Gehry shares digital system for “paperless buildings”

New York by Gehry

News: Frank Gehry has launched his studio’s paperless system for sharing and collaborating on drawings as a scaled-up product for the architecture industry.

The GTeam software by Gehry’s technology development and consulting company Gehry Technologies is now integrated with cloud-based storage service Box, enabling Box’s customers in the fields of architecture, construction and engineering to easily access and manage blueprints, CAD files and contracts.

The paperless system was refined by Gehry’s studio during the construction of New York by Gehry (pictured), the 265-metre-high apartment building completed in 2011, where sharing digital files enabled the architects and engineers working on the tower to significantly reduce the number of expensive alterations required during construction.

Box has now scaled up the software to bring it to the wider industry and allow others to benefit in the same way, according to company CEO Aaron Levie.

“I think when you can bring these tools to the masses, it really opens up innovation in an incredible way,” he said.

New York by Gehry

The software was developed by Gehry’s studio over the decades to eliminate the need for paper.

“My dream is to do buildings paperless. And it can be done,” Gehry told technology magazine Wired. “I discovered that, using the computer, we had more information, which kept us in control and allowed us to protect the owner from a lot of waste in the process.”

GTeam can incorporate files from other design software, such as Rhino and AutoCAD, and is already being used in the offices of Zaha Hadid and SOM, according to Gehry.

In a similar mood of collaboration, Dutch firm UNStudio this week announced it will relaunch in June as an “open-source architecture studio” inspired by technology start-ups, using an online platform to encourage the exchange of ideas between its own architects and those outside the company.

Gehry was recently asked to “tone down” his plans for Facebook’s new Silicon Valley campus, while earlier this year a Utah congressman launched an attempt to scrap the architect’s proposed Washington D.C. memorial for former president Dwight D. Eisenhower – see all architecture by Frank Gehry.

Photograph are by dbox.

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Facebook asks Gehry to design “more anonymous” headquarters

Facebook asks Gehry to design "more anonymous" headquarters

News: Facebook asked Frank Gehry to “tone down” his original plans for its new Silicon Valley campus, according to a partner at the architect’s firm.

Early proposals for the campus, which was given the go-ahead by Menlo Park City Council last week, envisioned a bold, curving facade reminiscent of well-known Gehry buildings such as the Guggenheim Museum in Bilbao.

“They felt some of those things were too flashy and not in keeping with the kind of the culture of Facebook, so they asked us to make it more anonymous,” said Craig Webb, a partner at Gehry’s practice.

“Frank was quite willing to tone down some of the expression of architecture in the building,” he told the Mercury News, explaining that they plan to disguise the white stucco building with a rooftop garden: “Our intent is that it almost becomes like a hillside, with the landscape really taking the forefront.”

Facebook asks Gehry to design "more anonymous" headquarters

According to one Facebook employee, the 40,000-square-metre building will house 2,800 engineers in a single warehouse-like room.

“Just like we do now, everyone will sit out in the open with desks that can be quickly shuffled around as teams form and break apart around projects,” said Facebook’s environmental design manager Everett Katigbak in a blog post.

“The exterior takes into account the local architecture so that it fits in well with its surroundings. We’re planting a ton of trees on the grounds and more on the rooftop garden that spans the entire building,” he added.

An underground tunnel will connect the Gehry-designed building with Facebook’s existing campus over the road.

Facebook asks Gehry to design "more anonymous" headquarters

Gehry was brought in to design the campus last summer, with Facebook CEO Mark Zuckerberg stating at the time that he wanted an office with “the largest open floor plan in the world”.

The social networking site’s former Palo Alto headquarters was completed by San Francisco firm Studio O+A in 2009.

Facebook isn’t the only Californian technology company expanding into larger headquarters currently, with construction now underway on Apple’s ring-shaped campus in Cupertino designed by Foster + Partners, while Google recently revealed plans for a 100,000-square-metre campus in San Francisco Bay.

Images are by Gehry Partners LLP.

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US lawmakers move to scrap Gehry’s Eisenhower memorial

Frank Gehry Eisenhower Memorial

News: a Utah congressman has launched an attempt to scrap architect Frank Gehry’s proposed Washington D.C. memorial honouring President Dwight D. Eisenhower, citing the project’s cost and controversial design.

Last week Rob Bishop introduced legislation seeking to reject the current design by Gehry – whose best-known buildings include the Guggenheim Museum in Bilbao and the Walt Disney Concert Hall in Los Angeles – and invite new proposals for the memorial while eliminating $100 million of future funding.

The Canadian-born architect’s planned memorial, which is projected to cost $142 million, includes statues of the president surrounded by large woven steel “tapestries” depicting images of his childhood home in Kansas – but members of the Eisenhower family have criticised the design as too extravagant.

The congressman’s efforts to scrap the design drew strong opposition from the American Institute of Architects, which said last week that lawmakers should not attempt to censor architectural work.

“Representative Bishop’s legislation allows Congress to exercise governmental authority in a wholly arbitrary manner that negates the stated selection process,” said Robert Ivy, the institute’s chief. “It is nothing more than an effort to intimidate the innovative thinking for which our profession is recognized at home and around the globe.”

Before submitting the planning application in 2011, Gehry had insisted he would take onboard concerns voiced by the public and Eisenhower’s grandchildren about the concept and scale of the project.

Gehry recently completed a Maggie’s Centre in Hong Kong, the first of the cancer charity’s units outside of the UK. Earlier in the year he revealed proposals for a rippled 22-storey tower in his hometown of Santa Monica, California, and he’s also working on the new headquarters for internet giant Facebook.

See all architecture by Gehry or see more architecture in Washington D.C.

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Frank Gehry-designed Maggie’s Centre opens in Hong Kong

News: the latest Maggie’s cancer care centre designed by Frank Gehry opened in Hong Kong yesterday, becoming the first of the charity’s units outside the UK.

Maggie’s Hong Kong is the second Maggie’s Centre by Frank Gehry, following the opening in 2003 of Maggie’s Dundee in Scotland.

The centre comprises a series of pavilions with rooms overlooking a pond and gardens partly inspired by the classical gardens of Suzhou near Shanghai.

Gehry said: “[The building is] respectful of Chinese architecture and motifs. I hope it’s not copying anything Chinese or architectural, but I hope it’s very respectful of them.

“I was going through the loss of a daughter while I was designing the centre. I think you sort of suck it up and hope to make something that is soothing and respectful and hopeful. There’s always hope, it’s not a dead end.”

Landscape architect Lily Jencks, who is the daughter of founders Maggie Keswick Jencks and Charles Jencks, designed the centre’s garden.

We’ve featured lots of Maggie’s Centres on Dezeen, including Steven Holl’s recently revealed designs for a centre in London and OMA’s Stirling Prize-nominated centre in Glasgow – see all Maggie’s Centres.

Gehry recently revealed a 22-storey tower designed for his hometown of Santa Monica, California – see all architecture by Frank Gehry.

Photographs are by Pako Ko.

Here’s more information from Maggie’s Centre:


Secretary for Food & Health, Dr Ko Wing Man will open Maggie’s Hong Kong on Thursday, March 7.

They will join Charles Jencks, Maggie’s co-founder, Laura Lee chief executive, Keith Kerr, chairman of Maggie’s Hong Kong Board of Directors and Eleanor Ling from the Keswick Foundation.

The official opening heralds a new era of cancer care and support for people with cancer across the region, bringing hope and solace to thousands.

The new purpose built Centre was designed by internationally renowned architect Frank Gehry, who also designed Maggie’s Dundee in Scotland. Maggie’s Hong Kong is the first Maggie’s Centre to be built outside of the United Kingdom.

Since December 2008 Maggie’s Hong Kong has been providing an interim service at its temporary building on the ground at Tuen Mun Hospital, offering free support for anyone living with cancer including friends, family and carers. Centre visitors can take part in relaxation sessions, nutrition classes, yoga and individual and family support sessions.

The Centre’s design is a series of pavilions arranged to encourage movement between the interior and the landscape. Rooms open out to the surrounding gardens or have private terraces overlooking the pond. There is a public living and dining area that serves as the focal point of the building, with views of both the ponds and gardens. The Centre could be thought of as a Chinese garden inspired by, though not beholden to, the Suzhou tradition.

Maggie’s chief executive Laura Lee said: “This is a very special occasion, not only are we able to provide more help and support for people who are living with cancer in the region but Maggie’s Hong Kong is our first international Centre.

“Maggie’s proven programme of support will act as an antidote to the isolation and despair of a cancer diagnosis. Frank Gehry’s design will help to facilitate this support, by making people feel safe, inspired and valued. Under one extraordinary roof, Maggie’s will help people to find their way out of the hopelessness of cancer.”

Architect Frank Gehry said: “Maggie was bright and sunny and open and fun and whimsical and smart as hell. She was a real creative spirit, she had a healthy curiosity and she tried things, and in a sense I emulated her.

“The building has feelings which I hope engender community activity, and that it’s comfortable for the patients to be there. It’s respectful of Chinese architecture and motifs. I hope it’s not copying anything Chinese or architectural, but I hope it’s very respectful of them.

“I was going through the loss of a daughter while I was designing the Centre. I think you sort of suck it up and hope to make something that is soothing and respectful and hopeful. There’s always hope, it’s not a dead end.”

Landscape architect Lily Jencks – daughter of founders Maggie Keswick Jencks and Charles Jencks – has designed the garden for Maggie’s Hong Kong.

Lily said: These intimate gardens represent the macrocosm of the universe within the microcosm of a landscape, bringing an awareness of man’s place in nature. This early integration of landscape form and building has created a complex relationship between the man-made forms and naturalistic garden setting.”

The new Centre will mean staff can provide more support and groups can run at the same time. Programme activities include support groups, nutrition classes, tai chi, yoga, managing symptoms and side effects, relaxation, art and music therapy.

Maggie’s Hong Kong is supported by the Keswick Foundation Ltd and Maggie’s Centres.

Maggie’s Hong Kong is Maggie’s first complete international centre. Plans are underway to create a Maggie’s in Barcelona, along with a further three international centres by 2017. Since the charity’s inception 16 years ago, Maggie’s has influenced and inspired a number of international cancer support organisations such as the Danish Cancer Society and the Swiss Cancer League, and it continues to support and collaborate with a significant number of cancer care groups from around the world including Japan, Australia, Qatar and Europe.

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Ocean Avenue Project by Frank Gehry

Ocean Avenue Project by Frank Gehry

Architect Frank Gehry has revisited the rippled form of his recent New York skyscraper for the design of a 22-storey tower in his hometown of Santa Monica, California.

Ocean Avenue Project by Frank Gehry

Reminiscent of the architect’s 2011 building, New York by Gehry, the rippled tower is proposed at the sea-facing corner of Santa Monica Boulevard and Ocean Avenue. The wave-like facade is intended to evoke the ocean, blue skies and clouds, and will be coloured white to match the surrounding buildings in contrast to its silver counterpart in New York.

The tower will form part of a new complex of apartments, shops, restaurants, a hotel and a museum, which will involve the renovation of two existing structures. Public pathways and plazas will run between the buildings at ground level, while a rooftop viewing platform will offer a wide-stretching panorama.

Ocean Avenue Project by Frank Gehry

“After 25 years, I am excited to finally design a project in my hometown of 40 years,” commented Frank Gehry. “The site is on Ocean Avenue, which has always stood out to me as the face of the city.”

He added: “The addition of ground level restaurants, retail and a museum in this location has the potential to reinvigorate Ocean Avenue, and could be a catalyst for more public amenities along Ocean Avenue.”

Ocean Avenue Project by Frank Gehry

Above: aerial view – click for larger image

Los Angeles developers M. David Paul Associates and Worthe Real Estate Group submitted their proposals to the planning authorities last week. The team had owned the majority of the site for over 30 years, but only acquired the northern section in 2007.

Frank Gehry is renowned for using rippled and curving forms in his architecture. Other projects include the Guggenheim Museum in Bilbao and the Lou Ruvo Center for Brain Health in Las Vegas. See more architecture by Gehry on Dezeen.

Ocean Avenue Project by Frank Gehry

Above: site plan – click for larger image

Images are by Gehry Partners, LLP.

Here’s some more information from the press release:


Hotel and museum project designed by Frank Gehry unveiled for architect’s hometown of Santa Monica

For the first time in twenty­‐five years, a Gehry­‐designed project has been filed today for City review in the architect’s hometown of Santa Monica. The proposed Ocean Avenue Project is a hotel and museum campus that merges world­‐class urban design with historic preservation to create an important cultural anchor for the community. Located on the corner of Ocean Avenue and Santa Monica Boulevard in the heart of downtown, the project is being proposed by M. David Paul Associates and Worthe Real Estate Group, both with strong roots and involvement in Santa Monica.

The 22‐storey, 244­‐foot mixed‐use building includes a 125‐room hotel, 22 condominiums, 19 replacement rent­‐controlled units, affordable housing, a public rooftop observation deck and street‐level retail and restaurants. The project also includes a new 36,000 square­‐foot museum campus that consists of two landmarked buildings that will be adaptively reused and preserved as well as a Gehry Partners designed cultural building with exhibition space and museum plaza.

“We’ve owned the majority of this property for decades and have been searching for the right project for this very special site and for Santa Monica,” said David Paul, president of M. David Paul Associates. “We are excited about the potential to create a new cultural anchor for residents and visitors with a Gehry­‐designed building and museum campus.”

The Ocean Avenue Project was designed to be consistent with the vision and design principles of the City of Santa Monica’s Land Use and Circulation Element (LUCE) and the City staff’s recommendations for the Downtown Specific Plan (DSP) as well as incorporate the majority of community benefits highlighted as priorities in each. The project location has been specifically identified as a “key investment site” in LUCE and an “opportunity site” in recommendations by City staff for inclusion in the DSP. Both of these planning documents designate a limited number of sites in the downtown area that could be considered for more density and height, if the design and program of the project incorporates significant community benefits.

“Our project team has strong local roots, so we feel a tremendous amount of responsibility to create a project that brings real community and cultural benefits and positively contributes to Santa Monica’s future,” said Jeff Worthe, president Worthe Real Estate Group. “We look forward to working with the community on this exciting project.”

The Ocean Avenue Project will also strengthen the local economy and is projected to generate $72.7 million per year in direct and indirect spending, 1,394 jobs during operations and $4.0 million in new tax revenue to the City annually.

The Ocean Avenue Project’s application has been filed with the City of Santa Monica and must go through the City’s float‐up review process in front of the Planning Commission/Architectural Review Board and City Council in which a proposed project is evaluated and a determination is made on whether the project can proceed through the formal Development Agreement, environmental review and hearing and review process.

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Fish Lamps by Frank Gehry

Architect Frank Gehry has presented a new collection of his glowing Fish Lamps made of jagged plastic scales.

Fish Lamps by Frank Gehry

Frank Gehry first produced his Fish Lamps between 1984 and 1986 using the then-new plastic laminate ColorCore.

Fish Lamps by Frank Gehry

After accidentally shattering a piece of ColorCore while working on a commission for Formica, he decided to use the broken shards as fish scales by glueing them onto wire armatures.

Fish Lamps by Frank Gehry

For this new group of Fish Lamps, he used larger and more jagged shards of ColorCore. Some of the lamps can be fixed vertically against a wall or pole, while others are placed on flat surfaces.

Fish Lamps by Frank Gehry

The lamps are being presented at Gagosian Beverly Hills until 14 February and at Gagosian Paris from 24 January until 9 March.

Fish Lamps by Frank Gehry

We’ve featured lots of architecture by Gehry, most recently a proposal for an art gallery and university complex in Toronto – see all our stories about architecture by Frank Gehry.

See all our stories about lamp design »
See all our stories about design involving fish »

Photographs are by Josh White, courtesy of Gagosian Gallery.

Here’s some more information from the Gagosian Gallery:


Frank Gehry: Fish Lamps

Gagosian Beverly Hills: January 11–February 14, 2013
Opening Reception: Friday, January 11, 6–8pm

Gagosian Paris: January 24–March 9, 2013
Opening Reception: Wednesday, January 23, 6–8pm

“The fish is a perfect form.” – Frank Gehry

Gagosian Gallery is pleased to present Frank Gehry’s Fish Lamps. The exhibition will be presented concurrently in Los Angeles and in Paris. One of the most celebrated architects living today, Gehry’s career spans five decades and three continents. Known for his imaginative designs and creative use of materials, he has forever altered the urban landscape with spectacular buildings that are conceived as dynamic structures rather than static vessels.

Gehry has always experimented with sculpture and furniture in addition to his architectural pursuits, coaxing inventive forms out of unexpected materials, from the Easy Edges (1969-73) and Experimental Edges (1979-82) — chairs and tables carved from blocks of industrial corrugated cardboard — to the Knoll furniture series (1989-92), fashioned from bentwood. The Fish Lamps evolved from a 1983 commission by the Formica Corporation to create objects from the then-new plastic laminate ColorCore. After accidentally shattering a piece of it while working, he was inspired by the shards, which reminded him of fish scales. The first Fish Lamps, which were fabricated between 1984 and 1986, employed wire armatures molded into fish shapes, onto which shards of ColorCore are individually glued, creating clear allusions to the morphic attributes of real fish.

Since the creation of the first lamp in 1984, the fish has become a recurrent motif in Gehry’s work, as much for its “good design” as its iconographical and natural attributes. Its quicksilver appeal informs the undulating, curvilinear forms of the Guggenheim Museum in Bilbao, Spain (1997); the Jay Pritzker Pavilion in Chicago (2004); and the Marqués de Riscal Vineyard Hotel in Elciego, Spain (2006) as well as the Fish Sculpture at Vila Olímpica in Barcelona (1989-92) and Standing Glass Fish for the Minneapolis Sculpture Garden (1986).

In 2012 Gehry decided to revisit his earlier ideas, and began working on an entirely new group of Fish Lamps. The resulting works, which will be divided between Gagosians Los Angeles and Paris, range in scale from life-size to out-size, and the use of ColorCore is bolder, incorporating larger and more jagged elements. In Los Angeles, Gehry is also designing the installation for the Fish Lamps, following his inspired design for the Ken Price exhibition at LACMA earlier this year.

The softly glowing Fish Lamps are full of whimsy. As individuals or groupings of two and three, some are fixed to poles or wall sconces, while others can be placed on any existing horizontal surface. Curling and flexing in attitudes of simulated motion, these artificial creatures emit a warm, incandescent light. This intimation of life, underscored by the almost organic textures of the nuanced surfaces, presents a spirited symbiosis of material, form, and function.

Frank Gehry was born in Toronto in 1929. He studied architecture at the University of Southern California and urban planning at the Harvard Graduate School of Design. His drawings, models, designs, and sculpture have been exhibited in major museums throughout the world. Among his most celebrated buildings are the Vitra Design Museum, Weil am Rhein, Germany (1989); the Guggenheim Museum, Bilbao, Spain, (1997); and the Walt Disney Concert Hall, Los Angeles (2003). Awards include the Pritzker Architecture Prize (1989); the Wolf Foundation Prize in Arts (1992); the Praemium Imperiale in Architecture from Japan Art Association (1992); the Dorothy and Lillian Gish Prize (1994); the National Medal of Arts (1998); the Gold Medal from the American Institute of Architects (1999); the Gold Medal from the Royal Institute of British Architects (2000); and the Lifetime Achievement Award from Americans for the Arts (2000). “Frank Gehry, Architect,” the most comprehensive exhibition of his work to date, was presented at the Solomon R. Guggenheim Museum in New York in 2001. Gehry’s latest building, the Louis Vuitton Foundation for Creation in the Bois du Boulogne, Paris, will be completed in 2013.

The first Fish Lamps were shown in “Frank Gehry: Unique Lamps” in 1984 at the former Robertson Boulevard location of Gagosian Los Angeles.

Gehry lives and works in Los Angeles.

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Frank Gehry unveils plans for Toronto’s entertainment district

News: architect Frank Gehry has today unveiled proposals for a major new art gallery and university complex at the centre of Toronto’s entertainment district.

Frank Gehry unveils designs for Toronto

Working alongside David Mirvish, director of production company Mirvish Productions, Gehry has designed three 80-85 metre-high residential towers on the top of the new buildings, which will be located beside the historic Royal Alexandra Theatre on King Street West.

Frank Gehry unveils designs for Toronto

The Mirvish Collection gallery will sit beneath two of the towers and house a collection of abstract art built by David and Audrey Mirvish over a period of 50 years. The neighbouring OCAD University Public Learning Centre for Visual Art, Curatorial Studies and Art History will be positioned beneath the third tower and will accommodate exhibition galleries, seminar rooms, studios and a public lecture theatre.

Frank Gehry unveils designs for Toronto

“It’s especially interesting that this project involves the arts,” said Gehry. “With this project, I wanted to create buildings that were good neighbours to the surrounding buildings and that respected the rich and diverse history of the area.”

Six properties currently located on the site will be preserved and maintained as part of the development, as will the Canada Walk of Fame along King Street West and Simcoe Street, but three warehouses and a small theatre are set to be demolished.

Gehry is also designing the new campus for Facebook, and recently donated $100,000 towards a new annual prize for architecture graduates.

See all our stories about Frank Gehry »

Here’s the full press release from the developers:


David Mirvish and Frank Gehry Unveil Conceptual Design to Transform Toronto’s Entertainment District

Reimagining of King Street Entertainment District Continues Mirvish Family’s Legacy While Supporting Toronto’s Thriving Cultural Corridor

Major Cultural Additions to the District Include the Mirvish Collection, a 60,000-Square-Foot Gallery Dedicated to Abstract Art, and OCAD University Facility

David Mirvish, founder of Mirvish Productions, and world-renowned architect Frank Gehry today unveiled the conceptual design for a mixed-use project that will transform Toronto’s downtown arts and entertainment district and advance the area’s future as a thriving cultural centre. The multi-year, multi-phase project is the largest and most significant urban commission to date for the Toronto-born architect, bringing new cultural, residential and retail spaces to a site immediately next to the Royal Alexandra Theatre and creating a new visual identity for the city’s premier arts district.

The Mirvish/Gehry project is the vision of David Mirvish, who through his family’s support of the arts has helped make the city a major international centre for performing arts and has transformed the downtown King Street Entertainment District. Bordered by many of Toronto’s leading cultural institutions including the Royal Alexandra Theatre and Roy Thomson Hall to the east, the Toronto International Film Festival Bell Lightbox to the west, and the John Street Cultural Corridor to the west culminating at the Art Gallery of Ontario to the north, the project will have at its centre the new Mirvish Collection museum and a new facility for OCAD University.

Frank Gehry, whose other major Canadian project is the redesigned Art Gallery of Ontario (2008), grew up in the King Street West neighbourhood, and his design relates directly to the scale, materials and feeling of the area. “We see an opportunity to join our history with Frank Gehry’s history and continue our ongoing commitment to the neighbourhood,” said David Mirvish. “This area was transformed 50 years ago after my father purchased the Royal Alexandra Theatre, and this project will continue the theatre’s future and transform the neighbourhood again for the next 50 years. I am proud that we can continue this legacy that my father began.”

“It is very special for me to be able to work in Toronto where I was born and to engage the neighbourhoods where I grew up,” said Gehry. “It’s especially interesting that this project involves the arts. That is always meaningful to me. With this project, I wanted to create buildings that were good neighbours to the surrounding buildings and that respected the rich and diverse history of the area. I also wanted to make nice places for the people who live in and visit the buildings. David has an exciting vision, and I am thrilled to be a part of it.”

The Mirvish/Gehry design will create a new profile for the arts and entertainment district at the streetscape and in the skyline, add significantly to the John Street Cultural Corridor, and provide new and enhanced public spaces. The site includes the north side of King Street West and the south side of Pearl Street, occupying the entire block between John Street and Ed Mirvish Way and a portion of the block between Ed Mirvish Way and the Royal Alexandra Theatre, and consists of six properties owned by the Mirvish family. The Canada Walk of Fame, located along King West and Simcoe Streets, will be preserved and maintained. The project’s development, management and construction will be led by Peter Kofman of Projectcore Inc. in conjunction with David Mirvish.

The conceptual design, which will continue to evolve, consists of two six-story stepped podiums, which relate in scale and articulation to the neighbouring buildings, topped by three iconic residential towers, ranging in size from 80 to 85 storeys. Each tower has a complementary but distinctive design, which fits with the history and texture of the surrounding neighbourhood. The trio of towers works together to form a dynamic still life on the skyline. The west block of the plan, oriented to King Street West, features a stepped podium with the Mirvish Collection in the atrium and planted terraces that create a green silhouette overlooking King Street and Metro Square. The east block of the plan includes the preservation of the Royal Alexandra Theatre and another stepped podium housing the OCAD University facility that fronts onto King Street West.

The new 60,000-square-foot Mirvish Collection will be a destination for viewing contemporary abstract art from the exemplary collection of Audrey and David Mirvish. The collection was built over 50 years, beginning when David Mirvish ran a globally recognized art gallery in Toronto from 1963-1978. The Mirvish Collection comprises works by leading artists including Jack Bush, Anthony Caro, Helen Frankenthaler, Morris Louis, Robert Motherwell, Kenneth Noland, Jules Olitski, Larry Poons, David Smith and Frank Stella. The nonprofit Mirvish Collection, which will be free and open to the public, will present curated artist-focused exhibitions that leverage the depth of the Mirvish holdings and will be available to other institutions. It will also host traveling exhibitions.

The project incorporates a new multi-floor facility for the OCAD University Public Learning Centre for Visual Art, Curatorial Studies and Art History, including exhibition galleries, studios, seminar rooms, and a public lecture hall. The galleries will feature curatorial programming drawn from OCAD University faculty, the OCAD University Art Collection, the OCAD University Archives and the Printmaking and Publications Research and Production Centre. “Urban universities such as OCAD University contribute to and benefit from their situation within a creative city,” said Dr. Sara Diamond, OCAD University President andflivbrary Vice-Chancellor. “We are a hub for art, design, media, research, innovation and the business of creativity, and this new facility, in the heart of a transforming cultural district, is a perfect setting for OCAD University.”

As part of the plan, the Princess of Wales Theatre, owned and operated by Mirvish Productions, will be replaced along with adjacent warehouses. The artist Frank Stella, whose commissioned murals are part of the Princess of Wales Theatre, will partner with Frank Gehry to develop new work for the project, integrating art and architecture. “The Princess of Wales Theatre is a wonderful space to experience theatre, but the next step for the future of this neighbourhood is providing new kinds of cultural spaces,” said David Mirvish. “We are dedicated to providing more theatre in Toronto, not less, and through our other theatres, we will continue to provide world-class theatre experiences.”

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Frank Gehry establishes SCI-Arc prize with $100,000 donation

Frank Gehry by Melissa Majchrzak

Dezeen News: architect Frank Gehry has donated $100,000 to the Southern California Institute of Architecture (SCI-Arc) to endow a new annual prize for the best graduate thesis projects.

The Gehry Prize will be awarded to projects selected by critics and jurors in the Graduate Thesis Weekend hosted in September. The first prize will be given out during the 2012 graduation ceremony, held on 9 September. Gehry has been a SCI-Arc trustee since 1990 and his ongoing commitment to SCI-Arc will be celebrated at the school’s 40th anniversary reception in April 2013.

We recently reported that Gehry is designing a new campus for social media giant Facebook in San Francisco.

Portrait is by Melissa Majchrzak.

See all our stories about Frank Gehry »

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Frank Gehry designs new Facebook headquarters

Dezeen Wire: architect Frank Gehry is designing the new campus for social media giant Facebook, which claims it will be the largest open-plan office in the world.

The building will accommodate 3400 engineers underneath a green roof on the edge of San Francisco Bay and construction could begin early next year.

“I’m excited to work with Frank Gehry to design our new campus,” Facebook founder Mark Zuckerberg posted on his own Facebook timeline. “The idea is to make the perfect engineering space: one giant room that fits thousands of people, all close enough to collaborate together. It will be the largest open floor plan in the world, but it will also have plenty of private, quiet spaces as well.”

“The roof of the building will be a park that blends into the community with a long walking trail, a field and lots of places to sit. From the outside it will appear as if you’re looking at a hill in nature.”

See Facebook’s Palo Alto offices designed by Studio O+A in 2009 in our earlier story and see all our stories about Frank Gehry here.

See all our stories about technology companies »

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Bridge in Millennium Park

Le célèbre architecte Frank Gehry nous propose de découvrir une de ses dernières créations avec le BP Bridge proche du Pavillon de la musique Pritzker situé dans le Millennium Park à Chicago. Ce pont au look original nous propose une vue incroyable de Chicago et notamment sur le lac Michigan.

Bridge in Millennium Park8
Bridge in Millennium Park7
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Bridge in Millennium Park4
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Bridge in Millennium Park1