Hasta La Ideas

Swiss architecture studio Bureau A has built a pavilion out of recycled windows on the outskirts of Geneva.

Named La Fabrique, the structure was inspired by comic actor Buster Keaton’s 1920 short film One Week, where a pair of newlyweds attempt to construct a small house from a kit of parts but are disrupted by disorganised components, causing them to argue.

“La Fabrique is built with a similar mixture of seriousness and lightness,” said Bureau A co-founder Daniel Zamarbide.

“The lightness comes from the direct relation between thinking and doing,” he adds. “The seriousness relates to the difficulty of producing self-built and affordable space in the western world’s cities and the sadness of the loss of spontaneity in architectural processes.”

The pavilion provides a garden folly for a family, who worked alongside Bureau A to construct it.

An assortment of windows found on demolition sites were mounted to an asymmetric timber frame to create the facade and roof, while the floors and end walls were built from timber boards and chunky chipboard.

Another project featuring recycled windows is Dezeen’s office interior in north London.

Other pavilions completed recently include a temporary library clad in recycled food packaging and an inflatable pavilion with a floating roof. See more pavilions on Dezeen »

Photography is by David Gagnebin-de Bons, unless otherwise stated.

Here’s a project description from Bureau A:

La Fabrique

Buster Keaton’s short film One Week describes how a recently married couple installs its kit-house on a small plot of land. The dismountable home conceived to be self-built in seven days only is their wedding gift. Difficulties start when a rival of the couple disorganises the component boxes to trouble the mounting and thus the happiness of the young couple’s first household. This canonical short film, first release of Keaton on his own, has been the catalyst of numerous discourses on art and architecture. Deadpan, shot by Steve Macqueen in 1997, is only one of many art pieces referencing One Week (although Macqueen might refers more directly to Steamboat Bill Junior’s collapsing facade filmed in 1928, 8 years later than One Week).

Keaton’s representation of the self-constructed house can be paralleled with Walker Evans’ photographic documentation conducted just after the Great American Depression of 1929 for the Farm Security Administration. They both show, in drastically different ways, how the American family was occupying the territory in those harsh times. The pride of the poor owners immortalised by Walker Evans could freely be transposed to the 1920’s face of Buster Keaton, the man who never laughed.

La Fabrique is built with a similar mixture of seriousness and lightness. The pavilion made out of recycled windows found on demolition sites is designed and built by BUREAU A and the inhabitants in a couple days. The lightness comes from the direct relation between thinking and doing. Architecture’s usually long and complex process shrink to a point where pleasure and will become real actors of the design. For that matter, the nature of the pavilion resembles the emancipated miniature architecture of the follies of the garden culture. The seriousness relates here to the difficulty of producing self built and affordable space in western world’s cities and the sadness of the loss of spontaneity in architectural processes. Like Buster Keaton’s wedding present, La Fabrique is poetic and playful architecture within a serious context.

The post La Fabrique
by Bureau A appeared first on Dezeen.

Students at the Geneva University of Art and Design have formed a travelling commune inside a collection of shipping containers and have been staging performances around Switzerland.

Under the direction of Bureau A designer Daniel Zamarbide, the students created the community in a courtyard at the university and spent several nights living there as part of their research into domestic rituals.

Photographer Regis Golay also joined the community by staying at the site for a few days and capturing all of the activities on camera.

Installations include a dining room intended to demonstrate habits of gluttony and lust, plus a bedroom where students are testing the effects of short-term sleeping by taking naps whilst wearing foam sleep-suits.

In the bathroom, students carry out a ritual dance as they take off their clothes and wash themselves, while the meeting room is a fabric filled tube that attendees stick only their heads and arms inside.

Other performance spaces include a dark smoky sound room, a dream room funished with car seats, an energy-generating room filled with Ikea furniture and a series of cupboards for climbing inside.

The ninth installation is a modular framework of bamboo that surrounds the eight containers to provide outdoor lighting and decoration.

See more projects featuring shipping containers »

Photography is by Regis Golay of Federal Studio.

Here’s some more explanation and details of each of the performances:

The Commune
Summer semester 2012. February-June 2012

Geneva University of Art and Design students, under the direction of Daniel Zamarbide of BUREAU A have just finalised a series of living units forming an autonomous community. With the purpose of questioning our living habits and inspired by the social experimentations of the 70’s, The Commune has produced and lived in for a short period of time an ensemble of 8 shipping containers located in the courtyard of the school.

The Commune will travel around Switzerland in different cultural events and festivals reproducing the experience and aiming to engage debate in the contexts where they will be welcomed. Régis Golay of Federal Studio has produced as series of images of the event.

Description of the 9 projects realised during the semester.

DREAM
Students: Celine Mosset, Charles de Oliveira

In a David Cronenberg type environment and atmosphere, this project proposes an installation based on the transformation of automobile pieces that create a dream-like experience. The dreamers, comfortably seated on ergonomic and transformed car seats will adapt their own sleeping rhythm to the one of the living engine.

THE COMMITTEE
Students: Gaspar Reverdin, Paolo Gnazzo

Decisions are taken in a communal consensus and in a specific space conceived uniquely for this purpose. Like a Cistercian gathering, the cultural differents among the members disappear behind a binnacle-suit that embraces the 18 members of the commune. Faces and hands participate to the ritual. Bodies are left outside, in the black. Faces and hands are inside, in the white.

SLIPING BATHS
Students: Jessica Brancato, Danja Uzelac

The space for bathing is sequenced in a way that pushes the bathers to a rhythmic and ritual dance. They strip of their clothes pulling them out of the visual reach and then slip into an all-over soap space highly suggestive of sensitive sensations. The drying sequence is a friction of the body against a series of black towels suspended in the air in a black space. The clothes are found at the end of the loop.

SOUND CONTEMPLATION
Students: Aurélien Reymond, William Roussel

This is a space for sound and sound objects. This is a place where the body interacts with sound and noise provoking and producing unexpected relations between the. The atmosphere is dark and intense. The relief of the architecture-sculpture can be seen as furniture and sound design environment creating an acoustic vacuum where solitude is confronted to reflexion.

ENERGY
Students: Violaine Bourgeois, Youna Mutti

Within the irony of simple and comfortable 100 % Ikea set-up, a strange creature, an aesthetic parasite, inhabits this space for work. Six electrical batteries manifest their presence here and there to remind us that there might be a relation between comfort and producing energy. This projects suggests that the notion of work in our society could be seen otherwise.

SLEEP
Students: Zoé Simonet, Valentine Revaz

Poly-phasic sleeping is at the origin if this projects conceptual approach. The possibility of sleeping during short periods of time could replace our all night sleeping therefore opening new possibilities of the utilisation of our everyday life and the spaces that accompany it. A series of bespoke suits have been designed in order to allow the members of the commune to experience a diversity of possibilities of sleep. A specific space has been designed for the optimum and most profound sleep. It proposes a range of foam qualities to allow different comfort possibilities.

EAT
Students: Vincent de Florio

Two capital sins are put into play in this project: Gluttony and Lust. The communal meals are moment of entertainment and fun. 4 objects of furniture have been designed for the event and the eating accessories, glasses, vases, food itself, recipients, have been also thought and realised to accompany the eating performance. All conceived as mobile pieces they contribute to the questioning of the bourgeois institution of the politeness related to food. A Buñuelesque piece.

THE LIMITS OF BANALITY
Students: Antoine Guay, Barbara Jenny

A Standard environment is brought to a perfected replica in this project. The saturation of our corporate society spaces produces inevitably a counter reaction, a subversive space. The space outside the rules occupies empty holes left by society and is always ready to a potential explosion. The duality of these two spaces is presented in an intense manner in this project.

VERNACULAR
Students: Léa Villette, Clémence Dubuis et Amélie Freyche

The exterior spaces have participated to the global concept of the commune. The students have reacted to the architecture of these lieu in a vernacular manner. From a simple and cheap material, bamboo, they have crafted a triangular modular structure forming spaces, partitions, decoration and furniture. A light system has been produced articulating the diversity of entrances and circulation. Finally, the system simply and efficiently invites to conviviality.

Drop City Revival Team:
Daniel Zamarbide, architect (BUREAU A), professor and workshop leader.
Sebastien Grosset, philosopher and dramaturge. Responsible of the workshop theory.
Juliette Roduit, interior designer. Teaching assistant.
aReanne Clot, interior designer. Teaching assistant.

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of Art and Design students appeared first on Dezeen.