John Pawson designs countryside lodge for Alain de Botton’s Living Architecture project

News: John Pawson has become the latest designer of a holiday home for Alain de Botton’s Living Architecture project with his proposal for a black brick lodge in the Welsh countryside (+ slideshow).

Life House by John Pawson for Living Architecture

Named Life House, which translates as Tŷ Bywyd in Welsh, the single-storey residence was designed by John Pawson Architects for an isolated site on the lower slopes of a valley near the small town of Llanbister.

Life House by John Pawson for Living Architecture

It will become the eighth residence in the Living Architecture series, which was initiated by author and philosopher Alain de Botton to promote modern architecture by offering members of the public a chance to stay in new architect-designed houses.

Life House by John Pawson for Living Architecture

Pawson’s design features a cross-shaped plan where rooms are set along the edges of two intersecting corridors. Large rooms described as “contemplative spaces” will be positioned at the ends of each corridor, including two set into the hillside and two facing out across the landscape.

Life House by John Pawson for Living Architecture

Handmade Dutch bricks will be used to construct the building, creating an all-black facade and a contrasting white interior. These will be complemented by terrazzo flooring and oak ceilings.

The house will be available to rent from 2015 and will offer three bedroom suites for guests.

Life House by John Pawson for Living Architecture

Other Living Architecture projects due to open in the next two years are the Peter Zumthor-designed Secular Retreat in Devon and a house inspired by fairytales by FAT and Grayson Perry for Essex. The first completed house in the series was MVRDV’s Balancing Barn, which cantilevers over a hillside in Suffolk.

Here’s a project description from Living Architecture:


Life House/ Tŷ Bywyd

In mid Wales, near the small town of Llanbister, amidst a landscape of rolling hills, Living Architecture has invited the architect John Pawson to create a timeless house of simplicity and beauty – Life House/ Tŷ Bywyd.

The site lies on the lower slopes of a small and intimate Welsh valley, remote and away from any near neighbours. The house has been designed to reflect the surrounding undulating landscape. Carefully placed to take advantage of the distant Welsh views, it is a series of ‘rooms’ set along two long corridors, at right angles to one another. Each corridor leads to two separate spaces of contemplation, one semi-submerged in the ground, the other set in the wider landscape. Three bedroom suites are individually created for the experience of music, reading and bathing.

Life House by John Pawson for Living Architecture

The house will be constructed of Dutch handmade bricks; black for the exterior and white for the interior. As would be expected in such a finely detailed John Pawson designed house, the polished terrazzo floor, set against the white brick, and light oak timber ceilings, will create a peaceful and life calming space to spend time in.

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Alain de Botton’s Living Architecture project
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A House for Essex by FAT and Grayson Perry

Architects FAT have teamed up with artist Grayson Perry to design a house inspired by fairytales on the east coast of England.

A House for Essex by FAT and Grayson Perry

A House for Essex is the latest project from Alain de Botton‘s Living Architecture enterprise, which commissions celebrated architects to design contemporary houses for UK holiday rentals.

A House for Essex by FAT and Grayson Perry

Scheduled for completion in 2014, the house will feature four slanted roofs with symbolic statues on the apex of each one, arched dormer windows and patterned walls. ”The exterior of the house responds to this contemporary romantic landscape, forming something that is both ancient and modern, archetypal and imbued with narrative,” said architect Charles Holland.

A House for Essex by FAT and Grayson Perry

“The idea behind this project relates to buildings put up as memorials to loved ones, to follies, to eccentric home-built structures, to shrines, lighthouses and fairytales,” added Perry. ”There are much loved buildings all over the county and the country built in the same spirit.”

A House for Essex by FAT and Grayson Perry

Ground floor plan – click above for larger image

Perry’s colourful tapestries will hang from the walls inside the house, and the artist will also add mosaic floors, decorative timber panels and a series of ornamental pots. Meanwhile, two bedrooms on the first floor will have balconies that overlook the double-height living room, while a bath will be suspended over the entranceway below. ”It is a hybrid building, part house and part gallery,” explained Holland. ”Internally, this combination of domestic and formal uses creates a rich interplay between public and private space.”

A House for Essex by FAT and Grayson Perry

First floor plan – click above for larger image

Other projects in the Living Architecture series include a house that cantilevers over the edge of a hill and a boat-like structure on the roof of London’s Southbank Centre.

See all our stories about Living Architecture »
See all our stories about FAT »

Here’s some information from Living Architecture:


Living Architecture is delighted to announce that it will be working with architecture practice FAT and artist Grayson Perry to build a unique new house in the north Essex countryside.

A House for Essex by FAT and Grayson Perry

End elevation – click above for larger image

The house, near Wrabness on the North Essex coast, is both an artwork in itself and the setting for a number of works by Grayson Perry exploring the special character and unique qualities of Essex.

A House for Essex by FAT and Grayson Perry

Side elevation – click above for larger image

The building has been designed to evoke a tradition of wayside and pilgrimage chapels. It is a singular building, appearing as a small, beautifully crafted object amongst the trees and fields. It belongs to a history of follies, whilst also being deeply of its own time.

Visitors entering the house from the south will pass through a series of spaces that become increasingly formal, culminating in a double-height living room lined with decorative timber panelling and Grayson Perry’s richly coloured tapestries. Upstairs there are two bedrooms which will have views across the landscape to the east and west.

A House for Essex by FAT and Grayson Perry

Context elevation one – click above for larger image

The stepping up of the volumes creates a series of interlocking spaces on the inside where each pushes into the other. The first floor bedrooms, for instance, will also have balconies that look into the living room space, and the bath offers an unusual location from which to observe visitors in the hallway.

The interior of the house will contain a number of specially commissioned art works by Grayson Perry including beautiful tapestries, pots, decorative timberwork and mosaic floors, celebrating the history and psyche of Essex.

A House for Essex by FAT and Grayson Perry

Context elevation two – click above for larger image

Living Architecture is delighted that the planners at Tendring District Council approved the planning application, following strong local support for the project. Construction will start in 2013, and the house will be completed in 2014.

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and Grayson Perry
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Alain de Botton plans temples for atheists


Dezeen Wire:
writer Alain de Botton has announced plans to build a series of temples for atheists in the UK. The first will be a 46 metre-tall black tower designed by Tom Greenall Architects and constructed in London to represent the idea of perspective. 

The move follows the publication of de Botton’s latest book, Religion for Atheists, and his Living Architecture social enterprise to construct holiday homes by the likes of MVRDV, Peter Zumthor and NORD Architecture.

Read more about Living Architecture on Dezeen here.

Here are some more details from Alain de Botton:


Alain de Botton – A Temple for Atheists

Author Alain de Botton has announced a bold new plan for a series of Temples for Atheists to be built around the UK.

‘Why should religious people have the most beautiful buildings in the land?’ he asks. ‘It’s time atheists had their own versions of the great churches and cathedrals’.

Alain de Botton has laid out his plans in a new book, Religion for Atheists, which argues that atheists should copy the major religions and put up a network of new architectural masterpieces in the form of temples.

‘As religions have always known, a beautiful building is an indispensable part of getting your message across. Books alone won’t do it.’

De Botton argues that you definitely don’t need a god or gods to justify a temple. ‘You can build a temple to anything that’s positive and good. That could mean: a temple to love, friendship, calm or perspective.’

De Botton has begun working on the first Temple for Atheists. Designed by Tom Greenall Architects, this will be a huge black tower nestled among the office buildings in the City of London. Measuring 46 meters in all, the tower represents the age of the earth, with each centimetre equating to 1 million years and with, at the tower’s base, a tiny band of gold a mere millimetre thick standing for mankind’s time on earth. The Temple is dedicated to the idea of perspective, which is something we’re prone to lose in the midst of our busy modern lives.

De Botton suggests that atheists like Richard Dawkins won’t ever convince people that atheism is an attractive way of looking at life until they provide them with the sort of rituals, buildings, communities and works of art and architecture that religions have always used.

‘Even the most convinced atheists tend to speak nicely about religious buildings. They may even feel sad that nothing like them gets built nowadays. But there’s no need to feel nostalgic. Why not just learn from religions and build similarly beautiful and interesting things right now?’

Critics’ reactions to A Room For London


Dezeen Wire:
 this week architecture critics have been discussing A Room For London, a boat-like apartment on the roof of the Southbank Centre that will accomodate temporary overnight guests throughout 2012. 

Writing for The New York Times, Elias Redstone declares the project a “wonderfully surreal vision” that “originated from surprisingly practical concerns,” namely the tight budget and challenging location.

An account from The Guardian’s Liz Bird gives an insight into what it is like to stay in the vessel. She writes: ”the pièce de resistance is the snug upper deck, filled with London-themed books, which we quickly rename ‘The Bridge’ and where we write up the ship’s log”.

Observer critic Rowan Moore praises the project as “an enjoyable and well-made jeu d’esprit”, but warns readers not to be disillusioned into thinking of the project as an aid to urban regeneration, stating that “it is not a prototype for future Thames-side development”.

Contrastingly, Edwin Heathcote of the Financial Times discusses the “unheimlich” (uncanny) qualities of the rooftop apartment’s nautical aesthetic, and controversially compares it to the “shocking and visceral images of the aftermath of the Japanese tsunami last year” when fishing boats were “left marooned on roofs after the waters had subsided”.

A few Dezeen readers got caught up in the fun aspects of the project, with one keen to “spend all day interpreting scenes from Jaws” and another imagining images from Mary Poppins – see all our readers’ comments here.

You can see images of the project in our earlier story here, or see more stories about the instigating organisation, Living Architecture, here.

Dune House by Jarmund/Vigsnæs Architects and Mole Architects

Dune House by Jarmund/Vigsnæs Architects and Mole Architects

The third completed house in Alain de Botton’s Living Architecture series has a faceted black upper storey that sits on top of the glass-walled ground floor like a big hat.

Dune House by Jarmund/Vigsnæs Architects and Mole Architects

Located on the seafront in Suffolk, England, the two-storey Dune House by Norwegian Architects Jarmund/Vigsnæs has an open-plan ground floor that is entirely surrounded by clear glass.

Dune House by Jarmund/Vigsnæs Architects and Mole Architects

The zigzagging mansard roof encases the building’s first floor and is clad with dark-stained timber that is typical of gabled barn-like buildings in the area.

Dune House by Jarmund/Vigsnæs Architects and Mole Architects

Contrasting metallic panels cover the faceted surfaces of the wooden roof, which pitches up and down around four triangular bedrooms and a library.

Dune House by Jarmund/Vigsnæs Architects and Mole Architects

Grass-covered dunes surrounding the house protect the ground floor rooms and terraces from strong sea winds.

Dune House by Jarmund/Vigsnæs Architects and Mole Architects

British studio Mole Architects collaborated on this project, as they did with Balancing Barn, the first completed house in the series.

Dune House by Jarmund/Vigsnæs Architects and Mole Architects

Living Architecture is a series of holiday homes around the UK designed by established and emerging architects – see more about Living Architecture here.

Dune House by Jarmund/Vigsnæs Architects and Mole Architects

Photography is by Chris Wright.

Dune House by Jarmund/Vigsnæs Architects and Mole Architects

Here’s a little more information from Mole Architects:


Dune House

The house is situated in Thorpeness, England on the Suffolk coast, replacing an existing building at the site. The house is a holiday house for rental and is part of Living Architecture.

Dune House by Jarmund/Vigsnæs Architects and Mole Architects

To get a planning permission it was important to relate to the existing, typical, British seaside strip of houses. The roofscape, the bedroom floor, somehow plays with the formal presence of these buildings, and also brings into mind a romantic remembrance of holidays at bed- and breakfasts while traveling through the UK.

Dune House by Jarmund/Vigsnæs Architects and Mole Architects

The ground floor is contrasting this by its lack of relationship to the architecture of the top floor.

Dune House by Jarmund/Vigsnæs Architects and Mole Architects

The living area and the terraces are set into the dunes in order to protect it form the strong winds, and opens equally in all directions to allow for wide views. The corners can be opened by sliding doors; this will emphasize the floating appearance of the top floor.

Dune House by Jarmund/Vigsnæs Architects and Mole Architects

Click above for larger image

While the materiality of the ground floor; concrete, glass, aluminum, relates to the masses of the ground, the upper floor is a construction made of solid wood, cladding stained dark as the existing gables and sheds found in the area.

Dune House by Jarmund/Vigsnæs Architects and Mole Architects

Click above for larger image

Location: Thorpeness, Suffolk, England
Building type: Holiday House
Client: Living Architecture
Size: 250 m2
Schedule: Completed December 2010.
Primary architects: Einar Jarmund, Håkon Vigsnæs, Alessandra Kosberg, Anders Granli.
Collaborating architect: Mole Architects Ltd.

A Room for London by David Kohn and Fiona Banner

A Room for London by David Kohn and Fiona Banner

London studio David Kohn Architects and artist Fiona Banner have won the A Room For London competition to design a temporary one-bedroom apartment on top of London’s Southbank Centre.

A Room for London by David Kohn and Fiona Banner

The winning design resembles a boat beached on the roof of the Queen Elizabeth Hall.

A Room for London by David Kohn and Fiona Banner

A Room for London was a design competition instigated by Living Architecture and arts organisation Artangel, as part of London 2012 Festival, to create a room for two people to spend the night on a visible site or building in London. Visitors will be able to stay in the room during 2012 and bookings can be made from 8 September this year.

Images are courtesy of David Kohn Architects and Fiona Banner.

See also: Skyroom by David Kohn Architects.

All our stories on the Living Architecture project »

Here’s some more information about the project:


David Kohn Architects and artist Fiona Banner have been selected to design A Room for London, a temporary installation that will sit on top of the Queen Elizabeth Hall at Southbank Centre, London and be part of the London 2012 Festival.

The design competition for A Room for London, which attracted entries from around 500 architects and artists from across the world, was instigated by Living Architecture, and Artangel, in association with Southbank Centre. The brief was to create a room on one of the most visible sites in the British capital, where up to two people at a time could spend a unique night in an exemplary architectural landmark.

Kohn and Banner’s winning design is for a boat which, perched on the Queen Elizabeth Hall roof, will appear to have come to rest there, grounded, perhaps, from the retreating waters of the Thames below. From the lower and upper ‘decks’ of this beautifully crafted timber structure, there will be extraordinary views of a London panorama that stretches from Big Ben to St Paul’s cathedral.

On arrival ‘aboard’, a nautical flag will be raised to signal occupation, with the visitors invited to fill in a logbook on the ‘bridge’ of the boat, detailing what they have experienced during their stay, out of the window as much as within themselves. This is contemporary architecture at its most playful, beguiling and thought-provoking.

Alongside public booking, the Room will play host to a guest programme of special visitors – artists, writers and cultural commentators of all kinds. These ‘thinkers-in-residence’ will be invited to stay and encouraged to muse on the city at a moment in time, through writing, image-making, online postings or live webcasts from the Room itself as their own idiosyncratic entries in the logbook. Some contributions will be instantly experienced by the public; others developed slowly during the course of the year. All visitors will be offered a chance to share experiences of a night in the Room.

Bookings for A Room for London – for no more than one night – will be available through the website from 1 January – 31 December 2012 with advance bookings going live on the website from 8 September 2011.

A Room for London is a cultural collaboration between Living Architecture and Artangel in association with Southbank Centre and the London 2012 Festival. The London 2012 Festival is the finale of the Cultural Olympiad. It will be a 12-week UK-wide cultural celebration from 21 June 2012 that brings leading artists from all over the world together to celebrate the London 2012 Olympic and Paralympic Games through dance, music, theatre, the visual arts, film and digital innovation.


See also:

.

Skyroom by
David Kohn Architects
Studio East by
Carmody Groarke
Nomiya temporary restaurant by Pascal Grasso

Shingle House by NORD Architecture

Shingle House by NORD Architecture

The Shingle House by NORD Architecture is the second completed holiday home in Alain de Botton’s Living Architecture project.

Shingle House by NORD Architecture

Located on a beach in Dungeness, Kent, the house is clad in tarred black shingles.

Shingle House by NORD Architecture

The interior is clad in white-painted wooden panels.

Shingle House by NORD Architecture

Glazed concertina doors in the living areas and bedrooms open up the interior spaces to the beach.

Shingle House by NORD Architecture

The Shingle House sleeps eight people and is currently available to rent.

Shingle House by NORD Architecture

Living Architecture is a scheme initiated by writer Alain de Botton to create a series of vacation homes in picturesque locations, designed by prominent architects.

Shingle House by NORD Architecture

Peter Zumthor, Hopkins Architects, MVRDV and Jarmund/Vigsnæs Architects have all designed houses as part of this project (see our earlier story).

Shingle House by NORD Architecture

See also: Balancing Barn by MVRDV and Mole Architects

The following information is from Living Architecture:


The Shingle House is sited on one of the most unusual and poetic landscapes in England, on the shingle beach of Dungeness, near Romney Marsh.

Shingle House by NORD Architecture

The vast beach is empty save for a random collection of fisherman’s huts (many of them owned by artists, including – most famously – the late film-maker Derek Jarman), two lighthouses, the terminus of a miniature coastal steam train and in the far distance, the dramatic form of a nuclear power station.

Shingle House by NORD Architecture

The entire beach is classified as a nature reserve and is filled with unusual flora and is a haven for a plethora of birdlife.

Shingle House by NORD Architecture

Living Architecture’s house is by a young Scottish practice, NORD Architecture, who responded to the natural drama of the site with a simple monumental black house, finished in tarred black shingles on the outside and in a beautiful palette of concrete and timber within.

Shingle House by NORD Architecture

The Shingle House sleeps 8 people, and is available to rent from October 2010.

Shingle House by NORD Architecture

Shingle House by NORD Architecture

Shingle House by NORD Architecture

Shingle House by NORD Architecture

Shingle House by NORD Architecture

Shingle House by NORD Architecture

Shingle House by NORD Architecture

Shingle House by NORD Architecture

Shingle House by NORD Architecture


See also:

.

Houses for Living
Architecture
Het Entreehuis by
Bureau B+B
Balancing Barn by MVRDV and Mole Architects