“There was all this potential but it was being held back by the architecture”

Movie: architect David Kohn explains how his studio transformed a neglected Barcelona apartment into World Interior of the Year 2013 in this exclusive video interview Dezeen filmed at Inside Festival in Singapore.

Carrer Avinyó by David Kohn Architects

Carrer Avinyó by London studio David Kohn Architects is a renovated apartment in a triangular block in Barcelona’s Gothic Quarter.

Carrer Avinyó by David Kohn Architects

“The apartment is in a nineteenth-century apartment block on a very cute corner, but it was in a pretty poor state of repair,” Kohn explains.

“It was subdivided into many small rooms so there was no gathering space, nor was there any sense of this rather unusual triangular plan and it’s relationship to the city.”

“There was all this potential, but it was all held back by the architecture.”

Carrer Avinyó by David Kohn Architects

To rectify this, Kohn’s studio stripped away most of the apartment’s internal partitions, creating an open-plan living space to make the most of the large windows and high ceilings.

“We wanted to change the apartment to focus on the pleasure of gathering,” explains Kohn. “The architecture of the apartment now is about creating the right setting for that kind of social encounter.”

Carrer Avinyó by David Kohn Architects

Two of the bedrooms are contained within a wooden tower at one end of the apartment, which Kohn describes as “a kind of scale replica” of a 1950s apartment block by Spanish architect Josep Antoni Coderch in the La Barceloneta neighbourhood of the city.

“The bedrooms in this tower block have louvred windows so when you want to go to bed you can close the building,” he says.

Carrer Avinyó by David Kohn Architects

The apartment’s most striking feature is its tiled floor, which is made up of 25 different triangular designs.

“We basically did research on how we can make a tiled floor using traditional technologies that would be affordable for this project, but introduced something new,” says Kohn.

“We asked Mosaics Martí, who made all the tiles, to use varying amounts of green and red pigment. Now you see it laid, the apartment has a graded floor that goes from green at one end to red.”

Carrer Avinyó by David Kohn Architects

Kohn says that the transformation has been received well by the clients, two brothers who grew up in Barcelona but now live in London and Hong Kong.

“The clients love it because because their lives were very pragmatic in the way they used the flat,” he says.

“What we were able to reintroduce into their lives was a pleasure of being in this interior, celebrating their time in Barcelona.”

David Kohn
David Kohn

Inside Festival 2013 took place at Marina Bay Sands in Singapore from 2-4 October. The next Inside Festival will take place at the same venue from 1-3 October 2014. Award entries are open February to June 2013.

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being held back by the architecture”
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Carrer Avinyo 34 by David Kohn Architects

Triangular floor tiles gradually change colour from green to red inside this renovated Barcelona apartment by London studio David Kohn Architects.

Carrer Avinyo 34 by David Kohn Architects

Located in the city’s Gothic Quarter, the apartment is owned by two brothers that currently live in London and Hong Kong. The pair asked David Kohn Architects to design them a holiday home in the city they grew up in.

Carrer Avinyo 34 by David Kohn Architects

The architects began by stripping away most of the apartment’s internal partitions, creating an open-plan living space that makes the most of the large windows, high ceilings and ornate mouldings.

Carrer Avinyo 34 by David Kohn Architects

The new decorative floor tiles – made up of 25 different designs – offer a splash of colour to the space. Their gradual change in tone loosely defines the realms of each occupant, with the green tiles surrounding a stack of two bedrooms and the red tiles framing a kitchen with a bedroom above.

Carrer Avinyo 34 by David Kohn Architects

Indoor balconies form a corridor between the two first-floor bedrooms and their en suite bathrooms, but also creates the bookshelves for an informal library.

Carrer Avinyo 34 by David Kohn Architects

A custom-made table is positioned at the apex of the plan, providing a large family dining area at the spot where the green and red tiles are most mixed.

Carrer Avinyo 34 by David Kohn Architects

David Kohn launched his studio in 2007. Other projects completed since then include a rooftop events space in London and an arts venue in a former sweet factory. See more architecture by David Kohn »

Carrer Avinyo 34 by David Kohn Architects
Design model – concept for new bedrooms and connecting balconies

We’ve featured a host of renovated Barcelona apartments on Dezeen, including one where the tiled floors reveal the original layout. See more architecture and design in Barcelona »

Carrer Avinyo 34 by David Kohn Architects
Axonometric diagram

Photography is by Jose Hevia Blach.

Carrer Avinyo 34 by David Kohn Architects
Floor tile patterns

Here’s a project description from David Kohn Architects:


Carrer Avinyo, Barcelona

Refurbishment of a piano nobile apartment on Carrer Avinyó in the Gothic Quarter of Barcelona. The apartment is situated at a major crossroads in the city. Like the Flatiron Building in New York, where Broadway meets the city’s orthogonal grid, the triangular plan of the apartment’s interior registers a similar moment in Barcelona’s historic quarter; Plaça George Orwell. Our first intervention is to strip back the internal partitions to reveal the junction and so reconnect living in the apartment to the streets beyond.

Carrer Avinyo 34 by David Kohn Architects
Ground floor plan – click for larger image and key

The apartment will be the holiday home of two brothers who grew up in Barcelona but now live in London and Hong Kong. New bedrooms are created inside large pieces of furniture that have the appearance of small buildings – the city beyond the apartment walls is mirrored by a diminutive city within. The high-level library becomes balconies that connect each bedroom to their en-suite bathrooms. Beneath a balcony a glazed lobby provides a threshold between the apartment and the city.

Carrer Avinyo 34 by David Kohn Architects
First floor plan

The new mosaic floor of the apartment is decorated with a triangular pattern that matches the geometry of the plan. The tile pattern is graded in colour from green at one end of the apartment to red at the other to differentiate the brothers’ private spaces. The tiles were being made by Mosaics Martí who supplied the product for Gaudi’s projects in the city. A large, specially designed dining table stands at the street corner where the red and green are most mixed and will become the meeting place for family and friends.

Carrer Avinyo 34 by David Kohn Architects
Site plan

Project Name: Carrer Avinyó
Architect: David Kohn Architects
Executive Architect: Ángel Martín Cojo Arquitecto
Structural Engineer: Area 5
Client: Private

Main Contractor: Brick Serveis D’interiorisme
Joinery: Soldevila
Metalwork: Enmometall
Hydraulic Tiles: Mosaics Martí

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The White Building by David Kohn Architects

London studio David Kohn Architects has created an arts venue in a former sweet factory on the edge of the Olympic park.

The White Building by David Kohn Architects

The White Building is situated amongst a community of artists on Fish Island in Hackney Wick and accommodates a gallery, an events space, a cafe and a series of artists’ studios.

The White Building by David Kohn Architects

Lambswool hangs in nets to cover the underside of an existing asbestos roof that is supported by red steel trusses.

The White Building by David Kohn Architects

Five new entrances lead into the building, allowing the different rooms to be used in flexible configurations.

The White Building by David Kohn Architects

The project is one of a number of “Olympic Fringe” projects instigated by Design for London for sites bordering the Olympic park. Others include public realm improvements by architects Muf and the London Pleasure Gardens.

The White Building by David Kohn Architects

See more stories about London 2012 »

The White Building by David Kohn Architects

Photography is by Will Pryce.

The White Building by David Kohn Architects

Here’s some more information from David Kohn Architects:


‘The White Building’ is a new cultural venue in Hackney Wick commissioned by the London Legacy Development Corporation.

Situated across the Lea Navigation Channel from the Olympic site, the project overlooks the Olympic stadium. The refurbished building, a former print works and previously a sweet factory, will house artists’ studios, a gallery, hire space, café and micro-brewery.

The White Building by David Kohn Architects

The project was won through invited competition by David Kohn Architects in collaboration with Michael Pawlyn of Exploration Architecture, specialists in environmentally sustainable design.

The White Building by David Kohn Architects

The competition was organised by Design for London, part of the Greater London Authority, as part of the ‘Olympic Fringe’ a string of small-scale projects aimed at stitching the Olympic Park into the surrounding city fabric.

The White Building by David Kohn Architects

Hackney Wick Fish Island, a former industrial area, is currently celebrated for being home to the highest concentration of artists studios in Europe.

The White Building by David Kohn Architects

The end user is Space Studios who contributed to the project brief to create a cultural venue in Hackney Wick that would serve the existing community as well as provide a public face to visitors. Space Studios is a charity that has been providing platforms for artists since 1968.

The White Building by David Kohn Architects

In response to the competition brief, David Kohn Architects proposed that the White Building would:

» be built by local people for local people;
» foreground the pleasures of making;
» resonate with the history of the area;
» work with the existing building fabric;
» demonstrate innovative sustainable design;
» be realised affordably and quickly;
» show a past and future London at the Olympics.

The White Building by David Kohn Architects

The eventual built project used local businesses extensively for supplying materials and skills from glazing to sign-painting, steelwork to joinery. The project was delivered on time and budget.

The White Building by David Kohn Architects

New interventions complimented the existing building fabric, such as blockwork walls on the ground floor that incorporated steel-framed windows. The ground floor was opened up to the canalside and Queen’s Yard to create a light-filled interior with the feel of an urban courtyard.

The White Building by David Kohn Architects

On the first floor, existing red-painted steel trusses supported an asbestos sheet roof with no insulation. In order to improve the environmental performance of the building and the appearance of the interiors without interfering with the asbestos, lambswool was suspended in red string nets to create soft vaults between the trusses.

The White Building by David Kohn Architects

Throughout, there was a design approach that sought to use conventional construction materials, but in a playful way. Material junctions were detailed in such a way as to give even the most industrial construction a lightness of touch.

The White Building by David Kohn Architects

Five new entrances were created that allow the building to be used in a variety of different configurations. The ground floor houses a café, pizzeria, microbrewery and group studio space. The first floor offers four artists’ studios, a gallery and hire space overlooking the Olympic stadium. External works included wide steps from street level down to the canalside.

The White Building by David Kohn Architects

Space Studios currently have a ten year lease on the property. The hope is that during that time, The White Building can become a significant local asset, well-used by the creative community and public alike. If it proves to be successful, then the project could become key to the retention of cultural activities in the area during future urban change and development.

The White Building by David Kohn Architects

Address: Unit 7 Queens Yard, White Post Lane London E9 5EN
Client: London Legacy Development Company
Tenant: Space Studios & Crate Café
Planning Department: LB Tower Hamlets
Project Period: December 2010 – July 2012
Construction Period: 12 weeks
Gross External Floor Area: 760m2
Gross Internal Floor Area: 695m2
Construction Value: £550k

Design Team
Architects: David Kohn Architects, Liz Betterton, Saya Hakamata, David Kohn, Tom McGlynn (Project Architect), Ulla Tervo
in collaboration with Michael Pawlyn, Exploration Architecture
Landscape: Muf architecture/ art
Structural Engineer: Alan Baxter Associates
Civils Engineer: Stockley
Services Engineer: Capita Symonds
Project Manager: Capita Symonds
CDM Co-ordinator: Capita Symonds
Cost Consultant: Sweett Group
Graphic Designer: Modern Activity

Contractors
Main Contractor: BRAC Contracts
Blockwork: Plasmor
Glazing: Caplin Glass
Sheep’s Wool: Black Mountain Insulation Ltd
Metal Windows: Monk Metal Windows
Steel Doors: Dove Steel Doors
Steel Sign: PJ Signs
Outdoor steps steelwork: Lemon Steel
Hand-Painted Signage: Ornamental Conifer and Mark Bayley

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Critics’ reactions to A Room For London


Dezeen Wire:
 this week architecture critics have been discussing A Room For London, a boat-like apartment on the roof of the Southbank Centre that will accomodate temporary overnight guests throughout 2012. 

Writing for The New York Times, Elias Redstone declares the project a “wonderfully surreal vision” that “originated from surprisingly practical concerns,” namely the tight budget and challenging location.

An account from The Guardian’s Liz Bird gives an insight into what it is like to stay in the vessel. She writes: ”the pièce de resistance is the snug upper deck, filled with London-themed books, which we quickly rename ‘The Bridge’ and where we write up the ship’s log”.

Observer critic Rowan Moore praises the project as “an enjoyable and well-made jeu d’esprit”, but warns readers not to be disillusioned into thinking of the project as an aid to urban regeneration, stating that “it is not a prototype for future Thames-side development”.

Contrastingly, Edwin Heathcote of the Financial Times discusses the “unheimlich” (uncanny) qualities of the rooftop apartment’s nautical aesthetic, and controversially compares it to the “shocking and visceral images of the aftermath of the Japanese tsunami last year” when fishing boats were “left marooned on roofs after the waters had subsided”.

A few Dezeen readers got caught up in the fun aspects of the project, with one keen to “spend all day interpreting scenes from Jaws” and another imagining images from Mary Poppins – see all our readers’ comments here.

You can see images of the project in our earlier story here, or see more stories about the instigating organisation, Living Architecture, here.

A Room for London by David Kohn and Fiona Banner

A Room for London by David Kohn and Fiona Banner

London studio David Kohn Architects and artist Fiona Banner have won the A Room For London competition to design a temporary one-bedroom apartment on top of London’s Southbank Centre.

A Room for London by David Kohn and Fiona Banner

The winning design resembles a boat beached on the roof of the Queen Elizabeth Hall.

A Room for London by David Kohn and Fiona Banner

A Room for London was a design competition instigated by Living Architecture and arts organisation Artangel, as part of London 2012 Festival, to create a room for two people to spend the night on a visible site or building in London. Visitors will be able to stay in the room during 2012 and bookings can be made from 8 September this year.

Images are courtesy of David Kohn Architects and Fiona Banner.

See also: Skyroom by David Kohn Architects.

All our stories on the Living Architecture project »

Here’s some more information about the project:


David Kohn Architects and artist Fiona Banner have been selected to design A Room for London, a temporary installation that will sit on top of the Queen Elizabeth Hall at Southbank Centre, London and be part of the London 2012 Festival.

The design competition for A Room for London, which attracted entries from around 500 architects and artists from across the world, was instigated by Living Architecture, and Artangel, in association with Southbank Centre. The brief was to create a room on one of the most visible sites in the British capital, where up to two people at a time could spend a unique night in an exemplary architectural landmark.

Kohn and Banner’s winning design is for a boat which, perched on the Queen Elizabeth Hall roof, will appear to have come to rest there, grounded, perhaps, from the retreating waters of the Thames below. From the lower and upper ‘decks’ of this beautifully crafted timber structure, there will be extraordinary views of a London panorama that stretches from Big Ben to St Paul’s cathedral.

On arrival ‘aboard’, a nautical flag will be raised to signal occupation, with the visitors invited to fill in a logbook on the ‘bridge’ of the boat, detailing what they have experienced during their stay, out of the window as much as within themselves. This is contemporary architecture at its most playful, beguiling and thought-provoking.

Alongside public booking, the Room will play host to a guest programme of special visitors – artists, writers and cultural commentators of all kinds. These ‘thinkers-in-residence’ will be invited to stay and encouraged to muse on the city at a moment in time, through writing, image-making, online postings or live webcasts from the Room itself as their own idiosyncratic entries in the logbook. Some contributions will be instantly experienced by the public; others developed slowly during the course of the year. All visitors will be offered a chance to share experiences of a night in the Room.

Bookings for A Room for London – for no more than one night – will be available through the website from 1 January – 31 December 2012 with advance bookings going live on the website from 8 September 2011.

A Room for London is a cultural collaboration between Living Architecture and Artangel in association with Southbank Centre and the London 2012 Festival. The London 2012 Festival is the finale of the Cultural Olympiad. It will be a 12-week UK-wide cultural celebration from 21 June 2012 that brings leading artists from all over the world together to celebrate the London 2012 Olympic and Paralympic Games through dance, music, theatre, the visual arts, film and digital innovation.


See also:

.

Skyroom by
David Kohn Architects
Studio East by
Carmody Groarke
Nomiya temporary restaurant by Pascal Grasso

Skyroom by David Kohn Architects

Skyroom by David Kohn Architects

The Skyroom is a rooftop event space designed by David Kohn Architects above the Architecture Foundation’s London offices.

Skyroom by David Kohn Architects

Opened to coincide with the London Design Festival last month, the steel structure is enclosed by copper mesh walls and topped with transparent plastic.

Skyroom by David Kohn Architects

The mixture of enclosed and open-air spaces will be used for lectures, performances and parties.

Skyroom by David Kohn Architects

Photographs are by Will Pryce.

Skyroom by David Kohn Architects

The information that follows is from David Kohn Architects:


Skyroom

The Skyroom is a new rooftop venue to host events programmed by the Architecture Foundation. Sitting above their offices on Tooley Street, the structure offers a range of rooms, both covered and open to the sky, for different occasions and uses ranging from lectures and performances to dinner parties and sun-bathing. The project opened to coincide with London Design Week on 20th September 2010.

Skyroom by David Kohn Architects

The project features a central courtyard open to the sky, framing the rising form of The Shard being built high above London Bridge Station. A balcony cantilevered over Tooley Street offers breathtaking views through the More London development to the Thames and the Tower of London beyond.

Skyroom by David Kohn Architects

Akin to a small theatre space, the proportions of Skyroom enable it to be occupied in a variety of different arrangements. Four niche spaces extend from the courtyard to provide an intimate setting for meeting and relaxing. On the south facade a louvred screen frames a Black Tupelo tree with purple autumnal leaves which will eventually turn an intense bright scarlet, affirming the rooftop as a new ground and a site available to be colonised by nature.

Skyroom by David Kohn Architects

With a bespoke structure constructed of steel with copper mesh facades and larch flooring, Skyroom is topped with six Ethylene Tetrafluoroethylene (ETFE) cushions.

Skyroom by David Kohn Architects

The structure and materials used throughout the scheme have been chosen for their lightness and varieties of transparency: the white steel structure is like a drawing in space, marking out the territory of the rooftop and framing key views of the site and sky.

Skyroom by David Kohn Architects

The stainless steel and copper mesh panels create moiré patterns that lightly obscure their surroundings. ETFE, a material originally designed by NASA to create enclosures on the moon, is used here in sizes ranging from 2m sq to 8m x 3m. Stippled with sun-blocking silver dots, this continues the fabric-like quality of the enclosure across the roof.

Skyroom by David Kohn Architects

The design of Skyroom is a response to a number of major constraints: the limited structural capacity of the existing roof; location of the building within a conservation area with strict guidelines on the appearance of developments; building to a limited budget; and access to the roof for construction.

Skyroom by David Kohn Architects

As the roof was not able to support any additional load of either materials or people, the creation of a new structure above it was crucial. In order to transfer load into the existing steel columns, a new steel deck was created, passing through the roof to connect to the heads of the columns below. Newly built large steel sections enable the transfer of load through the steel deck into the existing structure.

Skyroom by David Kohn Architects

Excluding the cantilevered balcony, the scheme is set back from the building perimeter to negate the need for expensive scaffolding on all sides as well as to comply with planning regulations to limit the amount of the structure visible from the street and consequent change in appearance to the overall building.

Skyroom by David Kohn Architects

Additionally, materials used throughout were selected to satisfy the local authority’s requirement for quality finishes that would age well and compliment the conservation area.

Skyroom by David Kohn Architects

Both points reveal that there are indeed opportunities to adapt the capital’s skyline even when faced with the rigorous planning control of a conservation area.

Skyroom by David Kohn Architects

A limited budget and tight programme were additional factors that steered the design of Skyroom, which went from detailed design to completion in just eight weeks. The project, commissioned and funded by the landlord of Magdalen House, Lake Estates, demonstrates an imaginative re-use of one of London’s neglected roofscapes and is in keeping with the Mayor of London’s policy to encourage the occupation of the city’s rooftops.

Skyroom by David Kohn Architects


See also:

.

Studio East by
Carmody Groarke
Nomiya temporary restaurant
by Pascal Grasso
More about David Kohn
Architects