Five San Francisco house extensions designed to contrast the original architecture

Alamo Square Residence by Jensen Architects

These five houses in San Francisco are traditional in the front and have contemporary extensions in the back.

The California city is known for its hilly terrain dotted with charming, historic houses, and a number have been enlarged with rear extensions that contrast the home’s original architectural style.

Read on for the examples of contrasting extensions:


Alamo Square Residence by Jensen Architects

Alamo Square Residence by Jensen Architects

This Victorian house was renovated and extended by local studio Jensen Architects. The addition features perforated aluminium panels and contemporary interiors to match.

Alamo Square Residence by Jensen Architects

The street-facing facade, dating back to 1889, was restored as well, and Jensen Architects was awarded the San Francisco Historic Preservation Commendation Award for the project by the American Institute of Architects.

Find out more about Alamo Square Residence ›


Gable House by Edmonds Lee Architects

Gable House by Edmonds + Lee Architects

Another Victorian home in San Francisco’s Noe Valley neighbourhood was painted stark white on its front side to hint at the contemporary addition in the rear that comprises a pale-grey boxy volume with a rooftop terrace.

Gable House by Edmonds Lee Architects

Called Gable House, it is complete with a new garden and patio to entertain outside by Edmonds + Lee Architects.

Find out more about Gable House ›


Cut Out House by Anne Fougeron

Cut Out House by Fougeron Architecture 

Also in the neighbourhood of Noe Valley, this residence features glass walls on its rear side that slant in opposite directions.

Cut Out House by Anne Fougeron

Fougeron Architecture opted for colourful interiors like an orange-painted stairwell, blue walls in the kitchen and accents of pink and yellow.

Find out more about Cut Out House ›


29th Street Residence by Schwartz and Architecture

29th Street Residence by Schwartz and Architecture

Local studio Schwartz and Architecture renovated this home by lifting the existing structure and adding another storey beneath it, in addition to the extension at the back.

29th Street Residence by Schwartz and Architecture

An exposed steel structure has glass doors that open to the garden in the rear, while the front facade is finished in a grey cladding reminiscent of the home’s original style.

Find out more about 29th Street Residence ›


19th Street by John Lum Architecture

19th Street by John Lum Architecture

This cottage-style home by local studio John Lum Architecture is in San Francisco’s Eureka Valley neighbourhood.

19th Street by John Lum Architecture

Nearly the entire house was rebuilt from the ground up. The new structure at the rear has floor-to-ceiling windows, and larger floorplates and higher ceilings inside than the original design.

Find out more about 19th Street ›

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Tired of shaving in bad bathroom lighting? These snap-on mirror-lights give you perfect visibility

Here’s a problem that everyone can rally behind. Bathroom lights are the worst. They’re either placed behind you, or right above the mirror, casting light downwards on your face, making it incredibly challenging to shave your beard or apply makeup. Ideally, you want the kind of light that shines directly on your face without A. blinding you, and B. casting a shadow… like those vanity mirrors with bulbs all around them.

Lucere mimics that perfect vanity-lighting experience without racking up an electricity bill. It features a pair of portable lights that attach directly to your bathroom mirror to give you bright, bi-directional light without casting sharp shadows. The Lucere comes with a mount that adheres to your mirror, allowing you to magnetically snap the lights on or off whenever you need them. Both the lights come with touch-sensitive on-off switches and the ability to set them at your desired brightness using simple +/- controls. The lights charge via a standard MicroUSB cable and last for 3 hours on medium brightness.

Lucere, like most good ideas, come from a common consumer pain-point of having to apply make-up, or shave your beard in less-than-desirable lighting conditions. Designed to simply snap onto the sides of your mirror using an adhesive silicone base and magnetic attraction, Lucere gives you studio-quality vanity lighting that’s perfect for applying makeup before stepping out, or for shaving without worrying about accidentally nicking yourself because you couldn’t see the underside of your jaw properly. I mean, it shouldn’t be too much to ask for proper lighting, right?

Designer: Miles Keller

Click Here to Buy Now: $60 $120 (50% off). Hurry, for a limited time only!

Lucere – Perfect Lighting for Your Makeup and Shaving

The Lucere is portable, attaches easily to any mirror, at home, at work and on your travels. You can now have the same level of lighting used in theater make-up studios, even if your bathroom appears well lit, your face may not be well illuminated.

Their scientifically developed light delivers flawless illumination, so you can see your face exactly the way others will see it outside your bathroom.

Before & After

Most bathrooms are either too dark, or lit with inappropriate lighting for facial treatment, so you don’t get perfect light on your face. The Lucere brings you clarity, where you most need it.

Simple to Install

Lucere Lights were engineered to attach to any clean glass surface and are easily removable to transfer to another location. Place it at the level that suits you best.

You can also use a single Lucere Light by placing your face on either side of the light for ideal illumination.

– Minimum Brightness of 500 Lux
– Battery lasts for 1.5 hours at full brightness
– LED Color Temperature of 5000

Click Here to Buy Now: $60 $120 (50% off). Hurry, for a limited time only!

Worrell Yeung contrasts wood pillars and grey marble in Chelsea Loft

Chelsea Loft by Worrell Yeung and Jean Lin

New York architecture studio Worrell Yeung has brought new life to a former artist’s studio in the city, stripping paint off wood pillars and adding a large kitchen island.

Located in Manhattan’s Chelsea neighbourhood, the project is a two-bedroom apartment that spans half of a floor in an early 20th-century building.

Chelsea Loft by Worrell Yeung and Jean Lin

It was previously occupied by an artist and art handler for the Museum of Modern Art and had not been updated in nearly 40 years. Seafoam green paint coated historic wood pillars and the ceiling was clad in tin tiles.

Chelsea Loft by Worrell Yeung and Jean Lin

Worrell Yeung‘s overhaul of the 2,200-square-foot (204-square-metre) apartment involved stripping back these finishes, painting the walls and ceiling white and adding in reclaimed pine wood floors from Madera.

“Timber columns and beams, cast-iron capitals, and wood timber ceiling joists were left raw and exposed, particularly in the generous living area, to maintain the spirit of the New York artist’s loft,” said the studio.

Chelsea Loft by Worrell Yeung and Jean Lin

The studio designed a new kitchen in between two of the pale wooden columns. The island is covered in Ceppo di Gre marble and forms a centrepiece of the open-plan Chelsea Loft.

Chelsea Loft by Worrell Yeung and Jean Lin

“There was a strong desire to express the island’s ‘object-ness’ by keeping it very elemental in form, yet still arranging the stone planes to invite comfortable congregation with these square stone niches that embed into the wood floor,” said Worrell Yeung co-founder Jejon Yeung.

The studio has designed two other New York apartments – a penthouse in Downtown Brooklyn and two-storey unit in the NoMad neighbourhood – where the kitchen island is also a key feature.

Chelsea Loft by Worrell Yeung and Jean Lin

Chelsea Loft includes an open-plan kitchen, dining and living room, joined by a smaller sitting area and a powder room. On the opposite side of the home, a master bedroom has a walk-in closet and bathroom, while a children’s bedroom is complete with a bathroom clad in yellow tiles.

“The organising design strategy of this renovation was to maintain contiguous public living zones and extend daylight as far as it can reach by minimizing partitions and concentrating private rooms on the north side of the apartment,” said the studio.

The interior decor was created with Jean Lin, the founder of local design collective Colony. It includes a black dining table by Brooklyn studio Vonnegut/Kraft, several tables from Washington studio Grain, and numerous pieces by Cassina including a red velvet sofa, rattan coffee table and Utrecht chair.

Chelsea Loft by Worrell Yeung and Jean Lin

Other details are vintage Marcel Breuer Cesca dining chairs, black stools by Hollis and Morris, Noguchi light fixtures, and a collection of artwork owned by the clients, ranging from figure drawings and paintings to abstract pieces.

“The design and overall material experience of the home very much reflect the client’s playfulness and complements their eclectic art collection,” said Max Worrell, who founded the studio with Yeung in 2014.

Chelsea Loft by Worrell Yeung and Jean Lin

Rounding out the design are exposed pipes, white-pigmented ash wood closets and casework, and kitchen cabinetry in dark-stained ash wood.

Worrell Yeung has also built a black barn north of the city in the town of Ancram.

Photography is by Eric Petschek.


Project credits:

General contractor: Bednarz Construction
Interior designer: Jean Lin, Colony
Lighting designer: Lighting Workshop
Mechanical and electrical engineer: Engineering Solutions

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Listen Up

Songs about our obsession with tech, wanting to be in two places at once, family relationships and shoes

Mykki Blanco: Patriarchy Aint The End of Me

In Mykki Blanco’s theatric two-minute track “Patriarchy Aint The End of Me,” the queer rapper tells a tale of defiance atop a dramatic soundscape. Produced by FaltyDL, the song incorporates backing vocals by Mykal Kilgore, L1ZY, and Leah King. Blanco shared in a statement that the song was “written as if it were a scene from a musical with radical feminist strippers.” With its narrative declarations falling on light drums and relaxed strings, it’s easy to imagine it all.

Jonah Yano feat. Tatsuya Muraoka: shoes

Jonah Yano’s lo-fi “shoes” highlights an emotional rekindling with his father, Tatsuya Muraoka, who he hadn’t seen in 15 years. The accompanying video details Yano’s visit to Japan, how the pair occupied their days together, and the uncanny resemblance between father and son. Originally recorded by Muraoka in Hiroshima in the ’90s, “shoes” was finished by Yano—he filled out the track’s instrumental and then laid down his vocal parts. “My dad’s Japanese lyrics are about a pair of shoes he bought me when I was a kid,” Yano explains. “My verses question his absence from my childhood and my general confusion about my circumstance, which was a fatherless upbringing in an entirely different country as a result of my parents’ separation.” The intensely personal single will appear on Yano’s forthcoming debut album, souvenirout 19 June.

Noah Chenfeld: Stop the Bus

An upbeat, indie-pop ode to coincidence and observation, NYC-based Noah Chenfeld’s “Stop the Bus” powers along on gregarious guitars, keys and drums. The track’s karaoke-night themed music video—starring Rachel Coster and shot by Louis Sansano—underscores the lyrics and Chenfeld’s earnestness as a songwriter.

Thee Sacred Souls: Can I Call You Rose?

San Diego-based band Thee Sacred Souls (aka Alex Garcia, Sal Samano and Josh Lane) participates in the debut of Penrose Records, an imprint under Daptone Records, with the smooth single “Call I Call You Rose?” To match their vintage soul sound, Thee Sacred Souls record their tracks on vinyl, debut them in their physical form, and then release the singles on music-streaming platforms and YouTube. The trio’s commitment to analog contrasts the quick-fire nature of many other artists within the increasingly digital industry.

JR JR: The Way I Do

JR JR, the indie-pop duo from Detroit (formerly known as Dale Earnhardt Jr Jr), surprise-released “The Way I Do” today—another sugary-sweet taste of their forthcoming EP, August and Everything Prior. A straightforward celebration of devotion, with a little silliness tossed in, the track’s upbeat spirit and sing-along chorus make for an easy listen.

Kayobe: Miss You Blame You

To herald the arrival of multi-instrumentalist and producer Kayobe’s new album, Island To Bridges, lead single and centerpiece track “Miss You Blame You” pairs a warm, rhythmic soundscape with his sensorial vocals, intermingled with those of Veronica. Kayobe says, “‘Miss You Blame You’ is about wanting to be in two places at once”—a sensation evident in the track and likely owed to his nomadic, global nature.

Satellite Mode: Click Now

With electro-rock incisions, NYC-based duo Satellite Mode (Jessica Carvo and Alex Mark) dissects our obsession with technology in their vibey new single “Click Now.” From their debut EP, Robots Vs. Party Girls (out this summer), the track’s chapters marry lyrical gravity to tight sonic layers. Carvo’s vocals bundle it all together nicely.

Listen Up is published every Sunday and rounds up the new music we found throughout the week. Hear the year so far on our Spotify channel.

O'DonnellBrown promotes outdoor learning with The Community Classroom

The Community Classroom by O'DonnellBrown

Glasgow studio O’DonnellBrown has designed and built an open-air classroom, which will host learning workshops after the coronavirus shutdown is over.

The Community Classroom in Glasgow is an adaptable and demountable wooden structure, designed to encourage both children and adults to reconnect with nature.

The Community Classroom by O'DonnellBrown

Completed at the end of 2019, it had already hosted several community-based events before the coronavirus breakout in Europe. Once the shutdown is over, it will be erected at Operation Play Outdoors, an organisation that hosts learning activities.

There are also ambitions for it to tour local schools, so that as many children as possible can enjoy the benefits of outdoor learning.

The Community Classroom by O'DonnellBrown

O’DonnellBrown co-founder Jennifer O’Donnell believes the project has gained new relevance, as people stuck at home start to reevaluate different aspects of their lifestyle.

“Coming out of this, creating spaces that are connected to nature, and that can bring communities together again, will become all the more important,” she told Dezeen.

“We know that learning does not need to take place in a traditional classroom, evidenced by all the children currently learning remote from their schools, and the outdoor environment has massive potential for learning.”

The Community Classroom by O'DonnellBrown

A self-initiated project, O’DonnellBrown came up with the idea for The Community Classroom after completing its own studio, The Greenhouse. Occupying a mock Victorian conservatory, this space allows the team to directly experience the changing seasons.

“As a team we quickly recognised the profoundly positive effect that our studio space was having on our collective sense of wellbeing, and seeing the crossover with our education and community projects,” said O’Donnell.

“We wanted to push our ideas for what a healthy and inspiring learning space could be further still.”

The Community Classroom by O'DonnellBrown

The structure comprises a simple kit of parts, made from standard timber sections bolted together. These form a series of two-column modules, which support the wooden roof above.

O’DonnellBrown has also designed a series of plywood modules that slot in and around this structure, providing seating, workshops, shelves and display surfaces. This makes it easy to adapt the space to different activities.

The Community Classroom by O'DonnellBrown

A lightweight sheet provides a waterproof layer on the roof, and can also fold down to create additional weather protection around the perimeter. This material is translucent, creating interesting lighting effects in the early evening.

Children’s charity Barnardo’s Works supported the project, helping O’DonnellBrown find young people to help build the prototype structure.

The Community Classroom by O'DonnellBrown

The Community Classroom is one of several recent designs for outdoor learning spaces. Other include Urban Room, built by University of Reading students, and Pinecone, a portable structure by Czech designers Atelier SAD and Mmcité1.

O’Donnell hopes that, as people “collectively find our way through the fog of Covid-19”, projects like these will help to bring communities back to together.

The Community Classroom by O'DonnellBrown

“We hope that The Community Classroom can become an adaptable resource to help schools deliver progressive outdoor learning experiences, and with these experiences, give children and teachers the emotional and mental wellbeing benefits that can come from being outside in the fresh air,” she concluded.

Photography is by Ross Campbell.


Project credits:

Architect: O’DonnellBrown
Structural engineer: Design Engineering Workshop
Collaborators and sponsors: Three Four Five Joinery, RIAS, St Gobain

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Studio EO's marble and glass Drill Vases are "part chaos and part control"

Stockholm’s Studio EO marries handblown glass with fragments of discarded marble found in quarries to form its colourful Drill Vases.

Described by the creator as “an exercise in improvisation”, the Drill Vases were born after Studio EO founder Erik Olovsson visited a quarry in the Carrara region in Italy.

Here he found small, discarded fragments of marble and started to collect the stones, before reworking their exterior form with a hammer and chisel.

These “unpredictable and chaotic” pieces of marble are then precision-drilled to form an opening from the base – the process from which the collection takes its name.

A heavy, hand-blown glass cylinder is inserted into each of these drilled openings. The cylinder is made specially to fit the differently sized holes, by first being blown into wooden forms that are the same size as the drilled openings.

“I have always been fascinated with the stone yards and all the beautiful stones that are laying around there,” Olovsson told Dezeen. “I found each of these stones interesting in its own way, and after a while I had whole collection of them.”

“Some of the stones already had holes drilled in them, and the rest I drilled holes into with the idea of pairing them with a glass cylinder later on.”

“Some stones will probably never be used and some are waiting for a project that suits just them,” he continued.

The designer explained that some of the stones are quite fragile and break during the drilling, so the tricky part of the creation process is to re-shape these broken parts with a hammer to make them fit for purpose.

“The geometry of the handblown glass provides a sense of order and control in comparison to the spontaneity of the marble,” said Olovsson. “A contrast that elevates the brute nature of the marble further.”

Olovsson made the glass vases in an array of colours to match the vibrant hues found in the marble fragments – which include a midnight blue Lapis Lazuli stone, a deep green Verde Alpi marble and a light brown Travertino Noce stone.

While the designer chose to match the colour of the glass element to the shade of the stone in some pieces, in others he has deliberately paired seemingly clashing colours.

For instance, bright orange marble is paired with brown glass for one vase, and pink glass with purple-hued stone. Other pieces see vivid teal glass combined with contrasting brick-hued stone, and lilac glass paired with forest green marble.

Olovsson has a long relationship with marble and glass, which spans back to a previous project of his from 2016 titled Indefinite Vases, the designer told Dezeen.

“It felt natural to me to explore these materials further – to really focus on the stone and show the imperfections and rough surfaces,” he explained.

For the 2016 project, the designer juxtaposed bulbous, hand-blown glass containers with wedges of granite, marble and onyx to create vases that appear to be melting over their geometric stone bases.

Other projects of his have seen him design a shelving system that functions like a giant shape-sorter toy, made up of 25 stackable blocks that each feature a geometric void shaped like the item it might hold.

The post Studio EO’s marble and glass Drill Vases are “part chaos and part control” appeared first on Dezeen.

I could watch this absolutely gorgeous Ferrari F399 concept drive down the LeMans all day long!

Designed as the spirit-challenger of the 2019 Aston Martin Valkryie (and you’ll see a bit of that Valkryie soul in this bad-boy), the Ferrari F399 concept was created by automotive designer Sabino Leerentveld as a hypothetical blend of an F1 LeMans racer and a hypercar.

Overall, needless to say, the car looks like it would tear up the asphalt and summon the devil living below (not sure if that’s entirely hyperbole), and was named after the F288 GTO… the F399 being its nomenclature successor. (Not to be confused with F399, the F1 racecar)

The Ferrari F399 concept is one of the few examples of an entirely organic design process that started from an idea and reached its finished version without a steady path connecting the two. Sabino sat down and drew what he thought the headlights and taillights of the car should look like and directly went into the 3D modeling phase. Chasing an aggressive design that was also dominated by actual functional surfaces, Sabino created the concept that he went on to christen the F399. The racecar obviously comes in Ferrari’s classic red, and sports a closed cockpit, indicating a future where Formula 1 drivers will be completely enclosed within their racecars… but that’s enough of me talking. Scroll down below to view this divine embodiment of charisma in crimson.

Designer: Sabino Leerentveld

Does your instinct tell you to push or pull this circular door handle?

Innovation can strike during boredom and while we are all currently at home constantly interacting with doors, not many of us thought of making that experience more fun. The O-handle by Pasque D. Mawalla reimagines our regular door handle and gives it a new geometric form without changing our inherent ways of using a handle. It consists of a circular handle that sweeps into its circular stem creating a unibody system. The unique hollow circle handle design retains the functionality of the door handle while challenging the traditional horizontal bar design language.

Designer: Pasque D. Mawalla

This tote-bag with an internal light is perhaps the most revolutionary idea of the decade

Solving an age-old problem with a ridiculously obvious solution, the NALPHI tote bag overcomes the hurdle of rummaging through a crowded bag by simply doing what refrigerators have been doing for decades now… lighting up! Thinking about it, the NALPHI tote bag may just be the most literal representation of the eureka moment!

If you’ve never scrounged around in your bag for a pen, some loose change, or a hair clip, there’s a 100% chance that you know someone who has. Tote bags, backpacks, purses, all share a common problem of eventually getting cluttered just because they’re relatively large vessels for a bunch of smaller products… quite like a fridge. However, fridges have, for as far as I can remember, had a door-activated light inside it so you get a sense of what you’ve stored within it. The NALPHI is bringing that potentially game-changing convenience to the tote-bag.

The NALPHI simply uses a set of magnet-activated lights that illuminate the insides of your tote when you open it, allowing you to easily spot small items that may be placed within it. Two downward-facing LED lamps brilliantly brighten the bag’s interiors, so you never have to scrounge for something, even in the dark. The NALPHI’s insides come with a variety of compartments for your individual belongings, letting you separately store everything from a bottle to a paperclip in its respective space. The LED lights just give you the power of visibility so you can spot your keys instantly without having to locate items with your hands…

Its killer feature aside, the NALPHI looks like any top-of-the-line tote. Made from full-grain leather on the outside, the bag is perfectly sized to replace a backpack, and can easily house most of your belongings inside, along with a 13″ laptop. The insides come with a well-planned set of compartments from scratch-proof pouches for your phone and sunglasses, to a spill-free loop for your bottle and a retractable belt to secure your keys… there’s even a removable cosmetics pouch on the inside for good measure! Additionally, an internal power-bank lets you charge your devices both inside as well as outside the bag, and if you thought the designers ever ran out of good ideas, the NALPHI even comes with an anti-theft alarm to alert you if someone else opens your bag without your permission.

The fashion-forward tote is a perfect example of form, function, and fashion all bundled into one. Designed as a chic bag that replaces your need to carry both a laptop bag, shopping bag, as well as a purse, the NALPHI lets you store all your belongings safely and securely. The bag can be carried as a tote, or can be strung around the back like a conventional backpack. SBS zippers and a durable leather exterior extend the NALPHI’s life, aside from protecting the contents inside, and you can even spring for an optional set of perfume-pods that you can throw into the bag to keep it fragrant at all times. Designed around a business model that cuts out middlemen, retail outlets, and luxury markups, the NALPHI manages to offer its impressive list of features for an early-bird price of $249, which sounds even more amazing considering it literally illuminates on the inside every time you open it… which, in and of itself is a priceless feature!

Designer: Naina Sehgal

Click Here to Buy Now: $199 $319 (37% off). Hurry, limited time offer exclusively for YD readers!

NALPHI – Light-Up Luxury Tote Bag

Complete with luxe leather, an automatic internal light, smart design, phone-charging power bank, and built-in security system – NALPHI is smart luxury done right.

The InnerGlow LED That Illuminates Your Interiors

NALPHI uses patented technology to automatically illuminate the interior of your bag when opened — making it easier to find what you need. The built-in InnerGlow LED light turns on the moment you open your bag and turns off after a few seconds.

No need to find a switch or hold up a flashlight, InnerGlow will flood your interior with light exactly when you need it, without hassle or frustration.

High Quality Luxury Leather

NALPHI is made from genuine full-grain, natural pigment leather — the same leather used by Europe’s most prestigious luxury houses. This incredible leather is the highest grade possible and boasts exceptional durability, lifespan, and texture. It is what separates the average bag from top-of-the-line luxury products.

Compartments for Every Care

From bottles to keys, keep your everyday items organized and quickly accessible no matter what. The non-spill bottle loop keeps your water bottle secured inside your bag and easily accessible.

The detachable key loop makes sure your keys are always available within hands reach.

The cosmetics pouch neatly stores all your makeup needs —keeping them consolidated and ready to go at a moment’s notice.

Scratch-proof pockets protect your phone and sunglasses from your other items in your bag. No more surprise scratches on your screens and lenses!

NALPHI is also big enough to easily fit a MacBook Air, iPad Pro or even a 13” MacBook Pro.

The SecureMe Warning System

Simply switch it on when you want to secure your bag. If anyone opens the bag, NALPHI will detect it and alert you via a chirping alarm. The sound will also help ward away any potential pickpockets.

Alarm Switch.

EverPower – Charge on the Go

Keep your phone and mobile devices charged with EverPower, NALPHI’s 5,000mAh power bank.

A two-way USB-C port allows you to charge EverPower, as well as any USB-C enabled devices, while a USB-C to USB-A adapter port lets you charge earlier-generation devices.

To recharge the EverPower power bank, simply plug the USB-C charging cable, with its own LED indicator, into the USB-C port. When the power bank is fully charged, the indicator changes color to let you know that it’s ready.

Designed for Comfort

Wide shoulder straps distribute the pressure on your shoulders, while lightweight materials make sure you don’t have any extra weight from the bag itself.

Wear it on your shoulder, or turn it into a beautiful backpack.

ForeverFresh Perfume Pods in the Bag

NALPHI includes ForeverFresh perfume pods that are easily removable and replaceable. The pods hide in a tiny concealed compartment inside the bag, so they stay out of your way. If you ever need to remove them, simply slide them out.

Keep Everything Inside

NALPHI uses two mechanisms to keep your belongings secure — high-end zippers and magnetic closures. Magnetic closures let you quickly, easily, and securely access your bag without hassle. The magnetic closures connect with both your InnerGlow light and the SecureMe system, activating them upon opening. They also serve as a secondary, no-thought, automatic seal — that way you can access what you need quickly.

Colors

Click Here to Buy Now: $199 $319 (37% off). Hurry, limited time offer exclusively for YD readers!

Le Petit Maison is a tiny guesthouse in France made out of wood

Architecture studio 2m26 has completed this small, wooden guesthouse in southwestern France with matching furniture.

La Petit Maison by 2m26

Le Petit Maison is a holiday home in Guitinières, France designed to accommodate up to two guests. The 36-square-metre house is located away from the main residence on the sprawling property, which is surrounded by fields, woods and an orchard.

The architecture and furniture studio designed the house and most of the furnishings from douglas fir wood, which was locally sourced.

La Petit Maison by 2m26

Assembled on site, Le Petit Maison comprises a simple construction that uses screws to attach the wood slabs and panels. This method makes it possible for the structure to be easily disassembled and the materials recycled.

Several stout concrete pillars lift the volume slightly above the ground. Sliding glass doors and large shutters on the exterior offer privacy and shade.

La Petit Maison by 2m26

“In a minimum space, offer many possibilities to open the house to the surroundings, sun and air,” said architecture studio 2m26.

Inside there are four rooms partitioned by an additional set of movable doors and screens. When these are fully opened, they allow natural light to flood into the wood interiors.

La Petit Maison by 2m26

“By playing with the two layers of sliding doors and shutters, both intimacy, protection and complete openness can be enjoyed in only 36 square meters,” the studio added.

One of the four main spaces is a patio with no roof cover overhead leaving it open to the environment.

La Petit Maison by 2m26

In the adjoining living room are a series of wood furniture pieces 2m26 constructed as part of the project. These include a three-legged round table, matching stools that double as side tables and a pair of low-lying chairs with high backs.

An L-shaped wood volume comprises a small kitchen workspace that connects to a wall of built-in shelves and storage located in the bedroom.

La Petit Maison by 2m26

The custom-built bed frame has a base and headboard made of wood planks and several sets of pointy legs attached to its underside. Adjacent to the bedroom is a small bathroom outfitted with a sink, toilet and shower.

Founded in 2015, 2m26 is run by architects Mélanie Heresbach and Sébastien Renauld. It has offices in Nancy, France and Kyoto, Japan.

La Petit Maison by 2m26

Other wood residences in France include a prefabricated house by Atelier Ordinaire and a timber-clad holiday house built into a gently sloped terrain by Atelier MIMA.

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