Don Giovanni set design by Frank Gehry

Architect Frank Gehry filled a stage with crumpled paper for a recent production of the Mozart opera Don Giovanni (+ slideshow).

Don Giovanni set design by Frank Gehry

The performances took place at the Walt Disney Concert Hall in Los Angeles, the venue designed by Gehry that opened back in 2003.

Don Giovanni set design by Frank Gehry

White platforms were scattered amongst the scrunched-up lengths of paper and could be moved around to create a huge staircase at the centre of the stage.

Don Giovanni set design by Frank Gehry

The orchestra surrounded the performance from the back rather than the front, bringing the audience closer to the action.

Don Giovanni set design by Frank Gehry

The production was the first in a trilogy of operas written by Mozart and librettist Lorenzo da Ponte that the LA Philharmomic is staging over three years and the other two will reportedly feature set designs by architects Zaha Hadid and Jean Nouvel.

Don Giovanni set design by Frank Gehry

Frank Gehry also recently designed a theatre in New York, which you can see here.

Don Giovanni set design by Frank Gehry

Other architects to have designed stage sets include OMA and John Pawson.

Don Giovanni set design by Frank Gehry

See all our stories about set design »

Don Giovanni set design by Frank Gehry

Photography is by Autumn de Wilde.

Here are the full details of the show from the organisers:


The Los Angeles Philharmonic have revealed the complete creative team and full cast for Don Giovanni, the first installment of an ambitious three-year Mozart/Da Ponte opera project presented at Walt Disney Concert Hall. Joining Gustavo Dudamel, the Los Angeles Philharmonic, and Frank Gehry are Kate and Laura Mulleavy, founders of fashion house Rodarte, and acclaimed director Christopher Alden. One of the most celebrated young interpreters of the role, Polish baritone Mariusz Kwiecien will lead an international cast as Don Giovanni, sharing the stage with equally notable soloists.

Three of the greatest operas ever written were collaborations between librettist Lorenzo da Ponte and composer Wolfgang Amadeus Mozart: The Marriage of Figaro, Don Giovanni and Così fan tutte. Over the next three years, the LA Phil will present the trilogy (one opera each season), each conducted by Gustavo Dudamel. Set designs will be created by three of the most influential architects of our time, and each architect will work with leading fashion designers to create a unique and distinctive visual setting for each of these timeless masterpieces. Each complete opera performance will be a Walt Disney Concert Hall first.

In a fitting beginning, Don Giovanni brings together an acclaimed, Los Angeles-based team. Architect Frank Gehry returns to Walt Disney Concert Hall – the landmark building of his own design that not only transformed Los Angeles, but is now one of the most recognized architectural structures in America – to create an environment uniquely imagined for this auditorium.

“This is an inspiring opportunity to work with my friends at the Los Angeles Philharmonic. This is a project very close to Gustavo Dudamel’s heart. He knows the music like the back of his hand, and has a unique vision that I find very exciting,” says Gehry. “Kate and Laura’s work reminds me of my early days – it is free and fearless and not precious.”

Gehry envisions a set that he describes as a “moving still-life on the stage” that works in concert with the costumes and supports the music of Don Giovanni. Gehry’s modifications will place the orchestra upstage on raised lifts approximately three and a half feet above the action taking place downstage. The choir benches will be removed to allow space for the orchestra. This layout aims to create a unified ensemble between the orchestra and soloists, with a focus on the action at the front of the stage, creating intimacy between the soloists and audience. This configuration has recently been tested in a rehearsal with Gustavo Dudamel and Yasuhisa Toyota, the chief acoustician who collaborated with Gehry and the Los Angeles Philharmonic to develop Walt Disney Concert Hall’s visual and acoustic designs.

California natives, Kate and Laura Mulleavy- the creative force behind the internationally recognized fashion house Rodarte- make their operatic costume debut. Founded in Los Angeles in 2005, Rodarte is the winner of the Cooper Hewitt 2010 National Design Award for fashion and the designers and creators of the ballet costumes for the Academy Award winning film, Black Swan. Admirers of Gustavo Dudamel and Frank Gehry, Kate and Laura are honored to be a part of the Don Giovanni creative team. “Frank Gehry is an incredible artist and brilliant innovator whose unparalleled vision has redefined the modern landscape. We are great admirers of Gustavo Dudamel’s masterful and inspired direction,” says Kate and Laura. “Opera has always been a part of us; our grandmother was from Rome and studied it as a young girl. To be a part of the legacy of Don Giovanni is an amazing opportunity. Working with Frank Gehry in the concert hall that he designed, alongside Gustavo Dudamel and the Los Angeles Philharmonic, is a dream.” Kate and Laura’s ambition is to create a timeless context for Mozart’s characters, bringing together tradition and their unique point of view.

Director Christopher Alden belongs to a generation of modernist directors known for his use of contemporary imagery and, on occasion, minimalist visual style. He has an eye for bold theatrical gestures that are dramatically effective and his approach to stagecraft is driven by a desire to reveal how powerfully opera stories can resonate with modern experience. Alden has said that “however fascinating the era in which an opera was composed may be, I have a primary responsibility to the world we live in now.” Christopher Alden replaces Paul Curran, who had to step down from the production due to scheduling issues.

Le nozze di Figaro, the second installment of the LA Phil’s Mozart/Da Ponte trilogy, will be performed in May 2013, and the trilogy will conclude with a production of Così fan tutte in May 2014.

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by Frank Gehry
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Frank Gehry: ‘There’s a backlash against me’ – Observer


Dezeen Wire:
architect Frank Gehry discusses how the success of the Bilbao Guggenheim sparked an inevitable backlash against iconic architecture in an interview with architecture critic Rowan Moore, but says expression is still a fundamental quality of his buildings – Observer

You can see more stories about Frank Gehry here, including the rippled steel skyscraper he completed in New York last year.

“Frank Gehry turns to Asia for architecture projects as U.S. growth slows”- Bloomberg


Dezeen Wire:
 architect Frank Gehry has confirmed that he has submitted designs for projects in China and India as difficult economic conditions in the US have led to a decline in development – Bloomberg

Gehry has stated that he would prefer to work on projects in California or New York to avoid having to travel but is being forced to look elsewhere in order to procure work for the 100 employees at his Los Angeles office.

It has been a turbulent month for Gehry, with the development of his new Guggenheim museum in Abu Dhabi currently on hold due to financial cutbacks and his design for the Eisenhower Memorial in Washington being criticised, while he has also founded a strategic alliance of top architects to confront inefficiency in the building sector.

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Gehry admits criticism of proposed Eisenhower Memorial has been “mostly fair”

Dezeen Wire: American architect Frank Gehry has said that ”people are asking good questions” about his divisive design for a memorial to America’s 34th president, Dwight D. Eisenhower.

The proposal features large metal tapestries hung from 80-foot-tall columns and set in a landscaped park. At a presentation to fellow architects at the Corcoran Gallery of Art in Washington on Tuesday evening, Gehry insisted that concerns voiced by the public and Eisenhower’s grandchildren about the concept and scale of the project would be taken on board ahead of a planning application on 1 December – The Associated Press

Frank Gehry creates strategic alliance of leading architects


Dezeen Wire:
architect Frank Gehry has invited some of the world’s leading architects and designers to join an advisory board that aims to identify ways to achieve a higher quality of built environment through intelligent design.

Architectural luminaries including Zaha HadidMoshe Safdie and Ben van Berkel of UNStudio have agreed to serve on Gehry Technologies‘ Advisory Board, which will meet virtually on a monthly basis and annually in person to discuss the best ways to tackle global issues through design.

Here is the full announcement from Gehry Technologies:


Architectural Leaders Join Frank Gehry to Form Strategic Alliance Dedicated to Transforming the Building Industry Through Technology

Gehry Technologies (GT), a global leader in applying technology to building industry challenges, today announced that Co-founder and Chairman, Frank Gehry, has brought together the world’s most distinguished architects and designers to form a strategic alliance furthering his vision to transform the building industry and the practice of design. As part of today’s announcement, this core group of renowned architects will also serve on Gehry Technologies’ board of advisors.

“The building industry has been slowly but steadily moving toward minimizing individual responsibility and away from producing architecture that solves clients’ and communities’ problems,” offered Frank Gehry. “I am dedicated to giving architects better control of process so that they can deliver the fruits of their imagination, which is what our clients expect. I have gathered a group of my friends together who believe in this mission as much as I do and who can help me find the solutions that will ultimately lead to better buildings throughout the world.”

Alliance objectives

The alliance intends to enable new approaches to design through technology, to create more effective industry processes and a higher quality built environment. By applying and innovating new technology solutions to old problems such as waste, delay, and miscommunication, this new alliance will lead the process change that the AEC industry needs to confront future challenges. The group represents a new type of professional organization for the 21st century, one which embraces the possibility of technology to empower design. The alliance will work together to drive technology innovations that support the central role of design in the creation of culture.

This group will work collectively with GT to realize and demonstrate better ways of achieving project outcomes: higher quality, more efficient, and cost effective projects. Most importantly, the alliance wants to ensure a context for professional work where the best designs and the best facilities can be realized. GT’s management team-led by CEO Dayne Myers-will be bolstered with the unprecedented experience and strategic guidance of the world’s leading architects, builders and visionaries. They will test, use and support emerging GT innovations and high-profile projects; participate in marketing and public relations initiatives; and catalyze AEC industry change

Initial Alliance and Board members include:

Ben van Berkel, David Childs , Massimo Colomban, Frank Gehry, Zaha Hadid, Greg Lynn, Laurie Olin, Wolf Prix, David Rockwell, Moshe Safdie, Matthias Schuler, Patrik Schumacher and Richard Saul Wurman

“We are honored to add such legendary expertise and industry thought leadership to the GT advisory team,” said Dayne Myers. “Their combined experience, ideas and insights will be instrumental in shaping our offerings to the market. This kind of resource is truly invaluable toward shaping our growth and leadership moving forward.”

The advisors will come together today for their inaugural meeting, which will take place at the Marketing Center at 7 World Trade Center in New York. Discussion topics will include: demonstrations of new GT technologies and initiatives; the future of design; and the role of technology in design.
The board of advisors will continue to meet virtually on a monthly basis, with an annual in-person session.

About Gehry Technologies

GT provides design and project management technology and consulting services to leading owners, developers, architects, engineers, general contractors, fabricators, and other building industry professionals worldwide. GT solutions increase creativity and control; reduce project risks, costs, and completion times; and improve processes and decisions through collaboration, project visibility, and information access. GT is privately held, with offices in Los Angeles, New York, Paris, Mexico City, Abu Dhabi, Hong Kong, Shanghai, and Beijing. For more information about Gehry Technologies, visit www.gehrytech.com.

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New York by Gehry

Voici le dernier projet de l’architecte Frank Gehry pour la construction d’un nouveau gratte-ciel en plein Manhattan. Cette tour intitulée New York by Gehry sera d’une hauteur de 265 mètres, pour plus de 900 appartements. Un aspect moderne à découvrir dans la suite.



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New World Centre by Frank Gehry

New World Centre by Frank Gehry

The New World Symphony’s orchestral academy designed by Frank Gehry opened yesterday in Miami Beach, Florida.

New World Centre by Frank Gehry

Called New World Centre, the building includes a 756-seat performance hall surrounded by ‘sails’ that reflect sound and act as projection screens.

New World Centre by Frank Gehry

The 80 foot-high glass curtain wall displays activity within to the surrounding neighbourhood and is designed to invite passers-by to enter the main atrium, where tumbling forms enclose the building’s smaller rooms.

New World Centre by Frank Gehry

The facade features a 7,000 square-foot projection wall onto which live concerts can be projected and enjoyed by visitors in the adjacent 2.5-acre Miami Beach SoundScape landscaped park, designed by Dutch firm West 8.

New World Centre by Frank Gehry

More about Frank Gehry on Dezeen »

New World Centre by Frank Gehry

Photographs are by Claudia Uribe unless otherwise stated. Drawings are courtesy of New World Symphony.

The information below is from the New World Symphony:


GRAND OPENING OF NEW WORLD CENTER IN MIAMI BEACH

New civic and cultural landmark, designed by Frank Gehry in close collaboration with Michael Tilson Thomas, is the first purpose-built home for New World Symphony

New World Symphony, America’s Orchestral Academy, marks a new era for classical music with the inauguration of the institution’s first purpose-built home, an extraordinary new facility in the center of Miami Beach. Designed by Frank Gehry in close collaboration with the New World Symphony’s founder and artistic director Michael Tilson Thomas, New World Center opens up exciting new possibilities in the way music is taught, presented and experienced and dramatically advances New World Symphony’s mission to provide exceptional professional training for the gifted young music school graduates who are its Fellows.

New World Centre by Frank Gehry

“The opening of this extraordinary building is the beginning of a wonderful adventure and exploration,” said Michael Tilson Thomas. ”Not only are we marking a new era for this organization and giving our musicians an unrivalled facility in which to learn and achieve their potential, but we are also inviting everyone to experience classical music in a new kind of space—one that is designed to engage and to energize, and that will move people from around the world to think about music in new ways.”

At the heart of New World Center is a flexible and technologically sophisticated 756-seat performance hall, featuring large acoustically reflective “sails” that surround the audience with sound and also serve as video projection surfaces.

New World Centre by Frank Gehry

Above image is by Todd Eberle. New World Symphony founder Michael Tilson Thomas in New World Center Atrium

Directly adjacent to the 100,641-square-foot building is the new Miami Beach SoundScape, a landscaped 2.5- acre public space into which New World Symphony will extend its programming. Together, the building and the public space create a dynamic new city center and a geographical “heart” from which civic, cultural, recreational, tourist and leisurely activity will radiate.

Six days of opening festivities will showcase the new building’s remarkable capabilities. Events include the world premiere of a commissioned work for orchestra by acclaimed composer Thomas Adès; video projections within the performance hall, including a new work by filmmaker Tal Rosner and the world premiere of a series of animations developed in collaboration with the University of Southern California (alma mater of Michael Tilson Thomas and Frank Gehry) and its School of Cinematic Arts; outdoor video projections of a new work by Tal Rosner and digital artist C.E.B. Reas; an outdoor wallcast of a live concert; the introduction of new concert formats designed to engage and broaden audiences; an architecture symposium; live outdoor entertainment; and fireworks.

New World Centre by Frank Gehry

Above image is by Tomas Loewy. New World Symphony founder Michael Tilson Thomas in New World Center Atrium

Frank Gehry stated, “I am very proud of this building, which results from a close working relationship with my lifelong friend Michael Tilson Thomas and brings to life his dream for New World Symphony and the entire world of classical music. I hope the spirit of creative engagement that Michael and I have enjoyed will live on in the building’s spaces. They are designed to encourage young musicians, their mentors and their audiences to try new things, interact in new ways and remain open to new experiences.”

According to Howard Herring, President and CEO of New World Symphony, “What we have with the opening of New World Center is a set of unprecedented opportunities. Opportunities for the best young orchestral musicians in the world, our Fellows, to learn to surpass themselves. Opportunities for the public, inside and outside this building, to become engaged in the Fellows’ journey, and feel their thrill of discovery. Opportunities to reinvent, and reimagine, the way classical music is taught, performed, programmed and experienced. From the infinitely varied projections on the outside of this building to the dazzling array of configurations and visual experiences you see inside this performance hall to our amazingly flexible and advanced spaces for teaching and rehearsal and media, everything at New World Center is designed to open fresh possibilities, and to keep opening them, not just today but every day.”

New World Centre by Frank Gehry

Major components of New World Center’s program-focused design are: a soaring, 80-foot-high glass facade providing a spectacular entrance and views of activities inside a skylit atrium where playful, tumbling geometric forms delineate the internal spaces, and where the public may relax at an illuminated glass bar with a blue titanium canopy; the 756-seat performance hall, with acoustic design led by Yasuhisa Toyota of Nagata Acoustics; a giant, 7,000-square-foot exterior projection wall for outdoor video presentations, including wallcastsTM of live concerts; a rooftop terrace offering panoramic views of Miami Beach, the Atlantic Ocean and Biscayne Bay; a music library; and numerous practice and rehearsal spaces and technology studios wired with 17 miles of fiber-optic cable for high-speed Internet2 transmissions.

Miami Beach SoundScape, commissioned by the City of Miami Beach and designed by the acclaimed Dutch firm West 8, is located to the east of New World Center. To the west of the new building lies Pennsylvania Avenue Garage, a new 550-car parking structure designed by Gehry Partners, LLP. These facilities, combined with the building, comprise the City Center redevelopment project that is injecting fresh vitality into the architecturally historic district of South Beach.

New World Centre by Frank Gehry

Above image is by Todd Eberle

About New World Center

The New World Center is a unique performance, education, production and creative space with state-of-the-art capabilities, owned and operated by the New World Symphony. A global hub for creative expression and collaboration and a laboratory for the ways music is taught, presented and experienced, the new building will enable the New World Symphony to continue its role as the leader in integrating technology with music education and concert presentation. It will be used by the New World Symphony for educational activities, musical and related cultural performances and events, rehearsals, Internet2 transmissions, recordings, broadcasts and webcasts. The venue will also be available for third-party uses on a rental basis.

Dedicated to classical music’s power to communicate and connect, the New World Center is at once exceptionally transparent and outgoing. The 7,000-square-foot projection wall located on the right side of the façade brings what happens inside the concert hall to the event space outside. The main viewing area, ExoStage@Miami Beach SoundScape, can accommodate up to 1,000 people and is surrounded by an immersive sound system designed to look like two giant, gently curving ballet barres, providing a first-rate listening experience to audiences. In addition to offering wallcastsTM of concerts, the projection wall will show presentations including the site-specific video mural, video art, films and informational shorts.

New World Centre by Frank Gehry

The main entrance of New World Center is set in a soaring, 80-foot-high glass curtain wall to the left of the projection wall, providing uninterrupted views of the skylit main atrium and the dramatic, tumbling forms delineating the interior spaces beyond. The entrance is distinguished by a white, wave-like canopy and opens out onto the Mary and Howard Frank Plaza and Miami Beach SoundScape. Built with glass with no iron content, the curtain wall is utterly clear and disappears when lit from within— by the atrium’s skylight during the day and by theatrical lighting at night. When lit at night by the space’s architectural lighting system, the tumbling forms within the frame of the curtain wall take on the character of performers on a proscenium stage, turning the building itself into a performance. A 650-square-foot LED light field is positioned at the top of the transparent wall, announcing its programming, and the campus’s box office is located next to the main entrance.

The atrium immediately conveys the feeling that New World Center is a place to be used and enjoyed. The floors are polished concrete, the walls are painted drywall, and the seating consists of baby-blue banquettes with plywood backing. A large, illuminated glass bar with an undulating, blue-tinted titanium canopy is situated at the back of lively, light-flooded space. The atrium also features Taboehan (2003), a monumental sculpture by artist Frank Stella. Donated by Miami collector Martin Z. Margulies, Taboehan is the only work of art permanently on view at New World Center.

New World Centre by Frank Gehry

Above image is by Tomas Loewy

Among the principal spaces that open onto the atrium is the SunTrust Pavilion: a large, multi-purpose room for full-orchestra rehearsals, small performances, film screenings, lectures, business meetings and recordings, many of which will be free and open to the public. The east wall of the pavilion is glass, allowing passersby to see the activity inside and be encouraged to enter the building. An upper terrace permits people to observe the activities in the Pavilion without disrupting them, while offering an expansive view over Miami Beach SoundScape.

To reach the performance hall through the atrium, concertgoers pass through one of two softly lit, serpentine corridors that gradually narrow as they wind along, before opening again dramatically to reveal the hall. Visitors arrive into the space by the front of the stage, in the center of the 50-foot-high, circular hall where tiers of seats rise on all sides. From the first moment in the hall, the design makes people participants rather than spectators—and once the audience members take their places, they remain involved, since no one in this intimate, 756-seat hall is more than 13 rows from the stage.

New World Centre by Frank Gehry

The collaboration of Gehry Partners with Nagata Acoustics and Theatre Projects Consultants has resulted in a performance hall that is virtually unlimited in the experiences it can offer. The stage is comprised of ten platforms, each on its own mechanical lift, with fourteen distinctive configurations for all kinds of performance experiences, from a solo recital with cabaret seating to a full-orchestra concert. It is also possible to lower all of the platforms, retract 247 of the seats and turn the central space into a dance floor for the New World Symphony’s series of Pulse concerts. Four built-in platforms set throughout the hall serve as satellite stages, allowing the focus of a concert to shift from the main stage to another part of the room instantaneously, with only a lighting change. Large, curved acoustical “sails” on all sides of the hall double as screens for 14 high definition projectors, allowing New World Symphony to immerse audiences in a visual experience during a concert, or simply show brief program information on a single screen above the stage.

Natural light in the performance hall is afforded via an overhead skylight and a large panoramic window behind the stage, overlooking 17th Street. The hall’s seats are upholstered in mottled patterns of blues and white – specially designed by Frank Gehry and produced by Poltrona Frau – which are inspired by the building’s tropical location and intended to bring imagery of the water and sky of Miami Beach into the performance hall.

New World Centre by Frank Gehry

As a facility dedicated to music education, New World Center contains twenty-four individual practice rooms and four ensemble rehearsal rooms where individuals or groups can choose to work either within or away from public view. The technological infrastructure and architectural design also establish links between the activities in these areas and the building’s other public functions. The Knight New Media Center on the building’s third floor contains video and audio editing suites, where New World Symphony can capture, produce and then distribute the audio and visual recordings of concerts, master classes, conversations with guest artists and more. Some of this material will come from the performance hall, which has ten built-in high-definition robotic cameras that can record 360 degrees of concerts and events. Other material will come from the practice rooms and ensemble rooms—two of which are located near the Knight New Media Center on the third floor, wrapped within a structure called The Flower, which is visible throughout the atrium and beyond the curtain wall of the façade. A total of 17 miles of high-speed fiber optic cable runs through the building, allowing every space to be connected to a global audience through next-generation Internet2.

New World Centre by Frank Gehry

Click above for larger image

Capping the architectural design are the public and program spaces on the sixth floor: notably the music library (which will be frequented by the Fellows), the Patrons’ Lounge and the rooftop terrace with panoramic views of Miami Beach, the Atlantic Ocean and Biscayne Bay. The latter space will be used not only by the Fellows and staff of New World Symphony but by patrons and concert ticket-buyers.

New World Centre by Frank Gehry

Click above for larger image

About New World Symphony

The New World Symphony, America’s Orchestral Academy (NWS), is dedicated to the artistic, professional and personal development of outstanding young musicians. Founded in 1987 by Michael Tilson Thomas and Ted Arison, its fellowship program provides top graduates of music programs in the United States the opportunity to enhance their music education with the finest professional training. The New World Symphony’s success may be measured in part by its hundreds of alumni who are active in the music profession worldwide in nearly all of America’s major orchestras, and in symphonies and chamber orchestras in Europe, South America and the Far East.

New World Centre by Frank Gehry

Click above for larger image

As a result of its unique educational environment, the New World Symphony has achieved an international reputation for creating new models of orchestral training and performance. NWS has built a global community of the world’s finest performers, educators and composers who impart their knowledge and insight to the Fellows both in Miami Beach and via Internet2. In addition to presenting a full season of concerts from October to May in Miami Beach and Miami, the New World Symphony has performed in prestigious venues throughout the world, including New York’s Carnegie Hall and Avery Fisher Hall, London’s The Barbican, Paris’ Bastille Opera, Cité de la Musique and Opéra Comique, Amsterdam’s Concertgebouw, Vienna’s Konzerthaus and Rome’s National Academy of Santa Cecilia. The New World Symphony’s eight recordings to date encompass a range of repertoire, from jazz-inspired works to Latin American classics to music by contemporary American composers.

New World Centre by Frank Gehry

Click above for larger image


See also:

.

Dr Chau Chak Wing Building
by Frank Gehry
Lou Ruvo Center
by Frank Gehry
Duplex by Frank Gehry
for Make it Right

Dr Chau Chak Wing Building by Frank Gehry

Dr Chau Chak Wing Building by Frank Gehry

Architect Frank Gehry has unveiled his designs for a new business school at the University of Technology Sydney, Australia.

Dr Chau Chak Wing Building by Frank Gehry

The 11-storey Dr Chau Chak Wing Building will have an undulating brick facade on one side and slices of glass over the other.

Dr Chau Chak Wing Building by Frank Gehry

Construction is due to commence in 2012.

Dr Chau Chak Wing Building by Frank Gehry

See all our stories about Frank Gehry »

Dr Chau Chak Wing Building by Frank Gehry

Click above for larger image

Here’s some more information from the university:


Climbing the Gehry tree house to a new kind of business school

Sydney’s Frank Gehry designed Dr Chau Chak Wing building will open a new page in business education in Australia.

The world-renowned architect’s plans for the $150 million building, his only in Australia, were unveiled this morning at a media conference at the University of Technology, Sydney. UTS has been working with Gehry Partners to design a world-class business school based on the idea of a tree-house structure. As Frank Gehry has put it, “a trunk and core of activity and… branches for people to connect and do their private work.”

The building will have two distinct external facades, one composed of undulating brick, referencing the sandstone and the dignity of Sydney’s urban brick heritage, and the other of large, angled sheets of glass to fracture and mirror the image of surrounding buildings.

The project inspired the Australian-Chinese business leader Dr Chau Chak Wing to donate a total of $25 million to UTS; $20 million to support the new building and an additional $5 million to create an endowment fund for Australia-China student scholarships. It is the equal largest ever philanthropic gift by an individual for a university in Australia.

UTS Vice-Chancellor Professor Ross Milbourne said that while the building would undoubtedly become a Sydney landmark, the key element for the University was that it was conceived from the inside out with the needs of the UTS Business School and the University at heart.

“The UTS Business School is transforming itself with an emphasis on integrative thinking – producing students with boundary crossing skills as well as specialised knowledge,” Professor Milbourne said.

“From the start Gehry Partners has worked closely with the School’s leadership, its academics and students to develop an environment that fosters and encourages this openness and collaboration in teaching and research, and engagement with business and the community.

“This is a building for all of Sydney. There will be extensive public spaces with an external design that complements and acknowledges its place within the immediate area and within the city.

“The project is already providing benefits for students outside the Business School, with four UTS architecture students selected for internships at Gehry Partners’ studios in Los Angeles.”

The 11-storey Dr Chau Chak Wing building will stand at the corner of Ultimo Road and Omnibus Lane on a site that once housed the Dairy Farmers Cooperative and is currently being used as a car park.

Professor Milbourne said some elements of the schematic design were still fluid and will be subject to some modification, pending community consultation and authority approval. Community and stakeholder consultation will take place from 17 December to 14 January.

Construction is due to start in early 2012 and be complete in time for the 2014 academic year.

The Dr Chau Chak Wing Building is part of the ten-year $1 billion UTS City Campus Masterplan, which is helping transform the southern CBD and will deliver a cutting-edge and connected campus for staff, students and the broader community.

Planning

A key component of UTS’s City Campus Master Plan, the Dr Chau Chak Wing Building will provide teaching, learning, research and office accommodation for the UTS Business School. There will be extensive public spaces in the new building, including student lounges, cafes and outdoor roof terraces.

Total project value, $150 million Total floor area 16,030 sqm, spread over 11 floors

Construction will start in early 2012 and be complete in time for the 2014 Academic year.

UTS is unveiling the schematic design of the new Dr Chau Chak Wing Building. This design will be subject to some modification, pending community consultation and authority approval.

In January 2011, UTS will undertake community and stakeholder consultation on the new design. This consultation forms part of the “Part 3A” submission that UTS will make to the NSW Depart- ment of Planning for approval of the design.

PROJECT SHEET & ARCHITECT DESIGN STATEMENT (CONT.)

City Campus Master Plan

The UTS City Campus Master Plan is a vision to deliver an iconic and connected campus that supports the university’s vision to be- come a world-leading university of technology. The Master Plan is also a ten-year $1 billion redevelopment that will help transform the southern Sydney CBD. The Master Plan will create a series of new buildings, major upgrades and improved pedestrian connections, right in the heart of Ultimo and Haymarket.

The Dr Chau Chak Wing building is the centrepiece of the $1 bil- lion City Campus Master Plan which is expected to generate an estimated $3.2 billion in NSW economic activity. 1700 jobs are ex- pected to be generated each year over the 10 year construction period. The Chau building is estimated to attract 24,000 interstate visitors and 2,000 international visitors each year, adding $36 mil- lion to the tourism industry through spending by business event visitors annually. Source: Independent modelling by Urbis.
Australian-Chinese business leader Dr Chau Chak Wing has do- nated a total of $25 million to UTS; $20 million to support the new Business School designed by Frank Gehry, and an additional $5 million to create an endowment fund for Australia-China student scholarships. The gift makes Dr Chau one of the leading philanthro- pists in the Asia-Pacific region. In recognition of the gift – the largest ever made to an Australian university – UTS Council determined to name the new Gehry-designed Business School building the Dr Chau Chak Wing Building.

The project is located on the former Dairy Farmers Cooperative site at the corner of Ultimo Road and Omnibus Lane. The site will operate as a public car park until demolition and excavation com- mences.

UTS commissioned Gehry Partners to undertake concept design of the Dr Chau Chak Wing Building in late 2009. The concept design by Gehry Partners was approved by UTS Council in June 2010.

Gehry Partners, LLP is a full service firm with broad inter- national experience in academic, commercial, museum, performance, and residential projects. Frank Gehry es- tablished his practice in Los Angeles, California in 1962. The Gehry partnership, Gehry Partners, LLP, was formed in 2001 and currently supports a staff of over 120 people.

Frank Gehry is among the world’s best known architects. His milestone projects include the Bilbao Guggenheim Museum and the Los Angeles Walt Disney Concert Hall. Every project under- taken by Gehry Partners is designed personally and directly by Frank Gehry.

Local team Builder

A local consultant team – comprising Australian architects Daryl Jackson Robin Dyke, engineers and other specialist disciplines – has been appointed to work alongside Gehry Partners.

UTS will engage a building contractor early on in the design pro- cess to work collaboratively with Gehry Partners and the consult- ant team. This collaboration will ensure the buildability and timely delivery of the new building. UTS is currently shortlisting builders to tender for the construction of this project.

Ultimo Pedestrian Network (UPN)

Sustainability

The Sydney Harbour Foreshore Authority is currently developing options for a revitalisation of the UPN that will create pedestrian linkages from Central Station through to Darling Harbour. Pedes- trians will be able to access the building from both Ultimo Road and a revitalised UPN

The Master Plan is integral to UTS achieving its greenhouse gas emission reduction targets and a variety of holistic sustainability goals. As one of the new buildings proposed by the Master Plan, UTS and Gehry Partners intend to seek a 5-Star Green Star Edu- cational Building Rating for the Dr Chau Chak Wing Building.

Key sustainability measures currently being investigated by UTS and the project team include: low carbon emissions, achieved through low-energy air conditioning and lighting, and tri-gener- ation power supply; smart air conditioning, designed to switch off when offices are empty for an extended period of time; monitoring of CO2 levels within the building; intelligent lighting that adjusts according to natural light levels; optimising natural light, includ- ing window positions, floor plate design and window glazing; and, rainwater capture and storage for use in cooling towers and toilet flush applications.

Site context

The University of Technology, Sydney (UTS) Dr Chau Chak Wing Building will be a 16,030 square metre academic building that will replace the current home of the Business School in the Hay- market Building. It will contain teaching and learning spaces, re- search spaces, and faculty offices, as well as support facilities including a publicly accessible café. Parking for 28 cars will be in a basement level along with bicycle parking and shower rooms for students and staff who choose to cycle to the school. It will be located on the Dairy Farmers building site at the corner of Ultimo Road and Omnibus Lane. The 2,816 square meter site is bounded on the north by Mary Ann Street and on the east by the Ultimo Pedestrian Network (UPN).

UTS is an urban campus with buildings integrated into Sydney’s Ultimo neighborhood. It is not a traditional campus with clearly defined boundaries. This integration suits the goals of the Busi- ness School to reach out to the surrounding community and to connect with local businesses. The site for the new building is not a part of the main UTS campus, but rather is to be one of the outlying buildings that are a part of the campus expansion toward Darling Harbor to the north. It is surrounded by buildings that are not a part of the University: the Australian Broadcasting Corpora- tion (ABC) headquarters to the south, an apartment building and a Sydney TAFE building to the west, and the Powerhouse Museum to the north. This very tight urban site offers an exciting architec- tural context and the opportunity to respond to the diverse colors, scales, and textures of the neighborhood buildings.

The site will be accessed from the main campus by two primary routes: one on the street level via Harris Street to an entry on Ultimo Road, and a second via a bridge across Harris Street con- necting to the UPN and then north to a second level entry directly off the UPN. The UPN will also be the primary route for visitors coming from Central Station. The below grade parking will be ac- cessed by ramp from a mid block driveway on Ultimo Road. Ser- vice access will be from the basement garage level, which will accommodate van deliveries.

A portion of the teaching space for the Faculty of Business will be located in renovated space in the Haymarket Building to the east. A pedestrian bridge is proposed from the new building across the UPN, over Darling Drive, and connecting to an upper level of the Haymarket Building. This bridge is not a part of the scope of this project.

There has been discussion of creating a plaza to the north of the building on the portion of Mary Ann Street that terminates at the UPN. The Powerhouse Museum would also front on this plaza. An informal amphitheater could host outdoor performances on the east end of the plaza and act as a grand scale stairway up onto the UPN.

The concept design stays within a 10% exception to the 42 meter height limit for the Dairy Farmers parcel. The form of the design steps back from the north and south site boundaries as suggest- ed in the design guidelines, giving solar access and views to the sky for the adjacent streets and buildings. The height of the build- ing will give it presence in the neighborhood and visibility from the UTS Tower.

Accommodations and functional relationships

The schedule of accommodation calls for 10,206 net square me- ters of space with 18 teaching spaces and classrooms, and 526 positions for research and faculty work divided between enclosed offices, open office workstations, and unassigned workstations called “hot desks.”

The ground floor of the building will have a café with seated din- ing that opens to additional outdoor tables on the sidewalk and proposed plaza to the north. A coffee bar with outdoor seating will animate the upper level entry off the UPN, conveniently adjacent to the student center and the large student lounge. Connected via a staircase to the student lounge will be a more secluded gradu- ate student lounge one level above. An event and gallery space will be located on the ground floor facing Omnibus Lane to be used for the school’s outreach functions, lectures, and exhibits related to the work of the school. Situated in this event and gallery space will be two stacking oval-shaped classrooms with tiered seating. The lower classroom will be able to open to the social space for large events that require additional seating.

A 240 seat auditorium is located adjacent to the northern ground floor entry. This will be a venue for public lectures, panel discus- sions and debates. It will have an extensive audio/visual system and video conferencing. Event check-in and informal receptions will take place in the lobby space outside this room.

The teaching and learning spaces, which are accessibly located on the lower four levels of the building, are comprised of various classroom types primarily serving postgraduate students. There are 10 graduate seminar rooms of 40 seats with flat floors to al- low for flexibility in seating arrangement, a 120 seat bowl class- room with desk seating and loose chairs on the first floor, 4 flat floor graduate computer labs for 40 students each, and 2 oval classrooms for 60. The 120 seat bowl classroom is stepped 2 rows at a time to allow students in the front row of each step to turn around and join the students behind them in casual group discussions. In addition to these larger spaces there are 10 group study rooms, 4 of which will accommodate 8 and 6 of which will accommodate 4.

The 6th floor of the building is configured for short course execu- tive education seminars. Management professionals from out- side the university will participate in these courses as a part of the school’s goal to engage with local industry. On this floor there are 2 seminar rooms that will accommodate up to 60 participants with a breakout space where coffee and lunches will be served. A catering space will support this use. Also on the 6th floor is a re- search seminar room for 40. Each of these rooms opens directly onto a roof terrace anticipating breakout sessions and group dis- cussions outdoors in pleasant weather. The faculty room is also located on the 6th floor to take advantage of another roof terrace.

The upper levels of the building, which are primarily devoted to research and academic spaces, are configured to promote cross- disciplinary exchange. Open floor areas connect clusters of re- search and faculty offices. Lounge furniture and informal meet- ing spaces are integrated into each of these floors. The top floor accommodates a boardroom serviced by a pantry, adjacent to a large function area with a bar, both with views to Sydney Harbour, designed for hosting private University events.

Building organisation

The conceptual organization of the design follows a conversa- tion between Frank Gehry and Roy Green as the project began. Frank imagined a building that was a cluster of “tree houses,” or vertical stacks of office floors with spatial “cracks” in between. He made a sketch of this idea on a napkin and gave it to Roy. Working groups would feel an intimacy with others working within their own tree house while looking across the cracks to other tree houses. Groups would be curious to know what was going on in an adjacent tree house and would go across to find out. This would be a way to create focused space for research while at the same time encouraging cross-disciplinary exchange. This interrelation- ship is one of the main goals of the school and is promoted by the configuration of the building.

The current design incorporates this idea. Each of the larger low- er floors is divided into six floor segments. The building façade folds in between these elements bringing natural daylight deep into the center of the floors. This divides what would otherwise be a very large, corporate-type office floor of 1,800 square meters into smaller areas in which each individual would have an impor- tant identity. The upper floors have been divided into four sections with the same intent. The Gehry team has worked with the Business School to test the design to determine if the size and scale of the plan units fit with the size of research groups and fac- ulty clusters. Many iterations of the plan organization have been laid out, and the latest version is contained in this document. In parallel, the Business School is going through a reorganization of its research and teaching structure as the design proceeds. It is a rare collaborative opportunity to be able to design a building and an organizational structure simultaneously.

Architectural design

In the Concept Design phase the design team focused on a care- ful analysis of the Schedule of Accommodation and has spent time with the Business School getting to know the goals and ob- jectives of the teaching, research, and industry engagement that are at the heart of the school’s mission. This knowledge has in- formed many iterations of the design, studying the building from the inside out. The urban issues of building siting, access, mass- ing, and height have shaped the building design within its context. The Gehry Partners process values the resolution of these most important functional and social aspects of any project, and the architectural expression evolves very slowly from a deep under- standing of these issues.

The building façade has been explored through several design it- erations. A variety of materials were studied. Each of the designs was evaluated in relation to the project budget; the current design fits within the budget. Window locations have been considered to bring light into all of the teaching spaces and to bring the maxi- mum amount of daylight into work spaces throughout the build- ing. Gehry Partners has run computer sun studies to understand the light and shadow relationships to the adjacent sites and to spaces within the building. The current design places large areas of glass at the street level to promote transparency and to create a welcoming body language for the building. The work spaces themselves have large windows punched through areas of solid façade. The proportion and spacing of these windows has been studied in relation to office modules in order to provide as much flexibility as possible for the future evolution of uses.

The façade of the building will have 2 aspects and 2 different personalities. The east facing façade that contains an entry from the UPN is made of a buff colored brick similar in color to the Sydney Sandstone. The form of this façade curves and folds like soft fabric. The brick will be set in horizontal courses and will step or corbel to create the shape. The texture of the surface will be rough and will emphasize the mass of the material. The shape flattens as it wraps around the north and south corners. Large windows punch this façade. The west facing façade that contains the ground level entry off Ultimo Road is composed of large shards of glass façade. This glass will be slightly reflec- tive to fracture and mirror the image of the surrounding buildings of the neighborhood. Sculptural brick towers will stand at the northwest and southwest corners of this facade.

Dr Chau Chak Wing Building by Frank Gehry

Click above for larger image

Click above for larger image

Dr Chau Chak Wing Building by Frank Gehry

Click above for larger image


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