Ladder by Charlie Styrbjörn Design

Gothenburg designer Charlie Styrbjörn will present a ladder with curving linked rungs during the London Design Festival next month.

Ladder by Charlie Styrbjorn Design

Working under Charlie Styrbjörn Design, the designer steam-bent sections of solid wood to maintain the direction of the grain along the shaped sections.

Ladder by Charlie Styrbjorn Design

“I wanted to create a unique ladder for interior use with a high decorative value but still functioning as a good ladder should,” said Styrbjörn.

Ladder by Charlie Styrbjorn Design

Treads are flat at the centre, but curve up on alternate sides as they rise to create a continuous line between the two long poles either side.

Ladder by Charlie Styrbjorn Design

Stained black or left natural, the ladders are not currently in production but will be exhibited at the Tent London exhibition as part of next month’s London Design Festival. Photos are by Jonas Lindstedt.

Ladder by Charlie Styrbjorn Design

We’ve also featured a step ladder that can both rest flat against the wall and fit into a corner, plus a slimline coat rack formed from two ladders joined together.

Popular homeware designs we’ve published recently include a collection of utensils that contains an elasticated egg cup and a dustpan that funnels sweepings into the bin through its handle.

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Parasite Production by Samuel Treindl

German designer Samuel Treindl has made a clock, lamp and other products from shapes cut out of existing furniture (+ slideshow).

Parasite Production by Samuel Treindl

Samuel Treindl from Münster in Germany used what he called a “parasite strategy” to create new products from existing furniture items and intends for the final pieces to reflect the manufacturing process.

In the collection – called Parasite Production – Treindl created a clock from material cut from a peach cabinet and a desk lamp from shapes cut out of an Ikea PS cabinet.

Parasite Production by Samuel Treindl

More recently the designer cut a range of components such as a hooks and hinges from a brass book shelf.

Parasite Production by Samuel Treindl

His process means that the original cabinets can still be used. “In order to work in a more economic way, I superimpose different objects on a single metal sheet,” said Treindl. “So the same material would be used twice.”

Parasite Production by Samuel Treindl

All of the objects have been produced in Germany as limited editions. Triendl’s work will be exhibited at London’s Mint Shop during London Design Festival next month.

Parasite Production by Samuel Treindl

Parasite Production was first shown as a prototype at the SaloneSatellite showcase for young designers at the Salone Internazionale del Mobile in Milan in April, that also featured squishy lamps made out of rubber by Thomas Schnur.

Parasite Production by Samuel Treindl

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Photographs are by the designer.

Here’s a full project description from Treindl:


Parasite Production

This work is based on a parasitic strategy. The cabinets and other products are produced simultaneously. The results therefore reflect the manufacturing process and history of the production.

Parasite Production by Samuel Treindl

As a producer and designer I have to pay attention to the manufacturing of a product, but also to offcuts and loss of material.

In order to work in a more economic way, I superimpose different objects on a single metal sheet. So the same material would be double used. And the question is, where is here the rest? According to which other objects are currently produced, the obtained ornaments as well as the thickness of the material of the shelf can differ.

Parasite Production by Samuel Treindl

Example: If an industrial company produces spoons and forks, I will make a spoon shelf. If lamps are produced, I make a lamp cabinet. That way, I don’t want to design furniture, but I create a process which uses industrial production for generating and designing objects.

Parasite Production by Samuel Treindl

Material: brass steel, aluminum, powder-coated, laser cutting method.  The IKEA PS cabinet/lamp was hand-cut.

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Cloche Lamp by Lars Beller Fjetland

The shade of this lamp by Norwegian designer Lars Beller Fjetland resembles a dining cloche lifted up in the air.

Cloche Lamp by Lars Beller Fjetland

Lars Beller Fjetland‘s Cloche Lamp comprises a cast iron base with a bent ash arm slotted into it and a copper or brass-coloured shade hanging from the other end.

The three components simply slot together so they can easily be taken apart for storage or transport.

Cloche Lamp by Lars Beller Fjetland

The Cloche Lamp will be on show as part of 100% Norway at Tent London during the London Design Festival in September.

Cloche Lamp by Lars Beller Fjetland

The designer graduated from the Bergen National Academy of the Arts in 2012 and set up his own studio, Beller, while studying.

Cloche Lamp by Lars Beller Fjetland

If you like these, check out copper pendant lamps with chunky handles by Northumbria University graduate Josie Morris and a bell-shaped lamp by German designer Leoni Werle.

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Here’s some more information from Tent London:


Cloche Lamp by Lars Beller Fjetland for 100% Norway at Tent London

Echoing an era of sophistication and grace, Lars Beller’s Cloche lamp curiously explores beauty, weight and balance, seeking inspiration in some of nature’s most elegant and remarkable solutions.

In an effort to set free the graceful, organic flow of form, the Cloche lamp represents an unexpected poetry; one that can only arise from an exploration of the improbable. Unexpected combinations of size, shape and material gain from each other, each part lending its strengths to the other to create a beautifully balanced whole.

Like a bluebell flower, the lamp is firmly grounded by its cast iron roots, while gently leaning its large and seductive spun copper petals towards the light; all made possible by the flexibility of its lightweight ash wood stem. The «Cloche» lamp rediscovers the inherent qualities the materials represent, while gracefully elevating their beauty.

Keeping with designer Lars Beller’s philosophy of honesty in materials and construction, the entire lamp can easily be dissembled into just three separate pieces.

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World Design Guide map of London Design Festival 2013

World Design Guide: London Design Festival map 2013

Following the success of our digital map-based guides to London Design Festival 2012 and Milan Design Week 2013, we’re creating an even better version for this year’s LDF – so if you’re exhibiting or organising an event and want to be included FREE, drop us a line!

The map will be published on Dezeen just before the festival, which takes place across London from 14 to 22 September. This year we’re integrating it with our World Design Guide – the world’s first and only guide to all the best architecture and design events around the world.

Dezeen's digital map of London Design Festival 2012
Dezeen’s digital map of London Design Festival 2012

Last year’s map of London Design Festival was an astonishing success. It has been viewed over 800,000 times, making it by far the most popular guide to festival events.

To be considered for FREE inclusion in our guide, please submit details of your event to hello@worlddesignguide.com with “London Design Festival 2013” in the subject line. Please include the event name, venue, address, dates, opening times and website, plus a description and images.

World Design Guide
Dezeen launched World Design Guide earlier this year

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dRMM to install Escher-style staircase outside St Paul’s Cathedral

News: architecture firm dRMM will install 20 interlocking wooden staircases outside St Paul’s Cathedral for the London Design Festival in September.

Unveiled this morning at the London Design Festival 2013 press preview, the design comprises a complex configuration of steps to be made from 44 cubic metres of tulipwood. Visitors will be invited to climb the structure and use it as a viewpoint towards the River Thames, Millennium Bridge and Tate Modern.

“Endless Stair is a three-dimensional exercise in composition, structure and scale,” said dRMM co-founder Alex de Rijke. “The Escher-like game of perception and circulation in timber playfully contrasts with the religious and corporate environment of stone and glass in the city.”

The structure will be made of cross-laminated timber (CLT) panels, which are usually created by layering up softwoods to form cheap and stable panels for fast construction. This installation will instead use a sustainable hardwood – tulipwood – to form lighter and stronger hardwood CLT panels for the first time.

The Endless Stair will be created in association with the American Hardwood Export Council and engineered by Arup. A lighting scheme for the spot will be developed by London studio Seam Design using products from LED company Lumenpulse.

The same team delivered Amanda Levete’s Timber Wave installation outside the V&A museum for the 2011 London Design Festival. The American Hardwood Export Council worked with Royal College of Art students on twelve wooden chairs at last year’s festival.

Alex de Rijke is dean of the School of Architecture at the Royal College of Art in London. Previous architecture projects by dRMM include a golden wedding chapel by the seaside and a house with mobile walls and roof.

The London Design Festival 2013 takes place from 14 to 22 September. See more design events taking place throughout the year on our World Design Guide.

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See more projects by dRMM »


Dezeen Book of Ideas out now!

dRMM’s Sliding House features in the Dezeen Book of Ideas. Special offer: buy the book now for just £10 »

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