Roy Lichtenstein residence and studio by Caliper Studio

Brooklyn-based Caliper Studio has renovated the former home and studio of American pop artist Roy Lichtenstein, adding a rooftop sculpture garden and a pair of “eyebrow-shaped” skylights.

Roy Lichtenstein Residence and Studio by Caliper Studio

The two buildings were originally constructed as a garage and metal shop in New York’s Greenwich Village, before the late artist converted them into a residence and workspace in the 1980s. After his death, the studio was handed over to the Lichtenstein Foundation for preservation, but the apartment remained the home of Lichtenstein’s widow Dorothy.

Roy Lichtenstein Residence and Studio by Caliper Studio

Architects and metalworkers Caliper Studio were asked to make a number of interior and exterior changes to the jumble of buildings, including additions to the studio, the insertion of a new garden and the renovation of a penthouse office and guest apartment.

Roy Lichtenstein Residence and Studio by Caliper Studio

To bring natural light into the studios, the architects constructed two curved steel skylight modules, using a concrete spray technique to build up the curved body of each structure.

Roy Lichtenstein Residence and Studio by Caliper Studio

They then covered a total of eight rooftops with sedum grass, artificial hills and decking to create the elevated garden, creating a new home for the Lichtenstein sculptures Brushstrokes and Endless Drip. Timber pathways lead out towards an elevated viewing platform.

Roy Lichtenstein Residence and Studio by Caliper Studio

Above: artwork © Estate of Roy Lichtenstein

For the guest apartment and penthouse, new structures were built using dark grey brickwork and timber louvres.

Roy Lichtenstein Residence and Studio by Caliper Studio

Above: artwork © Estate of Roy Lichtenstein

We’ve featured a number of artists’ studios on Dezeen, including four on a remote Canadian island and one beneath a railway viaduct in London. See more art and design studios.

Roy Lichtenstein Residence and Studio by Caliper Studio

See more recent projects in New York, including an apartment with a tubular steel slide and the new offices for social network Foursquare.

Roy Lichtenstein Residence and Studio by Caliper Studio

Photography is by Ty Cole.

Roy Lichtenstein Residence and Studio by Caliper Studio

Here’s some extra information from Caliper Studio:


West Village Residence and Artist Studio

A renovation at the studio of the late artist Roy Lichtenstein includes 3,000SF planted roof and sculpture garden.

Roy Lichtenstein Residence and Studio by Caliper Studio

A new sculpture garden connects the 2nd floor roof level of two existing buildings used by the late artist Roy Lichtenstein and his family. Still the West Village home of his widow, Dorothy, the new garden features two of Roy Lichtenstein’s outdoor sculptures. The project also includes the renovation of a guest apartment and penthouse office with views of the garden.

Roy Lichtenstein Residence and Studio by Caliper Studio

The planted roof’s sedum carpet partially covers two eyebrow skylights over the artist studio below. Designed to modulate light, the thin shell skylights were built using innovative fabrication technologies. Their complex geometry was realized through computer milled formwork coupled with a sprayed‐on concrete technique often used in the construction of tunnels.

Roy Lichtenstein Residence and Studio by Caliper Studio

Preservation of the artist’s studio was a primary design objective of the project. Careful technical detailing of the building’s envelope help ensure the longevity of the studio. The quality of the space and its character has been maintained through original artifacts including the artist’s built‐in wall easel system and paint‐splattered floor.

Roy Lichtenstein Residence and Studio by Caliper Studio

Above: artwork © Estate of Roy Lichtenstein

Planted Berm Skylight

Caliper Studio designed, detailed and installed these steel and glass skylights. In addition to the steelwork, Caliper also worked closely with Riverside Builders to ensure that the sprayed concrete shell construction would meet the exacting tolerance of the skylights.

Roy Lichtenstein Residence and Studio by Caliper Studio

Above: artwork © Estate of Roy Lichtenstein

To that end, Caliper Studio provided an accurate 3D model that was used directly for CNC milling of the formwork. Automated drawing procedures developed in-house also aided the fabrication of the complex system of steel reinforcing buried in the concrete.

Roy Lichtenstein Residence and Studio by Caliper Studio

Architect: Caliper Studio
Structural Engineer: Gilsanz Murray Steficek

Roy Lichtenstein Residence and Studio by Caliper Studio

MEP Engineer: D’Antonio Consulting Engineers
Waterproofing Consultant: James Gainfort

Roy Lichtenstein Residence and Studio by Caliper Studio

Landcape Design: VertNY
General Contractor: Riverside Builders

Roy Lichtenstein Residence and Studio by Caliper Studio

Above: planted berm skylight fabrication

Roy Lichtenstein Residence and Studio by Caliper Studio

Above: planted berm skylight installation

Roy Lichtenstein Residence and Studio by Caliper Studio

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Asian Cairns by Vincent Callebaut

Belgian architect Vincent Callebaut has developed a concept to introduce natural ecosystems into cities with designs for “farmscrapers” made from piles of giant glass pebbles for a site in Shenzhen, China (+ slideshow).

Asian Cairns by Vincent Callebaut

As a response to the rapid urbanisation going on in the country, Vincent Callebaut wanted to completely rethink the current structure of cities and do away with suburbs. “The more a city is dense, the less it consumes energy,” he explains.

Asian Cairns by Vincent Callebaut

He continues: “The challenge is to create a fertile urbanisation with zero carbon emissions and with positive energy. This means producing more energy that it consumes, in order to conciliate the economical development with the protection of the planet.”

Asian Cairns by Vincent Callebaut

The architect proposes a new type of urban habitat based on the rules of the natural world, with stacks of giant pebbles housing entire communities. All energy would be sourced from the sun and wind, anything produced would be recyclable and local expertise would be capitalised wherever possible.

Asian Cairns by Vincent Callebaut

Residents of each tower would also work there, reducing the need to travel. All food and commodities would be produced within the building, in suspended orchards and vegetables gardens, plus all waste would be fed back into the ecosystem.

Asian Cairns by Vincent Callebaut

“The garden is no more placed side by side to the building; it is the building!” says Callebaut. “The architecture becomes cultivable, eatable and nutritive.”

Asian Cairns by Vincent Callebaut

Entitled Asian Cairns, Callebaut’s proposals are for a series of six towers, with some containing as many as 20 glazed “pebbles”. A steel structure would create the curved shapes, while solar panels and wind turbines would be mounted onto the outer surfaces.

Asian Cairns by Vincent Callebaut

The project was commissioned by private Chinese investors.

Asian Cairns by Vincent Callebaut

Vincent Callebaut has developed a number of conceptual architecture projects in recent years. In 2010 he revealed a conceptual transport system involving airships powered by seaweed and has also been working on a tower with the same structure as a DNA strand.

Asian Cairns by Vincent Callebaut

See more architecture proposals in China, including a Zaha Hadid-designed cultural complex in Changsha and a pair of opposing museums in Tianjin by Steven Holl.

Here’s a lot of extra information from Vincent Callebaut:


Sustainable Farmscrapers for Rural Urbanity, Shenzhen, China

From Rural Exodus to Chinese Urban Biosphere

At the end of 2011 in China, the number of inhabitants in the cities exceeded the number of inhabitants in the countryside. Whereas 30 years ago only one Chinese person out of five lived in the city, the city-dwellers represent now 51.27% of the total population of 1 347 billion of people. This urban population is supposed to increase to 800 million of inhabitants within 2020 spread mainly in 221 cities of at least one million of inhabitants (versus only 40 in Europe of the same scale) and 23 megapolis of more that five million of inhabitants.

Asian Cairns by Vincent Callebaut

According to Li Jianmin, an expert in demography from the Tianjin University, the Chinese population will be urban at 75% within 2030! Facing this massive rural exodus and the unrestrained acceleration of the urbanisation, the future models of the – green, dense and connected – cities must be rethought from now on! The challenge is to create a fertile urbanisation with zero carbon emissions and with positive energy, this means producing more energy that it consumes, in order to conciliate the economical development with the protection of the planet. The standard of living of everyone will thus be increased by respecting at the same time the standard of living of everybody.

Asian Cairns by Vincent Callebaut

The green city

The cities are currently responsible for 75% of the worldwide consumption of energy and they reject 80% of worldwide emissions of CO2. The contemporary urban model is thus ultra-energy consuming and works on the importation of wealth and natural resources on the one hand, and on the exportation of the pollution and waste on the other hand. This loop of energetic flows can be avoided by repatriating the countryside and the farming production modes in the heart of the city by the creation of green lungs, farmscrapers in vertical storeys and by the implantation of wind and solar power stations. The production sites of food and energy resources will be thus reintegrated in the heart of the consumption sites! The buildings with positive energies must become the norm and reduce the carbon print on the mid term.

Asian Cairns by Vincent Callebaut

The dense city

The model of main contemporary cities advocating the urban spread and based on the mono-functionality and the social segregation, must be rejected! Actually, the more a city is dense, the less it consumes energy. This is the end of ultra secured ghettos of rich people against quarters of huge poverty! This is the end of bedroom suburbs without any activity alternating with uniform commercial area and without any inhabitant! This is the end of museum city centres fighting against monofunctional business districts. This is the end of embolism of the all-car eating away the city centres! This is the end of the explosion of public and private transports devouring our lands because based on an obsolete geographical separation of housing and work! The social diversity and the functional diversity must be the key words to build more intelligent cities! Ecologically more viable, the dense, vertical and less spread city will constitute an attractive open pole and offering many services. The social will be reinvented!

Asian Cairns by Vincent Callebaut

The connected city

The information and communication technologies have now a major role in the development of city network and will be able to reduce the carbon emissions from 15 and 20% within 2020. The communication solutions such as the optic fibre and the satellite systems enable already thanks to their associated applications (videoconference, telecommuting, telemedicine, video surveillance, e-commerce, real time information, etc.). to reduce considerably the carbon emissions and to save the travel costs by reinforcing at the same time the economical dynamism and the attractiveness of the cities.

Based on innovation, the TIC solutions favour the diminution of physical goods and means of transport via the dematerialization. They empower also a clever logistics and a synchronisation of the production operations. Everything tends to new opportunities of profitable growth and to a saving with low carbon print. The sustainable development must thus enable to find innovative solutions for an economy resilient to climatic changes which is in total harmony with the biosphere in order to preserve the capabilities of the future generations to meet their needs.

Asian Cairns by Vincent Callebaut

The Biomorphism, the Bionic and the Biomimicry at the Service of the Renaturalisation of the City

The oldest living beings appeared 3.8 billion years ago. In terms of durability, the human societies are thus far behind the nature that made its proofs. If only 1% of the species survived by adapting themselves constantly without hypothecate the future generation and without any fuel, their subsistence merits the respect and reminds us the laws of their prosperity:

» The Nature works mainly with solar energy.
» It uses only the quantity of energy it needs.
» It adjusts the shape to the function.
» It recycles everything.
» It bets on the biodiversity.
» It limits the excess from the interior.
» It transforms the constraints into opportunities.
» It transforms waste into natural resources.
» It enhances the local expertise.

Based on these billions of years of Research and Development, new innovation approaches aiming at modifying the carbon balance, guide us to three additional scales operated by the contemporary biotechnologies: the shapes, the strategies and the ecosystems.

Asian Cairns by Vincent Callebaut

The Biomorphism is based only on shapes from the Nature, e.g. the vertical wings of the Steppes Eagle, the spiralling and hydro-dynamical shape of the nautilus, the ventilation of the termite mounds.

The Bionics is based on living strategies, natural manufacturing processes, e.g. the plasticity of the lilypads, the hyper-resistant structure of the hives in bee nests.

The Biomimicry is based on mature ecosystems and tends to reproduce all the interactions present in a tropical forest such as: the use of waste as resources, the diversification and the cooperation, the reduction of the materials at their strict minimum, e.g. the autogenerative agriculture, the reproduction of the photosynthesis process (main energy source of humanity), the production of bio-hydrogen from green algae.

Whereas the primary reason of architecture is since time immemorial to protect Man against Nature, the contemporary city desires by its emergent methods to reconciliate finally Man and the natural ecosystems! The architecture becomes metabolic and creative! The facades become as intelligent, regenerative and organic epidermis. They are matters in movement, recovered by free plants and adjust always the shape to the functionality. The roofs become the new grounds of the green city. The garden is no more placed side by side to the building; it is the building! The architecture becomes cultivable, eatable and nutritive. The architecture is no more set up in the ground but is planted into the earth and exchanges with it the organic matters changed in natural resources.

Asian Cairns, Towards a New Model of Smart City

Benefiting from its privileged geographical position in the heart of the Chinese megalopolis of the Delta of the Pearl River, Shenzhen faces a spectacular economic and demographic development. Since the return of Hong Kong to China, both cities have been merging together and constitute now one of the greatest Chinese metropolises with more than 20 billions of inhabitants! In this context of hyper growth and accelerated urbanism, the “Asian Cairns” project fights for the construction of an urban multifunctional, multicultural and ecological pole. It is an obvious project to build a prototype of green, dense, Smart city connected by the TIC and eco-designed from biotechnologies!

Asian Cairns by Vincent Callebaut

Three interlaced eco-spirals

The master plan is designed under the shape of three interlaced spirals that represent the 3 elements which are fire, earth and water, all organised around air in the middle. Each spiral curls up around two magalithic towers and forms urban ecosystems implanting the biodiversity in the heart of the City under the shape of vast public orchards and urban agriculture fields. Huge basins of viticulture and vast lagoons of phyto-puration recycle the grey waters rejected by the inhabited vertical farms.

Six multifunctional farmscrapers

The six gardening towers engraved in a Golden Triangle pile up a mixed programmation superimposing farmingscrapers cultivated by their own inhabitants. Like our Dragonfly project in New York, the aim is to repatriate the countryside in the city and to reintegrate the food production modes into the consumption sites. The megalithic towers are based on cairns, artificial stone heap present on the mountains to mark out the hiker tracks. Clever exploits of the construction, these six towers pile up housing, offices, leisure spaces in the monolithic pebbles superimposed on each other along a vertical central boulevard. This central boulevard constitutes the structural framework of each tower. It choreographs the human flows, distributes the natural resources and digests the waste by sorting and selective composting. True city quarter piling up mixed blocks, these cairns make the urban space denser by optimising also the quality of life of its inhabitants by the reduction of means of transport, the implantation of a home automation network, the re-naturalisation of the public and private spaces and the integration of clean renewable energies.

Asian Cairns by Vincent Callebaut

These six farmscrapers are pioneer towers aiming at the 10 following objectives:

1. The diminution of the ecological footprint of this new vertical eco-quarter enhancing the local consumption by its food autonomy and by the reduction of means of road, rail and river transport.
2. The reintegration of local employment in the primary and secondary sectors coproducing the fresh and organic products to the city dwellers who will be able to reappropriate the knowledge of the farming production modes.
3. The recycling in short and closed loop of the liquid or solid organic waste of the used waters by anaerobe composting and green algae panels producing biogas by accelerated photosynthesis.
4. The economy of the rural territory reducing the deforestation, the desertification and the pollution of the phreatic tables.
5. The oxygenation of the polluted city centres whose air quality is saturated in lead particles.
6. The production of a vertical organic agriculture of fruits and vegetables limiting the systematic recourse to pesticides, insecticides, herbicides and chemical fertilizers.
7. The saving of water resource by the recycling of urban waters, spraying waters and the evapo-sweated water by the plants.
8. The protection of the biodiversity and the development of eco-systemic cycles in the heart of the city.
9. The diminution of the sanitary risks by the disappearance of pesticides noxious for the health and by the fertility and total protection of the phreatic tables.
10. The diminution of the recourse to fossil fuel needed for the conventional agriculture in long cycle for the refrigeration and the transport of the goods.

Asian Cairns by Vincent Callebaut

Hundred of bioclimatic pebbles with positive energy

Each pebble is a true eco-quarter of this new model of vertical city. Structurally, they are made of steel rings which arch around the horizontal double-decks. These rings are linked to the central spinal column by Vierendeel beams that enable a maximum of flexibility and spatial modularity. These huge beams form a plan in cross that welcomes the individual programmation of each pebble. The interstitial spaces between this cross and the megalith skin welcome great nutritive suspended gardens under the shape of farming greenhouses.

True living stones playing from their overhanging position, the crystalline pebbles are eco designed from renewable energies. An open-air epidermis of photovoltaic and photo thermal solar cells as well as a forest of axial wind turbines covers the zenithal roofs punctuated by suspended orchards and vegetable gardens. Each pebble presents thus a positive energetic balance on the electrical hand and also on the calorific or food hand.

The “Asian Cairns” project syntheses our architectural philosophy that transforms the cities in ecosystems, the quarters in forests and the buildings in mature trees changing thus each constraint in opportunity and each waste in renewable natural resource!

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The Beam by MVRDV and de Alzua+

Dutch office MVRDV and French architects de Alzua+ have won a competition to re-masterplan the French town of Villeneuve d’Ascq and are proposing a building that cantilevers over a motorway.

As the first phase in a wider redevelopment programme, the mixed-use complex is intended to signify the presence of the town to passing drivers. At present a number of oversized shopping malls are the only thing visible from the motorway, so the architects wanted to create a visual reference for the town centre.

The Beam by MVRDV and de Alzua+

Buildings are to be arranged around a series of grassy courtyards and will contain shops, offices and a new hotel. Surface parking areas that currently occupy the site will be relocated underground, freeing up space for pedestrian pathways.

MVRDV and de Alzua+ are progressing the plans alongside development corporation ADIM Nord. Construction is scheduled to begin in 2015.

The Beam by MVRDV and de Alzua+

MVRDV has completed a number of projects in recent months, including a shop and office complex disguised as an old farmhouse and a public library inside a glass pyramid. See more architecture by MVRDV.

Here’s a project description from MVRDV:


MVRDV win Competition with ‘The Beam’, Marking the Urban Renewal of Villeneuve d’Ascq, France

Development corporation ADIM Nord with MVRDV and de Alzua+ have been announced the winners of an urban renewal competition in the French town of Villeneuve d’Ascq, beating four other entries. The masterplan for a crucial site in the town centre adjacent to an inner city motorway, is the starting point of a wider regeneration of the area’s public space. An iconic building, The Beam, will hover over the motorway signalling urban renewal and acting as visual reference point for the town’s centre. A hotel, offices and retail space, totalling 15.000 m2, will be built on the site of a former petrol station, with construction expected to start in 2015.

Villeneuve d’Ascq is a new town located near Lille in the very north of France. The Beam will be icon of a larger urban generation effort in the town centre which is currently characterised by parking lots, large volumes and undefined green spaces. On an urban level the masterplan aims at a more sustainable form of development by densifying the town centre and adding identity and diversity to the site. The creation of pedestrian zones, and the demarcation and connection of the existing green spaces together also form part of the plan.

The parking spaces on the main square will be relocated into a 274 space underground car park on the new site. The adjacent buildings, which face away from the site will be extended to form urban blocks; each with a green patio at its centre. At the corner of the inner city motorway and the service road leading towards the main square of Villeneuve d’Ascq, The Beam will create an address for the town centre on the motorway.

The site, one of the few places visible from this sunken dual-carriageway, allows the town centre to be visible to drivers passing by. The project is currently under development and will contain offices, a hotel and some retail space with a total area of around 15,000 m2, and the underground car park offering 274 parking spaces. The team ADIM with MVRDV and co-architect Jérôme de Alzua beat four competitors in a competition organised by Commune de Villeneuve d’Ascq.

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OMA chosen to masterplan Airport City in Qatar

News: Rem Koolhaas’ studio OMA has been selected to masterplan a business and residential development linking the city of Doha in Qatar with the new Hamad International Airport.

Called Airport City, OMA’s 10-square-kilometre masterplan comprises four districts along a “green spine” running parallel with the airport’s runways.

OMA chosen to masterplan Airport City in Doha

The spine of public spaces, gardens and plazas will connect the business and logistics districts with an aviation district and a residential area adjacent to the new Doha Bay Marina.

The first phase of the 30-year masterplan is expected to be complete by 2022, when Qatar will host the FIFA World Cup.

OMA chosen to masterplan Airport City in Doha

OMA co-founder Rem Koolhaas said: “[The project] is perhaps the first serious effort anywhere in the world to interface between an international airport and the city it serves.”

The competition team was led by OMA partners Iyad Alsaka, Reinier de Graaf, Rem Koolhaas and OMA associate Katrin Betschinger in collaboration with engineering consultants WSP.

OMA recently revealed designs for a department store in Kuwait City inspired by the galleries of a traditional Arab market – see all architecture by OMA.

Dezeen filmed a series of interviews with Koolhaas during the OMA/Progress show at London’s Barbican centre in 2011 and an introduction to the Garage Center for Contemporary Culture he’s working on in Moscow.

Other masterplans we’ve reported on lately include SHoP Architects’ cluster of hollow skyscrapers for New York City and a complex of residential towers in Bratislava by Zaha Hadid – see all masterplans.

Here’s more information from OMA:


OMA masterplans Airport City for HIA Airport in Doha, Qatar

After winning an international competition, OMA has been announced as masterplanners for Airport City, a new 10 sq km development where 200,000 people will live and work, linking the new Hamad International Airport with the city of Doha, Qatar. OMA’s masterplan is a series of four circular districts along a spine parallel to the HIA runways, intended to create a strong visual identity and districts with unique identities. Phase One of the 30-year masterplan, which links airside and landside developments for business, logistics, retail, hotels, and residences, will be mostly complete in time for the 2022 World Cup, hosted by Qatar.

Rem Koolhaas commented: “We are delighted and honored to participate in the exciting growth of Doha, in a project that is perhaps the first serious effort anywhere in the world to interface between an international airport and the city it serves.”

Partner-in-charge Iyad Alsaka commented: “Doha’s Airport City is an important addition to the realisation of OMA’s work in urbanism and will incorporate unprecedented transport planning opportunities; we look forward to collaborating with the HIA to meet the objectives of this ambitious project.”

Each district of Airport City will be unique within the masterplan’s overall identity. The Business District will centre on a major new transport hub linking with greater Doha; the Aviation Campus will accommodate office headquarters and educational facilities for aviation authorities; the Logistics District will provide cargo and warehousing facilities; and the Residential District, adjacent to the new Doha Bay Marina, will accommodate future employees. A Green Spine connects the districts, echoing their individual identities as it runs north-south. The landscaping scheme, developed by Michel Desvigne, is a new public space for Doha that will be used by residents and tourists. A network of public spaces, gardens and plazas will stretch across the site, surrounded by a “Desert Park”.

The competition team was led by OMA partners Iyad Alsaka, Reinier de Graaf, Rem Koolhaas and OMA Associate Katrin Betschinger in collaboration with engineering consultants, WSP. The Airport City masterplan and development of its individual elements is being led by Partner-in-charge Iyad Alsaka, Project Director Slavis Poczebutas and Associate Katrin Betschinger. Before the 2022 World Cup, Airport City infrastructure and utilities will be completed along with the Western Taxiway and Aircraft Parking System adjacent to the HIA 2nd runway, the HIA Visa Building, and the visual concept planning of the future transport hub.

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Bratislava Culenova New City Centre by Zaha Hadid Architects

Zaha Hadid Architects has unveiled designs for a complex of towers in Bratislava’s city centre (+ slideshow).

Bratislava Culenova New City Centre by Zaha Hadid Architects

The architects won a competition in 2010 to design the mixed-use masterplan, which proposes seven curving tower blocks surrounding a public plaza in the east of the Slovakian capital.

Bratislava Culenova New City Centre by Zaha Hadid Architects

A decommissioned coal-fire power station sits at the centre of the site and will be converted into an art gallery as part of the project, while a series of additional pavilions will be constructed alongside.

Bratislava Culenova New City Centre by Zaha Hadid Architects

The plans are laid out as a network of circular and elliptical patterns, with pathways weaving between residential and commercial buildings, plus landscaped seating areas stepping up over the rooftops of shop units.

Bratislava Culenova New City Centre by Zaha Hadid Architects

An underground parking area will be included on a basement floor and will be accessed by raised entrances around the site perimeter.

Bratislava Culenova New City Centre by Zaha Hadid Architects

Also this month, Zaha Hadid has been appointed by the Mayor of London to develop plans for a major new airport and launched a range of twisting auditorium seats. See more design by Zaha Hadid.

Bratislava Culenova New City Centre by Zaha Hadid Architects

Here’s a project description from Zaha Hadid Architects:


Bratislava Culenova New City Centre

The design is based on a dynamic field strategy which organises the new city centre’s program along a gradient of circular and elliptical patterns. A fluid field emerges from the underlying matrix in a series of larger tower extrusions towards the site’s perimeter and intermediate scale pavilion-like structures surrounding the cultural plaza adjacent to an existing decommissioned power station.

Bratislava Culenova New City Centre by Zaha Hadid Architects

Above: building design diagram

To activate the ground throughout the whole site and provide public spaces of the highest quality, the underground car parking is covered by a one storey high modulated platform, which is perforated at strategic points for day-lit spaces that accommodate retailing, landscaped parks and various points of interest such as the cultural centre, museum shop, conference space and event halls.

Bratislava Culenova New City Centre by Zaha Hadid Architects

Above: landscape design diagram

Towards the site’s perimeter the platform is slightly raised at specific points to define the site’s edge and accommodate programmatic points of interest, access points to the parking levels below and access to office and residential towers above. At other strategic zones, the platform lowers to merge with the surrounding city level to link the new urban parks and plazas with the surrounding city fabric.

Bratislava Culenova New City Centre by Zaha Hadid Architects

Above: concept masterplan – click for larger image

The scheme creates density via efficient high-rise structures while providing a generous and highly activated ground level with public spaces that are gradually differentiated within a 3-dimensional field condition.

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Allowing greenfield development would “wreck” London – Richard Rogers

Richard Rogers, photo by Andrew Zuckermann

News: relaxing planning restrictions on the green belt would destroy London’s vitality “even more surely than it would despoil the countryside,” architect Richard Rogers has warned.

“I do not say this as a rural nimby, though I treasure England’s natural landscape, but as a defender of cities,” writes Rogers in the London’s Evening Standard newspaper, arguing that the city’s mix of jobs, shops, restaurants, parks and nightlife acts as “a magnet to people from across the globe.”

“Letting the city sprawl would undermine this mix and intensity, reversing the rebirth of city-centre living,” he warns, saying suburban sprawl not only leads to “social atomisation” but becomes “environmentally disastrous” as car journeys displace public transport.

To solve the UK’s housing crisis, architects, planners and developers “need to show ingenuity” by redeveloping thousands of hectares of brownfield land as well as empty offices and houses across the country – but simply converting buildings is not enough, he argues.

“It will not create homes or communities unless intelligent urban design and planning also create the schools, shops and public transport hubs civilised life demands.

“And why should we rush to convert office blocks when we already have three-quarters of a million homes in England lying empty, and sites with planning permission for 400,000 more?”

According to homeless charity Shelter, the government’s plan to build 150,000 “affordable” homes – priced below market rates – over four years will provide less than a third of what is needed, with over 1.7 million households currently on local authority housing waiting lists.

UK planning minister Nick Boles recently called for an area of countryside twice the size of Greater London to be built on in order to solve the growing housing crisis.

In the US, New York mayor Michael Bloomberg last year announced plans for “micro-unit” apartments to help solve the shortage of small homes in Manhattan, while San Francisco city chiefs have voted to allow the development of apartments as small as 20 square metres.

Rogers’ firm recently completed a set of six-sided apartment blocks beside the Tate Modern art gallery in central London – see all projects by Rogers Stirk Harbour + Partners.

Photograph by Andrew Zuckerman.

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“wreck” London – Richard Rogers
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Konza Techno City masterplan by SHoP Architects

Manhattan-based firm SHoP Architects has sent us a movie and more images illustrating its masterplan for Konza Techno City, a new “silicon” city 40 miles from Kenya’s capital Nairobi (+ movie).

Konza Techno City masterplan by SHoP Architects

Above: entry plaza

Work is already underway on the pavilion that forms part of the first phase of SHoP Architects’ masterplan for Konza Techno City, a business and technology hub that’s been dubbed Kenya’s “silicon savannah”.

Konza Techno City masterplan by SHoP Architects

Above: university campus

The $14.5 billion project will transform an area of grassland into a city of 250,000 residents. The city is expected to generate up to 200,000 jobs by the time its final phase is completed in 2030.

Konza Techno City masterplan by SHoP Architects

Above: business district

The first phase, to be built over five years, will house 30,000 residents and be shaped like a row of “stitches” in the overall masterplan, the architects told Dezeen.

Konza Techno City masterplan by SHoP Architects

Above: technology and life sciences district

The east-west axis of the first phase includes a boulevard of green spaces with bridges over the wide motorway leading to Nairobi.

Konza Techno City masterplan by SHoP Architects

Above: Konza Techno City pavilion

The four initial north-south axes will comprise, from west to east, a university, a residential area, a technology and life sciences district and a business district.

Konza Techno City masterplan by SHoP Architects

Above: Konza Techno City pavilion entrance

The stitch pattern is designed as a framework for the later growth of the city, which will be made up of criss-crossing horizontal and vertical bands.

Above: Konza Techno City pavilion entrance

The areas between the bands are expected to grow organically without specific planning.

Konza Techno City masterplan by SHoP Architects

Above: masterplan structure

SHoP Architects took over the masterplan after the Kenyan government rejected an earlier proposal by UK-based firm Pell Frischmann, some images from which we included in the launch of Konza Techno City last week.

Konza Techno City masterplan by SHoP Architects

Above: phase one

SHoP Architects is the firm behind the Atlantic Yards development in Brooklyn, New York, which includes a 32-storey residential tower set to be the world’s tallest modular building and the Barclays Center, a 19,000-seat indoor sports arena that opened last year.

Konza Techno City masterplan by SHoP Architects

Above: green spaces in phase one – click above for larger image

Other masterplans we’ve reported on recently include the redevelopment of Darling Harbour in Sydney by architecture firms OMA, Hassell and Populous and a plan to redesign Futian District in Shenzhen, China, as a “garden city”.

Konza Techno City masterplan by SHoP Architects

Above: phase one programme – click above for larger image

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Konza Techno City masterplan by SHoP Architects

Above: Konza Techno City pavilion model

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Four Freedoms Park by Louis Kahn

These new shots by photographer Ty Cole document the scene at Louis Kahn’s Four Freedoms Park in New York, which opened to the public in autumn 2012 almost 40 years after it was designed (+ slideshow).

Four Freedoms Park by Louis Kahn

American architect Louis Kahn was appointed to design the park in 1973 to commemorate the life and work of President Roosevelt, whose seminal Four Freedoms speech in 1941 called for freedom of speech, freedom of worship, freedom from want and freedom from fear.

Four Freedoms Park by Louis Kahn

Stretching out across the East River at the southernmost tip of Welfare Island, the park was envisioned as a triangular plain that directs a forced perspective towards a statue of the then president.

Four Freedoms Park by Louis Kahn

The architect died shortly after completing the design and funding issues prevented construction for another 38 years, during which time the island was renamed Roosevelt Island. In 2010, as part of the mayor’s plans to develop the area into a new residential community, Kahn’s plans were put back into action.

Four Freedoms Park by Louis Kahn

The completed park opened to the public on 24 October 2012, with a bronze bust of Roosevelt created by artist Jo Davidson as its focal point.

Four Freedoms Park by Louis Kahn

A granite terrace sits beyond the artwork, creating a contemplative space that Kahn referred to as “The Room”.

Four Freedoms Park by Louis Kahn

Five copper beech trees mark the entrance to the park, while two rows of linden trees line the edge of the triangular central lawn.

Four Freedoms Park by Louis Kahn

Louis Kahn is revered as one the greatest architects of the twentieth century. Four Freedoms Park is his final work, but his best-known designs include the Phillips Exeter Academy Library in New Hampshire and the Kimbell Art Museum in Texas.

Four Freedoms Park by Louis Kahn

In 2008 we featured new photographs of Kahn’s 1961 project Esherick House, which was just about to be sold at auction.

Four Freedoms Park by Louis Kahn

See more photography by Ty Cole on his website.

Four Freedoms Park by Louis Kahn

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Kenyan silicon city under construction

Kenya starts construction of Konza Technology City

News: the Kenyan government has commenced work on Konza Technology City, a £9.1 billion IT and business hub dubbed “Africa’s Silicon Savannah”.

Located almost 40 miles south-east of the capital Nairobi, Konza Technology City is expected to create more than 20,000 IT jobs by 2015, and around 200,000 jobs by the time it’s completed in 2030.

The 2011-hectare site will have a residential area comprising around 37,000 homes to accommodate 185,000 people.

Over 600 hectares of Konza will be marked off as green corridors, and Kenya Wildlife Conservancy has pledged to safeguard the ecology of the surrounding savannah.

Kenya starts construction of Konza Technology City

Above: plan for Konza Technology City
Top image: visual concept for Konza 

“It is expected to spur massive trade and investment as well as create thousands of employment opportunities for young Kenyans,” said Kenya’s president Mwai Kibaki at the groundbreaking ceremony.

The project, which is part of the government’s Vision 2030 initiative to improve the Kenya’s infrastructure, is also set to include a university campus, hotels, schools, hospitals and research facilities.

Kenya starts construction of Konza Technology City

Above: the site for Konza

We recently reported on a high-density, car-free city for 80,000 people being built from scratch in rural China, while a South Korean firm has developed a system of concrete modules for building the country’s answer to California’s Silicon Valley.

Other major masterplans around the world we’ve featured include a new district to double the size of Moscow and the redesign of the huge Futian District of Shenzhen, China.

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Developers building crime-free private city outside Guatemalan capital

Guatemala developers build private city

News: developers are building a private city on the outskirts of Guatemala City as a safe haven from the crime-ridden capital.

Paseo Cayala is a 14-hectare development of apartments, shops, nightclubs, boutiques and restaurants contained inside white walls at the edge of the city, reports the Huffington Post.

The scheme’s developers promote Cayala as a safe haven from the capital’s dangerous and congested streets, and hope to eventually expand the project into a new private city spread across 352 hectares.

Access is by car through a single gate leading to an underground garage, from which visitors emerge through covered escalators onto streets patrolled by armed guards.

Guatemala developers build private city, photo by Andrea Quixtain

“Cayala gives a new opportunity for Guatemalans to live without the fear of violence,” said one resident, nightclub owner Diego Algara.

The first phase of the Paseo project has 110 apartments, with prices ranging from $260,000 to $800,000. Developers say the first of the two buildings has sold 80% of units, despite the average Guatemalan earning less than $300 a month.

However, its detractors say it will segregate the country’s wealthiest citizens from the urban poor.

“Cayala sells an illusion that everything is okay, but it is not open to all people,” said local architect Carlos Mendizabal. “[It] tries to imitate a historic centre, the way people move around an urban city, but it fails because it is not a city.”

Last year we reported that the government of Honduras had approved the creation of three privately run cities with their own police, laws, government and tax systems.

Work is also about to start on a high-density, car-free “satellite city” for 80,000 people in a rural location near Chengdu, China.

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