Burning Man announces plans for Virtual Black Rock City amid pandemic

Burning Man has cancelled its Black Rock City event this year and revealed plans to host a virtual alternative instead due to the “painful reality of Covid-19“.

The organisers of the annual festival announced on Friday 10 April that it will cancel the 2020 festival, which was set to take place in the Nevada desert from 30 August to 7 September.

“After much listening, discussion, and careful consideration, we have made the difficult decision not to build Black Rock City in 2020,” they said in a statement.

“Given the painful reality of Covid-19, one of the greatest global challenges of our lifetimes, we believe this is the right thing to do,” they added. “Yes, we are heartbroken. We know you are too.”

“It will likely be messy and awkward with mistakes”

In place of the traditional event, Burning Man will host an online festival called Virtual Black Rock City or VBRC, which will “lean into” the 2020 theme, The Multiverse.

“We are, however, going to build Black Rock City in The Multiverse,” the organisers explained. “That’s the theme for 2020 so we’re going to lean into it.”

“We’re not sure how it’s going to come out; it will likely be messy and awkward with mistakes,” they continued. “It will also likely be engaging, connective, and fun.”

The announcement comes just under three weeks after the festival organisers said they were waiting to see how the pandemic unfolds in the following months before changing these plans.

They have since decided that the gathering 80,000 in the temporary desert city was too dangerous.

Burning Man to enforce “belt-tightening measures”

“In 2020 we need human connection and immediacy more than ever,” the organisers added. “But public health and the well-being of our participants, staff, and neighbours in Nevada are our highest priorities.”

Refunds will be offered to those that have already purchased tickets for this year’s event. The organisers have asked that those who are in the financial position to donate their ticket value or a portion to the event.

The organisers said that it will need to make “substantial staff layoffs, pay reductions, and other belt-tightening measures” in order to stay afloat. “This is going to be a tough year for us, as we know it will be for you, but we will get through it together,” they added.

The virtual event will be ticketed and will allow up to 100,000 attendees.

Burning Man has already chosen its 2020 temple, which will form the centrepiece of the temporary Black Rock City. The design, created by Colorado architect Renzo Verbeck and artist Sylvia Adrienne Lisse, comprises an eight-pointed angular structure.

Architecture and design events are cancelled or postponed

A majority of other large-scale music events that were due to happen this summer have also changed plans because of the coronavirus crisis.

California’s music festival Coachella, which was set to start last weekend, will now take place in October, while the UK’s Glastonbury music festival is cancelled.

Major architecture and design events have also been affected. Milan’s Salone del Mobile has been cancelled until 2021 and the Venice Architecture Biennale has been delayed from May until August.

This week, Dezeen will host Virtual Design Festival, the world’s first online design festival, which will contain a rolling programme of online talks, lectures, movies, product launches.

The project will complement and support fairs and festivals around the world that have had to be postponed or cancelled, and provide a platform for design businesses, so they can, in turn, support their supply chains.

Photography is by Will Roger, as featured in Compass of the Ephemeral: Aerial Photography of Black Rock City through the Lens of Will Roger.

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Hubisde Stories, Discover the Stories That Bring Passions to Life

L’inspiration révèle en nous de nouvelles possibilités et nous pousse à relever de nouveaux défis.
Fort de ce constat, Hubside dévoile Hubside stories. Un nouveau magazine en ligne qui s’articule en 3 parties : avec des conseils pour mieux gérer sa vie numérique, des entretiens Hubsiders autour de projets ambitieux, mais aussi les portraits Heroes, des histoires fortes, des personnalités inspirantes qui ont choisi de vivre de leur passion.

La rubrique Heroes s’associe à des personnalités exceptionnelles pour des entretiens exclusifs. Ces personnages fascinants partagent leurs parcours héroïques, leurs passions, leurs projets et leurs succès à travers des interviews inédites.

Fubiz a eu l’opportunité de sélectionner ces talents et personnalités aux histoires fortes et singulières, connus et reconnus pour leurs exploits impressionnants.
Vous pourrez partir à la rencontre d’Emmanuelle, co-fondatrice de Pampa. Vous plongerez dans l’univers de ce studio de création florale basé à Paris, très pop et colorée, mais aussi avec leur vision moderne de la vente de bouquets en ligne.

©Hubside Stories

©Hubside Stories

Hubside Stories est votre nouvelle source d’inspiration ! Découvrez le nouvel épisode ci-dessous, avec Guirec Soudée, le plus jeune navigateur à avoir franchi le passage Nord-Ouest en solitaire, avec pour seule compagnie, Monique, sa poule rousse qui le suit depuis le début de son aventure !

©Hubside Stories

Bonne inspiration !



FCA Design Execs Pick Their Sketch Battle Faves

To promote their Drive for Design competition, FCA recently held a virtual sketch battle on their Facebook page. Readers were asked to post a rendering of “your wickedest and most outrageous designs for a Ram truck” in the comments. Then Ralph Gilles, FCA Global Head of Design and Mark Trostle, Head of Design for Ram and Mopar, each picked their five faves and posted them to Instagram.

Ralph Gilles’ Five Favorites:

Mark Trostle’s Five Favorites:

Of the ten selected, I dug Morteza Rabiee’s sketch the most:

Unselected in the competition, but deserving mention for cheekiness, Chin Swee Hoe submitted something sure to rankle Ram owners: The cross-branded “Ram AlfaToro,” which I got a kick out of.

If you want to scroll through all of the sketches, they’re here.

Virtual Design Festival cultural programme includes collaborations with partners around the world

Rosey Chan will perform live at VDF

Virtual Design Festival starts tomorrow! Here is the schedule of the cultural programme of talks, interviews, movies and collaborations that have been confirmed so far.

In addition to the events listed below, we’re aiming to include a VDF video message and a live interview each workday during the festival. We’ll be adding more events and more details as they are finalised, so keep checking back on this page. Top image: Rosey Chan, who will perform live at VDF on 15 May.


Overview

From 15 April onwards, Dezeen will host a rolling programme of online talks, lectures, movies, product launches and more. It will complement and support fairs and festivals around the world that have had to be postponed or cancelled and it will provide a platform for design businesses, so they can, in turn, support their supply chains. For more information, or to join the VDF mailing list, email us at vdf@dezeen.com.


Wednesday 15 April

12:00 launch movie

To launch Virtual Design Festival, we invited over 30 architects and designers from around the world to send self-recorded video messages for us to share with the world. We’ve edited these to a soundtrack by Los Angeles songwriter and musician Beatie Wolfe. The movie features creatives including Es Devlin, Ini Archibong, Kelly Hoppen, Fabio Novembre, Yves Behar, Ron Arad and more.

14:00 live Li Edelkoort interview

We go live to Cape Town, where Li Edelkoort is in “self-imposed auto-quarantine”. In a live interview, the trend forecaster will share her latest thoughts on coronavirus following her interview with Dezeen last month, which has become Dezeen’s most-read story of all time with 500,000 page views.


Thursday 16 April

03:00 PechaKucha INSPIRE the World

We’ve teamed up with PechaKucha, the Tokyo-based rapid-fire presentation format, to live stream its first-ever virtual global event. Speakers around the world including Yves Behar and Cameron Sinclair will each show 20 slides for 20 seconds each, with PechaKucha founders Mark Dytham and Astrid Klein hosting from Tokyo.


Friday 17 April

Forward Festival

Vienna’s Forward Festival will showcase five of its most-popular lectures, featuring creatives including German typographer Erik Spiekermann, Stockholm studio Snask and Italian author and curator Paola Antonelli.


Monday 20 April

MAAT

Lisbon’s Museum of Art, Architecture and Technology (MAAT) takes over VDF for the day. MAAT, together with Artworks, will launch a short documentary commissioned for the on-hold exhibition Currents – Temporary Architectures by SO-IL plus an interview with SO-IL founders Florian Idenburg and Jing Liu, and a preview of their exhibition.


Wednesday 22 April

The World Around x Earth Day

The World Around curates a celebration of Earth Day on Dezeen. The World Around founder Beatrice Galilee will host a series of interviews with architects and visionaries working on environmental issues around the world.


Thursday 23 April

Ron Arad

Ron Arad will present a digital version of an exhibition called DFWTM that was due to be held at OTI gallery in Los Angeles, but which has been cancelled due to coronavirus.


Friday 24 April

Beatie Wolfe

Beatie Wolfe, a self-confessed “musical weirdo and visionary,” shares her music and artworks with VDF, and will conduct a live interview and performance.


Monday 27 April

reSITE

Prague-based conference reSITE, a non-profit acting to improve the urban environment, will curate an exclusive selection of lectures from the reSITE 2019 REGENERATE conference.


Thursday 30 April

Dezeen Day

A chance to experience the best of the inaugural Dezeen Day, six months after the architecture and design conference took place in London. The entire day will be streamed, including keynotes by Paola Antonelli, Liam Young and Alexandra Daisy Ginsberg.


Wednesday 6 May

Iris van Herpen

Dezeen will launch an exclusive series of video interviews with the Dutch fashion designer.


Monday 11 May

Archigram

Dezeen will launch an exclusive series of video interviews with architects Peter Cook and Dennis Crompton, former members of the influential architecture collective.


Friday 15 May

Rosey Chan

Musician Rosey Chan (pictured) will conduct an interview and special performance, plus share some of her music-based collaborations with designers.

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How small businesses are getting each other through coronavirus

Aside from the far reaching health implications of coronavirus, one of the biggest impacts the ongoing pandemic is having is on our finances. Over the past few weeks, there have been countless headlines about big businesses rushing to make redundancies or being forced into adminstration, while others are relying heavily on the UK government’s recently announced furlough scheme, and almost one million of us have turned to universal credit out of desperation.

In the creative industries, small businesses have been hit particularly hard by the pandemic. The government has stepped in with a number of support measures, specifically its Small Business Rate Relief scheme, which allows grants of up to £10,000, while companies with a rateable value of between £15,000 and £51,000 can also apply for further grants up to £25,000 to deal with business expenses.

As with most government backed measures, however, financial loans and grants will only get you so far. In the context of the pandemic, we’ve seen many examples of individuals helping out in their communities, but this community spirit has also been extended to small businesses, many of whom previously coexisted with or even competed against each other. One such community has found its home in Amsterdam’s creative sector, where a group of half a dozen or so businesses, ranging from cultural PR agency Hooton to tech director Tobin Nageotte, have formed an unofficial support network to help get each other through the other side.

Adidas Terrex campaign video by Gus&Joe

“It’s all based on personal connections first rather than business connections, so it’s more like one day you just realise that all these people that you hang out with [are in a similar situation],” says Joe Utter, one half of freelance creative director duo Gus&Joe, who have been based in Amsterdam for seven years. Over the last couple of years in particular, the ad team have relied on this network of likeminded businesses to collaborate on various projects, in what Gus Hudstrom describes as a “loose construction of an agency”.

“I think the handy thing with this is that normally, even if you’re a bigger agency you need to hire freelancers to come and help you with certain skills. When we have an idea and we want to take it to a client, then we can be open about the fact that we’re not a big company but a cluster … so you get a bit of clout, you become bigger together, which is very handy,” Utter adds.

For Simon Hatter, founder of experience agency Rumour Has It, the support network was fundamental when he was made redundant after to moving to Amsterdam in 2017, and he decided to go it alone instead. “I ran businesses in London but doing it here in a different city is kind of terrifying to be honest, so just being able to check things with people is really great. Sometimes you have those moments where you are like ‘why the hell am I doing this? This is crazy’, and they are able to talk you from the edge and say, ‘hang on, there is a reason why you did it, go back to the initial reason’,” he says.

Nike All Star Weekend 2020, by Rumour Has It

“On a personal level as well, it’s grown my friendship circle, and I think it’s nice to know that there are other people in the same boat as you. Running your business on your own is pretty siloed, it can be pretty lonely, and I think it’s nice to know you can pick up the phone and just be like ‘I’m having a wobble today, I just need to have a chat with you’,” Hatter adds.

The close working and personal relationships of the individual within the group have resulted in a number of collaborative projects over the years, while the businesses share everything from the same accountant to intel on what the brands they work with are talking about, and they even teamed up on a joint Christmas party last year.

Since the pandemic struck with full force last month, all of the businesses in the network have felt its effects in one way or another. “Day to day, we are pretty much brakes on. We’re in brand experience, we’re in connecting with audiences in very public spaces, and we’re not doing that right now,” says Hatter.

Having a support network is almost like having a partner or having a relationship, giving and taking throughout the bad times and the good times

The agency’s Olympics project for Nike has been put on hold now that the event has been pushed to 2021, and Hatter made the difficult decision to let go of its pool of 15 freelancers to be able to properly support its five full-time staff. Meanwhile, Gus&Joe have had a number of projects cancelled or postponed indefinitely, although they’ve also managed to pick up a couple of extra pieces of work in the meantime.

In uncertain times like these, their unofficial support network has proven to be more vital than ever, whether it’s working out what the latest government measures actually mean, or keeping their ear to the ground for any potential work that they can push in one another’s directions. Having worked as a 24-hour freelance team for a few years when Utter lived in Melbourne and Hudstrom was in Amsterdam, the duo are well versed in the nuances of remote working, and have been able to share advice with some of the other members of the group who are struggling to adapt.

They’re also viewing the pandemic as the perfect opportunity to pick up that long lost personal project, and make use of other members’ areas of expertise while everyone has got a big more time on their hands. “As a small business, if you have work for a client you almost always focus 110% on that, and those other ideas that you want to realise can end up in a Google Doc while you end up on the next client deadline. Now is the time to do those projects, and that’s probably when this little network will be very handy,” says Utter.

Alongside the practical stuff, the coronavirus pandemic has highlighted the importance of having a shoulder to lean on during difficult times. “It’s been the most important thing I think,” says Hatter. “I was reading the other day that it’s like going through mourning, and I very much feel like I’ve been going through mourning. [Having the network] is almost like having a partner or having a relationship, giving and taking throughout the bad times and the good times. If you’re having a bad moment it’s also nice to see that other agencies are still going, so it gives you that momentum back to be like, ‘they can carry on, I’m going to carry on as well’.”

For other small creative businesses mourning life before Covid-19, Hatter adds, the value of this kind of support is immeasurable. “It’s an emotional support that the government can’t give you, because I think we’re just a number really when it comes down to it. The support of your specific industry, you don’t get that from anyone else other than people who are in the same situation as you. You know they’ve either been through it themselves, or they are going to go through it, so they can take stock of what you are saying and be like ‘ok, now I know how to deal with this’.”

gusandjoe.com; rumourhasit.com

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Take A Good Look At The Very Visible Coronavirus

SARS-CoV-2, the novel coronavirus that causes COVID-19, Illustrated by Alissa Eckert and Dan Higgins at the CDC using Autodesk 3ds Max

As you probably know, this is the coronavirus. More specifically, this is a carefully considered Autodesk illustration of the coronavirus by Alissa Eckert and Dan Higgins. The team of biomedical illustrators have worked for 14 years to make visible several infamous health world villains, such as ebola, anthrax, gonorrhea and now the coronavirus. The team, along with over 50 designers at the CDC, have been hard at work spreading the message about coronavirus since the early days of the crisis.

By giving these major diseases form and identity, biomedical designers make the otherwise terrifying source of a pandemic like this one tangible, and on some level, understandable for the many. While certain politicians, such as the US president, continue to incorrectly suggest the coronavirus is invisible, the extent to which scientists are able to see and understand the virus is a clear indication of how well equipped we are, technologically, to cope with this pandemic. We are only limited by how well we can distribute information, images, and resources. Falsely assigning ambiguity to the coronavirus can breed potentially life-threatening misinformation. By widely distributing clear images, and legibly designed information about the coronavirus, anybody can help to bolstering public understanding and public health.

Free Use COVID Image Resource (Courtesy of the NIAID):

Eckert and Higgins’ now ubiquitous image of the coronavirus features a shallow focus along with shadows on its surface, to give the illusion of space, depth, and physicality for viewers. A grave red and gray color scheme gives the virus an identity as something to be taken seriously. Designed not to express the purely empirical, but rather to make the virus readable, accessible and understandable as an entity. In these aesthetic considerations, Eckert and Higgins approached the coronavirus in much of the same way that graphic designer would a brand. (Read more about the design process here.)

image credit: CDC

In addition to this illustration there have been many images of the virus taken via electron microscope. Just imagine if we couldn’t see what was causing this pandemic. Imagine if there were no electron microscopes, no sophisticated modeling software to render the image of the virus. One might refer to the terror that small pox unleashed upon Native Americans, or the black death for Europeans. While a disease well understood is frightening on its own, an unknown plague that kills whole communities of people is far worse and compounds crisis.

Aren’t you happy your newsfeed isn’t filled with pics like this?

The full portrait of the coronavirus is colored by a multiplicity of images. Overwhelmed hospitals, a surplus of infection-rate data graphics, and the countless stories we’re all reading everyday from the news or people we know. Much like global warming and the climate crisis, we have all sorts of visual evidence of the problems we face and there really isn’t any excuse to say something can’t be seen, or isn’t certain anymore. While it is tempting to look away from the thing that is unpleasant, scary, violent, alien, deadly, unfamiliar, big, overwhelming, it doesn’t change the fact that it is there. Looking at it, confronting the picture or the illustration or the data visualization of that big problem is the first step to actually dealing with it. As seen with Eckert and Higgins’ illustration, designers can be a key part of facilitating that confrontation and hopefully making it more manageable for everyone.

Daily coronavirus architecture and design briefing: 14 April

Kiran Zhu's portable Handy Capsule aims to improve public hygiene

Daily coronavirus briefing: today’s architecture and design coronavirus briefing includes socially distanced cycle lanes, portable sanitation kits and warnings from Italy.

“Father of modern Iraqi architecture” dies from coronavirus

Architect Rifat Chadirji has passed away from coronavirus at the age of 93 in London. Chadirji designed over 100 buildings in Iraq, including the Baghdad Central Post Office and the Freedom Monument at Tahrir Square (via Middle East Eye).

Epidemiologist calls for everyone to wear a face shield 

US physician and epidemiologist Michael Edmond has claimed that face shields are more effective than masks at protecting the general public from coronavirus (via Dezeen).

Open House launches fundraiser to survive the pandemic 

The world’s largest architecture festival has lost almost all of its income due to coronavirus and has started a fundraising programme asking people to become Open House Friends and donate in return for rewards (via Open House).

Italy’s design brands warn of “economic catastrophe” if lockdown continues

A group of Italian companies have called on their government to ease the lockdown and allow manufacturing to restart on 14 April or risk country’s economic future (via Dezeen).

Formula One ventilators idea scrapped in UK

Plans to use for new ventilators designed by Formula One to address the UK’s medical equipment shortage have been cancelled after assessment shows them to be unsuitable for treating the unique symptoms of coronavirus (via Guardian).

Portable sanitation kit designed to promote public health

Chinese designer Kiran Zhu has created Handy Capsule, a portable sanitation kit complete with a disposable face mask, hand sanitiser, alcohol wipes and temperature stickers (via Dezeen).

Pratt Institute professor dead from Covid-19 at 73

Lou Goodman, who taught at the architecture department of the Pratt Institute in New York since 1979 has died at the age of 73 from coronavirus (via Harriet Harriss Twitter).

Coronavirus is both a “disaster and an opportunity” says Hella Jongerius

Dutch designer Hella Jongerius has told Dezeen that the pandemic provides an opportunity for designers to focus on finding solutions to “global problems” in a recorded animation for our Virtual Design Festival (via Dezeen).

Germany re-draws bicycle lanes to allow social distancing

Pop-up cycle lanes in Berlin have been drawn on the road to allow cyclists to use the roads while staying 1.5 metres away from each other (via The Guardian).

Artists create Zoom meeting backgrounds for remote workers

Meeting Masterpieces is a new site set up by New York consultancy Co:collective where users can download original backgrounds for their Zoom meetings and donate to an artist or charity (via Meeting Masterpieces).

Bar Basso launches fundraiser for Milan homeless shelter

Bar Basso, the go-to location for thirsty visitors during Milan’s Salone del Mobile (cancelled this year due to coronavirus), has launched a fundraising campaign asking designers to donate the price of a drink to Opera San Francesco, a homeless shelter in the city that provides 200 hot meals a day and a free clinic for those experiencing poverty (via GoFundMe).

Woods Bagot designs adaptable apartment for coronavirus

Architecture firm Woods Bagot has designed an apartment with adjustable walls for people spending more time at home during the coronavirus lockdown (via Dezeen).

Keep up with developments by following Dezeen’s coverage of the coronavirus outbreak. For news of impacted events, check Dezeen Events Guide’s dedicated coronavirus page.

 

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Fabian Tan adds barrel-vaulted concrete extension to Kuala Lumpur home

Bewboc House by Fabian Tan doors

A large concrete arch frames new living and dining spaces in this Kuala Lumpur house extension by Malaysian architect Fabian Tan.

Called Bewboc House, the project allows a typical terraced house in the suburbs to stand out from its neighbours.

Bewboc House by Fabian Tan barrels-vaulted extension

The barrel-vaulted concrete extension projects out diagonally from the south corner of the otherwise L-shaped property.

Facing the street corner, its simple geometric shape creates a weighty presence, which makes it look like a separate structure.

Bewboc House by Fabian Tan barrel-vaulted roof

“The approach was to imagine a form befitting a corner house,” explained Tan.

“The new form is intended to be simple but bold, contrasting with the existing fabric of tropical suburban homes.”

Bewboc House by Fabian Tan barrel-vaulted interior

The house is owned by a young family. Their brief was to create more living space, but with a minimalist approach.

Tan’s extension create a large new living room and dining space on the ground floor, with plenty of room for hosting friends.

Bewboc House by Fabian Tan interior

Mezzanine platforms create two additional spaces upstairs.

A first-floor lounge, accessed via the main staircase, has an elevated view of the living spaces below. There is also an open-air terrace at the front, which can only reached via a new staircase from the master bedroom.

Bewboc House by Fabian Tan doors

The whole structure is made from cast concrete, which is left exposed both inside and out.

Oversized wooden doors front the building, allowing the interior to be completely opened up to the elements.

Bewboc House by Fabian Tan window

“The space appears continuous through the extension of the arch and exaggerated further through the materiality of the concrete finish from floor to ceiling,” said Tan.

“The extension is further enhanced by the two large doors that open up to the garden,” he added. “The uninterrupted perspective from inside out immediately connects the interior with nature.”

Bewboc House by Fabian Tan lounge

Windows have been carefully designed to work with the building’s vaulted geometry.

On the ground floor, sliding glass doors open up to patio and garden spaces on both sides. But on the first floor, a semi-circular window creates a visual continuity with the curve of the roof.

From certain angles, it is possible to see an S shape where the two meet.

Bewboc House by Fabian Tan barrel-vaulted balcony

“Walking through the upper levels, this continuity echoes throughout the spaces as lines of openings and arches meet,” added Tan.

“This rhythmic play of lines within a heavy structure lends to a play of light in subtle ways, reminiscent of a journey through a cave, perhaps to see the light at the end of the tunnel.”

Bewboc House by Fabian Tan aerial view

Tan founded his Kuala Lumpur-based studio, Fabian Tan Architect, in 2012.

He has completed several residential projects that respond directly to the tropical Malaysian climate. They include Voila House, a home with a circular living room, and Ittka House, a home where the bedrooms slide open at the corners.

Photography is by Ceavs Chua.

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The iBoy fidget toy is the perfect desktop accessory for every Apple lover!

Remember the glory-days of capitalism when you could line up in the thousands for the chance to buy a tiny box that could hold more songs than you could ever imagine? Pardon my slight pessimism, but I really do look back to the days of the iPod, a product that absolutely changed the music industry as we know it. It revolutionized flash-storage, the birth (and subsequent death) of MP3s, the rise of singles over albums, it championed music portability in a way that absolutely overthrew the Walkman and Discman, brought about the age of anodized aluminum, and most importantly, cemented Apple’s clean, sensible, and game-changing design language.

In fact, so iconic is the music player, someone decided it deserved its own action figure! Say hello to the iBoy, a collectible that captures the combined joy of an action toy with the world’s most famous music playback device. Modeled clearly using Apple’s classic player as inspiration, the iBoy comes with movable hands and legs that attach and detach via magnets, and droid antennae that manifest themselves on each side of the iBoy’s head in the form of earphones!

The iBoy’s design captures the most realistic, believable details of the music player, turning it into a nostalgic retro-inspired keepsake. The iBoy’s torso is all ABS plastic, while the back is a polished chrome metal. The figurine even comes with a display and ports (not real ones, obviously) and is complete with realistic artwork etched onto the metal back, and real tactile controls and rotating jog-dial on the front with realistically believable feedback that feels exactly like the original.

The ports are to-scale too, and the iBoy even has its own headphone cable that you can plug right into it for further customization because the iBoy isn’t just some static figurine. You can make it stand, sit, wave, do a split or even yoga. The metallic back extends to the sides, allowing you to magnetically interchange and reposition the iBoy’s appendages, making it stand beside your laptop in your workspace, or sit on top of your alarm clock… and occasionally press and rotate its absolutely divine tactile controls for an overwhelming wave of nostalgia… or should I say .wav of nostalgia! (If you get it, you get it!)

Designer: Philip Lee

Click Here to Buy Now: $37 $43 (14% off). Hurry, less than 48 hours left!

iBoy Retro Toy Figure by Classicbot

A heartfelt homage to the beloved iconic mp3 player that changed it all. iBoy is an adorable, transformable, collectible desktop accessory.

iBoy Doesn’t Play Any Music, But It Is Still Lots of Fun

iBoy is 100% free of electronic parts or functions, but each iBoy’s arms and legs with magnetic joints are infinite fun to move around and play with.

There’s even a detachable lifelike headphone that ensures effortless switches between the unit’s robot and MP3 stylings.

You can easily switch between iBoy’s robot and MP3 stylings.

Two version to choose from. iBoy regular version and iBoy To U special Edition.

The Perfect Fiddle Toy

Each unit comes with an easily rotatable control wheel and easy-on-the-ear clickable button, making it the perfect fiddle toy.

Click Here to Buy Now: $37 $43 (14% off). Hurry, less than 48 hours left!

"Every person should have a face shield" says epidemiologist Michael Edmond

Face shield interview with epidemiologist Michael Edmond

Face shields offer more effective protection against coronavirus than masks and should be worn by the public whenever they leave home, according to US physician and epidemiologist Michael Edmond.

Edmond, an infectious diseases physician and hospital epidemiologist in Iowa City, USA, has been advocating the use of face shields on his blog.

He believes the simple devices are more effective than masks at protecting the eyes, nose and mouth from Covid-19 infection and praised efforts by architects and designers to manufacture the devices as “one of the silver linings of this pandemic”.

“I think every person should have a face shield,” Edmond told Dezeen. “It should be worn anytime they leave their home, while in any public place, and even at work.”

“I believe that if every person wore a face shield when out of their home, we would bend the curve faster and return to normal life sooner.”

“Several important advantages” over masks

They provide better facial protection than masks, Edmond believes, as well as being reusable and more comfortable. They also prevent wearers from touching their faces and make it easier to communicate with others, since the mouth is visible.

The simplest face shields consist of transparent visors that cover the face, plus a securing mechanism such as a strap or headband to hold them in place. Some versions are disposable while other more rugged designs can be reused after sterilisation.

With personal protective equipment (PPE) in short supply in many countries, many healthcare workers have been using face shields designed for workers in construction or other industries.

In the photo at the top of this story, Edmond wears a Uvex Bionic shield, described by its manufacturer as “a revolutionary face shield designed for rugged jobs” that is “perfect for workers exposed to impact, chemical splash, and airborne debris”.

“I’m wearing the face shield that I wear to see patients,” Edmond said of the photo.

In addition, architects and designers have been producing simple face shields for local hospitals, turning over their model shops and fab labs to the production of the devices.

Edmond praised their efforts, saying: “I appreciate anything that serves to improve the supply of PPE. The efforts of industry and the community to help us are one of the silver linings of this pandemic.”

“The shield should extend below the chin”

Edmond offered advice for designers wanting to produce shields.

“The most important design consideration is coverage,” he said. “The shield should extend below the chin vertically and to the ears on the periphery.

“In addition, there should be no gaps that would allow droplets to reach the face,” he added. “Some 3D-printed designs have a gap between the forehead and the front of the shield that is not optimal.”

With masks and isolation gowns also in short supply, Edmond believes the healthcare industry has become too reliant on single-use PPE.

“I think a key lesson is that we are far too dependent on disposable products in healthcare,” he said. “Isolation gowns used to be made of cloth and laundered after use. We’re now interested again in cloth gowns.”

Here is a transcript of the email interview with Edmond:


Marcus Fairs: Tell me who you are.

Michael Edmond: I am an infectious diseases physician and hospital epidemiologist in Iowa City, Iowa.

Marcus Fairs: What are you wearing in the photo?

Michael Edmond: I’m wearing the face shield that I wear to see patients. It’s the Uvex Bionic. There’s a photo of it on my blog here.

Marcus Fairs: Tell me about the HAI (hospital-acquired infections) Controversies blog that you contribute to. That’s how I found about about you.

Michael Edmond: The blog focuses on controversial issues in infection prevention. Right now, the focus is on Covid-19.

Marcus Fairs: How has coronavirus impacted your life and work, and that of your colleagues in Iowa?

Michael Edmond: Covid-19 has had a huge impact on hospitals. All elective surgeries and procedures have been cancelled, many support staff are working from home and enormous efforts have gone into preparation for, and logistics of providing care to, large numbers of patients with this infection.

Marcus Fairs: Much of the discussion about protecting healthcare workers treating coronavirus patients has focussed on masks. But on your blog, you’ve been promoting the use of face shields. Why is that?

Michael Edmond: Face shields have several important advantages over face masks. They provide greater facial surface area coverage than masks by protecting all of the areas where the virus enters the body (the eyes, nose, and mouth). Unlike cloth or fiber masks, the virus is unable to penetrate the plastic shield.

They also prevent you from touching your face. One of the major drawbacks of face masks is that many touch their faces more often to adjust the mask, and this poses a risk for infecting themselves by contaminated hands.

Face shields are durable, can be cleaned after use, and reused repeatedly. Many people (myself included) find face shields more comfortable than face masks. Communication is better with shields than with face masks as your face is visible to patients and coworkers.

And importantly, given all the shortages of personal protective equipment at this time, this is a device that is diversified across other industries. There is greater availability since the medical supply chain is so stressed at this time.

Marcus Fairs: Do you advocate face shields for members of the public? Are shields better than masks?

Michael Edmond: I think every person should have a face shield. It should be worn anytime they leave their home, while in any public place, and even at work. There are no head-to-head comparisons of masks to face shields.

However, we do know that cloth face masks, though better than nothing, are less effective than medical-grade face masks, and masks provide no eye protection.

Marcus Fairs: What do you think of efforts by designers, architects, and brands like Apple to produce PPE including face shields and masks? Are their efforts helpful?

Michael Edmond: I appreciate anything that serves to improve the supply of PPE. The efforts of industry and the community to help us are one of the silver linings of this pandemic.

Marcus Fairs: Have you and your colleagues been using face shields produced in this way?

Michael Edmond: At my hospital, we have multiple face-shield types in use since no one vendor was able to meet our demand. Most of our shields were produced for non-medical uses (eg woodworking, agriculture, metal grinding).

Marcus Fairs: How can people who want to make face shields ensure the items they produce are useful, needed, comfortable and safe?

Michael Edmond: I think it’s helpful to have end users trial prototype designs to evaluate usability, safety, and comfort.

Marcus Fairs: What are the crucial design considerations to bear in mind when producing face shields?

Michael Edmond: The most important design consideration is coverage. The shield should extend below the chin vertically and to the ears on the periphery. In addition, there should be no gaps that would allow droplets to reach the face. Some 3D-printed designs have a gap between the forehead and the front of the shield that is not optimal.

Marcus Fairs: I’ve seen descriptions of face shields made from fizzy-drink bottles and other found objects. Can these be useful too? Or are they counterproductive or even dangerous?

Michael Edmond: There’s no reason why drink bottles would not work.

Marcus Fairs: Can architects and designers help out with other types of PPE?

Michael Edmond: Isolation gowns are also in short supply. I think a key lesson is that we are far too dependent on disposable products in healthcare. Isolation gowns used to be made of cloth and laundered after use. We’re now interested again in cloth gowns (for isolation and for surgical procedures).

Marcus Fairs: What is the situation with the virus in Iowa? Do you have enough PPE?

Michael Edmond: We are seeing an increase in the number of cases in Eastern Iowa though it does not appear that we have reached our peak. PPE is in short supply at most hospitals; while levels are adequate in our area now, the question is whether there will be enough PPE to endure the entire outbreak. Face masks and N95 respirators are in shortest supply.

Marcus Fairs: What are your predictions as to how the pandemic is going to pan out?

Michael Edmond: I suspect the outbreak will continue for at least the next few months. Hopefully, we will begin to see the impact of social distancing and shelter in place policies. I believe that if every person wore a face shield when out of their home, we would bend the curve faster and return to normal life sooner.

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