Juliet by Benjamin Hubert for Poltrona Frau

Milan 2012: this armchair with a pleated leather seat by London designer Benjamin Hubert was inspired by sleeves with puffed shoulders on Italian Renaissance clothing.

Juliet by Benjamin Hubert for Poltrona Frau

The Juliet chair features leather stretched over the base to expose the wooden frame underneath, while the seat is covered in squashy leather pleated in a triangular pattern.

Juliet by Benjamin Hubert for Poltrona Frau

Hubert’s was the winning design in a competition where twelve designers were invited to design an armchair to celebrate Italian brand Poltrona Frau‘s 100th birthday.

Juliet by Benjamin Hubert for Poltrona Frau

See all our stories about his work here.

Juliet by Benjamin Hubert for Poltrona Frau

The Salone Internazionale del Mobile took place from 17 to 22 April. See all our stories about Milan 2012 here.

Here’s some more information from Hubert:


Juliet

Benjamin Hubert x Poltrona Frau

Benjamin Hubert has won the international competition to find Poltrona Frau’s Centenary armchair. The armchair for the 100 year old company that will be launched at Salone Del Mobile, enters into its iconic limited edition collection to represent its history and future.

Juliet by Benjamin Hubert for Poltrona Frau

The brief of the competition was to utilise the traditional upholstery techniques under the theme ‘a chair to spend time in’ and judged under the categories of; formal appearance, representation of the given theme, use and interpretation of leather and comfort.

Juliet by Benjamin Hubert for Poltrona Frau

Juliet, the chair awarded winner of the competition, is inspired by the Italian renaissance fashion detail the ‘Juliet sleeve’ a sleeve which tightly fits the arm and has a large de constructed ‘puff’ on the shoulder.

Juliet by Benjamin Hubert for Poltrona Frau

This inspiration was used to communicate the properties of leather upholstery. The outside of the chair utilises the flexibility and tensile strength of leather to describe a fluted traditional timber frame work where the shape of the timber can clearly be seen through the tight leather covering. This is contrasted by a ‘tri-pleated’ generous sitting area with a soft and loose appearance. This deconstructed area is used to describe the comfort of the chair. The shape of the sitting area is ‘wide screen’ to allow the user to sit in multiple positions in line with how people really use and miss-use furniture.

Juliet by Benjamin Hubert for Poltrona Frau

To celebrate Poltrona Frau’s centenary in 2012 the company “selected 12 of the most “promising young designers” from all over the world to compete in the challenge of designing the Poltrona Frau centenary armchair

Juliet by Benjamin Hubert for Poltrona Frau

The 12 designers include: Benjamin Hubert, Nendo, Stephen Burks, Nika Zupanc, Constance Guisset, Daphna Laurens

The 9 judges: Livia Peraldo Matton – Editor in Chief of Elle Decor Italy, Giulio Cappellini – Creative Director of Cappellini, François-Henry Pinault – Chairman of PPR Group, Jean Nouvel – Architect, Vanessa Friedman – Financial Times Fashion Editor, Anne-Sophie Von Clear – Deputy Director Lifestyle Le Figaro, Walter De Silva – Head Designer of the Audi Brand Group, Ratan Naval Tata – Chairman of Tata Group, Thomas Maier – Bottega Veneta

Materials: Leather,Polyurethane foam, Timber
Dimensions: W1000mm x H750mm x D800mm

Broom Chair by Philippe Starck for Emeco

Broom chair by Philippe Starck for Emeco

This stacking chair by French designer Philippe Starck is made of discarded material found in lumber factories and industrial plastic plants.

Broom chair by Philippe Starck for Emeco

On display at the Salone Internazionale del Mobile in Milan last week, the Broom Chair is manufactured by Emeco, who famously created the aluminium Navy Chair.

Broom chair by Philippe Starck for Emeco

The reclaimed polypropylene and discarded wood-fibre can eventually be recycled and turned into a new wood-plastic composite, extending the lifespan of the waste materials even further.

Broom chair by Philippe Starck for Emeco

Emeco first stepped into recycled plastic rather than aluminum with the 111 Navy Chair made of recycled plastic cola bottles in 2010.

Broom chair by Philippe Starck for Emeco

See our other stories about Phillipe Starck and more stories about Emeco.

Broom chair by Philippe Starck for Emeco

The Salone Internazionale del Mobile took place from 17 to 22 April. See all our stories about Milan 2012 here.

Broom chair by Philippe Starck for Emeco

Here are some more details from Emeco:


The Broom chair.

An innovative creator and an environmentally pioneering manufacturer have joined efforts to work towards zero waste. A design collaboration that both avoids and eliminates waste, the Broom chair combines intelligent materiality with beautiful form.

Broom chair by Philippe Starck for Emeco

In the industrial age, most products live only in the present. They have no past and no future. Factories plunder raw materials from the earth to make products that soon end up on the trash heap. This process is still happening every day, all over the world. It is time to stop and think.

Broom chair by Philippe Starck for Emeco

‘The elegance of the minimum comes from the intelligence of the nothing,’ says Philippe Starck. ‘Mies Van der Rohe said “Less is more”, but with the Broom chair we can say “less and more”. Because we choose to make less – less “style”, less “design”, less material, less energy – finally we have more.’

Broom chair by Philippe Starck for Emeco

Broom introduces an entirely new chair material composite, combining reclaimed polypropylene and discarded wood fiber. Made from a compound of industry waste from lumber factories and industrial plastic plants,this material has a three-fold environmental impact. Less energy, less waste and less carbon.

Broom chair by Philippe Starck for Emeco

In most manufacturing there is waste. Ends and pieces of plastic and wood are discarded and thrown away. Imagine a new material that sweeps up this waste, combines it, and makes something strong and smart and beautiful. The result is the Broom chair. It has a past life as industrial waste and a future as a chair in your life.

Broom chair by Philippe Starck for Emeco

‘Imagine,’ says Philippe Starck, ‘there is a humble guy who takes a humble broom and starts to clean the workshop and with this dust of nothing, with this he makes new magic. That’s why we call it Broom.’

Broom chair by Philippe Starck for Emeco

‘Philippe Starck and I have always agreed that it is not about recycling, but about restructuring production,’ says Emeco CEO Gregg Buchbinder. ‘Our aim is to prevent waste from being manufactured in the first place. Instead we use discarded materials to make things that last.’

Broom chair by Philippe Starck for Emeco

Emeco has always been a pioneer of repurposed materials such as recycled aluminum and recycled PET. By exploiting the unique characteristics of the new wood-fiber polypropylene in the Broom chair, Emeco is experimenting with the product’s life-cycle again. Emeco has continuously led the way towards manufacturing with a conscience, delivering restrained products that have a minimal impact on the environment.

Broom chair by Philippe Starck for Emeco

Gregg Buchbinder says, ‘Emeco has used recycled materials in all our manufacturing since the 1940s. The Broom chair is a piece of that evolution. With each challenging innovation in material reuse we inspire people everywhere to join us in our cause for zero waste.’

Rocky by Marc Newson for Magis

Rocky by Marc Newson for Magis

Milan 2012: Australian designer Marc Newson presented this child’s rocking horse for Italian brand Magis at the Salone Internazionale del Mobile in Milan last week.

Rocky by Marc Newson for Magis

Called Rocky, the toy is moulded from plastic in one colour with a rope slotted through the mouth as reigns.

Watch our recent interview with Marc Newson on Dezeen Screen.

The Salone Internazionale del Mobile took place from 17 to 22 April. See all our stories about Milan 2012 here.

Here’s a tiny bit of text from Magis:


The second of Marc Newson’s designs for Children, Rocky is a modern take on a traditional object, a pop version taking its character loosely from medieval jousting horses.

The parallelogram motion mimics the movement of a traditional rocking horse. It is made from rotationally moulded polyethylene chosen for both its durability and recyclability.

“From handicraft to digicraft: Milan’s furniture fair looks to the future” – Guardian


Dezeen Wire:
design critic Justin McGuirk writes about the focus on alternative means of production, open-source design and crowd-funding that permeated this year’s Milan furniture fair in his column for the Guardian newspaper.

McGuirk talked to Dezeen about these issues when he popped into Dezeen Studio powered by Jambox at MOST last week – watch the interview in our daily show from Milan here.

We also spoke to editor-in-chief of Domus magazine Joseph Grima about The Future in the Making show he curated that’s all about collaboration, open design, crowd-sourcing and hacking, and interviewed curator Beatrice Galilee at Hacked Lab where workshops, demonstrations and happenings took over the city’s most famous department store all week.

See all our coverage from Milan here.

Gentle by Front for Porro

Gentle by Front for Porro

Milan 2012: the flexible back of this chair by Swedish designers Front comprises a thick spring wrapped in black leather.

Gentle by Front for Porro

Presented for Italian brand Porro in Milan last week, the Gentle chair has a matching black leather seat but pale wooden front legs, which continue up and around the backrest in one loop to form arms.

Gentle by Front for Porro

Over at Spazio Rossana Orlandi Front also showed a lamp that blows bubbles – check it out in our earlier story and see all our stories about their work here.

The Salone Internazionale del Mobile took place from 17 to 22 April. See all our stories about Milan 2012 here.

Here are some more details from Porro:


Gentle design Front

Stolen from a fairy tale, directly coming from a children book, the result of any dream coming true, the Gentle chair entirely reinterprets the seat archetype, making its shapes far more modern and purified.

If at a first glance it looks like a continuum, a pattern drawing drafted without moving the pencil from the paper, in reality it perfectly hides a complex project, matching metal covered by soft leather at the back legs level, moving up to the back arch, to the light wood of the front legs, becoming the arm and back supports, in a subtle opposite contrast.

The soft back and the leather upholstered seat make the chair “soft” at the touch and at sight, in an harmonic double-coloured optical effect, graphical and retro at the same time, always two colours perfectly and elegantly matched.

Devil Amongst the Tailors by Aberrant Architecture

Milan 2012: in response to the growing number of freelancers looking for workspaces outside of their homes, London studio Aberrant Architecture have created pub tables that can be adapted into desks by day and games tables by night.

Devil Amongst the Tailors by Aberrant Architecture

Created for furniture brand Benchmark, the desks were presented at the Wallpaper* Handmade exhibition in Milan last week.

Devil Amongst the Tailors by Aberrant Architecture

In rest mode each table provides a simple dining surface, but in work mode this tabletop folds open to reveal a bureau-style desk concealed beneath.

Devil Amongst the Tailors by Aberrant Architecture

To transform the desk for play, a removable drawer can be placed on the surface and filled with skittles to recreate nineteenth century pub game Devil Amongst the Tailors.

Devil Amongst the Tailors by Aberrant Architecture

These skittle also open up to become pen-pots.

Devil Amongst the Tailors by Aberrant Architecture

The tables have been crafted both in cherry with a maple surface and in walnut with an ash surface.

Devil Amongst the Tailors by Aberrant Architecture

The Salone Internazionale del Mobile took place from 17 to 22 April. See all our stories about Milan 2012 here, or see more projects by Aberrant Architecture here.

Devil Amongst the Tailors by Aberrant Architecture

Here’s some more information from the American Hardwood Export Council:


A Handmade Highlight – ‘Devil Amongst the Tailors’

The American Hardwood Export Council (AHEC) was invited to collaborate with Wallpaper*, aberrant architecture and Benchmark, bringing together the very best of materials, innovative design and craftsmanship. American ash and walnut and American maple and cherry are the principal materials of two pub tables named ‘Devil Amongst The Tailors’ designed by aberrant architecture and made by Benchmark.

Devil Amongst the Tailors by Aberrant Architecture

AHEC has played an advisory role on timber suitability, aesthetics and sustainable design. There are over 20 commercial U.S. hardwoods species that offer a huge variety of colour, grain and character, and aberrant’s tables ‘Devil Amongst the Tailors’ showcase this palette of colours and textures. Black walnut and ash combines to suit a darker environment, such as a private members club or public houses, and a combination of cherry and maple allows the second table to happily work in brighter spaces such as hotel lobbies or boutique cafes. “We are really pleased to be taking part in Handmade again this year” says AHEC European Director David Venables. “The concept and design of ‘Devil Amongst the Tailors’ is excellent, the tables are beautifully made and demonstrate the versatility of U.S. hardwoods.”

Devil Amongst the Tailors by Aberrant Architecture

aberrant has become known for insightful researched projects that challenge perception and introduce new and unexpected ways of experiencing the world. During their architecture residency at the Victoria and Albert museum they studied the original drawings of the now demolished ‘Elephant & Castle’ public house in Lambeth. The designs, by the architect Albert A. Webbe, reveal a mixed used building divided up into three main areas: a ‘public’ space for drinking; ‘private’ areas for the pub’s regular patrons, who used the watering hole as an extension of their home and office, and a large space that was used for group meetings and community events.

Devil Amongst the Tailors by Aberrant Architecture

Combining historical precedent with research into how contemporary ‘work-styles’ are evolving, Wallpaper* magazine invited aberrant architecture to design a new pub table that in addition to supporting the typical pub activities of drinking and eating, is specially considered to provide the modern nomadic worker with enhanced productivity, a sense of belonging and opportunities to interact with their fellow workers.

Devil Amongst the Tailors by Aberrant Architecture

The table represents the growing demand for temporary office space outside of the home. For many, office blocks are a thing of the past and an increasing number of nomadic workers roam London in search of welcoming workspaces. Named ‘Devil Amongst the Tailors’, after a traditional table-top skittles pub game, the table boasts a luxurious surface in ash or maple for entertaining, a brass foot rest for putting your feet up and combines a series of specific functions. Lifting up the lid reveals a private work surface, boasting skittle shaped office organisers for storing pens & paperclips and a task light that fixes to the table’s numberplate. Want to stop for lunch, have a meeting with a client or simply go for a cigarette? Simply close and lock the lid. Work and its associated mess are banished, safely stored, out of site and out of mind. If it’s time to relax, place the removable drawer onto the table surface, arrange the skittle shaped office organisers &hook the brass ball and chain onto the light. An impromptu game of ’Devil amongst the Tailors’ can now be enjoyed. For Kevin Haley of aberrant architecture “This unique commission allowed us to further our research into contemporary lifestyles and flexible working conditions at the challenging scale of a table. Working closely with Wallpaper*, Benchmark and AHEC during both the design development & production stages produced a creative collaboration, which we believe resulted in a far richer process and an unexpected & exciting end product.”

Devil Amongst the Tailors by Aberrant Architecture

Using the very best of English craftsmanship and beautiful sustainable American hardwoods, the tables have been handmade by Benchmark using traditional cabinet making skills including dovetailing and mortice and tenon joints. Time and attention has been given to the sourcing of all materials which have been chosen for their origin and authenticity. The very best pieces of cherry, maple, walnut and ash were selected for their perfect grain and finish. The bespoke metalwork, made from silver patinated brass, including foot rails, handles, locks and brass drawer linings hand engraved to house the skittles has been sourced from Birmingham, home of traditional artisan metalworking skills. Sean Sutcliffe, Director of Benchmark says “The pub tables we made for the Handmade show curated by Wallpaper were a delight to make. We were able to select some really outstanding examples of all four species of hardwood we used. The walnut gave the piece an intense richness which worked very beautifully with the brass foot rail. The maple was beautifully consistent and almost paper white. The cherry wood was a joy to use again. We used to make so much of our furniture in cherry wood and over recent years it seems to have been less fashionable so I hope that we will now see the start of a return to this fabulous mid-coloured fruit wood. The tables were made by Sam Foster-Smith who is an outstanding craftsman of 35 years experience. He has handcut all the mortice tenon joints and dovetails and the end result are outstanding examples of craftsmanship.”

Devil Amongst the Tailors by Aberrant Architecture

Perhaps the most innovative and exciting aspect of this project is that with Benchmark’s help, AHEC has documented all elements of the manufacturing process and will be putting this together with life cycle data recently collected from the American hardwood industry to produce a full ‘cradle-to-grave’ life cycle impact report for the tables. Says David Venables, “This will be a first for our industry and we believe that this kind of transparent and scientifically based information is essential to enable manufacturers and designers to make an informed decision when it comes to the question of sustainable design.”

Devil Amongst the Tailors by Aberrant Architecture

Tony Chambers, Editor-in-Chief of Wallpaper*, says: “Handmade is a testimony to great design, talent and ideas, and the determination to achieve the extraordinary. We are once again celebrating beautiful new friendships and beautiful new things.”

Devil Amongst the Tailors by Aberrant Architecture

‘Devil Amongst the Tailors’ is not only a cleverly researched and playful table, it is a demonstration of the very best teamwork, craftsmanship and sustainable design, and is a highlight of this year’s exhibition.

Dezeen Studio: Sundayat MOST

Milan 2012: today is the final edition of our daily TV show from Dezeen Studio at MOST in which we round up some of the other things that have been happening during the week.

Tom Dixon demos the Digital Forming software he’s got on show that allows customers to customise their own bespoke Tom Dixon lamp or speaker and then purchase it online with the click of a button, Piers Roberts introduces the Designersblock exhibition in the cloisters of the museum and Achille Sassoli takes us on a tour of Carpigiani’s Gelato University. We also have footage of the MOST party from earlier in the week, as well as yesterday’s The Great Stamp Giveaway where 400 lucky visitors got their hands on a free Tom Dixon lamp.

Today’s music track from Dezeen Music Project is Sweet Cow (remix) by Kid Circus.

Dezeen are filming and editing all week from Dezeen Studio powered by Jambox at MOST, located at the Museo Nazionale della Scienza e della Tecnologia. You can find it at the address listed below.

National Museum of Science and Technology,
Via Olona 6, 20123 Milan, Italy
Entrance through Via Olona 6

Dates: Tuesday 17 April, 10AM – 9PM Wednesday 18 April, 10AM – 6PM
Thursday 19 – Saturday 21 April, 10AM – 9PM Sunday 22 April, 10AM – 6PM
Press Preview: Monday 16 April, 3PM-7PM

www.mostsalone.com

CONST lamp by THINKK studio at Ventura Lambrate

CONST lamp by THINKK studio

Milan 2012: Bangkok designers THINKK studio have created a lamp that slots together like a children’s toy.

CONST lamp by THINKK studio

The designers simplified the product into three basic components; a base, a body and a shade.

CONST lamp by THINKK studio

A marble block base balances the lamp and has a serrated edge for holding pencils.

CONST lamp by THINKK studio

The octagonal oak body can be rotated to position the lamp at different angles, while an LED light sits within a metallic red, yellow or white shade.

CONST lamp by THINKK studio

The lamp is being presented at Ventura Lambrate in Milan this week. Click here to see another adjustable lamp they are exhibiting.

CONST lamp by THINKK studio

The Ventura Lambrate design district is open from 17 to 22 April. Download the free map and guide here and see all our stories about Ventura Lambrate 2012 here.

CONST lamp by THINKK studio

Here are some more details from THINKK studio:


Const uses “play” as a methodology for design process. The main idea behind the desk lamp CONST are three basic components; base, body and shade. Keeping in mind these simple elements and their role, Const playfully combines expression with function. The marble base keeps the octagon-shaped wood body balanced and the same time one can adjust the angle of the shade by rotating it. CONST gives one the ability to have fun with functionality.

CONST lamp by THINKK studio

Materials: Marble / Oak Wood / Aluminum / LED Light Dimension: 27×25 h35

Dezeen Studio: Saturdayat MOST

Milan 2012: today’s edition of our daily TV show from Dezeen Studio at MOST is all about performance. First up Faye Toogood tells us how she’s curing visitors with clay in a soothing pavilion called La Cura, then Sheridan Coakley of London design brand SCP shows us round their stand where one chair is upholstered using traditional methods each day.

Our guest journalist is Joseph Grima, editor-in-chief of Domus magazine, who stopped by to tell us about the more reflective mood he senses in Milan this year and the themes of collaboration, open design, crowd-sourcing and hacking that are emerging in exhibits around the city. Finally, there’s some good news about the weather today!

Today’s music track from Dezeen Music Project is So Real by Debonair.

Dezeen are filming and editing all week from Dezeen Studio powered by Jambox at MOST, located at the Museo Nazionale della Scienza e della Tecnologia. You can find it at the address listed below.

National Museum of Science and Technology,
Via Olona 6, 20123 Milan, Italy
Entrance through Via Olona 6

Dates: Tuesday 17 April, 10AM – 9PM Wednesday 18 April, 10AM – 6PM
Thursday 19 – Saturday 21 April, 10AM – 9PM Sunday 22 April, 10AM – 6PM
Press Preview: Monday 16 April, 3PM-7PM

www.mostsalone.com

Balanced by Mischer’Traxler at Wait and See

Balanced by mischer’traxler at Wait and See

Milan 2012: process and outcome are literally given equal weighting in this installation of work by Vienna designers Mischer’Traxler, shown on weighing scales at Wait and See shop in Milan this week.

Balanced by mischer’traxler at Wait and See

The Balanced exhibition includes their Reversed Volumes cast from vegetables, The Idea of a Tree furniture made according to how much sunlight is available and jewellery that incorporates seeds.

Balanced by mischer’traxler at Wait and See

See all our stories about their work here.

Balanced by mischer’traxler at Wait and See

The Salone Internazionale del Mobile takes place from 17 to 22 April. See all our stories about Milan 2012 here.

Balanced by mischer’traxler at Wait and See

Here’s some more information from Wait and See:


For the 51st edition of the Salone del Mobile, mischer’traxler and Wait and See, present BALANCED.

mischer’traxler, the well known new generation designers from Vienna, teamed up with Wait and See to exhibit an installation which represents their work and forma mentis.

Balanced by mischer’traxler at Wait and See

Equilibrium, the fil rouge that threads through their life credo into their creative concepts, culminating in the outcome of their work, is represented in this exhibition.

Balanced by mischer’traxler at Wait and See

The chosen medium is scales: carefully arranged, in precarious equipoise, narrating their continuous bet and research on the concept of cause and effect, showing inspirational material, experiments and theory on the same level as the final product itself, thus becoming a three-dimensional collage of mischer’traxler’s modus operandi, filling Wait and See’s space with tension and curiosity.

Balanced by mischer’traxler at Wait and See

Wait and See, the concept store and exhibition space created by Uberta Zambeletti, exudes an atmosphere reflective of its name and has a strong correlation with the theory of mischer’traxler which has thus fostered a creative and fertile collaboration.

Balanced by mischer’traxler at Wait and See

The narrative of transformation together with the concept of pause and suspension, is the basis of the mission and ambition of their collaboration.

Balanced by mischer’traxler at Wait and See

BALANCED
Via santa Marta 14,
17 – 22 April
10am – 8pm

P.S. breathe slowly