Critics trash Grimshaw’s Cutty Sark restoration


Dezeen Wire:
 the restoration of historic tea clipper the Cutty Sark in London by Grimshaw architects has been derided by architecture critics and conservation experts after being officially reopened by the Queen yesterday. Here’s a round up of what people are saying.

Writing in The Guardian, Steve Rose says the decision to sit the ship on a glass plinth has resulted in the impression that: “It’s no longer a ship, nor quite a building, but some bizarre hybrid of the two.” He claims that the experience improves once inside though. “There’s something bracing about standing ‘underwater’ and looking up along the ship’s copper-lined keel.”

The Telegraph reports that conservation groups are upset that Grimshaw’s intervention obscures the lines of the ship’s hull, quoting sailor and architect Julian Harrap who said: “Why on earth hoick it up into the air? Why do you have to put these bloody great beams right through the middle of it, to damage the fabric of it?”

Over on Twitter, Building Design editor Amanda Baillieu asks, “Would it have been a nobler end if the Cutty Sark had sunk?”, while the Sunday Times architecture critic Hugh Pearman said, “Haven’t been there yet but does restored Cutty Sark looks like a ship half-in, half-out, of a bottle?”.

Meanwhile, the BBC reported that Cutty Sark director Richard Doughty defended the renovation, claiming the solution creates “a very different experience, offering a light environment in the Cutty Sark’s new elevated position.”

See our previous story about the Cutty Sark here, all of our stories about Grimshaw here and lots of stories about boats here.

Critics’ reactions to “cheese grater” Olympic torch winning Design of the Year


Dezeen Wire:
design journalists are divided by the announcement that the Olympic Torch by British designers BarberOsgerby has won the overall prize at the Design of the Year awards, presented by the Design Museum in London.

Edwin Heathcote, design critic at The Financial Times is a fan of the torch, claiming: “The design impressively melds functional and symbolic roles.” Heathcote also worries that the credibility of the overall selections are debatable, adding, “There is, perhaps, a sense that these awards reward the obvious.”

The Telegraph has previously compared the torch to a “cheese grater or an ice cream cone” and a commentor on their announcement of the winner added: “Wouldn’t it be far more symbolic of the modern Olympic spirit if the Torch were made in the shape of a huge syringe?”

Angus Montgomery, editor of Design Week, feels there were more worthy candidates on the shortlist and suggests that the selectors have gone for the “most impactful, rather than necessarily the best design of the year.”

Fashion journalists were disappointed to see the Duchess of Cambridge’s wedding dress by Sarah Burton of Alexander McQueen miss out to an origami-inspired collection by Issey Miyake.

You can see our previous story about the torch here and our round up of all the category winners here.

Report highlights positivity in UK office furniture market


Dezeen Wire:
 a report that contradicts our earlier story about the UK entering a double-dip recession claims there is cautious optimism among companies in the UK office furniture market, who are anticipating increased sales in 2012.

The report, by information services provider JSA Consultancy Services, claims the positive attitude among firms reflects a recent upturn in sales, although concerns remain about the impact of the ongoing financial crisis.

Here is some more detail from JSA Consultancy Services:


New report highlights more optimism in the UK office furniture market

Firms in the UK office furniture market are cautiously optimistic about trading conditions for 2012 according to a new report from JSA Consultancy Services, a global leader in consultancy and information services for the sector.

The survey of UK based companies reflects the recent upturn in sales and a more positive response to perceived threats on trading conditions, such as internet sales and the commoditisation of products.

The highlights of the report indicate that the majority of the 40 firms surveyed are:

        • Cautiously optimistic that their sales will increase during the current year.
        • Concerned that there are ongoing structural difficulties to overcome including difficult economic conditions.
        • Frustrated at the enduring low selling price expectations from customers.
        • Relaxed about the growth in internet sales as a proportion of the market.

 

Commenting on the results, JSA partner John Sacks said: ‘It’s too early to claim that we are out of the woods, but it’s heartening to see that firms believe we are over the worst of it and that they expect trading conditions to improve in the near future.As confidence in the sector returns, it is to be hoped that the downward pressure on prices will be resisted by suppliers as they return to marketing on the basis of the value they add to the products and services demanded by customers.’

Construction output blamed as UK faces double-dip recession


Dezeen Wire:
a 3% drop in output from the construction industry is being cited as a major contributing factor to the UK economy re-entering recession – BBC.

A fall in public sector investment contributed to the dramatic drop in revenue from the construction industry. Output from the production industries also decreased by 0.4%, while the service sector increased by just 0.1%, with the overall economy shrinking by 0.2% in the first three months of 2012.

Those involved in construction are calling on the government to ease spending cuts in order to stimulate growth within the industry. Judy Lowe, deputy chairman of industry body CITB-ConstructionSkills, said: “”The huge cuts to public spending – 25% in public sector housing and 24% in public non-housing and with a further 10% cuts to both anticipated for 2013 – have left a hole too big for other sectors to fill.”

On industry website Construction Enquirer, Noble Francis, Construction Products Association Economics Director warned: “With new orders for construction falling 14% in 2011, the industry is likely to endure further falls near-term.”

We regularly publish reports from the RIBA that track trends in workload and confidence within the architecture industry – see all our previous stories here.

MAXXI museum in financial meltdown


Dezeen Wire:
Zaha Hadid‘s MAXXI National Museum of XXI Century Arts in Rome could be closed after Italian culture and heritage minister Lorenzo Ornaghi began proceedings to have it placed under special administration – The Guardian

The museum has been severely hit by a 43% cut in government funding, with accounts for 2011 showing losses of €800,000 and losses over the next three years predicted at up to €11m.

See our previous story about MAXXI winning the 2010 Stirling Prize here and all of our stories about Zaha Hadid here.

London 2012 Olympic Torch by BarberOsgerby wins Design of the Year 2012

Olympic Torch by BarberOsgerby

Dezeen Wire: the London 2012 Olympic Torch by east London designers BarberOsgerby has been awarded as Design of the Year in a ceremony at the Design Museum in London tonight.

Design of the Year 2012

The category winners have also been announced, and include the London 2012 Velodrome by Hopkins (above, see our earlier storyIssey Miyake ‘s 132.5 collection (below, see our earlier story) and the 1.3 Chair made of balsa wood that Ki Hyun Kim showed at his graduation from the Royal College of Art last year (see our story here).

Design of the Year 2012

The redesign of the Emergency Ambulance triumphed in the transport category, designed by the Helen Hamlyn Centre for Design and the vehicle design department at the Royal College of Art, the digital category winner was Kinect by Microsoft and the graphics category winner was Nokia Pure, a font by London firm Dalton Maag that can adjust to any language.

Design of the Year 2012

All the nominated designs are on show at the museum until 4 July – see the full shortlist here and our story on the exhibition design here.

Design of the Year 2012

See our earlier stories on previous winners:

2008 – One Laptop per Child by Yves Béhar of Fuseproject
2009 – Barack Obama Poster by Shepard Fairey
2010 – Folding Plug by Min-Kyu Choi
2011 – Plumen Lightbulb 001 by Samuel Wilkinson

Design of the Year 2012

Here’s some more information from the museum:


London Olympic Torch wins Design of the Year 2012

Design Studio, Barber Osgerby wins international design award for the London 2012 Olympic Torch.

London, 24 April: British design studio Barber Osgerby have won the Design of the Year 2012 for their stunning design of the London 2012 Olympic Torch. The overall winner was chosen from 89 entries to claim the winning title. The award, designed by Swarovski was presented at last nights awards ceremony held at the Design Museum.

The London 2012 Olympic Torch is not only a beautiful symbol of the Olympic Games but it also meets a demanding design brief. The aluminium made torch will be carried over 8,000 miles and is perforated with 8,000 circular holes, each representing a bearer who will run with the torch. Aside from being decorative, the holes also act to reduce the weight of the torch and prevent heat from the flame being conducted to the bearer’s hand.

Deyan Sudjic Director of the Design Museum said of the winning entry ‘Nothing is harder to get right than designing for the Olympics. The lightness and simplicity of Barber Osgerby’s London 2012 Olympic Torch does just that. The torch not only captures the spirit of London as Olympic host city but also demonstrates how design can celebrate traditional ideas in a modern way’.

Sebastian Coe, Chair of LOCOG, added: ‘The Torch is one of the most recognisable symbols of the Olympic Games and we are thrilled that our design has won this prestigious title. I am delighted we have such a brilliantly designed, engineered and crafted Torch that will help to celebrate the amazing personal achievements of each of our 8,000 Torchbearers and give them their moment to shine. It is also fantastic news that the stunning architecture of the London 2012 Velodrome has won an award and welcome recognition of the landmark new buildings the Games are bringing to London.’

Seven Category awards were also presented at the ceremony:

The Architecture Award went to the London 2012 Velodrome.
The Fashion Award went to Issey Miyake 132.5 collection.
The Digital Awards went to Kinect by Microsoft.
The Transport Award went to the redesign of the Emergency Ambulance.
The Graphic Award went to Nokia Pure, a font design that can adjust to all languages.
The Furniture Category was won by recent RCA graduate Kihyun Kim for his balsa wood 1.3 Chair.

The London 2012 Olympic Torch along with the other shortlisted designs are currently on show at the Designs of the Year exhibition at the Design Museum, London until July 4.

2012 Design Awards Jury:

Evgeny Lebedev
Henrietta Thompson
Hella Jongerious
Sir George Iacobescu

Overall winner – Design of the Year 2012

The London 2012 Olympic Torch, UK
Edward Barber and Jay Osgerby, commissioned by the London
Organising Committee of the Olympic and Paralympics Games

Category winners:

Architecture Award 2012
London 2012 Velodrome, London, UK
Hopkins Architects

Digital Award 2012
Microsoft Kinect and Kinect SDK
Microsoft Games Studios, Microsoft Research and Xbox, UK and USA

Fashion Award 2012
132 5. ISSEY MIYAKE
Miyake Design Studio, Tokyo, Japan

Furniture Award 2012
1.3 Chair, Balsa Furniture, London, UK
Kihyun Kim

Graphics Award 2012
Nokia Pure Font, London, UK
Dalton Maag

Product Award 2012
The London 2012 Olympic Torch, UK
Edward Barber and Jay Osgerby, commissioned by the London
Organising Committee of the Olympic and Paralympics Games

Transport Award 2012
Re-design for Emergency Ambulance, London, UK
Helen Hamlyn Centre for Design and Vehicle Design Department,
Royal College of Art

The Design of the Year 2012 Awards were designed by Swarovski

“Iraq aims to revive Baghdad’s ‘lost’ Le Corbusier building” – Yahoo! News


Dezeen Wire:
a gymnasium in Baghdad that was designed by Le Corbusier in 1957 is to be restored – Yahoo! News

Completed in 1965 under Saddam Hussein, years after the iconic architect’s death, the Baghdad Gymnasium has fallen into disrepair following its occupation by American soldiers.

See more stories about Le Corbusier on Dezeen here.

“From handicraft to digicraft: Milan’s furniture fair looks to the future” – Guardian


Dezeen Wire:
design critic Justin McGuirk writes about the focus on alternative means of production, open-source design and crowd-funding that permeated this year’s Milan furniture fair in his column for the Guardian newspaper.

McGuirk talked to Dezeen about these issues when he popped into Dezeen Studio powered by Jambox at MOST last week – watch the interview in our daily show from Milan here.

We also spoke to editor-in-chief of Domus magazine Joseph Grima about The Future in the Making show he curated that’s all about collaboration, open design, crowd-sourcing and hacking, and interviewed curator Beatrice Galilee at Hacked Lab where workshops, demonstrations and happenings took over the city’s most famous department store all week.

See all our coverage from Milan here.

“Hacktivists in the frontline battle for the internet” – The Guardian


Dezeen Wire:
 in an interview with Guardian journalist James Ball, technological rights campaigner John Perry Barlow of Electronic Frontiers Foundation (EFF) discusses the importance of establishing peer-to-peer frameworks of power and explains why he is forming an organisation to fund information hackers – The Guardian

Hacking culture and open-source production has been one of the hottest topics at the Salone Internazionale del Mobile in Milan this year. Listen to our interview about it with design critic Justic McGuirk from Thursday’s Dezeen Studio TV show, or see pictures from the Hacked Lab.

D&AD Awards 2012 winners announced


Dezeen Wire: 
the winners of the fiftieth D&AD Awards have been announced. See press release below.

See all the winning projects on the D&AD website.


D&AD Awards 2012 Yellow Pencil winners announced

There were a total of 66 Yellow Pencils awarded to the best of the world’s design, advertising and communications work at the 2012 D&AD Awards, the organisation’s fiftieth anniversary.

Significant winners were JWT Shanghai, which scooped three Yellow Pencils for its “Samsonite Suitcase” work in Press and Outdoor and JWT Melbourne, which won two Yellows for its Melbourne Writers Festival “Wi-FiCTION” campaign.

Other campaigns to win more than one of the coveted awards included LOWE/SSP3 for the Colombian Ministry of Defence, Dentsu Tokyo for Honda Motor’s “internavi”, Ogilvy Johannesburg for Multichoice/M-Net’s “MK is” campaign and Be Bravo for its work with Leica.

British publisher, Laurence King and Marion Deuchars gained two Yellow Pencils in Book Design and Illustration for “Let’s Make Some Great Art”, as did W+K London for its Kaiser Chiefs “Bespoke Album Creation Experience”.

Tim Lindsay, CEO of D&AD said: “First I’d like to thank the almost 200 judges who took part judging thousands of pieces of work this year. They have once again helped to make this the awards ‘for creatives, judged by creatives’.

“Across the board, D&AD has once again reflected the changing shape of our industry. The craft skills of making great pieces of graphic design, illustration, direct and TV and Cinema are as strong as ever.

“However, we’ve seen the tectonic shifts at play as juries in Typography, Writing for Design and Writing for Advertising commented that talent has moved out of these craft areas, attracted by emergent media in digital and mobile, where awards for these craft skills have had a strong year.”