“I use my imagination to create story spaces” – Katrin Olina at Dezeen Live

Icelandic designer Katrin Olina describes how she translates characters from her imagination into drawings, animations, products and interiors in this movie we filmed at Dezeen Live at 100% Design.

Katrin Olina at Dezeen Live

Above: “The Wanderer” ink drawing

The first of five images Olina presents is an ink drawing of one of her creations, a character with an intriguing back story about journeying named ”The Wanderer”. “My culture is based a lot around story telling and I think it is something we carry within us,” she explains.

From hand drawing, she moves on to show a digitally-illustrated animation. ”When I started to use a computer in the nineties it completely revolutionised my life,” she says. “I saw it as a window into the extended mind.”

Above: digitally-illustrated animation

Olina proceeds to show her designs for Cristal Bar in Hong Kong, a bar where every surface is patterned, to demonstrate how she applies her illustrations to interior projects. ”By galvanising the space in this imagery it feels like an extension of the architecture, extending your mind into another space.”

She then explains how her characters inspired a collection of bent-steel furniture. ”With these creatures I see them as letters in an alphabet, they’re like nuances, they’re colours,” she explains, listing examples such as her “book dogs” which she describes as “little shelves that carry your books, never happier than at your feet”.

Katrin Olina at Dezeen Live

Above: Cristal Bar interior, Hong Kong

Finally, she shows a short teaser animation of characters from her forthcoming book, which she hopes to publish next year. “It’s about a girl from the old world who goes on a journey into the new world to find a lost dream and she meets different kinds of characters,” she says. ”I see all these creatures moving in my mind’s eye when I’m drawing them and I wish technology was just more advanced so all these things could be moving.”

Dezeen Live was a series of discussions between Dezeen editor-in-chief Marcus Fairs and a number of designers and critics that took place as part of the talks programme at design exhibition 100% Design during this year’s London Design Festival.

Katrin Olina at Dezeen Live

Above: Friends of Steel and Miklimeir furniture collection

Each of the four one-hour shows, recorded live in front of an audience, featured three interviews plus music from Dezeen Music Project featuring a new act each day. Over the next few weeks we’ll be posting all the movies we filmed during the talks.

We’ve already published a couple of movies from the series so far: in the first IDEO UK design director Tom Hulme encourages designers to be more entrepreneurial and in the second architect and writer Sam Jacob questions whether we could be human without objects.

The music featured in this movie is a track called Don’t Go by east London band Strong Asian Mothers. You can listen to more of their music on Dezeen Music Project.

Above: teaser animation featuring characters from Olina’s forthcoming book

See all our stories about Katrin Olina »
See all our stories about Dezeen Live »
See all our stories about London Design Festival 2012 »

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– Katrin Olina at Dezeen Live
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“I wanted to capture the beauty of 1950s engineering” – Michael Young

Hong Kong-based designer Michael Young talks about his MY03 Hacker watch, designed for watch brand ODM and available from Dezeen Watch Store, in this movie filmed by Dezeen.

Michael Young on the MY03 Hacker

MY03 Hacker was inspired by “old parts for aircraft in the 1950s,” explains Young in the movie. “Rather than be retrospective with this watch I wanted to capture the beauty of that era of engineering but bring it forward,” he says.

Michael Young on the MY03 Hacker

The small circle on the face hides the watch’s Japanese movement and is also raised a couple of millimetres above the glass to prevent scratching. “It’s very much a workwear watch,” he adds.

Michael Young on the MY03 Hacker

“In Asia, particularly, leather watch straps are very difficult to wear because of the humidity,” says Young, explaining that the watch’s polyurethane strap gives the product a more global appeal.

Michael Young on the MY03 Hacker

The MY03 Hacker is available now from Dezeen Watch Store in various colours, including the gold version worn by Young in the movie.

MY03 Hacker

Also available from Dezeen Watch Store is Young’s second watch for ODM, the solar-powered MY04 Sunstich.

MY03 Hacker

Yesterday we published another movie about watches, featuring Benjamin Hubert explaining why he placed a double-length second hand over the pleated face of Plicate, his first watch for Italian accessories brand NAVA.

MY03 Hacker

Other designs by Michael Young we’ve featured on Dezeen include an update on the iconic Moke beach buggy and a pair of earphones made from cornstarch – or see all our stories about Michael Young.

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Nebula 12 by Micasa LAB

This weather-forecasting lamp creates an indoor cloud to warn of grey skies outside (+ movie).

Nebula 12 by Micasa LAB

The Nebula 12 by Swiss design studio Micasa LAB combines liquid nitrogen and hot water to create a billowing cloud of steam, which is kept in circulation around the lamp by vacuum suction.

Nebula 12 by Micasa LAB

The form the cloud takes and the colour of the lamp depend on the weather forecast for the next 48 hours.

Nebula 12 by Micasa LAB

A grey cloud appears on an overcast day, while a patch of low pressure is signalled by a red light seeping through the cloud. On sunny days the cloud disappears, leaving a warm yellow light, and at sunset the light turns warm orange.

Nebula 12 by Micasa LAB

The weather forecast is sent to the lamp via a WiFi connection with a Nokia Lumia 920 mobile phone –the only phone the lamp works with so far.

Nebula 12 by Micasa LAB

Micasa LAB is the design studio attached to Micasa, a German furniture and interiors brand.

Above: movie by Micasa LAB showing the Nebula 12 in operation

We’ve featured a few cloud-generating projects on Dezeen, including a house in Kuwait with a courtyard concealed by mist and a water feature in London that erupts in misty clouds.

See all our stories about weather »

Here’s some more information from the designers:


The Nebula 12 is a concept developed by Micasa LAB, Zürich. Using meterological data from MetOff, the Nebula forms to represent outside weather: wake up to a flooding yellow light on a sunny day, or below a real cloud on that overcast winter morning. The cloud involves some peculiar techniques, liquid nitrogen, WiFi, and high power vacuum suction.

In the standard mode, Nebula 12 predicts the weather for the next 48 hours. A threatening low-pressure area is announced by a red cloud, and sunshine is shown in yellow. At the same time, the user can adjust the settings and define the source of information themselves. And the best is: regardless of how dark the cloud is, Nebula 12 never brings rain. At least, not within one’s own four walls.

The light but stable creation can be used in many ways: Nebula 12 can, like a natural cloud, change in colour and brightness and thus can be used as a variable source of light for romantic evening meals, when doing homework, when reading or just chatting.

The cloud is easily connected by WIFI to your Nokia Lumia 920.

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“The second hand is a real piece of sculpture moving around the watch” – Benjamin Hubert

In this movie filmed by Dezeen, British designer Benjamin Hubert explains why he placed a double-length second hand over the pleated face of Plicate, his first watch for Italian accessories brand NAVA, which is available from Dezeen Watch Store now.

Plicate by Benjamin Hubert for NAVA

Plicate was designed with a “distinctive language” of faceted textures, Hubert explains in the movie. The watch has a series of pleats on its face, with each of the folds representing one second.

Plicate by Benjamin Hubert for NAVA

The second hand stretches across the diameter of the watch face in a contrasting colour. “Our idea was to make it double-length so you have a real piece of sculpture moving around the watch,” he says.

Plicate by Benjamin Hubert for NAVA

“If you have a second hand on a watch it’s really a decorative feature, particularly on an analogue watch,” he adds. “So why not make that more extreme, make that more decorative?”

Plicate by Benjamin Hubert for NAVA

The time-adjustment dial and back of the watch strap echo the faceted texture of the face, while the asymmetric clasp is inspired by festival wristbands.

The Plicate is now available now from Dezeen Watch Store in blue, grey or orange.

Browse more watches on the Dezeen Watch Store or see all our stories about Benjamin Hubert, including a recently launched trestle table held together by sheets of bowed steel.

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moving around the watch” – Benjamin Hubert
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Shivering Bowls by Nendo

These delicate bowls by Japanese design studio Nendo are so thin they quiver in the wind (+ movie).

Shivering Bowls by Nendo

Nendo created Shivering Bowls for the KAMA. Sex & Design exhibition at the Triennale Design Museum in Milan. Eight designers were asked to produce a piece that explores the idea of eros, the Greek term for erotic love, and Nendo responded by creating an extremely thin bowl from silicon.

Shivering Bowls by Nendo

“We wanted to express eros through a design that invokes desire – a design that viewers simply can’t bear not to touch,” said the designers.

Shivering Bowls by Nendo

The bowl changes shape when touched by a finger or buffeted by a breeze, as the movie shows.

Shivering Bowls by Nendo

The KAMA. Sex & Design exhibition runs from 5 December until 10 March 2013 at the Triennale Design Museum, Milan.

Shivering Bowls by Nendo

Other projects by Nendo we’ve featured recently include a collection of glass bowls that look like the bottom half of a Coca-Cola bottle and a chair that’s wrapped in fishing line rather than varnished.

Shivering Bowls by Nendo

See all our stories about Nendo »
See all our stories about bowls »

Shivering Bowls by Nendo

The movie is by Takahisa Araki and photographs are by Hiroshi Iwasaki.

Here’s some more information from Nendo:


Shivering Bowls

A set of bowls for the KAMA. Sex & Design exhibition at the Triennale Design Museum in Milan. The curators asked eight designers to create an object, in conjunction with an exhibition that explored ideas of eros in design from ancient times to the present, from a cultural anthropology and mythical perspective.

We located the intersection of eros and design in the spiritual pleasure provided by an object’s touch, and decided to make an extremely thin bowl out of silicon for our contribution. The bowl resembles a ceramic one, but with a tension to this perception, generated by the extreme thinness that would be impossible to achieve with clay. The bowl changes shape as easily as liquid when it is touched, and continues to quiver momentarily in response to the outside force. We wanted to express eros through a design that invokes desire – a design that viewers simply can’t bear not to touch.

KAMA. Sex and Design
Date : 5th Dec 2012 –10th March 2013
Place : Triennale di Milano, Milan, Italy

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Oscar Medley-Whitfield and Harry Trimble at Designers in Residence 2012

In a movie filmed by Alice Masters for the Designers in Residence exhibition at the Design Museum, Oscar Medley-Whitfield and Harry Trimble explain how they turned clay dug from the muddy banks of the river Thames into ceramic tableware.

Wharfware by Oscar Medley-Whitfield and Harry Trimble

Recent graduates Oscar Medley-Whitfield and Harry Trimble produced the Wharfware collection as a response to the Design Museum’s theme of “thrift”.

Wharfware by Oscar Medley-Whitfield and Harry Trimble

‘Thrift for us is essentially making something out of nothing,” says Trimble in the movie. Looking at the museum’s surroundings to see what they could take from the local area, the designers found that the mud under Tower Bridge had the potential to be made into ceramics, and the area had also been home to a thriving ceramics industry 300 years ago.

Wharfware by Oscar Medley-Whitfield and Harry Trimble

Once they’d dug up the mud and brought it back to their studio, they experimented with additives to prepare the clay for firing.

Wharfware by Oscar Medley-Whitfield and Harry Trimble

Above: photograph is by Carol Sachs

“Conventionally, pottery clays are heavily engineered with additives to give them specific properties,” they told Dezeen. “Wishing to keep the clay pure and stay true to the brief, we devised a manufacturing technique of moulding at high pressure.”

Wharfware by Oscar Medley-Whitfield and Harry Trimble

Above: photograph is by Rima Musa

After perfecting the mixture, they formed the shapes in a homemade press, using a car jack to push the clay into its mould. Inspired by centuries-old tableware made in the Tower Bridge area and wanting to maximise space in the kiln, they created the pieces in tesselating hexagonal shapes.

Wharfware by Oscar Medley-Whitfield and Harry Trimble

Above: photograph is by Rima Musa

The Wharfware collection includes three sizes of bowls, a serving plate, a trivet and a fish brick, which pays homage to Terence Conran’s chicken brick steam cooker, explains Medley-Whitfield, while also referencing the clay’s origins in the river Thames.

Wharfware by Oscar Medley-Whitfield and Harry Trimble

Above: photograph is by Rima Musa

Last year Medley-Whitfield experimented with casting copper-bullion bowls as a way for investors to display the increasingly valuable metal at home.

Wharfware by Oscar Medley-Whitfield and Harry Trimble

Above: photograph is by Rima Musa

We’ve already featured two movies by Alice Masters about the Designers in Residence programme – in one, Lawrence Lek shows how his system of bent plywood pieces can be tied together to make furniture and architecture, and in another, Yuri Suzuki explains how he made a radio with a circuit board arranged like the London Tube map.

Wharfware by Oscar Medley-Whitfield and Harry Trimble

Above: photograph is by Rima Musa

See all our stories about ceramics »
See all our stories about Designers in Residence 2012 »
See all our stories about the Design Museum »

Wharfware by Oscar Medley-Whitfield and Harry Trimble

Above: photograph is by Rima Musa

Photographs are movie stills by Alice Masters, except where stated.

Here’s some more information from Medley-Whitfield and Trimble:


Designers Oscar Medley-Whitfield and Harry Trimble Share an interest in sourcing local materials and using bespoke manufacturing processes. Together they experiment with how products can be made to embody local identity and heritage to give economic, environmental and emotional benefits.

Wharfware by Oscar Medley-Whitfield and Harry Trimble

Above: photograph is by Carol Sachs

Inspired by the historic Southwark ceramic industry that thrived in the area surrounding the Design Museum 300 years ago, Oscar and Harry have produced a ceramic tableware range, Wharfware, made of clay dug from the banks of the Thames around Tower Bridge.

Wharfware by Oscar Medley-Whitfield and Harry Trimble

Above: photograph is by Rima Musa

Before the clay could be used it had to undergo an extensive refinement process. The clay is laid out to dry before being soaked to a slip. It is then passed through progressively fine grades of mesh to remove impurities.

Wharfware by Oscar Medley-Whitfield and Harry Trimble

After further drying on plaster to achieve the desired consistence, the clay is ready to be moulded and then fired. A complex testing process was used to find the right composition of clay, sand and firing temperature.

Wharfware by Oscar Medley-Whitfield and Harry Trimble

Above: photograph is by Luke Hayes

The forms of the works were process driven. Rather then using traditional studio pottery techniques unlikely to work with the unpredictable raw clay, Oscar and Harry applied an industrial approach. The moulds were designed to allow the clay to be shaped under pressure reducing the likelihood of warping and distortion.

Wharfware by Oscar Medley-Whitfield and Harry Trimble

Above: photograph is by Luke Hayes

The geometric shapes help the pieces to be easily remove from the moulds whilst also allowing them to tessellate in the kiln meaning more units per firing, bring down overall costs. In creating Wharfware, Oscar and Harry have created a locally relevant product in an innovative and resourceful way.

Wharfware by Oscar Medley-Whitfield and Harry Trimble

Above: photograph is by Luke Hayes

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“Heat-shrinking the polystyrene cups created beautiful shapes” – Paul Cocksedge

In this movie filmed by Dezeen, east London designer Paul Cocksedge describes his discovery of the interesting forms created when polystyrene cups are heated and how he used the process to create a pendant lamp.

"Heat creating the forms for me was a dream come true" - Paul Cocksedge

Cocksedge first experimented with polystyrene cups ten years ago at the Royal College of Art as part of a project set by Ron Arad, who asked students to “grow a product”.

"Heat creating the forms for me was a dream come true" - Paul Cocksedge

Above: image by Mark Cocksedge

“I placed the cup inside [the oven] and something really beautiful happened,” he explains. Heat distorts the shape of polystyrene while strengthening it, and Cocksedge made a movie of the process in reverse that looked like the cups were growing.

"Heat creating the forms for me was a dream come true" - Paul Cocksedge

Above: image by Mark Cocksedge

He then built a large number of deformed cups into a sphere to create his Styrene lamp. ”As a designer we always search for form and interesting aesthetics, but this was like a dream come true because the heat was doing it for me,” he continues.

"Heat creating the forms for me was a dream come true" - Paul Cocksedge

Above: image by Mark Cocksedge

The custom lamp he contributed to the Stepney Green Design Collection is 90cm in diameter – almost twice the size of the designs sold commercially – and was previously on display at the V&A Museum in London as part of an exhibition on British Design. Cocksedge has a studio in London Fields, east London, not far from Stepney Green.

The Stepney Green Design Collection consists of 10 products selected by Marcus Fairs of Dezeen from creatives who live near to VIVO, a new housing development in the east London district. The project also includes objects chosen by east London bloggers Pete Stean of Londoneer and Kate Antoniou of Run Riot.

"Heat creating the forms for me was a dream come true" - Paul Cocksedge

Above: Styrene on display at the British Design 1948–2012: Innovation in the Modern Age exhibition at the V&A, 2012

The collection is on show at the Genesis Cinema, 93-95 Mile End Road, Whitechapel, London E1 4UJ, from 10am to 10pm every day until January. After this, the objects will be given to VIVO residents.

See all the items in the Stepney Green Design Collection here and watch the movies we’ve featured so far here. The music featured in the movies is by American designer and musician Glen Lib. You can listen to the full track on Dezeen Music Project.

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beautiful shapes” – Paul Cocksedge
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