New Amsterdam Chair by UNStudio for Wilde + Spieth

New Amsterdam Chair by UNStudio for Wilde + Spieth

Milan 2011: Dutch architects UNStudio will present this angular white plastic chair at the Salone Internazionale del Mobile in Milan this week.

New Amsterdam Chair by UNStudio for Wilde + Spieth

Called New Amsterdam Chair, the design was originally created for the New Amsterdam Plein and Pavilion in New York by UNStudio (see our earlier story) and has now been developed for production with American German firm Wilde + Spieth.

New Amsterdam Chair by UNStudio for Wilde + Spieth

More about UNStudio on Dezeen »

New Amsterdam Chair by UNStudio for Wilde + Spieth

See all our stories about Milan 2011 »

New Amsterdam Chair by UNStudio for Wilde + Spieth

Photographs are by Inga Powilleit.

The information that follows is from UNStudio:


New Amsterdam Chair – for Wilde+Spieth

Originally conceived in connection to the New Amsterdam Plein and Pavilion in New York, the New Amsterdam Chair has since been further developed into a multi-purpose chair for use in a wide variety of different settings, both indoors and out.

New Amsterdam Chair by UNStudio for Wilde + Spieth

It can be placed at the dining table, in offices or in conference rooms, in the garden or on cafe terraces. The design of the stackable New Amsterdam Chair is based on a continuous, single line which expands into an uninterrupted surface, forming a shell-like cast for the human body.

New Amsterdam Chair by UNStudio for Wilde + Spieth

Click above for larger image

“The human touch is expressed in the organisation of the chair. The New Amsterdam Chair plays with the relationship between the stationary object and the more animate human form.” Ben van Berkel

New Amsterdam Chair by UNStudio for Wilde + Spieth

Click above for larger image

Client: Wilde & Spieth

UNStudio: Ben van Berkel,Caroline Bos with Hannes Pfau, Kirsten Hollmann and Hans-Peter Nuenning, Filippo Lodi, Martijn Prins, William de Boer

Wilde & Spieth: Thomas Gerber

Advisors: MCI, Bollinger +Grohmann


See also:

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Plastic Classic
by Pili Wu
Chairs & Fireworks
by Martí Guixé
TransPlastic by
Campana Brothers

Story Vases by Front

Dezeen: Story Vases by Front

Milan 2011: Swedish collective Front will present a series of vases that tell the stories of five women living in remote villages in KwaZulu-Natal, South Africa.

Dezeen: Story Vases by Front

Called Story Vases, the objects record the testimonies of the women in glass beads threaded onto wire – a traditional Zulu craft technique that provides work for many women in South Africa.

Dezeen: Story Vases by Front

Glass is then blown into the wire frame to complete the vase.

Dezeen: Story Vases by Front

The project will be presented at Spazio Rosanna Orlandi in Milan from 12-17 April.

Dezeen: Story Vases by Front

Here’s some text from Front:


Story Vases

By Front and the Siyazama Project for Editions in Craft

The Story Vases tell the personal stories of Beauty Ndlovu, Thokozani Sibisi, Kishwepi Sitole, Tholiwe Sitole and Lobolile Ximba, five South African women. Living in remote villages in KwaZulu-Natal, they are members of the Siyazama Project, a collective of women who work with traditional bead craft.

Recorded by the Swedish designers Front, the stories are the unique documentation of the daily life of women in rural, post apartheid, South Africa. They are stories that are rarely told and seldom heard.

The project began with a series of conversations in Durban between Anna, Sofia and Charlotte from Front and Beauty, Thokozani, Kishwepi, Tholiwe, Lobolile. They talked about their daily lives, their husbands and children. They shared their
hopes and dreams, and talked about love, life and death. Their stories also touch on such serious subjects as the effect of HIV on their society, gender, poverty and unemployment. They talked about their businesses , what beadwork meant to them
and what they would do, or buy, if they could afford to.

After Front and the women together selected the parts of conversations to work with, each woman formed their own story into text by threading glass beads on to metal wires. These wires were made into vase-shaped moulds, into which glass was blown.

Bead craft is an important part of Zulu tradition, not only as a means of expression, but also of communication and telling stories. In the past, patterns and colours were woven into beadwork, symbolising feelings and ideas to lovers and friends, in a way similar to written language.

With the Story Vases, Front used its conceptual approach to design, material and narrative to explore new ways of working with Zulu bead craft in collaboration with the Siyazama. This long-term project aims to broaden the market for the women’s craft and to let their stories be heard by more people.

The Story Vases was conceived during a workshop held in Durban that aimed to develop a new product by sharing techniques and exchanging ideas. It was initiated and organized by Editions in Craft. The Story Vases is an ongoing series and is available in a limited edition produced by Editions in Craft.

Front

Front is a design collective of three, Sofia Lagerkvist, Charlotte von der Lancken and Anna Lindgren. Cooperation is a prerequisite of their work, in which no idea or object can be separated from the collective. Their work is often story based and often arises in collaboration with complementary forms of expertise, such as different craftsmen, robot technicians, pyro technicians, animators or magicians. The final product often communicates to the observer or the user about the process.

www.frontdesign.se

The Siyazama Project

The Siyazama Project (KwaZulu-Natal, South Africa) was founded in 1999 by Dr Kate Wells, professor at the Durban University of Technology as part of “Design Education for Sustainable Development”. It was initiated in order to inform and
educate a small group of rural traditional bead dollmakers on the concerns and taboos surrounding the HIV/AIDS epidemic. The aim of the research is to better understand the effect of beadwork craft as a visual metaphoric expression, and seeks to promote the role of design as a means to spread information about HIV/AIDS. Today, the Siyazama Project functions as a beadcraft collective. Their beadwork is mainly made for the souvenir market and it is the primary source of income for many of the collective’s members.

www.siyazamaproject.dut.ac.za

Editions in Craft

Editions in Craft is a production platform that invites designers and craftspeople to work on projects together. Its objective is to help preserve local traditional crafts by joining forces and exchanging skills and ideas. Through merging traditional
techniques and knowledge with contemporary practice, Editions in Craft seeks to develop new cross-cultural models of equitable design and to explore new strategies for the production and distribution of craft and design.

www.editionsincraft.com


See also:

.

Funnel Vase by
Roger Arquer
Non-lethal mousetraps by Roger ArquerTeapot/cup by
Louie Rigano

Fisherman by TAF for Zero

Fisherman by TAF for Zero

Milan 2011: Swedish designers TAF have created this polypropylene light in a hand knitted net for Swedish design brand Zero.

Fisherman by TAF for Zero

The lights, called Fisherman, are based on old fashioned glass fishing floats.

Fisherman by TAF for Zero

The nets are individually hand knitted in Hönö on the west coast of Sweden.

Fisherman by TAF for Zero

More lighting stories on Dezeen »
More by TAF on Dezeen »

Fisherman by TAF for Zero

See all our stories about Milan 2011 »

Photographs are by Jonas Lindström.

The following is from the designers.


Fisherman

“Glass fishing floats were once used by fishermen in many parts of the world to keep their nets afloat. (…) Many of them are still afloat in the world’s oceans, primarily the Pacific. Norway was the first country to start production and use of glass fishing floats around 1840, and they can still be found in local boathouses. Christopher Faye, a Norwegian merchant from Bergen, is credited for their invention. By the 1940s, glass had replaced wood or cork. Later the floats have been replaced by aluminum, plastic, or Styrofoam.” (Wikipedia)

Fisherman by TAF for Zero

Like fishermen’s glass floats, the lamp has also transferred to contemporary materials. And as a useful fishing tool has transformed into a romanticized, nigh-kitsch item used in fish restaurants, it is also time to move lamps into a new positive context. When placed indoors, with increased size and a new function as a lamp, we still recognize it, but look at it in a new way.

Fisherman by TAF for Zero

Rope-making is now a very rare handicraft in Sweden and it has been extremely hard to find the knowledge on how to knit this kind of round net structure. Finally, a small company, located at Hönö on the Swedish west coast, specialized in making rope- and net applications for the fishing industry, managed to do it. Each net is hand knitted using the simplest tools imaginable.

Fisherman by TAF for Zero

Object: Pendant- and wall lamp
Client: ZERO
Dimensions: Diameter 400 mm and 650 mm
Material: Polypropylene and Polyethylene
Light Source: 18W/Gx24q, Incandescent bulb
Design: Mattias Ståhlbom
Photo: Jonas Lindström
Date: 2011


See also:

.

Rubber
by TAF
Stitch lamp
by TAF
Bottle
by TAF

Impossible Wood by Doshi Levien for Moroso

Impossible Wood by Doshi Levien

Milan 2011: London studio Doshi Levien will present this injection-moulded wooden chair for Italian brand Moroso at the Salone Internazionale del Mobile in Milan next week.

Impossible Wood by Doshi Levien

Called Impossible Wood, the piece is made of a thermoplastic composite comprising 80% wood fibre and 20% polypropylene.

Impossible Wood by Doshi Levien

Perched on metal legs, the seat shell appears to be made from strips of wood but in fact the shape can only be formed by injection moulding.

Impossible Wood by Doshi Levien

More about Moroso on Dezeen »
More about Doshi Levien on Dezeen »

Impossible Wood by Doshi Levien

See all our stories about Milan 2011 »

The information below is from Doshi Levien:


Impossible wood

A chair designed by Doshi Levien for Moroso.

We found a mouldable wood material that has very distinct visual and tactile properties. It is a thermoplastic composite made using 80% wood fibre and 20% polypropylene and it can be processed using conventional injection moulding machines. The pressure and heat from the mould releases moisture from the wood fibre which in turn burns on the surface of the aluminium tool, creating a random, leather-like tarnished effect.

Inspired by the characteristics of this material, we decided to create a chair that references the genre of light, graceful, bent wood frame chairs but would be impossible to make in any other way than by injection moulding, hence the name “impossible wood”. We were intrigued by the depth and texture of the material that is the opposite of slick, homogenous, surface perfect plastic, currently used for most moulded chairs.

‘Impossible wood’ chair has a used, worn, raw and earthy quality that is timeless and natural. It also smells of wood. We looked at the work of Martin Puryear, an African American sculptor who made a piece called Cedar Lodge in 1977. This installation is constructed using thin, overlapping parallel strips of timber, bound together with horizontal rings. This informed the way we made our first prototypes for “Impossible wood”. We adopted an improvised and constructed language to escape the controlled and fluid process usually applied to generating plastic forms.

The prototype for Impossible wood will be launched Salone and can be found at the Moroso stand. (Hall 16 Stand C23/D22)


See also:

.

Rocker by Doshi Levien
for Richard Lampert
Ananda by
Doshi Levien
My Beautiful Backside by
Doshi Levien

The Yachiyo metal rug by Philippe Malouin

The Yachiyo metal rug by Philippe Malouin

Milan 2011: London designer Philippe Malouin will present a rug made of chain mail in Milan next week.

The Yachiyo metal rug by Philippe Malouin

Called The Yachiyo metal rug, the piece is handmade from galvanised steel wire rings in a Japanese chain mail design with twelve loops attached to every two central rings.

The Yachiyo metal rug by Philippe Malouin

The piece took 3000 hours to make and is named after one of the makers.

Photographs below are by Ivan Jones

The Yachiyo metal rug by Philippe Malouin

Dezeen’s top ten: rugs and blankets »

The Yachiyo metal rug by Philippe Malouin

The rug will be on show at via Gaetano Sbodio 30, Milan from 12-17 April. See all our stories about Milan »

The information below is from the designer:


The Yachiyo metal rug

This year I have been doing quite a lot of research on, and work using, metal – the Yachiyo metal rug is a result of this research. It is a piece designed to last many lifetimes, it is virtually indestructible and it involves thousands of hand-manufacturing hours, since it is impossible to make by machine.

The Yachiyo metal rug by Philippe Malouin

The Yachiyo metal rug is made using a very intricate form of chain mail. Having investigated various types of chain mail, ranging from traditional/medieval manufacturing techniques to more contemporary, machine-made chain mail patterns, we chose to draw from the Japanese ’12-in-2′ chain mail method. Not only did we find this type of chain mail to be virtually indestructible, but it also created a very stable membrane – structural yet flexible – not dissimilar to a tight hand tufted rug.

The Yachiyo metal rug by Philippe Malouin

Having explored ideas for a range of furniture made using this technique, we chose to create a rug because the attention is focussed solely on the 2D object itself, the craftsmanship can be better admired this way.

The Yachiyo metal rug by Philippe Malouin

The metal rug is completely handmade from galvanised steel wire, the same type of wire that is used to make animal pen fencing in farms. The looped wire is taken and, using a metal rod connected to a power drill in a timber frame jig, wound into a tight coil. This coil is then removed from the metal rod and hand cut into small rings. These are riveted together one-by-one in the Japanese ’12-in-2′ pattern, which consists of 2 central rings with 12 perpendicular rings connected around. This process is painstakingly repeated to create the rug.

The Yachiyo metal rug by Philippe Malouin

The final piece presents an isometric rectangular prism which we created, through playing with ideas of perspective, so that a two dimensional object like a rug could visually spring into the 3D realm. Each of the three colours within the rug is a metallic coating, which is industrially electroplated onto the three distinct parts before they are assembled together by connecting rings one-by-one.

The Yachiyo metal rug by Philippe Malouin

One of my amazing interns Yachiyo Kawana has worked on this project from the beginning, which is why the piece is named after her. It is also very fitting as, like the chain mail method, Yachiyo is Japanese.

The Yachiyo metal rug by Philippe Malouin

The entire rug was handmade in London by Yachiyo Kawana, Greg Austin, Carlo Cialli, Anna Perugini, Vic Margevich, Maria Kuzmenko, Midea Diomideia Kolani, Xue Dong, Khadija Durbar, Jade Blair, Zahra Rajaei, and it required more than 3000 hours to make it.


See also:

.

Wooden Carpet by
Elisa Stroyzk
Dark Side of the Moon by
Martin Mostböck
Losanges by Ronan &
Erwan Bouroullec

My Way talks at Design Academy Eindhoven Hub

Milan 2011: Design Academy Eindhoven will host a series of talks with academy graduates plus designers including Jurgen Bey and Piet Hein Eek and moderated by Dezeen editor-in-chief Marcus Fairs in the Porta Romana district of Milan on 13 April.

Above: trailer for the My Way talks

Can’t see the movie? Click here

Entitled My Way, the talks and exhibition of the same name will showcase work by recent Design Academy Eindhoven graduates.

The talks will be moderated by Dezeen editor-in-chief Marcus Fairs with a summary by MoMA curator Paola Antonelli.

They will place 4.30pm-7pm on Wednesday 13 April at Studio Zeta, Via Friuli 26, 20135 Milano.

Email myway@designacademy.nl for more information and to register to attend.

See all our stories about Milan 2011 »

Here are some more details from Design Academy Eindhoven:


MY WAY

We would like to invite you to the my way talks at the Design Academy Eindhoven Hub on the 13th of April in Milan.

We will start at 16.30 at Studio Zeta, Milan, and round up at 19.00 with drinks & bites, plus a private view.

We see new ways coming into being: designers searching for new roles in between disciplines, or working as a collective combining difference knowledge, qualities and perspectives. There is new purpose.

Showcasing selected recent graduates who represent the new role models for design. Meet the designer as storyteller > Bas Princen interviewed by Jurgen Bey, the designer as translator > Christien Meindertsma interviewed by Joost Grootens, the designer as innovator > Dries Verbruggen, Claire Warnier interviewed by Piet Hein Eek, and a new generation of social designers.

The talks will be moderated by Marcus Fairs (Dezeen architecture and design magazine). And to round up Paola Antonelli (curator Museum of Modern Art New York) will give a reflection.

Entitled This Way, this year Design Academy Eindhoven show will occupy a large space in Porta Romana filled with graduate work, and also large cafe hangout. There will be additional side programme of talks and debates throughout this week. We hope to meet you at MY WAY

MY WAY

Date Wednesday 13th April 2011
Time 16.30 – 19.00 hrs
Location DAE Hub
Studio Zeta
Via Friuli 26
20135 Milano (Italy)
The nearest subway exit is LODI T.I.B.B

MY WAY talks made possible by Dutch Ministry of Economic Affairs and Samenwekingsverband Regio Eindhoven.

Bote by Big-Game for Materia

Bote by Big-Game for Material

Milan 2011: here’s another project from Lausanne studio Big-Game (see their furniture in  our earlier story) this time a series of cork toy boats for Portugese company Materia.

Bote by Big-Game for Material

The toys, titled Bote, have a cork base with an interchangeable plastic mast or cabin.

Bote by Big-Game for Material

The series will be on show at Via San Marco 38, Milan, April 12–17.

Bote by Big-Game for Material

Photographs are by Julien Chavaillaz.

Bote by Big-Game for Material

More stories on Big-Game on Dezeen »

Bote by Big-Game for Material

More toy stories on Dezeen »

Bote by Big-Game for Material

See all our stories on Milan 2011 »

Bote by Big-Game for Material

Here’s a tiny bit of text from the designer:


BIG-GAME exhibit the BOTE for Materia.

BIG-GAME has made a series of floating boats in cork and plastic for the new Portuguese company Materia.

It will be launched in Milan during the design week April 12–17 at Via San Marco 38.


See also:

.

Atelier Book Chair by
Kana Nakanishi
Arche Toys by
Floris Hovers
WOOD by
Ten

Castor by Big-Game for Karimoku New Standard

Castor by Big-Game for Karimoku New Standard

Milan 2011: a collection of oak furniture by Lausanne-based studio Big-Game will be presented by Japanese design brand Karimoku New Standard in Milan next week.

Castor by Big-Game for Karimoku New Standard

The collection, called Castor, includes a stackable stool, bench and a shelf, all made from small sections of Japanese oak.

Castor by Big-Game for Karimoku New Standard

Both the seat and tabletop sit within the footprint of the legs.

Castor by Big-Game for Karimoku New Standard

The collection will be shown by Galleria Suzy Shammah, Via Moscova 25, from 12-17 April.

See all our stories about Milan 2011 »
More about Big-Game on Dezeen »
More furniture on Dezeen»

The following is from the designer.


BIG-GAME exhibit the CASTOR stool, bench and shelf for Karimoku New Standard.

Castor by Big-Game for Karimoku New Standard

BIG-GAME has made the CASTOR collection for the Japanese company Karimoku New Standard.
It will be launched in Milan during the design week April 12–17 at the Galleria Suzy Shammah, Via Moscova 25.

Castor by Big-Game for Karimoku New Standard

CASTOR stool
Stackable stools made from Japanese oak
Only small sections of wood are used for this brand focusing on craftsmanship and sustainability.

Castor by Big-Game for Karimoku New Standard

CASTOR shelf & bench
Shelf and bench making reference to traditional Japanese furniture typology
Only small sections of wood are used for this brand focusing on craftsmanship and sustainability.

See also:

.

Flat Mirrors by
Big-Game
Blur by
Big-Game
Big-Game
Overview

Baguette chair by Ronan & Erwan Bouroullec for Magis

Baguette chair by Ronan and Erwan Bouroullec for Magis

Milan 2011: French designers Ronan & Erwan Bouroullec will present this chair for Magis in Milan next week.

Baguette chair by Ronan and Erwan Bouroullec for Magis

Called Baguette, design features a plywood seat and back attached to four solid ash legs by an aluminium frame.

Baguette chair by Ronan and Erwan Bouroullec for Magis

More about Ronan & Erwan Bouroullec on Dezeen »
More about Magis on Dezeen »

Baguette chair by Ronan and Erwan Bouroullec for Magis

See all our stories about Milan 2011 »

The information below is from the designers:


Baguette

Magis – With Baguettes, our intention was to design a chair that would be brought down to its minimum, using the least quantity of material and assembling items. The ply wood seat and back parts of the chair are supported by four very thin sticks in solid wood which are maintained together by a structure in injected aluminium that is almost invisible. The back of the chair, like the blade of a knife, subtly comes into the main frame while guaranteeing high support resistance. As the Baguette table that we designed for Magis in 2010, we wanted this chair to be as light as possible, to almost float in the space as if it would stay on its feet by magic.

This chair comes in natural and stained ash.

Baguette chair by Ronan and Erwan Bouroullec for Magis


See also:

.

L’Oiseau by Ronan & Erwan BouroullecOsso by Ronan &
Erwan Bouroullec
Ovale by Ronan &
Erwan Bouroullec

#milanuncut mobile web app by Zerofee

London designers Zerofee have created a mobile web app for following the #milanuncut project.

To get started on an iPhone or iPad go to http://milanuncut.org and choose Add to Home Screen from your browser menu.

#milanuncut is an experimental, collaborative journalism project that aims to lift the lid on the design world to coincide with next week’s Milan furniture fair. More details »