Double Side by Matali Crasset for Danese

Double Side by Matali Crasset for Danese

French designer Matali Crasset will present this chair with a fold-out table for Italian brand Danese in Milan next month.

Double Side by Matali Crasset for Danese

Called Double Side, the seat is designed so the backrest slides up and flips 90 degrees to become  a table surface for writing, using a laptop or eating.

Double Side by Matali Crasset for Danese

More about Matali Crasset on Dezeen »

More about Danese on Dezeen »

Double Side by Matali Crasset for Danese

The information that follows is from Matali Crasset:


Double side, Matali Crasset 2011

Seat: birch multilayer laminate
Colors: natural wood, orange laminate, beige, blue, orange or green felt

“An object isn’t generous enough if it has just a single function” (M.C)

Double Side by Matali Crasset for Danese

Double side is a versatile seat which can be transformed with a tiny intuitive gesture, into a work tool, the back flips and becomes a small plane on which you can write, use your computer, eat or play.

It’s a new typology of products which breaks the codes of traditional living based on the idea of life borrowed from the bourgeois model which by now is outdated and does not adapt itself to everyday life but continues despite this to influence the space with rigid models and preconceptions, filling it with elements which represents a status more than a real need.

Matali Crasset therefore design this seat not as fixed element, dedicated only for resting but as a tool which allows passing between active and passive situations, which keeps up with life and lets itself be interpreted. The project isn’t a sign, a formal result, but a reflection on a scenario of life in transformation, the product is a physical transposition that derives from it.

Double Side by Matali Crasset for Danese

“At home today the structures are fixed, like a paused video with a paused picture, life is changing and it’s in movement and it reactivates the video so to speak.

My projects work in the interstices of the activities, in passages between one paused picture to another in order to reattach them to one another and to renew the movement and the action in between the spaces.” (M.C.)

Double Side by Matali Crasset for Danese

Double Side invites an action, and forwards potential opportunities which are revealed during its use.

In this, objects like Double Side can have a role in influencing life styles, succeed in creating stimulus, in transmitting not only a sense of protection and the comfort of resting but also the pleasure of creativity in modelling personally spaces in according with new visions , with a change in mentality and in behavior ( the non stopping one). Double Side doesn’t stop at the archetype of the seat but updates it always watching the real needs of “seating” and therefore it unifies within itself more traditional elements reevaluated according to contemporary needs: it’s a traditional and comfortable chair in the essentially, but positive, warm and familiar thanks to the use of natural materials like wood and felt, and to the color.

it’s a support plane, of reduced dimensions but sufficient to assure the functionality of such an alternative and informal chair.

It’s a small space which represents the affective heart, a sort of “memory” of the object in which one can put some books, the computer, and safekeeping personal objects. It maintains familiar elements like the materials and recalls familiar gestures like the one of the bolts for fixing together the 2 positions, in order to recreate a connection, a closeness to the person. It’s a tool for managing the annulment of limits between work and private life, for welcoming new technological tools which come with both. It guaranties action but in a less formal and more provisional way, like balancing life and work and manage at the same time 2 distinct situations.

In the spaces shared, the change in front of the use of Double Side can become an indication of the change in predispositions to the reality: from an invite to the search of privacy. Ds actually represents a more rich and open solution, ideal for public spaces as well, in which overlap more activities and behaviors places such as waiting rooms, relaxations centers or informal meeting places at the interior of offices and halls.


See also:

.

Smith Pro by Jonathan Olivares
for Danese
Xarxa Sofa by Martí Guixé
for Danese
Cau Sospensione by Martí Guixé
for Danese

Robox by Fabio Novembre

Robox by Fabio Novembre

Italian designer Fabio Novembre will present this robot-shaped shelving unit for design brand Casamania in Milan next month.

Robox by Fabio Novembre

Called Robox, the shelves have a picture frame at the top and a red box representing the robot’s heart.

Robox by Fabio Novembre

More about Fabio Novembre on Dezeen »

The text below is from Fabio Novembre:


Robox

Maybe a day someone would say that Robox represents my cubist period or that the edge solution has been the trick to find out the “right way” after the hyperboles and parabola of my work. From Mazinga to the Transformers the boys of my generation had always have a robot on their side and I was searching for a new function able to justify still its presence next to my desk.

The simple change of a consonant reveals the inclusive attitude of this new domestic hero: a device with a heart, an hard-disk pre-digital where store our memories.

Freestanding bookshelf in polished metal
Dimensions: Height 78 cm x depth 31 cm x width 184 cm
Available in different colours all with red heart


See also:

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Nemo by Fabio Novembre
for Driade
Abarth Chair by Fabio Novembre for CasamaniaHim and Her by
Fabio Novembre

L’Oiseau by Ronan & Erwan Bouroullec for Vitra

L’Oiseau by Ronan & Erwan Bouroullec for Vitra

More about Ronan & Erwan Bouroullec in Milan – this time a wooden bird for design brand Vitra.

L’Oiseau by Ronan & Erwan Bouroullec for Vitra

Called L’Oiseau, the piece will be presented at the Salone Internazionale del Mobile.

L’Oiseau by Ronan & Erwan Bouroullec for Vitra

Vitra also produce the Eames House Bird (shown above, alongside the Bouroullecs’ design), based on an ornament that American designers Charles and Ray Eames brought back from their travels.

L’Oiseau by Ronan & Erwan Bouroullec for Vitra

More animals on Dezeen »
More about Ronan & Erwan Bouroullec on Dezeen »
More about Vitra on Dezeen »

L’Oiseau by Ronan & Erwan Bouroullec for Vitra

The information below is from the designers:


L’Oiseau, Vitra

It is a simple bird without any other function than trying to propose a caring presence, a pleasant company. We have always been fascinated by animal representations whether they are primitive or more contemporary – from ivory bears made by the Inuit community to the Finnish birds made in blown glass. It could seem outdated to be interested in such subjects however we truly think that it is a necessary fantasy to continue supplementing this symbolic bestiary.

VITRA Salone del Mobile Hall 20 Booth C05 / D04


See also:

.

Osso by Ronan & Erwan
Bouroullec
Losanges by Ronan & Erwan
Bouroullec
Ploum by Ronan & Erwan
Bouroullec

Osso by Ronan & Erwan Bouroullec for Mattiazzi

Osso by Ronan & Erwan Bouroullec for Mattiazzi

French designers Ronan & Erwan Bouroullec will present this wooden chair for for Italian brand Mattiazzi in Milan next month.

Osso by Ronan & Erwan Bouroullec for Mattiazzi

Called Osso, the design has four sculpted wooden pads making up the seat and backrest.

Osso by Ronan & Erwan Bouroullec for Mattiazzi

The chairs are made from oak, maple or ash sourced close to Mattiazzi’s factory.

Osso by Ronan & Erwan Bouroullec for Mattiazzi

Each one is manufactured with a mixture of CNC tooling and handcraft.

Osso by Ronan & Erwan Bouroullec for Mattiazzi

The collection will include a chair, armchair and child’s chair plus high and low stools.

Osso by Ronan & Erwan Bouroullec for Mattiazzi

More about Ronan & Erwan Bouroullec on Dezeen »

Osso by Ronan & Erwan Bouroullec for Mattiazzi

The information below is from the designers:

Osso by Ronan & Erwan Bouroullec for Mattiazzi


Osso, Mattiazzi

Osso by Ronan & Erwan Bouroullec for Mattiazzi

Working with Mattiazzi is comparable to work with an organic farm. While being a small, family-owned company that has been manufacturing chairs for others since about forty years, Mattiazzi decided to do less yet better. By using sophisticated CNC set of tools and at the same time a greatly refined manual know-how, Mattiazzi has a hybrid way to consider furniture production.

Osso by Ronan & Erwan Bouroullec for Mattiazzi

We were particularly interested by the fact that all the equipment is powered by solar energy and that the wood is coming from the surrounding areas to be carefully selected without the use of any chemical treatments. They came back to the basics and this is precisely what piqued our interest and our fascination for the Mattiazzi family’s endeavour. As designers, we feel involved in supporting such valiant microstructures that are always on the edge as they try to adjust to a constantly changing market.

That said, the Osso chair had to be the illustration of what Mattiazzi is in its roots. We designed an object in plain wood but not in regular plain wood, the quality of the wood literally makes the object, like the best piece of meat would make the refinement of a dish. Our intention was to let the sensuality of the wood material – from oak to maple to ash – express itself.

The Osso chair invites to be touched, even caressed as it is extremely sculpted and polished thanks to the use of highly sophisticated digital control equipment. The high-tech assembling system of geometrical wood panels allows a quite singular strength while preserving a design balance of the object. The Osso collection will include a chair, an armchair, a children chair as well as high and low stools.

MATTIAZZI Salone del Mobile Hall 6 Booth F32B + Fuorisalone Kaleidoscope, Gallery Corso Buenos Aires 10, entrance Via Giovanni Masera


See also:

.

Industrial Facility
for Mattiazzi
Flex by Georgi
Manassiev
Platypus chair
by Studio Juju

Paddle by Benjamin Hubert

Paddle by Benjamin Hubert

Industrial designer Benjamin Hubert will launch a collection of LED lamps shaped like canoe paddles in Milan next month.

Paddle by Benjamin Hubert

Called Paddle, the design features a stand made from ash wood or textured, lacquered aluminium and a pressed aluminium head.

Paddle by Benjamin Hubert

Hubert will present the product for Italian lighting brand Fabbian at the Salone Internazionale del Mobile.

Paddle by Benjamin Hubert

More about Benjamin Hubert on Dezeen »

Paddle by Benjamin Hubert
More lighting on Dezeen »

Paddle by Benjamin Hubert

The information that follows is from Hubert:


Benjamin Hubert x Fabbian

Paddle

Paddle is a collection of adjustable LED task lights designed by Benjamin Hubert for Italian lighting manufacturer Fabbian launching in Euroluce during Milan Salone Del mobile 2011.

Paddle by Benjamin Hubert

Paddle has many axis of functional movement inspired by the 360 degree movement of a canoe blade through water. To allow for maximum usability in a variety of working environments.

Paddle by Benjamin Hubert

The high brightness led light source and capacitive touch control is contrasted with a tactile range of material to soften the technology and create a more human range of products.

Paddle by Benjamin Hubert

The framework of the lamp is available in either ash timber or texture lacquered aluminum with the paddle head formed from pressed aluminum.

Paddle by Benjamin Hubert

The product focuses on the flowing relationship between adjustable elements whilst retaining a utilitarian architectural quality.

Paddle by Benjamin Hubert

Paddle by Benjamin Hubert


See also:

.

Loom by
Benjamin Hubert
Crane by
Benjamin Hubert
Heavy Desk Light by
Benjamin Hubert

Lodelei by Martin Pärn and Edina Dufala-Pärn for Nils Holger Moormann

Lodelei by Nils Holger Moormann

German design firm Nils Holger Moormann will present this leaning coat stand by designers Martin Pärn and Edina Dufala-Pärn at the Salone Internazionale del Mobile in Milan next month.

Lodelei by Nils Holger Moormann

Called Lodelei, the design features an ash frame and loop of fabric to catch loose items.

Lodelei by Nils Holger Moormann

More about Nils Holger Moormann on Dezeen »

Lodelei by Nils Holger Moormann

The information that follows is from Nils Holger Moormann:


Wardrobe looking for wall.

Lodelei, 94/38/193, values elegant loden, loves the company of jackets and coats, with consistent sagginess and in need of care.

Lodelei by Nils Holger Moormann

Looking for a stable place with a strong wall to lean on for mutual hanging around.


See also:

.

Axis by
Ramei Keum
20 litre Coat Stand
by Peter Marigold
Beaugars by
Meike Langer

Win a Jambox! Dezeen, Jawbone and Yves Behar seek soundscapes for Milan

JamScape

Milan 2011: Dezeen, Jawbone and industrial designer Yves Behar have teamed up to invite readers to create tracks for an audio installation at Ventura Lambrate in Milan next month.

JamScape

Called JamScape, the installation will use Behar’s Jambox wireless speakers designed for Jawbone (see our earlier story) as building blocks to create an audio installation and lounge.

JamScape

The first 20 entrants to submit soundscapes that are selected for JamScape will each win a Jambox.

JamScape

To enter all you have to do is upload your track to Dezeen’s Sound Cloud account.

Jambox

Accepted formats: Please supply audio as MP3.
Minimum length of audio: 5 minutes.
Deadline: 9.00 GMT on Monday 4 April 2011.

Jambox

Here are some more details from Jambox:


Seeking soundscapes for Milan

Calling musicians, DJs and sound artists: Dezeen teams up with Jawbone and industrial designer Yves Behar in Milan this April to curate the audio for JamScape, a ground-breaking installation and lounge, which takes place in the Ventura Lambrate district in Milan from Monday 11 April to Sunday 17 April 2011.

Jambox

We’re looking for original tracks that are soothing, inspiring, uplifting, provocative… or anything that would appeal to design-savvy visitors to the space.

Jambox

Using Jawbone’s bold new JAMBOX wireless speakers as building blocks, JamScape will be a truly global collaborative audio experience developed around the idea of liberating and unleashing sound. The installation will foster creative partnerships with a cadre of audio artists and enable them to express their perceptions and ideas of music, improvisation, jamming, and social sound.

Jambox

Yves Behar said: “We’re looking for cool ambient music that will be used to create a sound journey to be experienced by the visitors walking around the JamScape installation. The opportunity is to create different sounds for each of the 5 JamScapes to craft a unique series of soundscapes as visitors walk around the exhibit.”

Jambox

Each track and artist will be credited at the space, as well as on Dezeen. Your track may also be used, with full credit and link, on a Dezeen movie about Milan. The first 20 soundscapes submitted and selected to be part of JamScape will win a Jambox.

Jambox

Copyright note: Copyright remains with the artist and artists will be fully credited. Artists must own all legal rights to the works they submit or have full written permission of the rights holder. By submitting works, artists warrant that they have such legal rights or full written permission and agree to indemnify and hold harmless Jawbone against any claims to the contrary. Artists give full permission for Dezeen and JamScape to use their works as set out above under a Creative Commons licence or similar. Artists must notify Jawbone in writing at the time of submittal about any restrictions regarding the use of submitted works.

Submit your track »

JamScape

JamScape

StickingSticks by Kawamura-Ganjavian

StickingSticks by Kawamura-Ganjavian SQ

These screens made of sticks covered in Velcro by designers Kawamura-Ganjavian will be used to divide exhibition stands at Designjunction in Milan next month.

StickingSticks by Kawamura-Ganjavian

Called StickingSticks, the product was designed in collaboration with hook-and-loop fastening company Velcro and is now being developed by British design brand Modus.

StickingSticks by Kawamura-Ganjavian

Designjunction will take place 12-17 April as part of Tortona Design Week and will showcase British designers and manufacturers.

StickingSticks by Kawamura-Ganjavian

Here’s a little more information and a movie about the product from Designjunction:


Brand new stickingsticks will feature throughout the space to create a striking environment.

StickingSticks by Kawamura-Ganjavian

Stickingsticks is a modular partition system, currently being developed by Modus, consisting of a kit of different length tubes wrapped in strips of Velcro.

StickingSticks by Kawamura-Ganjavian

The products flexibility allows the tubes to connect through the use of Velcro making it quick and easy to create room divisions.

StickingSticks by Kawamura-Ganjavian

Stickingsticks is designed in collaboration with Velcro and will pre launch in Milan with Modus and Designjunction.


DezeenTV: StickingSticks by Kawamura-Ganjavian

.

Can’t see the movie? Click here.

Watch all our movies »


See also:

.

Sticks – Emmanuelle Moureaux
for Issey Miyake
Rebirth by Arne
Quinze
24 ISSEY MIYAKE Shop by
Nendo

Mirrors by La Mamba for Omelette-ed

Mirrors by La Mamba for Omelette-ed

Designers La Mamba of Valencia will present this series of mirrors on legs at Tortona Design Week in Milan next month.

Mirrors by La Mamba for Omelette-ed

The series of mirrors are designed to lean against a wall, supported on long tubular legs with cork feet.

Mirrors by La Mamba for Omelette-ed

“The basic idea is that you can move whenever you want or wherever you want,” say the designers. “Actually the brief was one word: move.”

Mirrors by La Mamba for Omelette-ed

La Mamba designed the collection for new brand Omelette-ed.

Mirrors by La Mamba for Omelette-ed

Tortona Design Week takes place 12-17 April.

Mirrors by La Mamba for Omelette-ed


See also:

.

Flat Mirrors by
Big-Game
Mirror by
Tetsuo Kondo
MotherBoard by
Romolo Stanco

Moon by Tokujin Yoshioka for Moroso

Moon by Tokujin Yoshioka for Moroso

Japanese designer Tokujin Yoshioka will present this chair called Moon for Italian brand Moroso at their showroom in Milan this April.

Moon by Tokujin Yoshioka for Moroso

The tub chair upholstered in differently textured white fabrics will form part of a lighting installation at the showroom called Twilight.

Moon by Tokujin Yoshioka for Moroso

More about Tokujin Yoshioka on Dezeen »
More about Moroso on Dezeen »

Here’s some more information from Yoshioka:


In the collaboration with MOROSO, an exhibition “TWILIGHT-Tokujin Yoshioka” will take place at MOROSO Showroom. At the exhibition, an installation “TWILIGHT” and a series of chairs named “MOON” , will be presented.

Moon by Tokujin Yoshioka for Moroso

The installation “TWILIGHT” , releaseing the infinitive light rays in the white space, creates a scene as if the light breaks through the cloud, and the crepuscular rays pour into the ground. The crepuscular rays is a beatiful natural phenomenon known as angel’ s ladder.

Moon by Tokujin Yoshioka for Moroso

This heavenly light profiles the chair “MOON” . The light reflects on the surface of the chairs and reveals the beauty of the textures exists in the various white materials.


See also:

.

Memory by Yoshioka for MorosoCloud paper sofa by
Yoshioka for Moroso
Bouquet by Yoshioka
for Moroso