-purpose room offering a panoramic view of the river. They can be viewed by visiting the Elbphilharmonie 3D website or by downloading an app for Apple or Android devices.

Herzog de Meuron's Elbphilharmonie - Convergent 3D Architecture App by Neutral

The Elbphilharmonie is being built over an existing brick warehouse built in 1963 by Hamburg architect Werner Kallmorgen. The new upper section is made of glass and was completed last month.

Herzog de Meuron's Elbphilharmonie - Convergent 3D Architecture App by Neutral
Elbphilharmonie photographed as the last facade element was set in place

Once open, the building will offer three concert halls, a hotel, apartments and a public square elevated 37 metres above the adjacent river.

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Marching figure transforms into architectural forms in animation by Universal Everything

A lone computer-generated figure marches forward whilst morphing through an array of architectural structures that include geodesic domes pixellated blocks and complex lattices, in this animation by multimedia studio Universal Everything (+ movie).

Walking City movie by Universal Everything

Matt Pyke of Universal Everything based Walking Architecture on the futuristic imaginings of 1960s architecture group Archigram, creating a vision of a city as a living organism that strides on despite its changing size and form.

Walking City movie by Universal Everything

As the movie starts, the figure’s proportions resemble those of a human body. It gradually becomes abstracted as time goes on, transforming into different shapes that include a cluster of pixellated cubes and a striated mound.

Walking City movie by Universal Everything

“The language of materials and patterns seen in radical architecture transform as the nomadic city walks endlessly, adapting to the environments she encounters,” said Pyke.

Walking City movie by Universal Everything

The title, Walking Architecture, is a reference to an Archigram project called Walking City – a concept by British architect Ron Herron for a system of nomadic robot buildings that could walk freely to wherever their resources or manufacturing capabilities were needed.

Walking City movie by Universal Everything

At the end of the movie the figure returns to its original form, ready to begin the transformation again.

Walking City movie by Universal Everything

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Time-lapse music video by Katia Mezentseva for Russian musician Cetranger’s track How To Be

Dezeen Music Project: Katia Mezentseva used time-lapse photography to capture the process of flowers and pine cones drying out to make this music video for Russian artist Cetranger. 

How To Be music video by Maxim and Katia Mezentseva for Cetranger

Mezentseva soaked the plants in a salt water solution and, with the help of her husband Maxim Mezentseva, took a photo every minute over a 24 hour period as they dried out.

How To Be music video by Maxim and Katia Mezentseva for Cetranger

The flowers in the video shrivel and lose their colour as the moisture within them is sucked out, while the pine cones open up to release their seeds as white salt crystals form on their surface like frost.

How To Be music video by Maxim and Katia Mezentseva for Cetranger

By highlighting the range of movement in these apparently dead objects, Mezentseva wanted to draw attention to how life persists in the natural world.

How To Be music video by Maxim and Katia Mezentseva for Cetranger

“I wanted to show that everything is alive in our world,” Mezentseva told Dezeen. “Perhaps it is not noticeable at first view, however if  you look closely and observe longer, you can see life even in a small pine cone you find under your foot.”

How To Be music video by Maxim and Katia Mezentseva for Cetranger

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Marcel Wanders retrospective opens at the Stedelijk Museum

A retrospective of work by Dutch designer Marcel Wanders has opened at the Stedelijk Museum in Amsterdam (+ movie).

Marcel Wanders Pinned Up Stedelijk

Marcel Wanders: Pinned Up at the Stedelijk features work from Wanders‘ entire career, charting developments from the late 1980s up to the present day.

Marcel Wanders Pinned Up Stedelijk

Iconic pieces on show include the Knotted Chair that marked his international breakthrough in 1996 and the Lace Table created when Wanders was part of the avant-garde conceptual Dutch design movement led by Droog Design in the late 1990s.

Marcel Wanders Pinned Up Stedelijk

This is the first large-scale presentation of the designer’s work and the first major design exhibition at the museum since its reopening in 2012.

Marcel Wanders Pinned Up Stedelijk Cappellini-Knotted-Chair-2
The Knotted chair marked Marcel Wanders’ international breakthrough in 1996

“It’s not so much that it’s almost 25 years and it’s not so much that I’m 50, but it’s just the right moment for me,” Wanders says in this movie filmed behind the scenes at the exhibition installation.

Marcel Wanders Pinned Up Stedelijk lace-table
Lace Table designed at the height of Droog Design

“When you look at the work you do every day, you do see things,” he continues. “But if you look at the work you did for 25 years, suddenly you start to get a more complete picture.”

Marcel Wanders Pinned Up Stedelijk

Over 400 objects are on view in the lower-level gallery space, located in the new wing of the Stedelijk Museum.

Marcel Wanders Pinned Up Stedelijk

The show is divided into three sections. A white zone groups his work according to themes including craftsmanship, narratives and dialogues, surface, innovation, archetypes, variation, and playing with scale.

Marcel Wanders Pinned Up Stedelijk

A black zone then presents work of a more experimental nature in a theatrical setting.

Marcel Wanders Pinned Up Stedelijk

This area features seven virtual interiors created by Wanders as a series of movies. Some are fantasy interiors incorporating his furniture, while others depict more mysterious, dreamlike worlds.

Marcel Wanders Pinned Up Stedelijk Moooi Random Light EO Box
Promotional image for Wanders’ design brand Moooi

A third zone functions as a lounge where Wanders’ role as art director for design companies is explored, including the Moooi brand that he co-founded in 2001 and the publicity photos that he creates for clients including Dutch airline KLM.

Marcel Wanders Pinned Up Stedelijk Graham-Brown-Couture-Stella-Grace-Yellow
Promotional image for Graham and Brown wallpaper

High-profile interior design projects are represented too, including the Villa Moda boutique in Bahrain and the Andaz Amsterdam Prinsengracht Hotel.

Villa Moda fashion store in Bahrain by Marcel Wanders
Villa Moda fashion store in Bahrain

“Marcel is not only one of the most important Dutch designers of the past decade, but in fact he is one of the most creative, versatile and successful designers internationally of the past decade,” says exhibition curator Ingeborg de Roode.

Andaz Amsterdam Prinsengracht Hotel by Marcel Wanders
Andaz Amsterdam Prinsengracht Hotel interior

Dutch pop composer Jacob Ter Veldhuis has created a soundscape especially for the exhibition and Wanders has also partnered created a cocktail that will be served in the museum’s restaurant for the duration of the show. The exhibition continues until 15 June 2014.

Marcel Wanders Pinned Up Stedelijk portrai
Marcel Wanders portrait

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Folded metal kiosks by Make open like a paper fan

London architecture office Make has designed a portable prefabricated kiosk with a folded aluminium shell that opens and closes like a paper fan (+ movie).

Folded metal kiosks by Make open like a paper fan

Make based the design of the kiosks on the folded paper forms of Japanese origami, but chose to reproduce them in metal to create a compact and robust structure that can house street vendors.

Folded metal kiosks by Make open like a paper fan

“Origami was fundamental in developing the design; the ideas of a folding fan informed the design and folded paper models were used throughout the process, right up to the final testing of the completed design,” project architect Sean Affleck told Dezeen.

Folded metal kiosks by Make open like a paper fan

Two of the kiosks were installed in a public plaza at London’s Canary Wharf and acted as information and vending points for the duration of an ice-sculpting festival last month.

Folded metal kiosks by Make open like a paper fan

Affleck said the kiosks were created to perform multiple functions at different venues: “They’ve been designed to be used anywhere and for a multitude of purposes; from serving coffee, to information points, to a spot for DJs at events.”

Folded metal kiosks by Make open like a paper fan

The folded structure is made from hinged aluminium panels that radiate from a central axis and are treated with a resilient powder-coated finish.

Folded metal kiosks by Make open like a paper fan

A counterweight system controlled by a winch raises the front of the kiosk upwards from the base to create an opening that reveals the interior.

Folded metal kiosks by Make open like a paper fan

The folded section forms a canopy that protects the inside and anyone standing in front of the counter.

Folded metal kiosks by Make open like a paper fan

An interior space measuring 1.95 by 3 metres is lined with a plywood skin covered with a waterproof membrane, while a further layer of cladding creates an insulating gap to reduce the impact of solar gain.

Folded metal kiosks by Make open like a paper fan

Make collaborated with metal fabrication specialist Entech Environmental Technology Ltd to manufacture and test the pavilions off-site and then transported and installed them pre-assembled.

Folded metal kiosks by Make open like a paper fan

The kiosks will continue to be used as information points or rented out to vendors during an ongoing series of events taking place in Canary Wharf, and can subsequently be moved to a new location.

Folded metal kiosks by Make open like a paper fan

All images are courtesy of Make.

Folded metal kiosks by Make open like a paper fan

The architects sent us the following project description:


Make kiosks open for business

Two unique prefabricated retail kiosks designed by Make Architects were opened to the public for the first time when they became part of the Canary Wharf’s Ice Sculpturing Festival.

Folded metal kiosks by Make open like a paper fan

The simple folding geometric form of the kiosk is based on the concept of origami.

Expressed as a compact, sculptural rectangular box when closed, the structure is transformed when open, with folds and hinges in the aluminium panels allowing them to expand and contract like a fan when the kiosk opens and closes.

Folded metal kiosks by Make open like a paper fan

Sean Affleck, Make lead project architect, said: “It’s fantastic to see the kiosks on site being used and enjoyed by the public, and adding vibrancy and character to Canary Wharf’s public realm area.

Folded metal kiosks by Make open like a paper fan

“Our solution on the modern street kiosk is a distinctive sculptural rectangular box that transforms when it opens and its function is revealed. The design is also efficient and functional with compact, robust, durable, easy to maintain and vandal and graffiti- proof features. The internal fit-out elements can be adapted to suit the needs of individual vendors.”

Folded metal kiosks by Make open like a paper fan

The extremely lightweight, portable structure was tested and prefabricated off-site by Entech Environmental Technology Ltd, delivered to Canary Wharf via lorry and installed complete and pre-assembled.

Folded metal kiosks by Make open like a paper fan

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