A Flip Flop Story by Diederik Schneemann

Milan 2011: Rotterdam designer Diederik Schneemann presents a series of vases and lamps made from recycled flip-flops found washed up on Kenyan beaches at Ventura Lambrate in Milan this week.

A Flip Flop Story by Diederik Schneemann

Called A Flip Flop Story, the project involved working with UniquEco, a company that salvages discarded flip-flops and sands them back to reveal their original bright colours before melting down into new material.

A Flip Flop Story by Diederik Schneemann

Schneemann’s pieces include a tulip vase on wheels, a vase with a drawer in the front and a lamp with a power outlet in the base.

A Flip Flop Story by Diederik Schneemann

The project is on show at Ventura Lambrata, Via Massimiano 23- 27, Milan, Italy until 17 April. See all our stories about Milan 2011 »

Here are some more details from the designer:


AN EXTRAORDINARY TRAVEL TALE ON OBJECT ROTTERDAM AND MILAN 2011

‘A Flip Flop Story’ …been trodden on, travelled with, badgered and scarred but still moving on…

The Rotterdam based designer Diederik Schneemann presents his ‘A Flip Flop Story’ collection at Object Rotterdam 2011. Gallery Judy Straten will represent him. It’s a tale of thousands, intensively used and scarred Flip Flops, which after many wanderings, have been transformed into sustainable design objects, ready to start a new story.

A Flip Flop Story by Diederik Schneemann

It are the Flip Flops’ telling the story. They are discoloured, worn, torn, patched up and eventually tossed away or lost. After a long trip through Asia or Africa they end up in sewers and in the ocean. Then they are washed up on the shores of Eastern Africa. There they are found, collected, and eventually reclaimed. Now the old Flip Flops are transformed and ready to start a new journey as autonomous handmade objects. They are on their way to the Salone di Mobile in Milan later this year. But first they preview at Object Rotterdam coming February…

A Flip Flop Story by Diederik Schneemann

The Story Behind the Story:

Is it possible to create awareness, and if so, should one do it with a pedantic slap on the wrist or can one achieve it through playfulness? ‘A Flip Flop Story’ is a colourful collection of objects with which Studio Schneemann wants to demonstrate that old materials can be reused and transformed into extraordinary and sustainable products. ‘A Flip Flop Story’ collection is being made out of reclaimed Flip Flops. They were washed up on the beaches of Eastern Africa and sometimes came from as far as Asia. In Kenya the Uniqueco Foundation collects them, partly to clean the beaches from these heavily polluting slippers and partly to make new products in their workshop. In corporation with Studio Schneemann they manufacture ‘A Flip Flop Story’ collection in Nairobi.

A Flip Flop Story by Diederik Schneemann

By doing so they also help a number of Kenyans to make a living. By sanding these weathered and discoloured Flip Flops back to their original glory, I felt myself going back into the past, back to my childhood imagery. Cranes, tow trucks, planes and tanks, it all moved, towed, pulled, it was all DOING something… This inspired me to transform these indestructible, polluting and worn-down slippers into playful products. And so ‘A Flip Flop Story’ by Studio Schneemann was born: a collection of sustainable design objects in which the eventful travel tales of worn Flip Flops is captured and translated. ‘A Flip Flop Story’ collection now has a new story to tell.

A Flip Flop Story by Diederik Schneemann

‘A Flip Flop Story’ at Object Rotterdam and Milan 2011:
‘A Flip Flop Story’ by Diederik Schneemann is represented by Gallery Judy Straten at Object Rotterdam 2011, from February 10th – 13th, and by Studio Schneemann from April 12th -17th at Salone di Mobile, Ventura Lambrata, Via Massimiano 23- 27, Milan, Italy.


See also:

.

Botanica by
Formafantasma
Paperpulp by
Debbie Wijskamp
To Be Continued by
Julien Carretero

Pinha by Raw Edges for Materia

Pinha by Raw Edges for Materia

Milan 2011: users can pin their own paper shades onto this cork light fitting by London design studio Raw Edges for Portugese brand Materia.

Pinha by Raw Edges for Materia

The light fitting, called Pinha, features a three tiered cork base which paper shades can be pinned to.

Pinha by Raw Edges for Materia

The tiered system allows for control of the direction and range of light.

Pinha by Raw Edges for Materia

The piece remains on show at Spazio San Marco, Via San Marco 38, Brera, Milano until 17 April. See all our stories from Milan 2011 »

Pinha by Raw Edges for Materia

See all our stories on Raw Edges »

Pinha by Raw Edges for Materia

See all our stories on Materia »

Pinha by Raw Edges for Materia

The following is from the designers:


Pinha

Pinha proposes a playful approach to lighting through personalization.

Pinha by Raw Edges for Materia

This hanging lamp consists of a cork outer fixture to which a printed-paper shade is fastened. You have the last word on how Pinha looks, by choosing the shade from among different patterns and drawings. Function-wise, you can also decide on the direction and range of the light, according to where the shade is pinned.

Pinha by Raw Edges for Materia

Cork’s low thermal and electrical conductivity ensures that you can handle the lamps shell in perfect safety. Making things even more interesting is the fact that the shade and its placement can be changed at will, according to your mood, the task you are performing or the ambiance you want to set.

Pinha by Raw Edges for Materia

Materia Amorim

Cork is nature’s own high-tech achievement. Down to the cell structure, its unique composition and characteristics cannot be replicated by anything man-made. Extracted from the bark of the cork oak – a native specimen of the Western Mediterranean basin – cork is a state-of-the-art raw material, requiring minimum transformation or processing before use.

Pinha by Raw Edges for Materia

Reusable and completely biodegradable, it is one of the most versatile and sustainable materials in the world  – environmentally, socially and economically.

Pinha by Raw Edges for Materia

Impermeable to liquids and gases, elastic, compressible, highly resistant yet light and buoyant, cork’s potential as a leading material for the 21st is only now being realized, with cutting edge R&D pushing the boundaries of invention.

Pinha by Raw Edges for Materia

Spearheading this drive for innovation is the Portuguese company Amorim, world leader in the cork industry. In addition to high-performance applications for the aeronautical, construction and wine-producing industries Amorim is now looking to make cork center stage into the everyday. Fusing the material’s unique sensory qualities and personality with a designer’s flair, Materia is a collection of objects that work well and feel good in contemporary homes and lifestyles.

Pinha by Raw Edges for Materia

Lighthearted and lightweight, relevant yet unassuming, easy going and tactile, these objects will integrate seamlessly into your daily life and habitat, as natural, refreshingly uncomplicated and witty answers to simple, universal needs.

Pinha by Raw Edges for Materia

They fit neatly into a little vacant spot in your life, left there by an action waiting to happen, a purpose about to be fulfilled.  User and function-wise intuitive, they will find their way into your home and office, the predictable and the unexpected of everyday.

Pinha by Raw Edges for Materia

Base for a Lamp Shade
Yael Mer & Shay Alkalay, Raw Edges, for Materia 2011
Cork composite fixture, electrical components, paper lampshade,

Materia
13-17 April, 10.00am – 8.00pm
Spazio San Marco
Via San Marco 38
Brera – Milano


See also:

.

Bote by
Big-Game for Materia
Nomu by
Lee West for Eno
Appo by
Carlo Trevisani

Capo by Doshi Levien for Cappellini

Capo by Doshi Levien

Milan 2011: London studio Doshi Levien will present this chair with a tubular base and cantilevered arms for Italian design brand Cappellini at the Salone Internazionale del Mobile in Milan this week.

Capo by Doshi Levien

Called Capo (leader), the chair has thin, flexible arms and a tall back to envelope the user.

Capo by Doshi Levien

Inspired by a gentleman in a suit and felt hat, the design is on show in combinations of leather, faux leather and felt.

Capo by Doshi Levien

See all our stories about Doshi Levien »

Capo by Doshi Levien

See all our stories about Cappellini »

Capo by Doshi Levien

See all our stories about Milan 2011 »

Capo by Doshi Levien

The following is from the designer:


CAPO Armchair & Ottoman

The first collaboration between Doshi Levien and Cappellini gave rise to Capo, an armchair with a slender yet enveloping form.

Capo by Doshi Levien

Its shape and materiality came from the image of a dapper gentleman in a well-cut suit and a felted hat.

Capo by Doshi Levien

As the name suggests, Capo with its wide cantilevered arms and upturned lapel, transforms the sitter into a boss.

Capo by Doshi Levien

The thin flexible edges of the chair provide shelter without being closed and also emphasise its lightness.

Capo by Doshi Levien

Capo is available in several variations that make it suitable for various settings.

Capo by Doshi Levien

Leather, faux leather, felt and Alcantara can be used to upholster the entire armchair or be used in different combinations for the front and back.

Capo by Doshi Levien

Armchair – cm 119 x 72 x 36/89 h.


See also:

.

Impossible Wood by
Doshi Levien
My Beautiful Backside by
Doshi Levien
Rocker by
Doshi Levien

Dezeen Screen: Gabriel Lamb of fuseproject

Milan 2011: in first of our movies filmed in Milan and published on our new video website Dezeen Screen, industrial designer Gabriel Lamb of fuseproject describes the process of setting up the JamScape installation at Ventura Lambrate, which involved wiring up over 1,600 wireless Jambox speakers to play audio tracks submitted by Dezeen readers. See the movie

Transparent Collection by Nendo

Transparent Chair by Nendo

Milan 2011: this chair made from polyurethane film is part of a collection of transparent furniture by Japanese designers Nendo, on show in Milan this week.

Transparent Chair by Nendo

Other pieces in the series include an acrylic table top cast from deep-grained wood and a lamp shade made from a clear film that diffuses light when seen straight-on.

Transparent Table by Nendo

The collection is on show at Galleria Antonia Jannone, 125 Corso Garibaldi, Milan 20121 from 12-16 April.

Transparent Lamp by Nendo

See all our stories about Milan 2011 »

Transparent Table by Nendo

See all our stories about Nendo »

Transparent Table by Nendo

Photographs are by Masayuki Hayashi.

Transparent Table by Nendo

The following details are from Nendo:


Solo exhibition “texured transparencies” in Milan

4 new pieces will be exhibited at Galleria Jannone

Transparent Table by Nendo

Textured transparencies collection

Our furniture collection explored transparency, but with a difference: not transparency that seeks only to disappear visually, but the half-transparency that exists in gradations in the space between the transparent and the opaque, and the minute differences visible between different levels of transparency.

Transparent Table by Nendo

Transparent-chair

A chair made with polyurethane film, a transparent film commonly used as a packing material for precision instruments and products susceptible to vibrations and shock, thanks to its high elasticity and ability to return to its original state.

Transparent Lamp by Nendo

All pieces explored transparency’s infinite nuances, but were constructed from different materials, pointing to the possibility of new functionalities and visual effect

Transparent Lamp by Nendo

Looking at the chair, it seems to consist of nothing but a backrest and armrests. It wraps and supports the body like a hammock, providing a light, floating feeling for the sitter.

Transparent Lamp by Nendo

Transparent table

We cast clear acrylic in a wooden form with a strong grain and assembled the resulting pieces to create a table made of ‘transparent wood’. We reproduced the butt ends faithfully and bevelled the edges like floorboards, and matched the grains ends and dimensions of the wood used for the table legs to the ‘transparent wood’ to create a unified piece.

Transparent Chair by Nendo

The two tables have specific and different optical effects: at first glance the black table is wood, but a closer look reveals its transparency, while the clear table is the transparent at first glance, and only later reveals its wooden form.

Transparent Chair by Nendo

Transparent-lamp

Today, we’re blessed with a variety of sight-protective films for window glass and smart phone screens that prevent unwelcome peeks from neighbours.

Transparent Chair by Nendo

Our pendant lamp uses a type of protective film that is semi-transparent when viewed directly, and transparent when viewed at an angle.

Transparent Chair by Nendo

We placed the light source at the centre of the ring of film, creating a lampshade that might be transparent, but mutes the light emitting from its centre through the layer of half-transparency regardless of the angle from which it is viewed.

Transparent Chair by Nendo

The light hits the film at a right angle, creating the effect of soft light spilling into the space of the room as it passes through the transparent lampshade.


See also:

.

Bamboo-steel chair by
Nendo
Thin Black Lines by
Nendo
Wire-chair by
Nendo

Stacking Throne by Laurens van Wieringen

Stacking Throne by Laurens van Wieringen

Milan 2011: Amsterdam designer Laurens van Wieringen presents this piled-up child’s chair at Ventura Lambrate this week.

Stacking Throne by Laurens van Wieringen

Called stacking throne, the seat can be lowered as the child grows by removing up to four of the foam components, which can then be used as toys or reconfigured into shelving.

Stacking Throne by Laurens van Wieringen

The exhibition continues until 17 April. See all our stories about Milan 2011 »

Here’s a tiny bit of text from Laurens van Wieringen:


‘Stacking Throne’

The Stacking Throne was a private commission and especially designed for 1 year old girl, Bodile.

She can now use it throughout her life. 4 of 5 foam parts can be taken out and used as her imagination suits her.


See also:

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Tamago by
Merci Design
Welcome to the Jungle by
My Own Super Studio
Pregnant Chair by
Trent Jansen for Moooi

Bosco by Andrea Branzi for Superego

Bosco by Andrea Branzi for Superego

Milan 2011: Italian brand Superego editions present a collection of ceramic vases resembling tree branches by Italian designer Andrea Branzi in Milan this week.

Bosco by Andrea Branzi for Superego

Called Bosco, the collection of 12 ceramic pieces in a limited edition of 33 pieces is on show at Galleria Scacchi, Via rivoli 4, 20121 Milan
from 12-17 April.

Bosco by Andrea Branzi for Superego

See all our stories about Milan 2011 »

Bosco by Andrea Branzi for Superego

More homewares on Dezeen »

Bosco by Andrea Branzi for Superego

Here are some more details from Superego:


Bosco Collection: nature inspired ceramics

All designed by the famous italian designer Andrea Branzi.

Bosco collection continues the domestic architectures concept, started with the preceding series Enzimi and Portali.

Bosco by Andrea Branzi for Superego

Fascinated by Ikebana Japanese floreal discipline, Branzi creates domestic laris made to expose flowers, silent altars destined to the celebration of secular cults.

Bosco by Andrea Branzi for Superego

Bosco series emphasize the natural inspiration: sprigs, trunks, tree fragments realized in ceramics almost assume an animist value, like they were our domestic deities.

Bosco by Andrea Branzi for Superego

Andrea Branzi is designer, architect, teacher.

Bosco by Andrea Branzi for Superego

Like design theorist and ideologist he has produced numerous writings and publications, directed Modo magazine, won three times Compasso d’oro prize.

Bosco by Andrea Branzi for Superego

His objects in limited editions for Superego testify his attention for the excellent Italian craftsmanship, the only one able to produce small series of objects, valuable for the conceptual innovation and refined technical manuality.

Bosco by Andrea Branzi for Superego

12 models in a limited edition of 33 pieces

Bosco by Andrea Branzi for Superego

Bosco by Andrea Branzi for Superego

Bosco by Andrea Branzi for Superego

Bosco by Andrea Branzi for Superego

Bosco by Andrea Branzi for Superego

Bosco by Andrea Branzi for Superego

Bosco by Andrea Branzi for Superego

Bosco by Andrea Branzi for Superego

Bosco by Andrea Branzi for Superego

Bosco by Andrea Branzi for Superego

Bosco by Andrea Branzi for Superego

Bosco by Andrea Branzi for Superego


See also:

.

Grandi Legni by
Andrea Branzi
Botanica by
Formafantasma
Story Vases by
Front

Botanica by Formafantasma

Botanica by formafantasma

Milan 2011: Eindhoven designers Formafantasma present this range of plastic vessels resulting from experiments with natural polymers at Spazio Rossana Orlandi in Milan this week.

Botanica by formafantasma

Called Botanica, the project was commissioned by Italian foundation Plart, a research institute dedicated to preserving plastic works of art and design.

Botanica by formafantasma

The designers experimented with making plastic from natural resins, rubbers, shellac, wood and animal products.

Botanica by formafantasma

These materials have been combined with traditional materials like wood, ceramic metal to furniture, lighting, vases and bowls that have shapes and details derived from natural forms like pine cones or seed pods.

Botanica by formafantasma

More about Formafantasma on Dezeen »

Botanica by formafantasma

See all our stories about Milan 2011 »

Botanica by formafantasma

The following information is from the designers:


Botanica

Botanica is the latest project by studio FormaFantasma, commissioned by Plart, an Italian foundation dedicated to scientific research and technological innovation in the recovery, restoration and conservation of works of art and design produced in plastic. Maria Pia Incutti, founder of Plart and Marco Petroni, curator of the project, commissioned the studio to create their own personal interpretation of polymeric materials.

Botanica by formafantasma

The perception of plastic materials has drastically changed over time. Initially considered the material of the future, synthetic polymers are now seen as the symbol of a not anymore exciting oil era. Scientific research is increasingly looking to find sustainable alternatives or ways to make plastic biodegradable. In opposition to this, the Plart foundation is addresses another necessity with its activities and research: to preserve plastic-based art and design pieces.

Botanica by formafantasma

The tension between the need to find valid alternatives to an extraordinary material, and to preserve the artworks of the last century underlines how deeply both the qualities and disadvantages of plastic have penetrated into our culture. Most of the objects we use daily are made of plastic, and though the material may take a different form, plastic will remain relevant as we move forward.

Botanica by formafantasma

With Botanica Studio Formafantasma is giving its personal homage to plastic materials by investigating the history of polymers.

Botanica by formafantasma

About the project

Botany, as a discipline, began with early human efforts to identify edible, medicinal and poisonous plants, making it one of the oldest sciences. More then two centuries ago plants started to be categorized also for their secretions, a possible source of material. The objects displayed in the Botanica collection are designed as if the oil- based era, in which we are living, never took place. Almost as if historians, Studio Formafantasma investigated the pre-Bakelite period, discovering unexpected textures, feelings and technical possibilities offered by natural polymers extracted from plants or animal-derivatives. The designers researched and hunted for information, digging into the 18th and 19th centuries, when scientists began experimenting draining plants and animals in search for plasticity.

Botanica by formafantasma

Rosin, Dammar, Copal (a sub-fossil state of amber), Natural Rubber, Shellac (a polymer extracted from insect excrement that colonize trees) and Bois Durci (a 19th century material composed of wood dust and animal blood), are amongst others, materials investigated by the studio. The organic details and plant-like forms of the pieces underline the vegetal and animal origins of the resins, while the palette of colours is based on natural amber tones in combination with traditional materials such as wood, ceramic and metal.

Botanica by formafantasma

The natural textures and honey-like colours of the resins evoke the memory of 20th century bakelite objects, however, the finish and details are somewhat archaic yet contemporary. In Botanica, plastics are used as precious details, in an attempt to develop a new post-industrial aesthetic.

Botanica by formafantasma

Today, we can be said to be moving towards a new post-oil era, the pre-oil era is starting to be globally re discovered in search for alternatives. Online blogs and archives are constantly collating and updating information challenging consumers to produce their own plastics, while an American University is currently importing Russian Dandelion flowers, reigniting the lost tradition of extracting rubber from the plants roots. In line with this attitude, Studio Formafantasma looks to the past as a source of inspiration, while delivering a body of work with a contemporary twist. With Botanica, Studio Formafantasma offers a new perspective on plasticity, reinterpreting centuries old technology lost beneath the impeccable surface of mass production.

Botanica by formafantasma

Credit photos: Luisa Zanzani
Project:Studio Formafantasma – Andrea Trimarchi, Simone Farresin
Commission by : Plart Foundation
Curated by Marco Petroni


See also:

.

Autarky by
Formafantasma
Baked by
Formafantasma
More homewares
on Dezeen

Dezeen curates audio at JamScape in Milan

JamScape

Audio tracks and soundscapes submitted by Dezeen readers will play this week at JamScape, an experimental audio installation in Milan developed by Jawbone and Yves Béhar of fuseproject.

JamScape

Following our call for audio submissions last month, almost 100 tracks were uploaded to Dezeen’s SoundCloud account, from which Dezeen, Jawbone and Yves Béhar selected their favourites.

Jambox

The tracks have been programmed to be played through five monolithic forms constructed from 1,642 of Jawbone’s Jambox wireless speakers (above) in the installation, located in the Ventura Lambrate district of Milan.

Jawbone are also launch sponsors of Dezeen Screen, our new video website, which launches in Milan later today. The Dezeen movie team will be based in a studio within JamScape so pop by and see us! We’re at Pianissimo Grande, Via Ventura in Ventura Lambrate. Download the Ventura Lambrate map and guide here – we’re at no 5.

The 20 tracks selected to be played at JamScape are as follows; each artist will receive a free Jambox and their tracks will also be used as soundtracks to Dezeen Screen‘s movies from Milan:

Outside Time by Agzilla (UK)
Knee For Thought by Antonie Manolova & Francesco Tristano (BULGARIA)
Bears by Brandon Hackler (USA)
Jets by Chris Teeter (USA)
fåglar bilar och dansande piano – BUTTERFLY MIX by en doft av cyrén  (SWEDEN)
Midnight_JAM by Ian Gulbransen  (USA)
Want to Want by Joanna Geralyn (USA)
Kin by Kasule (UK)
TWENTY 10  by Kid Suda (SPAIN)
Oregon by Louis Jones (UK)
Experimento Tropical by Miguel Colmenare  (SPAIN)
Traces by MTTMGG (ITALY)
Dubofeeliac  by Nat King Kong (CANADA)
Dance of Lucifer by Navid Asghari (UK)
Fragility by Ricardo Seola (BRAZIL)
DubStepping by The Dead Sun (UK)
Horses Head Towards Sunrise by Theeyefives (USA)
Hello Death by U9lift (USA)
Hotaru Zeus & Apollo (USA)
I Can Feel by Zumba – diseño de sonido (PERU)

Here’s some text about the project from Jawbone:


Set within the emerging Ventura Lambrate design district in Milan, Italy, JamScape is a bold audio experiment that captures the idea of liberating and unleashing sound. Developed in partnership between Jawbone, Yves Béhar, and his creative agency fuseproject, JamScape uses Jawbone’s new JAMBOX wireless speaker and its punchy audio as building blocks to create a uniquely social experience in the form of a sound lounge.

The installation fosters creative partnerships with a cadre of audio artists and enables them to express their ideas of music, improvisation, jamming, and social sound. All soundscapes were crowd-sourced via an open call posted on media partner Dezeen, Twitter, and blogs worldwide to phenomenal response.

Bamboo-steel chair by Nendo for Yii

Bamboo-steel chair by Nendo for Yii

Milan 2011: Japanese designers Nendo present this tubular steel chair made with techniques traditionally used for bamboo furniture in Milan this week.

Bamboo-steel chair by Nendo for Yii

Cuts in the tubes allow corners to be bent for the backrest, junctions are formed by wrapping one tube round another and the seat is woven from thin strips of the material.

Bamboo-steel chair by Nendo for Yii

Called Bamboo-steel chair, the piece was made as part of a project entitled Yii to develop Taiwan’s traditional crafts, art-directed by Droog co-founder Gijs Bakker and commissioned by the National Taiwan Craft Research Institute.

Bamboo-steel chair by Nendo for Yii

The chair will be on show at the La Triennale di Milano from 12-17 April as part of an exhibition designed by Nendo to showcase the Yii project. See all our stories about Milan 2011 »

Bamboo-steel chair by Nendo for Yii

More about Nendo on Dezeen »

Bamboo-steel chair by Nendo for Yii

Photographs are by Masayuki Hayashi.

The text below is from Nendo:


New chair “bamboo-steel chair” for Yii will be exhibited at La Triennale di Milano

Nendo also designs the exhibition space

The National Taiwan Craft Research Institute is concerned with the revitalization and development of Taiwan’s traditional crafts skills and industries. We designed this chair as part of the Institute’s Yii series, a new project with art direction by Gijs Bakker, co-founder of Droog Design.

Bamboo-steel chair by Nendo for Yii

Our task was to discover sources for new designs through research into Taiwan’s traditional bamboo handicrafts and furniture. We were fascinated by bamboo-working techniques, and decided to draw our inspiration from these, rather than to work with the material itself. We applied bamboo-working techniques to tubular steel pipes, which can be easily mass-produced with standard levels of quality.

Bamboo-steel chair by Nendo for Yii

Borrowing bamboo handicraft techniques like weaving together thinly sliced sections and joining parts by wrapping them around each other allowed us to give the hard metal a sense of pliancy. The bamboo artisans visited the metal workshop regularly, and we had many conversations about the project and its capacities. The bamboo-steel chair is the fruit of these conversations: a symbol of new futures for traditional crafts through the cross-fertilization of different techniques and materials.

Click above for larger image

Place: La Triennale di Milano
Address: Viale Emilio Alemagna, 6 Milano 20121 Italy
Open: April 12th – 17th 10:30-22:00


See also:

.

Thin Black Lines
by Nendo
Wire-chair
by Nendo
Cord-Chair
by Nendo