Tom Kundig hoists California gallery facade using gears and pulleys

A wall of windows winches up and down to reveal the interior of this gallery renovation in Los Altos, California, by Seattle architect Tom Kundig (+ slideshow).

Kundig, the principal designer at Olson Kundig Architects, added the new mechanical facade to a vacant 1950s building at the heart of the Silicon Valley community, creating a temporary gallery space able to reveal its contents to the neighbourhood.

Tom Kundig hoists California gallery facade using gears and pulleys

The five-metre-high grid of windows is hooked up to a system of gears, pulleys and counterweights. To set them into motion, a pedal must be engaged to unlock the safety mechanism, before a hand wheel can be rotated to begin lifting or lowering the facade.

Tom Kundig hoists California gallery facade using gears and pulleys

In this way, 242 State Street is able to “morph from an enclosed structure into an environment that invites the community into the space,” says Kundig.

Tom Kundig hoists California gallery facade using gears and pulleys

The interior, previously used as an Italian restaurant, was left largely unchanged to create a flexible space for displaying different types of artwork.

Tom Kundig hoists California gallery facade using gears and pulleys

Kundig did however raise the roof by half a storey to create a more generous setting for larger pieces, and inserted a row of skylights to allow more natural light to reach the back of the space.

Tom Kundig hoists California gallery facade using gears and pulleys

A pivoting door was also added to provide access to the gallery when the facade is closed, while the steel beams supporting the pulley system could for be used to support signage.

Tom Kundig hoists California gallery facade using gears and pulleys

The gallery opened at the end of 2013 as one of the ten venues for Project Los Altos, a local art initiative launched by SF MoMA. Artist Spencer Finch created a site-specific installation at the front of the space – a grid of colourful squares that resonated with the new facade – while Jeremy Blake installed a digital projection behind a temporary screen.

Tom Kundig hoists California gallery facade using gears and pulleys

Photography is by Bruce Damonte.

Here’s a short project description from Tom Kundig:


Los Altos, California

Located in downtown Los Altos, the highlight of this 2,500 square foot adaptive re-use project is the introduction of a new facade that enables the circa 1950’s building to morph from an enclosed structure into an environment that invites the community into the space.

Tom Kundig hoists California gallery facade using gears and pulleys

The transformation was achieved by essentially replacing the entire front facade with a double-height, floor-to-ceiling window wall that can be raised or lowered depending upon the needs of the user.

Tom Kundig hoists California gallery facade using gears and pulleys

The window wall is operated by engaging a pedal – to unlock the safety mechanism – then turning a hand wheel which activates a series of gears and pulleys that opens the sixteen-foot by ten-foot, counterweighted two-thousand pound window wall. When the window wall is closed, visitors to the shop enter through a ten-foot-tall pivot door.

Tom Kundig hoists California gallery facade using gears and pulleys

In addition to the front facade, other changes to the building included raising the roof by half-of-one story to create a better proportioned interior volume, and installing skylights to bring in more natural light.

Tom Kundig hoists California gallery facade using gears and pulleys

The building most recently served as one of the temporary off-site locations for SF MoMA’s Project Los Altos. Beyond the introduction of the window wall, the interior was relatively untouched, leaving the space as flexible as possible for its future tenant.

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Open House by Matthew Mazzotta

This house in Alabama folds open to provide seating for an open-air performance space (+ movie).

Sections of the house-shaped structure designed by artist Matthew Mazzotta are hinged and unfold to reveal rows of seating inside the walls and under the roof.

Open House by Matthew Mazzotta

Community organisation Coleman Center for the Arts and local residents teamed up with Mazzotta to demolish a derelict house in the centre of York, Alabama, and repurpose its materials and site for new public space – an amenity lacking in the town.

“Public space is an important element for the social and political health of a community,” Mazzotta told Dezeen. “If there is nowhere for people to come together and talk, except for the grocery store, then the conversations about the town are much less dynamic and inclusive.”

Open House by Matthew Mazzotta
The original abandoned building

The team took the abandoned dwelling apart by hand to salvage timber boards, window frames and anything else reusable. The fire department then levelled the remaining debris using a controlled blaze.

The new structure sits on the same plot as the original house and is built on top of reclaimed railway sleeper foundations. The project was completed seven months after the idea was initiated.

Open House by Matthew Mazzotta
The fire department burn down the remains of the original building

Opening along the top ridge in five sections on each side. Hinges are located along the ground and seams halfway down the sides of the roof.

The large sections are lowered down in two stages and each requires a few people to move them at a time.

Open House by Matthew Mazzotta

Once fully unfolded, five rows of seating in three lines face an open area that can be used for film screenings, musical performances and town meetings.

“People that sit together can dream together and have a moment to collectively see their town from a new perspective, and have a moment to express that to one another,” Mazzotta said.

Open House by Matthew Mazzotta

Present at the opening event, Mazzotta noticed that everyone made themselves at home in the outdoor theatre straight away:

“People took right to it and started dancing and having a good time,” he said. “When we showed the movie, all the kids sat and laid all over it like it was their living room.”

Open House by Matthew Mazzotta

“Overall there is just a real positive attitude towards the project since it cleaned up such an eyesore and now provides such an enjoyable experience, both through the events and the design,” said Mazzotta.

We recently published a home in Paraguay with a roof that lifts up like the lid of a box, and other moving buildings we’ve featured include a house that would shape-shift in different weather and structures that would roll along railway tracks.

Open House by Matthew Mazzotta

Other outdoor theatres on Dezeen include an outdoor stage in Estonia made entirely from timber batons and a temporary canal-side cinema under a London motorway flyover.

See more moving buildings »
See more architecture and design in the USA »

Read on for more information from the project organisers:


Open House by Matthew Mazzotta

202 Main Street, York, Alabama – between the town post office and the main grocery store.

What happens when an artist is invited to use the resources of a small town to help transform its identity? Artist Matthew Mazzotta, the Coleman Center for the Arts, and the people of York Alabama have teamed up to transform one of York’s most iconic blighted properties into a new public space. Open House is a house with a secret, it physically transforms from the shape of a house into an open air theater that seats one hundred people by having its walls and roof fold down.

Open House by Matthew Mazzotta
Performers at the opening event

On June 15 of this year, a ribbon cutting by the Mayor of York, Gena Robbins, inaugurated Open House. The symbolic gesture was followed with an invocation prayer to bless the project by Reverend Willie, performances by a gospel choir and the local R&B funk band Time Zone, as well as an outdoor film screening of Dr. Suess’s The Lorax. For the town of York, this is the beginning of a series of free public events programed by the Coleman Center for the Arts. A screening of the film Madagascar 3 was shown this past weekend – August 10th at 7:30pm. The theatre is free and open to the public.

Open House by Matthew Mazzotta

How Open House came to be?

In January 2011, artist Matthew Mazzotta was invited by the Coleman Center For The Arts to organise an artwork with the people of York. During Matthew’s initial visit to York, the artist asked people from the community to bring something from their living room so that they could recreate a living room outdoors in the middle of the street as a way to provoke discussion about what were on peoples minds and to generate ideas about what direction they might go in. From this conversation, they developed a project that uses the materials of an abandoned house as well as the land it sits on to build the transforming structure on the footprint of the old house.

Open House by Matthew Mazzotta

How it works?

The metamorphosis of Open House is designed to require cooperation. It takes four people one and a half hours to unfold the structure. The foundation is made of used railroad ties which anchor the custom fabricated industrial hinges to five rows of stadium seating. The rows of seats fold down with the aid of a hand winch and enough manpower to counter balance the hefty, but agile structure.

Open House by Matthew Mazzotta

Critical Impact

Through the project, the artist hopes to directly address the lack of public space in York, AL by providing a physical location that becomes a common ground for community dialogue and activities. The new structure carries the weight of the past through the materials that were salvaged and repurposed from the old structure, most visibly the original pink siding. When Open House is fully unfolded, it provides an opportunity for people to come together and experience the community from a new perspective. When it folds back up, it resembles the original abandoned house, reminding people of the history of what was there before.

Support for Open House provided, in part, by the National Endowment for the Arts, the Andy Warhol Foundation for the Visual Arts, the Visual Artists Network, York Drug, the City of York, the City of York Fire Department and countless individual supporters of the Coleman Center for the Arts and Matthew Mazzotta. A special thanks to Jegan Vincent De Paul, Cory Vineyard, Curtis Oliveira, James Marshall, Elouise Finch, Brenda Carole and Lerene Johnson, Alpha Kappa Alpha of the University of West Alabama, John’s Welding of Meridian, MS, Beany Green, Pam Dorr and CCA employees and Board of Directors.

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Zoomlion Headquarters International Plaza by amphibianArc

Californian firm amphibianArc was inspired by images of spacecrafts to come up with two different skyscraper proposals for the headquarters of a Chinese machinery company in Changsha (+ slideshow + movies).

Above: option one – single tower

The designs, for industrial vehicle manufacturer Zoomlion, were commissioned following amphibianArc’s previous proposals for a shape-shifting exhibition centre to host the company’s exhibitions and product displays.

Above: option two – twin towers

Both new proposals feature skyscrapers that are 199.2 metres in height, in reference to the founding year of the company; 1992.

Zoomlion Headquarters International Plaza by amphibianArc

Above: option one – single tower

The first design includes one prominent office tower, with seven spacecraft-inspired pods protruding from one side. “Seven spacecrafts represent seven founders of the enterprise,” amphibianArc’s Shu Yang told Dezeen.

Zoomlion Headquarters International Plaza by amphibianArc

Above: option one – single tower

Five additional buildings of between 80 and 100-metres would be constructed around the tower, while a small “transformer building” would sit at the base.

Zoomlion Headquarters International Plaza by amphibianArc

Above: option one – single tower

Just like the architect’s previous project, this structure would feature a facade that flaps like the wings of a huge insect.

Zoomlion Headquarters International Plaza by amphibianArc

Above: option one – single tower

The second design is for a pair of skyscrapers, including an office tower and an accompanying 280-metre hotel.

Zoomlion Headquarters International Plaza by amphibianArc

Above: option two – twin towers

The architects based the design on an image of a rocket launching from alongside its supporting structure. ”The twin towers scheme is inspired by the spacecraft, the Long March Carrier Rocket, that China just launched using the crane manufactured by Zoomlion,” explained Yang.

Zoomlion Headquarters International Plaza by amphibianArc

Above: option two – twin towers

The hotel is pictured with a streamlined exterior, while the headquarters building is designed as a stack of box-like structures with an exposed steel framework that references scaffolding. A bridge would add a vertiginous swimming pool to the top of the towers, plus a five-storey podium would stretch across the base.

Zoomlion Headquarters International Plaza by amphibianArc

Above: option two – twin towers

Our earlier feature about the design’s for Zoomlion’s exhibition centre was described as “extravagant”, “dangerous” and “breathtaking” by readers. See the full story and comments »

Zoomlion Headquarters International Plaza by amphibianArc

Above: option two – twin towers

Also this month, we announced the news that the world’s tallest building will be constructed in China in 90 days, while Chinese architects told Dezeen that there is “an absence of a modern Chinese architecture and design language”.

See more stories about skyscrapers »
See more stories about China »

Here’s project descriptions for each of the two proposals:


Zoomlion is one of China’s leading manufacturers of construction machinery equipment and is ranked top 10 globally in the construction machinery industry. amphibianArc was invited to design its new headquarters located in Changsha, China. Our criterion is to match its forward thinking, unique, and mechanistically imaginative corporate image and values.

Zoomlion Headquarters International Plaza by amphibianArc

Zoomlion Headquarters International Plaza – Single Tower

This scheme uses the multi-level and multi-centre space layout strategy, achieving the goal of multi-function and multi-target. 280 m ultra high rise single tower as the highest point of the massing, the scheme proposes 5 towers of 80-100 m and a podium to form an enclosed space. The structure of the conference facilities falls back on the 199.2 m ultra-high tower, which represents the founding year of 1992 of Zoomlion. A water feature suspended at the vertical midpoint of the tower represents the spiritual and architectural center of the complex. The most visible feature in the scheme is the “seven spacecraft” – seven pods representing the seven founders of Zoomlion.

2012, Changsha, China
Project area: 344,250 sq m
Site area: 111,389 sq m
Status: Concept

Zoomlion Headquarters International Plaza by amphibianArc

Zoomlion Headquarters International Plaza – Twin Towers

The philosophical concept of dualism is embedded in the nature of Zoomlion. As a machine maker, the characteristics of Zoomlion are masculine, machinery and full of industrial power. However, the end products produced via Zoomlion machines that will be used by the general public is refined and people-friendly. This duality is intrinsic to Zoomlion’s existence.

From the project itself, the office for internal use represents the company, while the hotel for external use is associated with its external image. This characteristic of duality is expressed in two distinct design schemes concepts with two distinct articulation of architectural forms.

The twin towers are representing the idea of the dualism. The office tower which is 199.2 m in height is the symbol of Zoomlion. The geometry of the building is form by massing spin around along with the core of the building. Volume of the spinning massing varies and creates a masculine, machinery look of the tower. There is a bridge that connects two towers to top floors of office tower. Refined and elegant geometry of hotel tower that is 280 m tall is contrast with the rough texture and geometry of the office tower. The image is a vivid simulation of the space shuttle tied up to the launching pad of space center. This image emphasizes the industrial strength of Zoomlion product.

The podium of the twin towers is a huge elevated platform that contains more than five floors. The elevated platform is support by giant trapezoid shape structural columns. It is a floating platform hanging over the campus and open up the ground for public spaces and landscaping. More substantially, podium floor plates reach far for a panoramic view of the city. Because of the floating podium, the footprint of the building decreases substantially and frees up the space for a park-like green campus.

2012, Changsha, China
Project area: 283,000 sq m
Site area: 111,389 sq m
Status: Concept

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The Dynamic D*Haus by The D*Haus Company

UK designers David Ben Grünberg and Daniel Woolfson have devised a concept for a shape-shifting house that morphs to deal with changing times of day, seasons and weather conditions (+ movie).

The Dynamic D*Haus by The D*Haus Company

Woolfson and Grünberg launched The D*Haus Company to develop the concept for the experimental house, which would fold into different configurations so that it can take on up to eight different shapes.

The Dynamic D*Haus by The D*Haus Company

The house was first conceived as part of Grünberg’s graduation project. ”It was originally devised as a home for Lapland to deal with extreme temperatures,” Woolfson told Dezeen. “Not many people know it, but they have warm summers and also really cold winters.” He went on to explain how they’ve since developed the concept so that the house could be used anywhere in the world.

The Dynamic D*Haus by The D*Haus Company

The designers developed the form of the house around the mathematical formula calculated by Henry Dudeney to transform an equilateral triangle into a square, which splits the building into four separate modules.

The Dynamic D*Haus by The D*Haus Company

Rooms would fold out on rails so that interior partitions become exterior walls during warmer seasons, plus the whole building would also be able to rotate to follow the direction of the sun across the day. ”We’re still deciding how it would work in reality,” said Woolfson.

The Dynamic D*Haus by The D*Haus Company

The designers are presenting their initial research and a model of the house at an exhibition at Anise Gallery in London.

The Dynamic D*Haus by The D*Haus Company

We’ve featured a few moving buildings on Dezeen, including one with a facade that flaps like the wings of an insect.

The Dynamic D*Haus by The D*Haus Company

See more buildings that move »

Images and movie are by AVR London.

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Dezeen archive: moving buildings

Dezeen archive: moving buildings

A proposal for an observation deck that slides up and down two new skyscrapers above Grand Central Terminal (bottom left) was one of our most popular stories this week, so our latest archive features moving buildings that roll, spin, twist and even flap. See all our stories about moving buildings »

See all our archive stories »

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moving buildings
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