Eight home offices with stylish set-ups for remote working

Home office interiors

The rise of coronavirus means a growing number of people are required to work remotely from their homes. Dezeen has selected eight inspiring home offices, including one that’s lined entirely with plywood and another that’s hidden inside an artichoke-shaped room.


Home office interiors

A Room in the Garden, UK, by Studio Ben Allen

An artichoke-shaped garden room in southwest London accommodates this quirky study.

The space is fronted by a desk and picture window, while at its rear is a chunky plinth where inhabitants can recline to read a book – it even includes a pull-out bed, perfect for mid-afternoon naps.

Find out more about A Room in the Garden


Home office interiors

Argentona Apartment, Spain, by YLAB Arquitectos

The full-height oak wood cabinetry inside this Barcelona apartment conceals a fold-out desk where inhabitants can sit and work.

Inhabitants can alternatively opt to work on the light-filled terrace that’s dotted with potted plants.

Find out more about Argentona Apartment


Home office interiors

London apartment, UK, by Roksanda Ilincic

An ovular desk by revered French architect Charlotte Perriand is the focal point of the office in this Kings Cross apartment, which has almost exclusively been filled with furnishings from female creatives.

The piece is accompanied by geometric, black-frame chairs and pink curtains from Kvadrat that dip the room in a rose-tinted glow.

Find out more about this London apartment


Home office interiors

Pam and Paul’s House, USA, by Craig Steely Architecture

The office in this Silicon Valley home takes the form of a timber-lined pit, which the architects have created directly beneath a steep flight of stairs.

Should inhabitants want a more relaxed working environment, there’s also a 13-square-metre sunken sofa that’s upholstered in deep-purple velvet.

Find out more about Pam and Paul’s House


Home office interiors

Flat House, UK, by Practice Architecture

Panels made from a mixture of lime and hemp form the textured walls of this home office, which is set inside a zero-carbon home in Cambridgeshire.

Other than a handful of vintage prints mounted on the wall, decor has been kept simple – the room is dressed with a plain black desk and wooden chair.

Find out more about Flat House


Home office interiors

JB House, Thailand, by IDIN Architects

This home office in Bangkok was designed so that its owners, a young couple, could “privately keep in touch”. At the centre of the room – largely used by the girlfriend, who’s a writer – is a huge glass-topped desk.

It aligns with a void that looks through to the kitchen, allowing her to catch glimpses of the boyfriend, a baking enthusiast, preparing treats at the breakfast island.

Find out more about JB House


Home office interiors

London flat, UK, by Widger Architecture 

Widger Architecture extended the loft of a Walthamstow flat to create this serene study. Light-hued birch plywood covers the walls and ceiling, and has even been used to craft its built-in desk.

Black decor accents – like the reading lamp, window frame and chair – hint at the extension’s dark exterior, which is clad in charred larch.

Find out more about this London apartment


Home office interiors

London apartment, UK, by Waldo Works

A west London penthouse plays host to this luxurious study, which boasts a brass-topped desk, merlot-red chair and turquoise walls adorned with literary artworks.

Laser-cut wool curtains have also been hung in the front of the windows, dappling the room with flecks of light throughout the day.

Find out more about this London apartment

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This modular Polestar concept opposes every traditional automotive form

We see a lot of concept models of cars and bikes, but very few designers go beyond that in a bid to improve the rest of the automotive sector. Polestar OnTour is a concept trailer that is straight out of the future! It was born out of the need to make loading and unloading a more convenient process in larger trailers or trucks. And trailers, in general, also needed an aesthetic makeover so while the team was onto making the functionality better, they also made the form 10x cooler than the usual trailer that we see on the roads….and it looks nothing like any automotive shape we’ve seen!

This conceptual Polestar is a 10-wheeler modular trailer that can fit the different needs of different industries. It comes with a small-tall container, medium container, and a construction set-up too. The flexible trailer ring makes it easy to load or unload cargo and also change out containers without the effort it would take had it been a traditional trailer. The sloping windshield is something that really stands apart from the stereotypical trailers we see. It looks like it glides on the highway despite the fact that its rectangular, forward-leaning shape can slow down the speed. Because of its versatile containers, it can be used to transport mass shipments in crisis or even serve as an everyday warehouse truck.

The design of the Polestar is sleek and angular but the edges are rounded off – makes it look less like a sharp, evil container on wheels and more like a futuristic tour bus! While Polestar is still a conceptual trailer, it resembles many modern electric automotive vehicles and it would be brilliant to have a large electric trailer so we can reduce the environmental impact of the product transportation and shipping. We all know the amount of Amazon packages we order and it would be cool to see a Polestar trailer pull up at the warehouse instead of the fuel-burning old truck. Volvo, are you listening?

Designer: Bruno Arena

13 Exceptional NYC Bars + Booze Brands That Deliver

Cider from micro-wineries, cocktails from the world’s best bar, natural wines and more

On 16 March, New York City’s mayor announced that all restaurants and bars were to suspend on-premise drinking or dining for the foreseeable future. The executive order went into effect at 9AM the next day. Shortly thereafter, the New York State Liquor Authority swiftly updated its longstanding rules for selling alcohol to help businesses cope with this detrimental disruption to traditional hospitality. While countless restaurants and bars have shuttered (hopefully temporarily), many have adapted to “no-contact” service to support their staff and stay afloat.

One such business is Greenpoint Cidery, a micro-winery making natural ciders in traditional styles with local ingredients. “I made most of my money doing sales to restaurants and bars, and that money just doesn’t exist anymore,” says founder Nika Carlson. “New York is super-lucky that the State Liquor Authority is really supportive, especially of craft manufacturing, and I’m grateful they’ve figured out a way to make it so we can keep doing sales. It’s a scrappy operation: me, in my truck with my dog, doing door-to-door.”

Now’s the time to take advantage of flexible booze-delivery while supporting independent bars, restaurants, winemakers and brewers. Here are just 13 of our favorite spots that can send cocktails, beer, cider and wine your way. Order directly from each proprietor when possible, and don’t forget to tip generously.

Courtesy of Grimm Ales

Greenpoint Cidery

Since Carlson manages all aspects of the cidery herself, from planting apple trees to making the cider and designing the labels, it’s only fitting that she hand-delivers bottles herself—without contact of course. The newest cider “Dream Baby Dream” is mugwort-infused cider that’s dry and a little herbaceous. New Yorkers within all boroughs (except Staten Island) can enjoy this labor of love by ordering bottles on Greenpoint Cidery’s website.

Grimm Artisanal Ales

With the updated regulations on alcohol sales, Brooklyn brewery Grimm Artisanal Ales can now ship cases and half-cases of beer across New York State. Place delivery through Grimm’s retail site, or if you’re local, power up GrubHub or Caviar for same day arrivals.

Flip Sigi

Jordan Andino’s playful Filipino fusion eatery Flip Sigi in the West Village is delivering two of its summer-inspired cocktails—along with filled-to-the-brim burritos and bowls. Choose between Flip Sigi’s signature margarita mixed with tart calamansi juice (a Philippine lime) and the Jordan Juice, which is vodka, calamansi, and a splash of Prosecco.

Courtesy of Paradise Wines & Liquor

Paradise Wine and Liquor

Cocktail bar Mister Paradise has made a pandemic-driven reinvention into a bottle shop. Now Paradise Wines & Liquor, the East Village spot sells bottles of spirits (with optional mixers), wine, and beers, as well as large-format bottled cocktails that typically serve up to three. Send your orders (the minimum is $50) to hello@misterparadisenyc.com by 9PM on Thursdays.

Claro

Brooklynites can summon Claro’s Oaxacan delicacies to their door by using Seamless/Grubhub. The restaurant has expanded their delivery menu to include mezcal flights, frozen margaritas, micheladas, and wines by the bottle. You can even order chef TJ Steele’s own mezcal brand, El Buho, by the shot for $5.

Ten Bells

Beloved Lower East Side natural wine bar The Ten Bells is offering curbside pick-up and same-day delivery (to most of Manhattan and parts of Brooklyn and Queens) for orders placed before 3PM. The options include plenty of unusual, sumptuous and surprising white, red, rose, orange and sparkling wines from Slovakia to Georgia and beyond. There are also charcuterie boards available for the (almost) full Ten Bells experience.

Courtesy of Dante

Dante

Dante (2019’s World’s Best Bar winner) is serving up cocktails for takeaway and delivery, though you’ll have to show up in person for to-go drinks by the glass. Over a dozen pre-mixed cocktail bottles can be ordered directly, including their negroni on tap, margarita “royale,” and rose petal martini service. Bottles come in a trio of sizes that serve three, five and 10 sippers. Dante’s entire a la carte food menu is available, too.

Krupa Grocery

Pair your comfort food favorites with over 30 varieties of wine from this cherished Park Slope dinette. If you can’t finish off a bottle, Krupa Grocery also sells carafes of wines from their on-tap selection of Pinot Noir, Vermentino, Cab Sauv, and Gruner. Order your meal online.

Peoples Wine Shop

Just fill out your preferred style of wine, price range, and desired number of bottles on this form on Peoples’ website. Upon receipt, the team will text you a picture of their suggested selection to confirm your shipment. Be sure to call back with your credit card number and order by 4PM for same-day delivery. Deliveries are free with orders $75 and up.

Courtesy La Compagnie des Vins Surnaturels

La Compagnie des Vins Surnaturels

This swanky French wine bar on Centre Street has marked down its sublime selection of wines by 25 percent, and also offers aperitif-friendly snacks like marinated olives and salt and vinegar pistachios from their catering menu. Orders can be made online on their website.

The Garret

Bottled cocktails from The Garret have labels that read “Staff Support”—because they’re doing just that. There are seven to choose from on their online delivery portal, including classics like the Negroni and the Caipirinha, plus their own potions like the Donkey Horse made with tequila, Dolin blanc, ginger, turmeric and lime. All bottles are $50 and must be purchased with a $2 bag of Frito chips.

Extra Virgin

West Village brunch mainstay Extra Virgin lets you order any cocktail of your choosing to tack onto your food delivery, including Grande 32-ounce brunch cocktails like mimosas and Bloody Marys. Order directly from the restaurant’s delivery page.

Patent Pending

Just send a DM on Instagram to this Flatiron speakeasy to kick off your delivery. Patent Pending’s quarantine menu is limited to four cocktails (we’re partial to Radio Waves, a lime-y slosh of tequila, mezcal, rum, and Thai chilis), plus espresso drinks, bone broth, cheese plates with crackers, and cookies. Orders over $50 get a free roll of toilet paper thrown into the bag—a valuable asset these days.

How I Work: Jimmy Turrell

The graphic artist talks to CR about creating enigmatic album art, trawling charity shops for inspiration and putting a contemporary spin on collage

The post How I Work: Jimmy Turrell appeared first on Creative Review.

DAO-2 Slippers

Japanese brand Suicoke’s DAO-2 slippers (available in two colorways) feature an adjustable nylon and PVC-padded band with a toggle string for tightening to ensure a firm but comfortable fit. The industrial upper contrasts a rugged sole, which makes these ideal in-between shoes. Intended for all genders, these slides feature subtle gray and black with a pop of yellow and an overall utilitarian vibe.

How Clap for our Carers is bringing the UK together

One of the most surreal features of our new Covid-19 reality is that time doesn’t really exist anymore, at least not in its traditional sense. Since the UK went into lockdown last month, we’ve been floating through the days in an almost dreamlike state, trapped in the endess news cycle of increasing death rates and the latest medical developments. The working week slips seamlessly into the weekend, and even when the clocks went forward most of us barely noticed that we had an hour less on the sofa.

In the context of this strange new world, the Clap for Our Carers campaign has been the wake up call we all needed. Thursday March 26 at 8pm marked the moment when millions of Brits emerged from their homes, metaphorically bleary eyed, to give thanks to the people who are risking their lives to go to work every day with an age old human custom: the round of applause.

The concept of bringing together the entire country with one simple but powerful act is the brainchild of Annemarie Plas, a Dutch-born software salesperson and part-time yoga teacher who lives in London with her husband and four-year-old son, who came up with the idea after hearing about a similar campaign that was doing the rounds in a few of her Whatsapp groups with her friends back in The Netherlands.

“They only did it once there, but I have friends who work in the Dutch hospitals and I heard how much it lifted them up,” says Plas. “On a Friday night, while having a remote glass of wine with my friends here, I was discussing it and said wouldn’t it be nice if we could see if we could pull it off here as well.” She quickly knocked up a graphic with all of the key information on it – Thursday night, 8pm and the NHS logo – then shared it to everyone she knew across Whatsapp, Linkedin, Facebook and Instagram with a simple message: please share this.

“That was Friday night and then the next day by lunchtime all of a sudden Victoria Beckham had it on her Instagram page,” says Plas. The following Thursday, millions of us gathered together (at a safe distance, of course) to take part in the campaign. Even for the cynics among us, the results were pretty life-affirming: videos on social showed entire streets of people clapping on their doorsteps, whistling out of windows, and banging pots and pans in their gardens, collectively bringing the house down for the thousands of people in the UK who have been classed as key workers, be it doctors or delivery drivers.

Since then, the campaign’s popularity has continued to spiral, with thousands of videos being shared on social, Channel 4 staging a special ad break takeover to coincide with it, public figures including the Royal Family and 007 himself, Daniel Craig, getting involved, and TikTok promoting it as one of its challenges, which has seen over three million views already.

With Clap for our Carers set to take place every Thursday until the lockdown is eventually lifted, PR agency Hue & Cry offered to help Plas by reaching out to news publications on her behalf and giving her a bit of media training (having never done an interview before, she’s now racked up dozens with broadcasters and national papers), while digital agency Creative Clinic created the campaign’s first official logo – a pair of hands clapping – and has been putting out posters for people to download and stick in their windows to show their support.

For Plas, the whole experience of the past couple of weeks has been surreal but highly rewarding. “It’s better for me to focus on this than focus on the crisis, because it is such a sad thing that is happening,” she says. I’ve been trying to do as many interviews as possible, doing it alongside my job, but it gives me such an uplift.” As for the campaign itself, she put its success down to its simple but universal message.

“Everybody either knows someone who is working on the frontline or you’ve seen the images of the nurses who have these marks from wearing the facemasks, so it resonated with a lot of people. And it’s not just the NHS workers, it’s everybody that is still out there keeping our world indoors going. These jobs aren’t often getting the most respect; if you said ‘I work in a supermarket’ people might not think that highly of you, but we now have to admit that without them we are nowhere, they are the backbone of our society. We can live without the CEO, but we definitely cannot live without the people who stock the shelves,” says Plas.

As well as giving a much-needed boost to our key workers, the campaign has also had a dramatic impact on the spirits of the whole nation, with many people on social citing how they’ve never felt more connected to their community despite the fact we’re all locked inside. “We are all fighting our own battles; all of sudden you are adjusting to working from home, not seeing as many people as you used to everyday, especially for those who live alone,” says Plas.

“This is a massive adjustment for [me and my husband] that our son is no longer in nursery, and you can sometimes get caught up in our your own demons in your head. Now we are like ‘oh no, we are all in this’, everybody is going through the same. We were all so focused on our individual lives but now we’re getting more connected with each other.”

clapforourcarers.co.uk

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10 magazine covers that offer creative takes on the coronavirus crisis

Coronavirus magazine covers

As the coronavirus pandemic continues its spread across the globe, art directors and artists are using magazine covers as a visual commentary on the crisis.

Covers range from sombre imagery, such as the biweekly cultural publication New York Magazine‘s lonely double bass player, to defiant statements like men’s fashion and style magazine GQ Portugal‘s “F*ck off Covid-19”-smiley.

A number of the publications created the covers last minute in order to keep up with the fast-changing nature of the events.

“The story has been moving so quickly, that often we have been waiting until Monday – our cover press day – to decide which direction the cover should take,” British newspaper the Guardian‘s art director, Andrew Stocks, told Dezeen.

Guardian Weekly’s 27 March cover, “The new isolation,” hit stands as the reality of social distancing struck the UK.

“This particular week was the beginning of the lockdown in the UK so I wanted this cover to get across the sense of sudden separation that everyone was feeling,” Stocks said.

GQ Portugal’s editor in chief, José Santana, is also a graphic designer. He created the upbeat smiley for one of the magazine’s two March covers, as the mood in Portugal started to sink.

“It seemed that you couldn’t be positive, nothing on television or in the press was to cheer people up. It seemed that overnight Covid-19 was the worst catastrophe that had come to mankind,” he told Dezeen.

“Whatever the situation, we should never lose what only humans have, which is humour and hope, and be able to remain positive. Being depressed makes us more vulnerable to becoming sick. So, I thought of putting a smile on the ‘face’ of GQ.”

Here are 10 examples of magazines that have used their cover art to comment on the pandemic:


 

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A post shared by José Santana (@jsantanagq) on Mar 30, 2020 at 1:28pm PDT

GQ Portugal

Santana wanted to use GQ Portugal’s March cover to cheer people up and chose the classic smiley face, a symbol for positivity since it was created in the 1960s, for a simple, graphic illustration.

GQ’s defiant stand is underlined by the two lines of text on the cover: “Everything’s gonna be alright” and “F*ck off Covid-19.”

“I made the smile in Photoshop and the cover lines came to my mind without thinking too much, the message was simple,” Santana said.


 

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A post shared by Télérama (@telerama) on Mar 24, 2020 at 12:07pm PDT

Télérama

French weekly cultural and TV magazine chose an image, “Neighbours”, by artist Jean Jullien to illustrate how “our lives turned upside down,” as the headline states.

The cover came out on 28 March, 11 days after France went into lockdown. Like many other publications, Télérama also launched a digital version of the magazine to be downloaded as a PDF, for those who can’t get a print issue.


 

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A post shared by Andrew Stocks (@pieshopdesigns) on Mar 25, 2020 at 3:08am PDT

Guardian Weekly

The Guardian Weekly cover for the week starting 27 March used a manipulated stock image to visualise the effects of social distancing.

The magazine’s slogan, “A week in the life of the world,” worked well in conjunction with the cover, which launched at a point when multiple parts of the world were experiencing lockdowns.


 

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A post shared by Vogue Italia (@vogueitalia) on Apr 7, 2020 at 10:00am PDT

Vogue Italia

Fashion magazine Vogue Italia changed its planned cover for the April issue last minute. It was originally meant to be a twin project with men’s magazine L’Uomo Vogue, but the magazine decided instead to print a completely white cover for the first time ever.

“To speak of anything else – while people are dying, doctors and nurses are risking their lives and the world is changing forever – is not the DNA of Vogue Italia,” the magazine said in the caption.


 

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A post shared by New York Magazine (@nymag) on Mar 30, 2020 at 5:49am PDT

New York Magazine

Photographer Jeremy Cohen shot New York Magazine’s 30 March cover of a man playing double bass alone on a Bushwick, New York rooftop.

It was the first issue of the magazine produced entirely remotely. “We decided to scratch much of the conventions of a typical issue and rebuild this one to suit the particular needs and circumstances,” said David Haskell, the magazine’s editor-in-chief.


 

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A post shared by Vanity Fair (@vanityfair) on Mar 26, 2020 at 5:06am PDT

Vanity Fair

Monthly culture and fashion magazine Vanity Fair created a digital cover for its special feature on the lockdown in Italy.

The black-and-white images are reminiscent of war photography and were shot by Magnum photographer Alex Majoli, who has previously photographed Kosovo, Iraq and Afghanistan.

His photos for Vanity Fair capture the work being done by the nurses, paramedics and other frontline workers, as well as the eerily quiet piazzas of Italy.


 

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A post shared by The New Yorker (@newyorkermag) on Mar 30, 2020 at 7:15am PDT

The New Yorker

New York has been hard hit by the coronavirus. Chris Ware’s touching cover for the New Yorker’s Health Issue, called “Bedtime”, came about after the artist asked his daughter what the cover should be.

She said: “Make sure it’s about how most doctors have children and families of their own,” Ware said.

Using illustrations to highlight the situation in hospitals is a way to show the grim reality of working in an environment that privacy laws make hard to capture on photo.


 

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A post shared by Vogue Portugal (@vogueportugal) on Mar 30, 2020 at 1:00pm PDT

Vogue Portugal

Santana was also the art director for Vogue Portugal’s striking April cover of two lovers kissing wearing face masks. Editor-in-chief Sofia Lucas was inspired by a 1937 photo of a couple kissing, wearing surgical masks, during a flu epidemic.

“We spoke with the photographer Branislav Simoncik, who is in Bratislava, and we shoot two models, who are a couple, kissing with the masks that have become part of our new day-to-day,” Santana told Dezeen.


 

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A post shared by Newsweek (@newsweek) on Mar 30, 2020 at 6:44am PDT

Newsweek

Alex Fine’s humorous illustration for American weekly news publication Newsweek looks at how the coronavirus has changed how people work, with the Statue of Liberty working on a laptop in bathrobe.

“While the public health emergency will someday dissipate, some aspects of the ‘Work From Home Revolution’ are likely here to stay,” the magazine concludes.


 

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A post shared by PRESTIGE MEN & WOMEN’S STYLE (@prestigemagazineiran) on Apr 2, 2020 at 12:34pm PDT

Prestige

Iranian fashion publication Prestige Magazine chose to subvert one of the world’s most well-known images – the Mona Lisa – for the cover of its online edition in Italy.

Prestige magazine founder Hamid Barzegari created the cover, which shows her face covered by the now ubiquitous face masks. “However she wears mask but shows how she is comfortable and smiling. Be positive and stay safe in those days” the caption reads.

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Liberty brings its civil rights fight up to date with a new identity

Founded in 1934 in response to police attempts to stop peaceful protests during the Hunger Marches, over the last eight decades Liberty has grown into the UK’s largest civil liberties organisation, and has been at the centre of high profile cases including that of whistleblower Edward Snowden and the Equal Pay Act.

While Liberty’s values have remained the same throughout its history, its branding had become dated over the years, and the organisation brought in design studio North to reimagine its visual identity for today’s landscape.

“[Liberty’s] fight to achieve positive and real impact on millions of ordinary lives was not communicated with their brand identity … and it was instead seen as old-fashioned, and associated with Westminster elitism and the legal bubble of the UK’s political power centre,” says North.

On a practical level, the new identity needed to work across everything from social to legal documents, but one of North’s other key considerations was how to reach a younger, more diverse and politically engaged audience.

The double L and I character in the new logotype is intended to be a “rallying cry” to its membership base, says North, adding: “Our civil rights are dependent on the effort of individuals, and so challenge us to be responsible. The special L and I character expresses the dichotomy between the organisation and the individual.”

Bureau Grot was chosen as the main font family for its “bold” appearance and “approachable quality”, says North, while the core colour palette eschews politically charged colours such as red and blue for green, and was inspired by the coloured hankerchiefs of the Argentinian women’s rights and pro-choice movement Pañuelazo.

The studio also worked on a brand campagin to go with the visual identity, which uses the logotype to highlight some of the key cases Liberty has worked on over the years, which have ranged from fighting fascism to exposing the dark side of mass surveillance.

northdesign.co.uk

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Apple reveals its coronavirus face shield design

Apple face shields

Apple has unveiled its design for a face shield to protect health workers fighting coronavirus, which it is producing in the millions.

Apple is the latest company to design a face shield, with architecture studio Foster + Partners, sports brand Nike, and researchers at Massachusetts Institute of Technology and University of Cambridge among the organisations that have already created versions of the personal protective equipment (PPE).

“We’ve launched a company-wide effort, bringing together product designers, engineering, operations, and packaging teams, and our suppliers, to design, produce, and ship face shields for health workers,” said Tim Cook in a post on Twitter.

Apple face shields

The piece of PPE designed by Apple is made of three pieces – the face shield, forehead strap and silicone strap. Instructions on how to assemble the shield have been posted on Apple’s support website along with an informational video.

Apple’s shields can be assembled in less than two minutes and are fully adjustable. They can be worn in two ways, regular fit and extra space.

Apple face shields

According to the company, they will be shipped flat in boxes of 100.

Apple has delivered the first face shields to a medical facility in California and is planning to manufacture a million masks per week in the US and China.

“Our first shipment was delivered to Kaiser hospital facilities in Santa Clara Valley this past week, and the feedback was very positive,” explained Cook.

“We’re sourcing materials and manufacturing in US and China. We plan to ship over one million by the end of this week, and over one million per week after that.”

“We are closely coordinating with medical professionals and government officials across the US to get these to where they’re needed most urgently,” he continued. “We hope to quickly expand distribution beyond the US.”

Apple face shields

Face shields are designed to offer protection from fluids that may contain the coronavirus, however they are designed to be worn with a face mask and other protective clothing.

“Intended to be worn with PPE,” reads an Apple disclaimer. “The device has not been tested or qualified to prevent or reduce infection, and does not provide particulate filtration.”

Foster + Partners has created a laser-cut face shield, while researchers at the University of Cambridge and the University of Queensland designed an origami face shield that is made by folding a sheet of clear plastic and Massachusetts Institute of Technology researchers made a disposable face shield that is made from a single piece of plastic.

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Is a remote working revolution coming for creatives?

Koto founder James Greenfield discusses whether coronavirus has changed his mind on remote working, and if it heralds a bigger shift for the way the creative industry operates

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